Patrick Scott HRHA (b.1921)UNTITLED III (FROM MEDITATIONS), 2007carborundum with gold leaf; (no. 33 from an edition of 50)signed and dated lower right; numbered lower left; with blind stamp of Stoney Road Press stamp lower rightPortrait24 by 24in., 60 by 60cm.Each lot uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
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Patrick Scott HRHA (b.1921)UNTITLED IV (FROM MEDITATIONS), 2007carborundum with gold leaf; (no. 33 from an edition of 50)signed and dated lower right; numbered lower left; with blind stamp of Stoney Road Press stamp lower rightPortrait24 by 24in., 60 by 60cm.Each lot uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Patrick Scott HRHA (b.1921)UNTITLED V (FROM MEDITATIONS), 2007carborundum with gold leaf; (no. 33 from an edition of 50)signed and dated lower right; numbered lower left; with blind stamp of Stoney Road Press stamp lower rightPortrait24 by 24in., 60 by 60cm.Each lot uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Patrick Scott HRHA (b.1921)UNTITLED VII (FROM MEDITATIONS), 2007carborundum with gold leaf; (no. 33 from an edition of 50)signed and dated lower right; numbered lower left; with blind stamp of Stoney Road Press stamp lower rightPortrait24 by 24in., 60 by 60cm.Each lot uniformly framed. Sheet size: 28.5 by 28in. From a compilation of seven hand-made carborundum prints which re-examine the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.
Sean Scully (b.1945)COLOURED WALL, 2003 and SEAN SCULLY (BOOK) by David Carrierlithograph; (no. 126 from a limited edition of 150); limited edition book; (no. 126 of 150)lithograph, signed, titled, dated and numbered in the lower margin; book, numbered on presentation slipcase, upperPortrait11.75 by 9.5in., 29.375 by 23.75cm.Lithograph printed in colours on Zerkal Copperplate deluxe paper and printed at Atelier 28, their stamp verso. Accompanying first special edition hardback book by David Carrier, Thames and Hudson, London 2004. Contained in original red slipcase, titled and numbered on upper. Excellent example. (2 items total)
Seamus Murphy RHA (1907-1975)FREDERICK MAY (1911-1985), 1955plaster on wooden basesigned, titled [Fred May] and dated at the basePortrait14 by 10 by 8in., 35 by 25 by 20cm.Collection of the sitter;From whom gifted to the previous ownerA retrospective exhibition of Murphy`s sculpture was held in Douglas Hyde Gallery, Trinity College, Dublin, 2 December to 15 January 1983. Among the exhibits was catalogue no. 29 Frederick May, bronze [complete catalogue of work, no. 233] on loan from RTÉ. The exhibition catalogue for the show also made note of another example in the National Gallery of Ireland.The Sunday Independent, 5 December 1982, noted It`s the characters that steal the show, in particular Frederick May and Pope O`Mahony. "My father did them because he liked them." Murphy`s daughter Beibhinn told [the reporter, unnamed] "The others were the bread and butter." - a picture of the May bust in bronze accompanied the article. The bronze of May was made in an edition of 7. The present example is in plaster and came originally from the collection of the sitter. An example in this medium depicting the sculptor`s son, Colm 2, 1965 can be found in the collection of the Crawford Art Gallery, Cork."
Carl Max Kruse (German, 1854-1942)NENIKIKAMEN [WE ARE VICTORIOUS"]"bronzesigned and titled at base; also marked A. Clause SC" at base"Portrait18.5 by 17 by 5in., 46.25 by 42.5 by 12.5cm.The Collection of Mervyn & Pat SolomonPheidippides is known as the hero of Ancient Greece and was the source of inspiration for the modern day sporting event, the marathon. Pheidippides ran from Marathon, a town northeast of Athens, to the Greek capital to deliver a message regarding the Battle of Marathon. The modern sporting event is based on a run approximately the same distance.
John Fitzgerald (b.1976)THE WEXFORD HUNToil and acrylic on canvassigned lower rightPortrait27.5 by 27.5in., 68.75 by 68.75cm.Contemporary artist John Fitzgerald lives and works in County Meath but originally studied Industrial Design in Letterkenny and later in the University of Wales, Swansea. He has been painting for several years with equestrian and farm animals being his main source of inspiration. He is represented by galleries throughout Ireland and has contributed to several group shows as well as garnering prestigious commissions from private clients and companies. Most recently in September 2011 Fitzgerald was commissioned by The South East Meath Chamber of Commerce to do a painting of Newgrange, later presented to the Cary Chamber of Commerce, North Carolina, USA.
Colin Davidson RUA (b.1968)STANDING NUDE 4, 2003oil on canvassigned and dated lower right; signed, titled and dated on reverse; with Solomon Gallery label also on reversePortrait30 by 14in., 75 by 35cm.Solomon Gallery, Dublin;Where purchased by the present owner`New Works 2002-2003`, Solomon Gallery, Dublin, 15 April to 7 May 2003, catalogue no. 2
PROVENANCE: The following three lots (424, 425 & 426) came from the family of the famous Irish miniaturist Sampson Towgood Roch (1757-1847) of Waterford. It is believed that the sitters are members of the Roch family. IRISH SCHOOL, EARLY 19TH CENTURY Portrait of a gentleman, with brown wavy hair, wearing black tie dress on red sofa, holding a glove Oil on canvas, 48 x 41cm Indistinct label verso
Art Nouveau medallion, portrait of Beethoven, by Abel Lafleur, signed, marked, 2"w x 3"l; with an Art Nouveau medallion, harvest motifs, by J. Dampt, 1903, signed, marked, #156, 2.5"dia; with an Art Nouveau medallion, nude figure, "Flore," by L. Coudray, signed, 1.5"w x 3"l; with an Art Nouveau medallion, "Et Amant Meminisse...," by Henry Dropsy, signed, marked, 3"w x 2.5"l; with an Art Nouveau medallion, a painter, illegible artist initials, marked, 1.75"w x 2"l, all bronze Starting bid: $125
Crowns Edward VIII 1936 INA Retro Patterns (8) Obverse Portrait of the King facing right by P.Metcalfe, Reverse stylised George and the Dragon as 1935 Crowns, Struck in 8 metals one each in .925 silver, Golden alloy, Platinum coloured metal, aluminium, nickel silver, Piedfort copper, Gold coated copper (Barton`s metal), silver coated Piedfort, milled edge (only 18 sets made) Lustrous UNC and Prooflike
Crowns Edward VIII 1937 INA Retro Patterns (8) Obverse Large Portrait of the King facing left by D.R.Golder, Reverse stylised George and the Dragon as 1935 Crowns, Struck in 8 metals one each in .925 silver, Golden alloy, Platinum coloured metal, aluminium, nickel silver, Piedfort copper, Gold coated copper (Barton`s metal), silver coated Piedfort, plain edge (only 18 sets made) Lustrous UNC and Prooflike
Crowns Edward VIII 1937 INA Retro Patterns (8) Obverse Portrait of the King facing right by P.Metcalfe, Reverse stylised George and the Dragon as 1935 Crowns, Struck in 8 metals one each in .925 silver, Golden alloy, Platinum coloured metal, aluminium, nickel silver, Piedfort copper, Gold coated copper (Barton`s metal), silver coated Piedfort, milled edge (only 18 sets made) Lustrous UNC and Prooflike
Crowns Edward VIII 1937 INA Retro Patterns (8) Obverse Portrait of the King facing right by P.Metcalfe, Reverse stylised George and the Dragon as 1935 Crowns, Struck in 8 metals one each in .925 silver, Golden alloy, Platinum coloured metal, aluminium, nickel silver, Piedfort copper, Gold coated copper (Barton`s metal), silver coated Piedfort, plain edge (only 18 sets made) Lustrous UNC and Prooflike
Crowns Edward VIII INA Retro Patterns 1936 (7) Obverse Right facing portrait of the King, Reverse George and the Dragon. Plain edge, Struck in 7 metals .925 Silver, Piedfort Copper, Gold Coated Copper Piedfort, Nickel-Silver, Platinum coloured alloy, Silver Coated Piedfort and Aluminium only 15 sets made, Lustrous UNC and Prooflike
Crowns George III INA Retro Patterns undated (7) Obverse Portrait of the King by Webb and Mills for Mudie, Reverse George and the Dragon, plain edge. Struck in 7 metals .925 Silver, Piedfort Copper, Gold Coated Copper Piedfort, Nickel-Silver, Platinum coloured alloy, Silver Coated Piedfort and Aluminium only 12 sets made, Lustrous UNC and Prooflike

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