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Preisdatenbank abonnierenA Fine Early 19th Century Round Miniature Portrait: Head & shoulders of a lady wearing a white lace dress with red robe and pearl earrings, sat before tasselled drape. The glazed double-sided gilt pendant displaying a fine and intricately worked hair monogram encircled by a garland of flowers to the verso, with inscription; 'Gage D'amour Conjugal Et Fraternel' around the border. 2½ ins (6 cms) in diameter.
A Neo-Classical Giltwood Girondole. The oval mirror in a beaded frame above sprays of wheat flanking a rosette mount. The pediment surmounted by a fluted urn finial issuing fanned acanthus leaves, raised above a beaded portrait medallion and festooned in swagged drapery with flower heads either side, 49 ins (125 cms) in length, 25½ ins (65 cms) wide.
Four Gilt Framed Art Deco Pictures: Two oleographs on canvas; a half length portrait of a lady signed Gustave Courtois, and an interior scene with flirtatious couple signed A. Puillaume, both 10 ins x 8 ins (25.5 cms x 20 cms) in moulded frames 15½ ins x 13½ ins (39 cms x 34 cm). A Pair of prints on silk; portrait of a lady signed Margetson, and a full length kneeling lady in blue with balloon, 7½ ins x 5½ ins (19 cms x 14 cms) in glazed gilt ribbon crossed framed 12 ins x 10 ins (31 cms x 26 cms).
A Regency Oil on Canvas: Full Length Portrait of a Gentleman in landscape leant against a wall, with a boat in the distance. The gentleman depicted wearing a black frock coat over an ivory waistcoat with lace cravat holding a letter; his hat resting on the wall beside him, 30 ins x 25 ins (76 cms x 64 cms), in a gilt frame with scrolling ornamentation to the corners, 27 ins x 31 ins (94 cms x 79 cms).
Two 19th Century Gilt Framed Miniature Portraits: An oil on canvas mounted on board; head and shoulders portrait of a gentleman, 4½ ins x 4 ins (11.5 cms x 10 cms) in decorative frame. A watercolour & white body colour half length portrait of a woman, 6 ins x 4½ ins (15 cms x 11.5 cms) in a ripple moulded frame.
Six Decorative Gilt Frames: A small print of an 18th century family portrait in a 1½ ins (4 cm) cavetto moulded oval frame edged in beading and gadrooning, 11¾ ins x 10¼ ins (30 cms x 26 cms). Another oval frame; the 1 inch (3 cm) moulding with beaded edge 11¾ ins x 8½ ins (30 cms x 22 cms). A pretty square swept frame with carved decoration and a gilded mount with round aperture 3½ ins (9 cms) in diameter, 9 ins (23 cms) square. A pair of 2½ inch (6.5 cm) moulded framed with shell crests and scrolling sprays of flowers and foliage adorning the corners, 10 ins x 12¾ ins (25.5 cms x 32.5 cms). An ornate deep moulded gilt frame with octagonal cut mount, 10 ins x 9 ins (26 cms x 23 cms).
Henri Gauquie (French, 1858-1927): A Large Dark Brown Patinated Bronze Figure of warrior wielding a sword, on a naturalistic base cast with a trophy comprising a medallion bearing a portrait bust, below an eagle crest and a plaque reading SPQR. Signed HR. GAUQUIE to the reverse and titled 'VAE VICTIC Beaux Arts' to the front, 29½ ins (78 cms) high.
A 19th Century Coloured Engraving: A Oval Head & Shoulders Portrait of a Regency Gentleman in a scarlet military jacket, with paper label on verso inscribed 'A copy of J-B Isabey's miniature on ivory etc etc', 5¼ ins x 4 ins (13 cms x 10 cms) in a Victorian gilt frame surmounted by a crown on a cushion and having sprays of fruit and foliage adorning the corners, 12 ins x 9 ins (31 cms x 23 cms).
A Collection of Eight 19th Century Miniature Portraits: A profile bust of a soldier signed W Murray fecit 1852, 4½ ins x 3¼ ins (11.5 cms x 18.5 cms), in a mahogany frame. An oval profile bust of a gentleman initialed J.E.T and dated 1819, 3 ins x 2¼ ins (7.5 cms x 6 cms) in a rectangular ebonised frame with acorn sprigged hanging ring. An oval profile bust of portly gentleman 3¼ ins x 2¾ ins (8 cms x 7 cms) in a rectangular ebonised frame. A oil painting on oval porcelain plaque (A/F) half length portrait of an 18th century lady 3½ x 2¾ ins (9 cms x 7 cms), in a rectangular ebonised frame with gilt sprig. An unframed painting on ivory; three-quarter length portrait of a young lady, 4¾ins x 3½ ins (12 cms x 9 cms). An oval head & shoulders portrait of a military gentleman, 2¾ ins x 2¼ ins (7 cms x 6 cms), in a rectangular ebnonised frame with acorn sprigged hanging ring. An oval oil on ivory; half length portrait of an Empress, 3¼ ins x 2¾ ins (8 cms x 7 cms) in a glazed case. An unframed painting on card: Mary Magdalene, 5 ins x 4¼ ins (13 cms x 11 cms).
A Charming 19th Century Watercolour Sketch with white body colour highlights: Head & Shoulders Portrait of a young woman wearing spectacles with a fur trimmed black dress, 6¾ ins x 5¼ ins (17 cms x 13.4 cms). In a moulded Victorian gilt frame with scallop shells mounted in each corners and a crown raised on a tasseled cushion to the top, printed paper frame makers label 'L.A. Britten' on verso. 13½ ins x 9¼ (34 cms x 24 cms).
A Collection of Ten Framed Engravings: A Baxter Print; 'The Day before the Marriage' published 1854, 14½ ins x 10½ ins (37 cms x 27 cms) in a glazed frame 23¼ ins x 17½ ins (59 cms x 44.5 cms). An overpainted engraving of fisherfolk on beach, signed Delacroix bottom left, 10¼ ins x 13¼ ins (26 cms x 13.5 cms), in a glazed frame 18 ins x 22 ins (46 cms x 56 cms). 'The Idle Servant' signed in pencil Nicholas Maas, 11½ ins x 10 ins (29 cms x 26 cms) in a deep bevelled mahogany frame 17½ ins x 16 ins (44 cms x 40 cms). Two small gilt Pears prints, 10½ ins x 9 ins (27 cms x 23 cms). 'The Scanty Meal' engraved by E Hacker after JF Herring, 7½ ins x 9½ ins (19 cms x 24 cms), in a glazed gilt frame 16½ ins x 19½ ins (42 cms x 50 cms). An oval pastel portrait bust of young woman in cap, signed Rayors 1884, 8¼ ins x 6 ins (21 cms x 15 cms) in oak frame 17¼ ins x 14½ ins (44 cms x 37 cms). 'The Queen's Horses' by C. Cousen after JF Herring, 8½ ins x 10¾ ins (21.5 cms x 27.5 cms) in a glazed gilt frame 19 ins x 20½ ins (48 cms x 52 cms). A pair of Victorian oval decoupage portraits of a young girl and lady on reverse painted black glass panels in gilt frames 11 ins x 8½ ins (28 cms x 21.5 cms).
A Large Early 19th Century Oil on Canvas: Three Quarter Length Portrait believed to be that of Sir Robert Rollo Gillespie of Comber County Down (b,1766 - d.1818). The subject depicted in three-quarter profile standing in landscape wearing military jacket with a dress sword at his side, 50½ ins x 40 ins (128 cms x 102 cms), in a decorative gilt frame 58½ ins x 48 ins (149 cms x 122 cms).
A Fine 19th Century Bonheur du Jour with 'Sèvres' porcelain plaques and gilt bronze mounts. The two-doored cabinet having a gallery rail to the top, standing on a three tiered rectangular base. The whole clad in amboyna veneers framed by ebony borders inlaid with satinwood bands and boxwood stringing. The doors adorned with oval plaques depicting portrait busts above inscribed banners, edged in gilt bronze with fluttering ribbon bows to the tops and foliate sprays to the corners. The base with a decorative frieze of floral painted porcelain roundels tied in a guilloche band. Standing on toupee feet, 50 ins (127 cms) high, 24½ ins (62 cms) wide, 18 ins (46 cms) deep.
British School, early-mid 19th century- Portrait of a gentleman, seated three-quarter length turned to the right in an interior holding a print; oil on paper laid down on thin card, 16.2x12cm., (unframed) CONDITION REPORT: edges of sheet unevenly trimmed bears old yellowed varnish some blistering and bloom to the varnish throughout otherwise good condition
French Provincial School, early 19th century- Portrait of a gentleman, quarter-length in a black coat and white stock; oil on canvas, in a gilt composition moulding frame, 61x50.8cm CONDITION REPORT: frame with rubbing to the edges and mitres opening stretcher does not fit the frame frame is not the original canvas may have been re-lined but not in recent years much staining to the reverse of the canvas retains the original wooden stretcher there is flaking to the paint surface lower right and upper left there are numerous defects and patches of repaired blistering to the paint surface there is old craquelure on the paint surface under inspection with uv lamp there are numerous spots of restoration and retouching throughout overall in fair condition
After Joshua Johnson, American c.1765-1830- "A Portrait of Emma Van Name"; oil on panel, 30.4x25.2cm CONDITION REPORT: In a gold gilt moulded frame A few losses to the moulding Some discolouration on the paintwork Could do with a general clean Cracks on the the panel verso Some cracks visible recto Otherwise in good general condition
Philippe Ernest Zacharie, French 1849-1915- Portrait of an artist with her palette; black and coloured chalk, signed, oval, backboard bears label for Maison Houzard, 19 rue de la Grosse Horloge Rouen, in oval mount, 31x38cm CONDITION REPORT: mounted in a glazed gilt composition frame, circa mid 20th century backboard may be the original and bears old chalk marks and stencil sheet may or may not be stuck down as unexamined out of the frame sheet is slightly ruckled and as such may be stuck down only to the underside of the mount scuff marks to the surface of the drawing on the subject's cheek, chin and shoulder further scuffs top and centre right in the background sheet may be yellowed otherwise good condition
Monique J Cartier-Bresson, French 1930-2010- Portrait of a choir boy standing full-length; oil on canvas, signed and dated 75, bears inscription on the stretcher, 56.5x38.2cm (may be subject to Droit de Suite) CONDITION REPORT: in a gilded moulding frame, circa late 20th century canvas has not been re-lined on the original wooden stretcher in very good original condition
Cyril Joshua Ross OBE ROI, British 1891-1973- "Self-Portrait"; oil on board, signed, 64.3x54.6cm, (may be subject to Droit de Suite) Note: Cyril Joshua Ross was treasurer of the Ben Uri Art Society and Jewish National Fund, and a confidant of Alfred Wolmark. A highly comparable portrait of Wolmark painted by Ross is in the collection of the Ben Uri Gallery, London.
Edgar Ritchard, Australian/British 1908-1984- Portrait of a Portuguese boy; oil on board, signed, inscribed on reverse To Regina Morelo from Edgar Ritchard: Dec. 81 by E.T. Ritchard/ "Portugal boy"- (oil) E.T. Ritchard, 57.8x39.8cm Note: Edgar Ritchard came to London in 1928 to study at the Chelsea Polytechnic under Graham Sutherland and Henry Moore and at the Slade under Henry Tonks, before embarking upon a successful career designing for the theatre. CONDITION REPORT: mounted in a modern, gilt frame no visible defects or damages in very good original condition
British School, mid 19th century- Portrait of a lady, quarter-length in a black dress with white lace trim; oil on panel, oval, 59x49cm CONDITION REPORT: in a gilt composition oval frame, appears to be original frame with minor chips to outermost part, but in good overall condition some surface dirt, could do with a clean otherwise in good to very good original condition
European School, late 19th/early 20th century- Landscape with cottage and mountains in the distance; oil on board, bears signature, 23x32.5cm: together with two other oil paintings on board by a different hand depicting landscape scenes, four colour reproduction prints depicting racing and hunting scenes and a further lithograph in colours by a different hand depicting a portrait of a lady, various sizes, (8)
Edmund Georg Pielmann, German 1923-1985- "Stehender Art"; brush, ink and watercolour, signed and stamped with the atelier mark, 61.5x48cm: together with a charcoal by the same artist, "Portrait eines Madchens", signed, inscribed and stamped with atelier marks 66x48.2cm, (2), (may be subject to Droit de Suite) (VAT charged on hammer price) CONDITION REPORT: Stehender Art: sheet ruckled and may have been damp at some point in time small tear top centre handling creases along top edge and elsewhere vertical diagonal crease left side Portrait eines Madchens: top edge grubby and creased two pin holes top centre edge some handling creases here and there overall good
Patrick Edward Philips, British 1907-1976- Portrait of Miss Mary Atkinson MA; oil on canvas, signed, bears label for Royal Society of Portrait Painters attached to the reverse, 101x75cm (may be subject to Droit de Suite) Provenance: From the art collection at the former St Gabriel's College, Camberwell. CONDITION REPORT: In a Louis 14th style, straight edged, gilded, moulded frame labels attached verso to frame for Royal Society of Portrait Painters and title painted in 1964 according to inscription on back of canvas varnished in 1965 according to information verso Surface dirt throughout ortherwise in good general condition
Andy Warhol, American 1928-1987- "The Shadow", (F&S II.267) from Myths Portfolio, 1981; screenprint in colours with diamond dust on Lenox Museum Board, signed and numbered 55/200 in pencil, 96.5x96.5cm Note: The Shadow by Andy Warhol is a self-portrait belonging to the Myth series of ten screenprints from 1981, that exemplify Warhol's sense for the powerful motifs of his time. They portray the universal view of America's once captivating and commanding past taken from 1950's television and old Hollywood films such as Superman, Uncle Sam, The Wicked Witch, Mickey Mouse and Santa Claus. The Shadow was a fictional radio crime fighter from Warhol's childhood during the 1930's. Here, Warhol himself portrays the hero, and as he glances toward the viewer, a strong nearby light casts his profile in a long, dramatic, and darkened shadow. CONDITION REPORT: in a polished aluminium John Jones frame whole sheet visible unexamined out of the frame, appears to be stuck down centres and corners overall appears in very good original condition with no noticeable signs of defects
After Pablo Picasso, Spanish 1881-1973- "Seated Portrait of Dora Maar", publ by Felix Rosenstiel's Widow & Son; gouttelette printed in colours on silk, numbered 43/50 by the printer, 57.5x47.3cm, (may be subject to Droit de Suite) Note: Two signed certificates of authenticity accompany this lot, one issued by the printer, Felix Rosenstiel's Widow & Son, and the other by Charles Phillips Fine Art Auctioneers & Diamond Merchants, Musselburgh, Scotland, dated 05/01/2011
Franz Nölken, German 1884-1918- "Portrait of Max Reger"; drypoint etching, signed and dated 1916 within the plate, signed in pencil, 15.2x11.8cm Note: Max Reger (1873-1916) was a progressive early modernist composer who expanded upon the styles of Johann Sebastian Bach and Johannes Brahms to bring German music into the twentieth century. He was extremely prolific and wrote more than 1000 works in his lifetime in all forms except opera
Joan Miro, Spanish 1893-1983- "L'Ete", (recto), 1938; publ by Teriade for Verve (Vol.1, No.3), executed by Daniel Jacomet, pochoir in colours, signed within the plate, with title design to the reverse, 35.5x26.4cm: Paul Klee, Swiss/German 1879-1940- "Sommeil d'Hiver", (recto), 1938; publ by Teriade for Verve (Vol.1, No.3), lithograph printed in colours, signed within the plate, with title design by Joan Miro to the reverse, 35.5x26.5cm: Alexander Calder, American 1898-1976- "Spring Carnival", 1969; lithograph printed in colours, signed and dated within the plate, 44x64.3cm: Marcel Gromaire, French 1892-1971- "Intérieur Flamand", (recto); publ by Teriade for Verve (Vol.7, No.27/28), 1952, lithograph printed in colours, signed and dated within the plate, with a lithograph by the same hand printed on the reverse entitled "Nu", signed and dated within the plate, 35.4x26.6cm: together with two further lithographs printed in colours, one by Henri Matisse, depicting a portrait of a seated woman, signed within the plate, 33.5x25.5cm, the other by Joan Miro, depicting an abstract composition, inscribed verso, 31.9x24.8cm (5) (unframed) (may be subject to Droit de Suite)
Leonor Fini, Argentinian 1908-1996- Two faces; lithograph printed in colours, signed and inscribed 'A/P' in pencil, 46x42.5cm: together with a further lithograph printed in colours by the same hand, depicting a portrait of a standing woman with one arm raised, signed and inscribed 'EA' in pencil, 43x31cm, (2) (may be subject to Droit de Suite)
Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- The Lowry family; three colour reproduction prints entitled "The Artist's Mother", "The Artist's Father" and "Self-Portrait", published on the occasion of the artist's 88th birthday; ea. signed in black pen, ea. no. 99 from an edition of 300, 37x27cm (unframed): together with a bronze medallion of Lowry by Leo Solomon, signed, inscribed, numbered 99/300 and dated 75, 12.5cm, (may be subject to Droit de Suite) Note: the original presentation boxes and packaging as issued accompany this lot CONDITION REPORT: the prints are housed in the original, lined presentation box with original printed sheet listing details the box has some slight wear commensurate with age, but is in overall good condition the lower left hand corner of each print is grubby, with minor marking elsewhere on the sheets the edges of each sheet are slightly yellowing foxing to the reverse of "Self-Portrait", some very minor foxing to the reverse of "The Artist's Mother" and "The Artist's Father" the prints are otherwise in good condition the bronze medallion is housed in separate original, lined presentation box with engraved plaque attached inside certificate of authentication is in the box the bronze medallion bears Morris Singer foundry mark, verso in very good condition the prints and the medallion both come in the same original cardboard packaging
Henri Chopin, French 1922-2002- "Portrait of Franco"; single holly leaf in lucite block, multiple, publ by Edition Hundertmark Berlin/Ko¨ln, from the edition of 6, signed and dated 1975 on attached label, 9.5x7x2.4cm (may be subject to Droit de Suite) Provenance: Gifted by the artist to the father of the current owner; thence by descent Note: See Getty Research Institute Library Catalog, Special Collections accn. no. 890164, for related example CONDITION REPORT: Lucite block with frosting and reticulation on base and one end inscription on label rubbed fair condition
Kasimir Sevenovitch Malevich, Russian 1878-1935- "Portrait of a Female'', publ. by Mourlot, Paris; lithograph in colours, numbered 1508/2000 in pencil, with blindstamps for Mourlot, The State Russian Museum and Gallerie Gerald Pilzer, 76x54cm, (unframed) CONDITION REPORT: Unframed. numbered and blindstamps on lower edge of paper. minor discolouration on frayed edge of paper and on bottom border. Slightly dog-earred on top right corner. Otherwise in very good general condition.
Sir Kyffin Williams KBE RA, Welsh 1918-2006- "Nanmor"; lithograph printed in colours, bearing blindstamp for Curwen Studio, Chilford, unsigned from the edition of 150, 53.8x69.3cm: Nicholas Sinclair, British b.1954- Portrait of Sir Kyffin Williams; photo-lithograph, signed and numbered 102/150 in pencil, bears blindstamp for Curwen Studio, Chilford, 36.5x34.5cm, (2) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed Blindstamp 'Curwen Chilford' On wove, with rough edges In very good condtion Together with a photograph of Williams signed, numbered and intialled with blindstamp 'Curwen Chilford' Also in very good condition
Bernard Pearsall (b.1923) - Portrait of prisoner Donald Hulme with Dartmoor Prison beyond, oil on canvas, signed and dated 1957, framed, 61cm x 51cm Bernard Pearsall began painting in Dartmoor Prison whilst serving a ten year sentence. He painted scenes of prison life and fellow prisoners. An exhibition of the artist's work was held at the Upper Grosvenor Galleries, London in 1968
Jacob Kramer (1892 - 1962) - 'Self-portrait', signed and inscribed in pencil 'Jacob Kramer', 'Self-portrait - To Ella and George with best wishes from Jacob, 1950' , proof, from an edition of 30 published circa 1933 lithograph, unframed, 53cm x 39cm. Artists resale right may apply to this lot
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