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Preisdatenbank abonnierenA tryptic of three portraits, each with an oval oil painting portrait after Reubens, Rembrandt and Van Dyke. Largest 25 cm x 19 cm and all housed within an ornate giltwood and gesso Florentine frame, bearing label "Sold by Philpot & Jackson, Picture Dealers, Borgo Ognissanti, Florence". Frame height 48 cm, width 82 cm.
A Staffordshire Pearlware Nelson Commemorative bowl, English circa 1805 Printed in blue and white, the central roundel depicting a half length portrait before five ships at sea, inscribed in the ring "England expects every man to do his duty" flanked by battle trophies and motto's and verse with a leaf and flower border, 17cms. CONDITION REPORT: Loss of glaze to rim approximately 1 inch long. Overall discolouration and fine crazing.
Joanne Blanch Brocklehurst 1935-2006: Coloured pencils drawing on buff paper, head and shoulder portrait of a male Punk, signed and dated Jo Brocklehurst 1984 to lower right sold with two original exhibition poster for the Francis Kyle Gallery, 14th - 17th August 1982 and the 4th March - 3rd April 1986, and signed photocopy of one of her artworks dated 1994,
An Elizabeth II Annigoni Royal Silver Jubilee plate No.1091/2000, engraved to the centre with a portrait of the Queen produced "In honour of the Silver Jubilee of the Accession of Her Majesty Queen Elizabeth II ..." with certificate, cased together with another silver plate to commemorate the 80th birthday of the Queen Mother and another silver plate, total weight approximately 1017 grams
Heinrich Fischer (1820-1886) - Self-portrait at the easel holding a porte-crayon and mahl-stick Pastel, touches of black chalk, on vellum Signed and dated 1842 lower right 60 x 48 cm. (23 5/8 x 18 7/8 in) Provenance: Sale. Christie's, Old Master Pictures & Drawings, 7th December, lot 436 . Born in Nänikon, Switzerland, Fischer was a known watercolourist working in Zurich, before travelling to Munich in 1840. He moved to Bern in 1848 and worked in portraits and landscapes, in which many were reproduced using lithography. The present portrait appears to be an early self-portrait by the artist, probably executed while in Munich.
Follower of Sir Anthony van Dyck (1599-1641) - Portrait of Diana Cecil, Countess of Oxford, standing in a white silk gown with a blue wrap Oil on canvas 128 x 103 cm. (50 3/8 x 40 1/2 in) Provenance: Professor Bernard Nevill, West House, Glebe Place; Sale. Christie s SK, Sunday Sale , 31st July 2011, lot 201; Private European collection. Diana Cecil, Countess of Oxford (1596-1654), was the third daughter of William Cecil, 2nd Earl of Exeter (1566-1640) and Elizabteh Stafford (d.1599). In 1624 Diana Cecil married Henry de Vere, 18th Earl of Oxford (1593-1625). An early portrait of Lady Diana Cecil was executed in 1614 by William Larkin (c.1580s-1619), and shows the sitter full-length in an elegant dress in a luxurious interior. A closely related variant painting of Diana Cecil, attributed to Van Dyck, is held at Weston Park (see Dining Room at Weston Park no. 101.0091). The present portrait is also related to a portrait of Diana Cecil by Van Dyck, executed circa 1638, held in the Musei Nacional del Prado (see inv. no.: P01481). Like the Prado portrait Cecil is shown beside an outcrop of rock, but rather than wearing a black dress the sitter is shown in a white silk gown with a blue wrap; similarly the placement of Cecil's hands are also at odds with the Prado portrait.
Sydney Horne Shepherd (1909-1993), Portrait, signed, mixed media, 38 x 28cm.; 15 x 11in. * Horne Shepherd was born in Dundee and studied at Dundee School of Art from 1924-1926, followed by Glasgow School of Art from 1926-1927, where he was awarded a travelling scholarship. He was a fireman in the Second World War and followed this by teaching art at Shoreditch and St Martin's. He had numerous solo shows in the UK and abroad. Artists' Resale Right ("droit de suite") may apply to this lot.
After Charles Frederick Tunnicliffe R.A. (1901-1979), "The Gander", signed in pencil in the margin, with Fine Art Trade Guild blindstamp, published by Adam Collection Ltd, from an edition of 306, published 1976, colour reproduction print, image size 58.5 x 43cm.; 23 x 17in, together with Portrait of a Country Artist - C.F. Tunnicliffe R.A. 1901-1979 by Ian Niall, 1983, with the signed print illustrated on page 49 (2).
Enamel box, with porcelain cover printed with verse 'Tho small this trifle may appear, accept it and my love sincere' also another box printed and painted with a portrait of a lady, late 18th / early 19th century (2) The largest box measures 4cm wide Condition report: The first box is free from damages or restoration. There is restoration to all parts of the second box, the internal mirror is also cracked.
Herculaneum Steam race commemorative frog mug circa 1830 the front printed with the Exchange Buildings and Nelson's Monument Liverpool to one side 'The Rocket of Messrs R. Stephenson and Co' and 'The Northumbrian of Messrs R. Stephenson' the interior printed with a portrait of Queen Adelaide and the 'Novelty of Messrs Braithwaite and Ericsson' as well as 'Carriages for Passengers' 12.5cm high Condition report: Restorations to the handle joins, also two restored hairline cracks. Losses to the front legs of the frog. Overall crazing.
Framed Meissen plaque, painted with a portrait of a lady holding a song book, fitted in gilded metal framed, crossed swords mark to reverse, mid 19th century, the plaque measures 24cm x 18cm Condition report: The frame is held together by metal screws some of which are missing, some have sheared off, thus preventing the plaque from being extracted from the frame. Therefore only the face of the plaque can be guaranteed against damage and restoration as the very edges and back cannot be inspected.
An early 19th century tortoiseshell portrait snuff box of rectangular form, the cover applied with an oval gold frame containing an 18th century French School portrait miniature of a noblewoman, wearing a pink robe and wearing flowers in her powdered hair, enamel on copper (42 x 34mm), the box 8.2 x 6.2 x 2.6cm Small blemish to portrait mid/lower left, box has a split in the cover visible from the interior, hairline dcrack near the hinge back right and to the botttom front left and right
Continental School (early 19th Century) Portrait miniature of a Lady in Empire costume, wearing a green dress with pearls in her hair, watercolour on card, 7 x 6.5 cm (3 x 2.5in); together with another English School portrait miniature of a gentleman wearing a white stock and navy coat, watercolour on ivory, 8.5 x 7 cm (2) Lady - Dirt and dust under the glass. An area of dirt to her right cheek - this may be under the glass. Spots of white damage to her chest. An area of water damage and paint loss in her hair to the left of her face and in her cheek. Dirt and abrasions to the background - an area of paint loss to the lower right edge.Gentleman - Dirt in the paint surface, particularly noticeable in the sitter's face. A large area to the right hand background and a small area to the left background which may be old damages which have been over painted - surface texture here is scratched and abraded. Dirt under the glass. A few losses to the paint surface in the background.
Attributed to Edmund Thomas Parris (British, 1793-1873) Two portrait miniatures of young ladies identified as the Misses Louisa Mary and Henrietta Mott of Lichfield, Staffordshire, one wearing a pink dress and the other a yellow dress with white lace inscribed verso "E T Parris / May 1837 / 17 Grafton St." watercolour on ivory, cased (2) 7½cm (3in) Both cased, cases have some wear and tear. Dirt and mould to the gold frames, particularly on the girl in a pink dress. The miniatures themselves are in generally good condition; the girl in pink is a little faded, and the girl in yellow has slipped slightly to the left in her frame. Labels identifying sitters to verso and note encased with girl in pink
English School (18th Century) Portrait miniature of a Lady wearing a white dress and bonnet with a blue ribbon, 9 x 7cm (3.5 x 3in); and another of a military Gentleman identified as Colonel J H Mackenzie, 7.5 x 6cm watercolour on ivory (2) Military gentleman has a horizontal crack along the right hand edge. Discolouration to edges of this crack and edges of support. A spot of water damage to the left of his head, and fading and loss of colour to both miniatures.Lady has some fading and loss of colour. Some scratches and abrasions to the lower half of the portrait - in the sitter's arms. Some abrasions to the edges of the support.
William Egley (British, 1798-1870) Portrait miniature of a boy watercolour on ivory inscribed verso "Painted by William Egley, 15 Connaught Terrace, Hyde Park, 1844" 4cm (2in) Areas of surface dirt on the portrait - some spots of dirt across the forehead and chest of the sitter, as well as the background. Some fading and loss of colour. Dirt under the glass.
John Smart (British, 1741-1811) Portrait miniature of a Lady, traditionally believed to be Lady Dorchester, wearing a blue dress over a white chemise, a white satin shawl, a pearl choker at her neck, her brown hair worn upswept, plaited, curled and adorned with a string of pearls signed lower left with initials and dated 'JS / 1768' watercolour on ivory, in a gold frame with engraved border 4cm (2in) Condition is generally good. Paint layer is stable and secure. A little dirt under the glass. Some very minor spots of surface dirt to the lower left edge of the portrait, in the blue fabric. Possibly a little discolouration to the edges of the blue fabric with some slight yellow tones. Also some yellow tones to the sitter's eyes, which may possibly be due to pigment degradation in these areas. Frame has some scratches but in general is in good condition.
Attributed to William Naish (British, 1767-1800) Portrait miniature of a gentleman, traditionally thought to be Sir Edward Astley, 4th Baronet Astley of Hill Morton, MP (1729-1802), wearing a blue coat, yellow waistcoat and frilled white shirt with jewelled tie-pin watercolour on ivory in original gold frame, the reverse glazed to reveal plaited brown hair and previous collector labels (one indistinctly inscribed 'Sir/ Ed. Astley') Original gold frame, the reverse glazed to reveal plaited brown hair and previous collector labels (one indistinctly inscribed 'Sir / Ed. Astley') 5cm (2in) Condition appears fine - various labels stuck to the back.
John Smart (British, 1741-1811) Portrait miniature of a gentleman, in a gold frame, the miniature with pearl border and further border of green glass, the reverse glazed to reveal plaited brown hair, later fitted green leather case signed by his right shoulder with initials and dated 'JS 1773' watercolour, gold frame, the miniature with pearl border and further border of green glass, the reverse glazed to reveal plaited brown hair, later fitted green leather case 3cm (1in) Condition appears fine.
Anne Mee (nee Foldsone) (British, c.1775-1851) Portrait miniature of a young girl, wearing white dress and coral necklace, her arm resting on a leather-bound book watercolour on ivory, in a gilt-metal frame with hair motif to reverse 8cm (3in) Condition is good. Paint layer is stable and secure. A little dirt under the glass.
English School (19th Century) A group of five 19th century portrait miniatures and one photograph, together with a hinged wooden case with velvet liner, to include a portrait of a young girl, 4.5 cm; a portrait of a Gentleman in a blue coat with a white stock, 7.5 cm; a portrait of two young children, 4.5cm and two others watercolour on card and ivory
English School (19th Century) Portrait of the 1st Duke of Wellington, KG, GCB, GCH, PC, FRS (1769-1852) in a frame carved and gilded by Lady Ferrers in limewood from the Staunton Estate and "given by her to her dear son Ferrers January 24th / '69" oil on card 21 x 17cm (8 x 7in) Under glass and with a rub mark along the bottom edge and inscriptions to the reverse.
Francois Theodore Rochard (French, 1798-1858) Portrait of the young Master Hugh Barklie Blundell McCalmont (1836-1888), aged 4 years, in 1840 signed lower centre "F Rochard del. London 1840" and with labels verso identifying sitter and aritst watercolour with shaped corners 34 x 24cm (13 x 9in) Foxing and dirt under the glass.
Circle of Sir Peter Lely (British, 1618-1680) Portrait of a lady in a red dress with jewelled bodice, wearing pearls; and Portrait of a lady in a grey dress with jewelled bodice, wearing pearls oil on canvas (a pair) 28 x 21cm (11 x 8in) Lined canvas. Both paintings have areas of retouching - girl in red dress has more retouching and abrasions to her face. Thin layer of varnish, glossy and even. Some losses to frame. Remains of old label to the reverse but difficult to read - Lord Effingham ?
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