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283287 Los(e)/Seite
Los 251
Arthur Pond after Watteau - Caricature of the quack Dr. Misabin 1739 etching 29cm x 20cm and another by Arthur Pond after Ghezzi - portrait of Padre Sebastiano Resta, etching 1738 28cm x 18cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Los 106
2 x portrait miniatures on ivory in gilt gesso frames framed by Paul Vacani, 157 Fulham Road, London-7" x 7½"-Andrew Francis Paul Varani (1855-1914) was arrested in 1889 in a raid on a gambling club & in the 1911 census was a patient at Horton Asylum, Epsom so the frames are dated between 1889 & 1911
Los 65
Bill Reid VC 24 x 16 inch portrait print numbered 729/1000 by J G Keck. Signed by The Artist and Twice by Reid, one dedicated to Del. Condition report Good condition. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Los 691
Raf Flown cover dedicated to Major W. G. Barker VC. Cover has a portrait of Major Barker and illustrates him in aerial combat over the Western Front in October 1918. Special Guernsey Post office hand-stamp 50th Anniversary of the RAF 1918 - 1978, 15 Sept. 1978. Signed ACM Sir Peter le Cheminant GBE, KCB, DFC (Commanded No. 223 Sqn, WWII. Lieutenant-Governor and C-in-C of Bailiwick of Guernsey 1980). Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Los 3
Victoria Cross Booklet card signed collection. Six 6 x 4 portrait cards with images and titles signed by VC winners Umrao Singh, Keith Payne, John Hinton, Quentin Smythe, Edward Kenna, John Kenneally. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Los 587
Of naval interest - 18th Century English Delft blue and white plate, the centre decorated with a bust portrait of an officer and within a circular foliate border, the rim inscribed in black 'ADMIRAL RODNEY FOR EVER' and with a trellis and foliate border, diameter 23cm (cracked and with rivet repairs). This plate commemorates Admiral Rodney's victory at the Battle of Saintes on 12th April 1782.
Los 352
Brass cased key wind open faced pocket watch, the fusee movement with verge escapement, inscribed Hopkins & Son LONDON, no. 1117, the cased back engraved with a portrait of Shakespeare and inscribed 'Shakespeare born 1564', the gilt dial engraved with possibly Indian numerals, diameter 50mm.
Los 340
After Anthony Van Dyke (1588-1641) - A 19th Century copy of the famous dual portrait oil on canvas painting depicting Charles I of England and Queen Henrietta Maria of France. The double portrait of Charles I in armour and his wife in black with white lace collar. Set to an ornate gilt frame. Measures 87cm x 100cm.
Los 499
A rare 17th Century German antique Bartmann / Bellarmine salt glazed stoneware wine jug having a bulbous body with decoration of the Bearded Man with armorial crest underneath. The jug having extensive repair with area for portrait plaque to reverse. Raised on a small circular base with shaped handle and circular rim. Measures: 24cm.
Los 75
Henry Maull (1829-1914) and John Fox (1832-1907) ' Maull & Fox ' - English School - a good antique 19th century oil on board painting of ' Lieutenant I Rich of the Royal Horse Artillery.' Unsigned, but label to verso for 'Maull & Fox - Photographers and Portrait Painters to the Royal Family', another label laid to verso reading 'Lieut. I Rich RHA - ##315 (number partially missing). Depicting the Lieutenant in full period military uniform. Framed in a period moulded gilt frame. Measures approx; 56cm x 49cm total size.
Los 334
A rare 19th Century Chinese watercolour painting on rice paper portrait miniature depicting a Chinese gentleman in green silk robe adorned with blue and yellow dragons - possibly an emperor seated. Set to gilt slip frame within a red leather portrait case. Measures 7.5cm x 5.5cm. Wear to the top half of the painting.
Los 455
English School - A fine late 19th century oil on board portrait painting of a young lady depicted wearing a red shawl with white bonnet and a golden polka-dot scarf around her neck. Possibly a Handmaiden / Handmaid. Unsigned. Later and sympathetically framed in a gilt plaster ornate frame. Total size approx; 51cm x 41cm.
Los 266
Manner of Augustus Edwin John (1878-1961) watercolour study entitled ' Standing Woman With Hands at Shoulder ' Pencil and watercolour sketch portrait being signed in pencil to the lower corner. Framed and glazed with notation label and gallery sticker verso. Measures 19cms x 39cms / frame 37cms x 58cs
Los 333
Associated with the school of Sir Peter Lely (Soest 1618 - 1680 London) An 18th Century oil on canvas portrait painting of a young lady wearing a lace lined dress. Set within an oval gilt mount having swag decorated corners within cushion frame. Provenance- Once part of John Tweed's (Sculptor 1869-1933) private art collection. Measures 41.5cm tall by 35.5cm wide. Frame measures 61cm tall by 65cm wide.
Los 731
PUTNAM, F.W. Oriental and Occidental Northern and Southern Portrait Types of the Midway Plaisance 1894, St. Louis, bound in a volume entitled Paris Expostion 1900 cotaining Figaro Illustre July-Dec. fol. cont. hf. moroc. plus The Dream City… World’s Columbian Expostion 1893, St. Louis, obl. 4to cont. hf. moroc. plus 1 other (3)
Los 148
with central convex mirror flanked by portrait roundels on gilt of Shakespeare, Michelangelo, Beethoven and Cromwell with the text 'Love And Respect All Who By Deeds or Words or Thoughts Have Served Mankind', carved and painted foliate motifs (Dimensions: 132 x 153cm)(132 x 153cm)Condition report: Displays well but with a few marks and scratches commensurate with age, the mirror surround has opened up at both the top and bottom, the text appears to have been overpainted, poorly, a few minor knocks.
Los 284
Portrait of Nicolette at Paultons Square signed 'Devas' (lower left) oil on canvas 51 x 40.5cmFootnote: Provenance The Artist's family Sale; Christie's, South Kensington, 1 July 2004, lot 44 The sitter for this portrait, Nicolette Devas (1911-1987), is remembered as a distinguished author and painter whose sister, Caitlin, married Dylan Thomas. Born to Mary Yvonne Majolier and Irish bohemian poet-philosopher, Francis Macnamara, Nicolette was the eldest of four children. In 1916, an ill-fated attempt to establish a ‘Republic of Macnamaraland’ and the pursuit of various cultural and political escapades saw Francis Macnamara desert his family, leaving them destitute. Mary and her children later settled in Blashford on the edge of the New Forest, where they were close neighbours of Augustus John and his family. The Macnamara family formed a close relationship with the John family, and Augustus John would later use his influence and money to enable Nicolette to attend the Slade School of Fine Art, where she met Anthony Devas, later marrying him in 1931. Throughout the 1930s Nicolette established herself as an artist, showing her works at the New English Art Club, the Royal Academy and the London Group. Shortly before the outbreak of the Second World War, she held her first one-woman show at the Storran Gallery.
Los 291
Portrait of Grant Richards signed and dated 'H. Lamb / 1909' (lower left) black chalk (Dimensions: 29.5 x 23cm)(29.5 x 23cm)Footnote: Provenance Sale; Sotheby's, London, 24 Nov 2004, lot 6 Henry Lamb described the monocled sitter of this chalk portrait as his ‘first patron’. Grant Richards (1872-1948) was a British publisher and writer who established his eponymous publishing house in 1897, before completing his first novel, Caviare , in 1912. Despite two crippling bankruptcies, Richards is remembered for his significant contribution to the publishing business. In 1909, Henry Lamb produced the present portrait, along with drawings of the poets A.E. Houseman and John Mason, for Grant Richards during a visit to his home, near the Lizard Peninsula, Cornwall.
Los 292
Portrait of Edwin John, circa 1912 pencil (Dimensions: 21.5 x 13.5cm)(21.5 x 13.5cm)Footnote: Provenance Lady Pansy Lamb With New Grafton Gallery, London With Wolseley Fine Arts, London, 2002 Exhibited London, J. L. W. Bird, Winter Exhibition , 1983, cat.no27 Edwin John (1905-78), was the fourth son of Augustus John and his first wife, Ida. Between 1931 and 1932, Edwin John enjoyed a moderately successful career as a middleweight boxer, winning eight of his sixteen professional bouts. After retiring from boxing, he became a watercolour artist.
Los 326
Incident at Ascot signed with initials 'A.R.T' (lower left) watercolour, pastel and gouache (Dimensions: 44 x 40cm )(44 x 40cm )Footnote: The last person to win an Olympic Gold Medal for oil painting in 1948, Alfred Reginald Thomson RA is most renowned for his work as a War Artist to the Royal Air Force between 1940 and 1944. Profoundly deaf from birth, Thomson was born in Bangalore, India, to parents George and Florence Thomson. During Alfred’s early childhood, the family moved to Margate where he attended the Royal School for Deaf Children and became fluent in sign language. Displeased that he had not learned to speak, however, Thomson’s father later enrolled him into a small private oral school in Brondesbury, London. Despite his fluency in sign language, his ability to speak and his enormous contribution to British painting, Thomson was reductively dubbed the ‘deaf and dumb’ artist by the British press. Although he attended the John Hassell School of Commercial Art in Kensington, Thomson failed to pass the entry exam for the Royal Academy and was largely self-taught. By 1945, however, Thomson was elected as a Royal Academician and was one of the most sought-after British portrait artists.
Los 327
Portrait of Nora Mabel Brownsword a note to the reverse: 'Gwyneth / with love from / John / Xmas 1932' pencil on paper (Dimensions: 28.5 x 22.5cm)(28.5 x 22.5cm)Footnote: Provenance The Artist, with whom gifted to Gwyneth Johnstone, 1932, thence by descent to the present owner Nora Brownsword was born in Nottingham into a wealthy family of lace manufacturers. As well as being a talented musician, by 1913, she was modelling for the artist, Augustus John, who used her as one of the models for Lyric Fantasy , c.1913-14 (Tate Britain). Their relationship extended beyond that of artist and model and by 1914, Nora was pregnant with John’s child. Augustus already had seven children, five by his late wife Ida, and two by his muse, Dorelia McNeill. Their daughter, Gwyneth, was born in 1914 and various options were suggested as to how to solve the problem. These included exporting mother and daughter to France, adopting Gwyneth into the John family, on the condition that Brownsword surrendered any right to contact, and arranging a marriage between Nora and John Hope-Johnstone, the former tutor of John’s sons. Brownsword rejected these offers, although she did adopt the name ‘Johnstone’ for her daughter. She later married John Back, who was from a wealthy family of East Anglian landowners. The marriage was not a success and John left, leaving Nora as the chatelaine of his house and farms at Great Hautbois, Norfolk. Brownsword was fortunately of independent means and was able to provide Gwyneth with a comfortable upbringing between Norfolk and London by herself. Gwyneth was sent to St Felix School, Southwold and whilst here, she saw pictures by Christopher Wood and other 20 th century modernists. Between 1933-38, she attended the Slade School of Fine Art and later studied with the cubist painter, André Lhote. She eventually shared a London studio with her father who painted her portrait (sold in these rooms, 26 April 2019, lot 278 for £26,000). Gwyneth went on to become an established and respected painter, showing with the London Group and the Women’s International Art Club. She also had many solo exhibitions at The Portal Gallery, London. Mother and daughter were inseparable and the artist, Julian Trevelyan, affectionally referred to them as “the cavewomen”, on account of their rejection of modern-day conventions. When her mother died, Gwyneth tied her coffin to the roof of the car and drove to Norfolk from London by herself. They are buried together in the church of St Theobald at Great Hautbois, Norfolk. We are grateful to Dr David Boyd Haycock for his assistance with catalguing this lot
Los 336
Portrait of a woman oil on board (Dimensions: 14.5 x 9cm)(14.5 x 9cm)Condition report: Small oil on panel which is attached to a piece of hardboard with a gessoed surface. The gesso has staining across the surface. The painting itself is in a good condition with a few light scuffs and scratches.
Los 339
Still life of mushrooms, chestnuts and blackberries, amongst branches and foliage oil on canvas (Dimensions: 56 x 96cm)(56 x 96cm)Footnote: Born in Kent in 1933, British artist Kenneth Newton is best known for his dark still lives and flower paintings, recalling the Dutch momento mori tradition. During his time as a student at the Royal Academy, Newton was awarded with several commendations, including first prize medals for drawing, portrait, landscape and life painting. Examples from Newton’s early career include landscapes and nudes and are much more painterly in style.
Los 387
Portrait de Stravinsky signed and dated 'Alb Gleizes 21' (lower right) pencil and coloured crayons (Dimensions: 21 x 14cm)(21 x 14cm)Footnote: Provenance The Artist's Studio Sale; Sotheby's, London, 6 December 1978, lot 434 Madame Albert Gleizes titled the present lot in preparation for the Sotheby's sale in 1978 A hugely significant figure in 20th-century art, Albert Gleizes is remembered for his artistic endeavours, his theoretical treatise, and for being the self-proclaimed founder of Cubism. In 1912, Gleizes formed The Section d’Or (‘Golden Section’), a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. The same year, alongside Jean Metzinger, Gleizes authored Du “Cubisme” (About Cubism), the first major discourse concerning Cubism, in which they wrote “An object does not have one absolute shape, it has several…too bad if logic is offended”. Although this pencil portrait of composer Igor Stravinsky is diminutive in comparison to his later work; defining characteristics of Gleizes’ work, including a disregard for “logic”, juxtaposed geometric forms and multiple perspective, are evident. In 1914, Gleizes completed a large-scale portrait of Stravinsky. Bequeathed by art collector Richard S. Zeisler in 2007, it is now part of MoMA’s permanent collection in New York. In 1999, a preparatory charcoal sketch for this painting was sold at Christie’s, New York, 23 February 1999, lot 16, for USD 10,350.
Los 412
Self-Portrait signed, titled and dated '1970' to the reverse oil on canvas (Dimensions: 35.5 x 35.5cm )(35.5 x 35.5cm )Condition report: Oil on canvas which is attached to an open window, wooden stretcher. All of the stretcher keys are missing but the canvas has good tension. There is a thick layer of dust on the reverse. The paint layer is in a good condition. There are scores in the paint layer which are part of the artist's technique ,for example in the hair, but at the lower left corner there are some scratches which may not be by the artist. The frame is in a good condition.
Los 428
Portrait of a lady wearing stockings and a robe signed with monogram (lower right) oil on canvas (Dimensions: 120 x 59cm)(120 x 59cm)Footnote: Oil on hardboard. The support and paint layers are in a good condition overall. The frame has a painted decorative surface which has suffered a few chips and losses. The frame is glazed and there is dust and dirt collected on the surface.Condition report: Oil on canvas attached to a wooden stretcher. The support and paint layers are in a good condition overall. The rebate of the frame does not adequately house the painting which protrudes at the reverse.
Los 430
Portrait of a young woman wearing a brown coat signed 'Kuhfeld' (lower right) oil on canvas board (Dimensions: 49 x 36cm)(49 x 36cm)Condition report: Oil on canvas mounted into board. The paint layers are in a good condition, There are tiny holes across the paint surface where the paint layers have sunk into the canvas texture during painting.. The frame is in a good condition, the glazing is dirty.
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283287 Los(e)/Seite