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283325 Los(e)/Seite
Los 300
An early 20thC enamel and seed pearl portrait Locket, the circular glass front with blue enamel bezel and an outer surround of seed pearls, all millegrain set, with a portrait miniature on ivory of Antony Henley, by Elsie Gregory, the reverse with box and glass reverse and presentation inscription dated 1910, unmarked, on a 15ct gold chain with corresponding blue enamel and seed pearls, 3.2cm diameter. DEFRA Ivory Act submission ref: CQM91EGK
Los 301
An Edwardian enamelled circular Pendant Locket, the front in blue guilloche enamel set seed pearls, the centre with portrait miniature painted on ivory, the reverse with hair set box and glass, and presentation inscription dated 1900, unmarked, tests as 15ct gold, 3.1cm diameter, together with a 15ct yellow gold pendant locket, the fronts and reverse with hair set box and glass, with a seed pearl set surround, 4cm diameter (2) DEFRA Ivory Act submission ref: ER358QSG
Los 195
Montague J. Dawson (1895-1973), Öl auf Leinwand, u.li. sign., auf der Rahmung Titelei: SIR LANCELOT "tis not the gales, but the set of your sails, that determines the way you go", verso etikettiert von Frost & Reed, hier als Titelei: wind in the rigging (Wind in der Takelage), Bemaßung: 28 x 42 inches (71,2 x 106,68 cm). "Das Rennen nach Hause". Der Klipper Sir Lancelot 1869 unter dem Kommando von Kapitän Richard "Dickie" Robinson bei stürmischem Wetter. Der prominente Klipper mit seiner vielgerühmten Schlankheit und eleganten Linie steht hier nicht im Mittelpunkt. Dawson fokussiert ein Szenario an Deck - hängt den Betrachter in die Takelage bzw. verleiht ihm den Blick einer Möwe - und nimmt ihn so mit durch ein tosendes, stürmisches Meer bei gewittriger Stimmung. Der Protagonist dieses Werkes ist der breitbeinig und aufrecht stehende Kapitän Richard Robinson an Deck des Dreimasters, der seine Mannschaft anweist und geschickt manövriert. In diesem Szenario spiegelt Dawson das Thema des Bildes: Nicht die Stürme, sondern das Setzen deiner Segel bestimmt deinen Weg. Berühmt und allseits gepriesen für dieses Talent, stellt "Dickie" Robinson beim Clipper Race von 1869 mit der Sir Lancelot einen neuen Rekord zwischen China und London auf. Unter Berücksichtigung der Jahreszeit und der Entfernung ist man sich einig, dass die Überfahrt der Sir Lancelot im Jahr 1869 die schnellste von China nach England war. Die überwiegende Mehrheit seiner Werke, insbesondere die Teeklipper des 19. Jahrhunderts, zeigen bestimmte Schiffe an einem bestimmten Ort auf einer vorgezeichneten Reiseroute. In diesem Fall jedoch ist es das "Porträt" des berühmten "Dickie" Robinson mit seinem Schiff, der Sir Lancelot, beim Clipper Race 1869. An diesem Rennen waren vorrangig sieben Schiffe beteiligt, darunter die Ariel, Leander, Thermopylae, Chrysolite und Stornoway. Dawson dokumentiert dieses berühmte Ereignis in mehreren Gemälden, wovon dieses Werk als Zentralstück zu bewerten ist. Provenance: - Frost & Reed, London, Reg. No. 41569 , mit großer Wahrscheinlichkeit aus dem Atelier des Künstlers - Im Besitz der Fortnum and Mason Collection in London - Im Besitz von Garfield Howard Weston / Canada - Privatcollection Rhein-Main Gebiet Montague J. Dawson (1895-1973), oil on canvas, l.l. signed., title on the frame: SIR LANCELOT "tis not the gales, but the set of your sails, that determines the way you go", labeled on the reverse by Frost & Reed, here as a title: wind in the rigging, dimensions: 28 x 42 inches (71.2 x 106.68 cm). "The Race Home". The clipper Sir Lancelot in 1869 commanded by Captain Richard "Dickie" Robinson in stormy weather. The famous clipper with its much vaunted slenderness and elegant lines is not the focus here. Dawson focuses on a scenario on deck - hanging the viewer in the rigging - or giving him the view of a seagull - and thus takes him through a raging, stormy sea in a thundery atmosphere. The protagonist of this work is the wide-legged and upright captain Richard Robinson on the deck of the three-master, who instructs his crew and skillfully maneuvers them. In this scenario, Dawson reflects the theme of the painting: not the storms, but the setting of your sails determines your path. Famed and widely acclaimed for this talent, "Dickie" Robinson sets a new record between China and London in the 1869 Clipper Race with Sir Lancelot. Considering the time of year and the distance, it is agreed that the Sir Lancelot's 1869 crossing was the fastest from China to England. The vast majority of his works, particularly the 19th century tea clippers, depict specific ships at a specific location on a predetermined itinerary. In this case, however, it is the "portrait" of the famous "Dickie" Robinson with his ship, the Sir Lancelot, at the 1869 clipper race. Seven ships were primarily involved in this race, including the Ariel, Leander, Thermopylae, Chrysolite and Stornoway. Dawson documents this famous event in several paintings, of which this work is the centerpiece. Provenance: - Frost & Reed, London, Reg. 41569 , with large Likely from the artist's studio - Owned by the Fortnum and Mason Collection in London - Owned by Garfield Howard Weston / Canada - Private collection Rhein-Main area
Los 6067
Early 19th century portrait miniature, watercolour on ivory of the Tudor soldier, statesman and poet Sir Philip Sidney wearing a gorget, a piece of neck armour and a doublet of white slashed leather 13cm x 10cm, housed in ornate gilt Florentine frame.This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Old Submission reference: G9L68ECT New Submission reference: ZFDF8C9G
Los 6070
H Harding - Portrait miniature, watercolour on ivory of a Gentleman wearing a scarlet tunic, orders and decorations signed and dated 1824 with old paper label verso 12cm x 9cm. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Old Submission reference: 6E232X4L New Submission reference: RJBSE3CG
Los 6071
After Charles Robertson - Irish School oval portrait miniature, watercolour on ivory of a gentleman wearing a blue coat, inscribed on the reverse 'Rt. Hon. John Staples of Lissane'. 6cm x 5cm. He was Irish Member of Parliament 1765-1802.This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: EZMDM8FM
Los 6072
19th century oval miniature portrait, watercolour on ivory of a gentleman wearing a blue coat and yellow waistcoat 7cm x 5cm. Trade card inside, incomplete, inscribed 'Mr Thomas Miniature Painter' possibly Thomas Cox. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: XG2EZ38U
Los 6075
Attributed to Samuel Cotes (1734-1818) - Oval head and shoulders portrait miniature, watercolour on ivory of a lady wearing a lace trimmed dress, indistinctly signed 'S 17' and with old label verso 3.5cm x 2.5cm. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: PKAUM3XM
Los 6076
Mid 19th century half length oval portrait miniature, watercolour on ivory of a young gentleman wearing a black coat and stock 8cm x 7cm in ebonised frame. The reverse inscribed 'Cheltenham 28 May 1841, painted by Mrs Wright, born without hands'. This item has been registered for sale under Section 10 of the APHA Ivory ActCondition Report:Ivory Act - Submission reference: 5KGYYK71
Los 48
A WW I print, the central portrait surmounted by a crown with For King & Country, flanked by flags of the allies with two vignettes and Roll of Honour Scroll below, within an oak frame, 66 x 54cm, together with a Cambridge Regiment portrait print, the mount stamped Kidd & Baker, Cambridge, 55 x 44cm. (2)
Los 53
English school, 19th century, portrait miniature of a Royal Artillery Officer, possibly Colonel Edward Thomas Michell, watercolour on ivory, housed in a leather case, 8.3 x 6.3cm, max. dimensions 15.5 x 13cm.Ivory submission ref:QTZ3YMW6A paper label behind the miniature hand written Col Edw Thos Michell and further written to the silk of the frame E.T. Michell.No cracks.Panel appears curved when looked at from the side.Some overpainted areas to left side of face – jaw and hair.
Los 2191
A SEVRES STYLE PORCELAIN MANTLE CLOCK the circular white enamel dial, with blue roman numerals and minute numbers, marked for Ches Frodsham Paris, the top of the clock with a portrait miniature of a girl within a cartouche, on a gilt and turquoise ground, painted with bouquets of flowers, the movement also marked for Frodsham with numbers 624 and D2, 35cm high together with gilt wood stand Condition Report:The movement is missing a gong for the chime, has no key but ticks and winds, one key hole has damage to the enamel. Light chips and cracks, slight rubbing to the gilt
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283325 Los(e)/Seite