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283287 Los(e)/Seite
A quantity of eight framed, portrait miniatures, to include a framed, indistinctly signed, oval bodycolour on card, bust length portrait of a military gentleman in red jacket with white wig, BRANDT. Rectangular framed, oval watercolour on ivory, military gentleman with dress uniform and medals, in ivory veneer frame, a framed, unsigned, watercolour on ivory, portrait of a woman in white cap, a pair of oval framed, pastels on paper, Naive portraits of a young boy and a young lady, an oval framed, gouache on paper, silhouette of a Regency gentleman, a framed, oval gouache on glass, portrait of a gentleman in profile, inscribed, 'William Penn', and a framed, print on paper, 8cm x 6.5cm, 8cm x 6.5cm, 9.2cm x 6.5cm, 22.2cm x 16cm (x2), 6.5cm x 4.5cm, 10.7cm x 8.3cm and 13.2cm x 10.7cm, (8).
BERNARD BLANE WITHEY. Framed, signed with initials, dated 1931, oil on canvas, half length self portrait, showing artist in a three piece suit, white shirt and red tie with arms folded, standing beside image of a knight riding through extensive coastal landscape towards castle beyond, in Arts and Crafts style gilt frame. Blane Withey was an Art Master in Birmingham, 75.5cm x 55cm.
After ALEXANDER NASMYTH (1758 - 1840) Framed, unsigned, oil on board, half length portrait of Scottish poet Robert Burns (1759 -1796) wearing a white chemise, red waistcoat and single breasted brown jacket, with cropped dark hair, with an extensive landscape background, in decorative gilt frame, with oval slip. Nasmyth's original portrait was commissioned by publisher William Creech, 35.5cm x 30cm.
A 9ct yellow gold framed cameo brooch, depicting a ladies portrait in profile, cameo measures approx. 43x33mm, with rope twist border, hallmarked Birmingham 1952, a yellow metal framed cameo brooch, depicting a female portrait in profile, cameo measures approx. 45x38mm, with attached safety chain connected to swallow pin brooch, a 9ct yellow gold framed cameo brooch, depicting female portrait in profile, cameo measures approx. 35x27mm, with open metalwork border, hallmarked Birmingham 1970, together with two other cameo brooches, one depicting ladies portrait in profile, stamped 800, the other featuring three ladies dancing, (A/F), (5).
A 9ct yellow gold green paste dress ring, set with a central emerald cut green paste, with open gallery and applied navette metalwork to shoulders, hallmarked Birmingham 1977, ring size L, together with a yellow metal cameo ring, set with an oval cameo featuring a female portrait in profile, surrounded by rope twist border, stamped 9ct, ring size L, total weight approx. 11.2g, (2).
A lot to include a 9ct yellow gold stone set dolphin brooch, set with stones to eye and fins, hallmarked London 1991, a 9ct yellow gold framed cameo pin brooch, featuring a ladies portrait in profile, hallmarked Birmingham 1991, a 9ct yellow gold octagonal locket, engraved to front with scroll design, hallmarked Birmingham 1963, on a yellow metal chain, a 9ct yellow gold initial pendant, featuring the letter 'E' in rope twist halo border, hallmarked with CCM, on a 9ct yellow gold chain, hallmarked to clasp, total weight approx. 17.2g, (4).
A box containing various World coinage and commemorative coins and tokens including 1766 calendar coin, 1852 Bank of Upper Canada one penny bank tokens, 1838 Trade & Navigation token, H. Harrison St. Leonards Edin 1796 copper token, 1812 Hull Lead works one penny token, 1956 Royal Visit to Nigeria token together with Tour booklet, a silver medallion depicting Louis XIV after the portrait study by Molart inscribed "Ludovicus Magnus Rex Galliarum Invictissimus" and verso with study of Versailles inscribed "Colvit Magis Omnibus Unam Versaliae 1687" in cardboard case with hand-inscribed note "Paris Royal Visit April 1957 by HM & PP & EHF ! ", etc. (Provenance : Air Vice Marshall Sir Edward "Mouse" Fielden GCVO, CB, DFC, AFC [deceased], personal pilot to Edward VIII when Prince of Wales, Chief Air Pilot and Extra Equerry, then Captain of the King's Flight/Queen's Flight - for further information please contact the Auctioneers)
BINKS (EARLY 18TH CENTURY) "Gentleman in pink coat and waistcoat with white stock and powdered wig", portrait study, oval, miniature, signed bottom right, 3 cm x 2.5 cm CONDITION REPORTS Overall with some wear and scuffs, some knocks around edges, and back of case has some denting and mis-shaping, there is an aperture to the lower edge of the back (please see photos), miniature itself appears in reasonably good condition although there is a small plain brownish area to the top edge possibly where there has been some touch-up paint.
J. E. CORRIES "Ethel Jenning", miniature portrait study on ivory, signed bottom right, 11 cm x 8.5 cm CONDITION REPORTS Card/paper backing has inscriptions in ink "Ethel Jenning May 19th 1894?" (indistinct) and "Painted by J E Corries ...", back card/paper with various wear and scuffs, remnants of previous fitments, metal fitments at back bent and mis-shapen, some knocks and scuffs to frame, miniature itself has some light general wear, some very slight pitting to to surface, plus a very feint vertical line to the background to the right of the picture - possibly a hairline crack, there are some white paint splodges/deposits to the lower edge of the picture.
EARLY 19TH CENTURY ENGLISH SCHOOL "Gentleman with arms folded in black coat and white stock", portrait bust, miniature oil on ivory, unsigned, 5.2 cm x 4 cm CONDITION REPORTS Overall with some general wear and scuffs, some very slight flaking/scuffing to the very bottom edge of the picture, but otherwise appears in reasonably good condition.
EARLY 19TH CENTURY ENGLISH SCHOOL "Gentleman in black coat with white stock", portrait bust, oval miniature oil on ivory, unsigned, 5.5 cm x 4.5 cm CONDITION REPORTS Frame with some wear and scuffs and some knocks and dents, picture itself appears to have some very minor scuffs including feint scratch/fault line across head/hairline, but otherwise appears to be in good condition.
18TH CENTURY ENGLISH SCHOOL "Gentleman in red coat with white stock" and "Lady in gold embellished white dress", portrait studies, half length, oil on canvas, unsigned, 75.5 cm x 63 cm and 76 cm x 63 cm respectively CONDITION REPORTS Frames with various splits, joins, separating and repairs, chips and losses. Canvas has been re-lined. Under UV light the paintings have overall a very milky appearance suggesting re-varnishing, also some darker patches suggesting restoration and/or re-painting, particularly some quite large areas to the red coat on the right side of the painting, and some touch-up and darker areas to cheek, bridge of nose and left of mouth, plus darker areas around edges of picture. Both with some bowing and undulations to surface of the canvas.
LATE 18TH CENTURY ENGLISH SCHOOL "Elizabeth Nevison", lady seated in white dress with feathered cap, half length, portrait study, with landscape unfolding in background, oil on canvas, unsigned, bears remnants of old label verso, 75.5 cm x 62 cm CONDITION REPORTS Picture has been re-lined and appears to have had replacement stretchers, and is also smaller than the frame aperture, frame with wear, scuffs, old woodworm holes, some re-gilding, chips and losses to the mouldings and decoration, painting itself has some craqueleur, sellotaped to the back of the frame are remnants of an old paper hand-written label (please see photos), also under UV light painting appears to have had some re-varnishing and some minor areas of restoration which mostly appear to be touched in paint to the craqueleur plus a small re-painted area to just near her right shoulder, the craqueleur to her face and bodice are quite pronounced under UV light.
19TH CENTURY ENGLISH SCHOOL "Gentleman in black coat with white stock" and "Lady in mop cap", portrait studies, half length, a pair, oil on canvas, 76 cm x 63 cm CONDITION REPORTS Both frames with various cracks, splits and losses, and some areas of repair and re-painting. Painting of gentleman has quite a milky appearance under UV light, with the hair and outline of his coat showing up lighter, plus a dark area to the right of the bridge of his nose, craqueleur to surface of paint and some slight indentations and undulations to canvas. Both paintings appear to have been re-lined. Painting of the lady under UV light appears quite patchy particularly to the background where there appears to have been some restoration and repairs, also quite a lot of dark areas to her clothing, and repaired split, face appears in reasonable order with no obvious signs of restoration under UV light, frame does have some areas of moulding missing.
ENGLISH SCHOOL IN THE MANNER OF SIR GODFREY KNELLER (1646-1723) "Andrew Barker of Fairford", portrait study with country house and gardens in background, three quarter length, oil on canvas, unsigned, 127 cm x 102.5 cm, together with a companion "Mrs. Lambe", portrait study of young lady in white silk dress with pearl embellishments, with a landscape unfolding in the background, three quarter length, oil on canvas, unsigned, 127 cm x 102.5 cm, the pair in matching carved giltwood and gesso frames (2) CONDITION REPORTS Both frames with various chips and losses, re-painting and cracks, and repairs. Both paintings with wear, dirt and scuffs, and craqueleur to paint. Painting of the gentleman : has some wrinkling and areas of loss to paint at top edge of picture, under UV light has a quite a milky appearance plus a dark area bottom right corner of the picture - either some touch-up paint or possibly a small repaired split, plus a few splashes to the surface and a horizontal pale area to his robes approx 1 cm wide and 10 cm long, also some dark patches to the right of the picture, overall appears to have had some restoration, paint missing bottom left corner of picture, and some evidence of restoration in that areas also, quite a lot of wrinkling and undulations to the very top edge of the picture. Both paintings appear to have been re-lined. Painting of the lady : under UV light has a milky appearance overall and just a few quite small areas of touch-up paint and restoration, mostly forming small specks including near her nose, a couple of little areas on her eyes, some to background just to the right of her shoulder, a few further specks throughout plus a slightly larger area to the lower right of her dress, but generally appears in reasonably good order.
An unframed W & D Downey photographic card dated 1904 depicting the Royal children and inscribed verso "With best wishes from Victoria Mary + warmest thanks for charming present", together with a Dorothy Wilding black and white portrait photograph of Alice Duchess of Gloucester signed "Alice" and dated 1939, and a Soper black and white portrait photograph of Henry Duke of Gloucester signed "Henry" and dated 1939 (Provenance : Air Vice Marshall Sir Edward "Mouse" Fielden GCVO, CB, DFC, AFC [deceased], personal pilot to Edward VIII when Prince of Wales, Chief Air Pilot and Extra Equerry, then Captain of the King's Flight/Queen's Flight - for further information please contact the Auctioneers)
A framed and glazed black and white photograph of Queen Elizabeth (later the Queen Mother) signed "Elizabeth R" and dated Jan 18th 1941, a Christmas card depicting Henry Duke of Gloucester and Alice Duchess of Gloucester dated 1937 signed "Henry" and "Alice", an unframed black and white photograph of Alexandra and Angus Ogilvy inscribed "To you both with our good wishes, Alexandra and Angus" (1973), another inscribed "All good wishes, Happy New Year, Alexandra and Angus" (1974), an unframed postcard depicting General Georges, Commander of the French Army inscribed "A M A Commodore Fielden en Souvenir d'un Voyage Movemente 19.5.43 G R Georges" (given to Group Captain E.H. Fielden after picking up General Georges from France and delivering him to Maison Blanche, North Africa), and a framed and glazed photographic portrait study of gentleman in white tie and tails signed "Rusty" (Provenance : Air Vice Marshall Sir Edward "Mouse" Fielden GCVO, CB, DFC, AFC [deceased], personal pilot to Edward VIII when Prince of Wales, Chief Air Pilot and Extra Equerry, then Captain of the King's Flight/Queen's Flight - for further information please contact the Auctioneers) CONDITION REPORTS The photograph of Queen Elizabeth the Queen Mother has some fading and creasing, frame with some wear and scuffs and stamped "Jarrolds (Sloan Street)..". The Henry and Alice card has wear, dirt and scuffs, some creasing and fading and foxing. The photo inscribed Rusty has some wear and fading and frame has some stains and scuffs. General Georges postcard has wear and slight browning/discolouration and some slight creasing. 1973 card has extensive creasing / folds vertically through centre and is mis-shapen. The 1974 card has some small creases and some light wear and scuffs.
A collection of various Royal ephemera including photographic study by Baron of Henry Duke of Gloucester with children, signed and dated 1948, in embossed leather easel frame bearing Royal cypher, a black and white photographic portrait study of Alexandra and Angus Ogilvy signed and dated 1963, an image of Alexandra Ogilvy, Christmas 1961 inscribed "With my best wishes to you both, Alexandra", a 1960 black and white photograph calendar depicting "Three Generations Honorary Degree Ceremony Leeds University" (Ogilvys), bearing label verso "To the Queen's Flight with best wishes for Christmas and the New Year from HRH The Princess Royal 1959-1960", a Pass to the "1937 Coronation of Their Majesties King George VI and Queen Elizabeth at Westminster Abbey No. 139 for Wing Commander Fielden" and a paper board bound and gilt decorated volume of "The Form and Order of the Service that is to be performed and the ceremonies that are to be observed in the Coronation of Their Majesties King George VI and Queen Elizabeth in the Abbey Church of S. Peter, Westminster on Wednesday the twelfth day of May 1937" published Eyre & Spottiswoode Limited 1937, one Volume "The Coronation of Their Majesties King George VI and Queen Elizabeth Official Souvenir Programme", an invitation February 1952 to the Funeral of His Late Majesty King George VI at The Royal Chapel of St. George at Windsor to Mrs.Edward Fielden, and a 1937 Coronation Number Household Brigade Magazine (Provenance : Air Vice Marshall Sir Edward "Mouse" Fielden GCVO, CB, DFC, AFC [deceased], personal pilot to Edward VIII when Prince of Wales, Chief Air Pilot and Extra Equerry, then Captain of the King's Flight/Queen's Flight - for further information please contact the Auctioneers)
A framed and glazed black and white photographic portrait of Her Majesty The Queen and Prince Philip with Prince Charles and Princess Anne adapted from the 1959 Christmas cards signed "Elizabeth R" and "Philip", together with another decorated with colour print "The Holy Family by Sebastiano Ricci" from the 1958 Christmas card signed "Elizabeth R" and "Philip" (Provenance : Air Vice Marshall Sir Edward "Mouse" Fielden GCVO, CB, DFC, AFC [deceased], personal pilot to Edward VIII when Prince of Wales, Chief Air Pilot and Extra Equerry, then Captain of the King's Flight/Queen's Flight - for further information please contact the Auctioneers)
Dickens (Charles) - The Posthumous Papers of the Pickwick Club, first edition , second or later issue bound from the original monthly parts, frontispiece, engraved title and 40 etched plates, closed tears to 3 plates without loss, contemporary calf, blind-stamped and gilt, rebacked preserving original backstrip, lightly rubbed, 1837; The Life and Adventures of Nicholas Nickleby, first edition in book form , portrait frontispiece and 34 plates, closed tears to 2 plates, 1 with loss, 2 text leaves loose, contemporary half morocco, extremities a little worn, 1839, both lacking half-titles, plates oxidised (as often), some light soiling and browning, 8vo (2)
Huth Library (The). A Catalogue..., 5 vol., one of 130 sets, frontispiece portrait, 1880; Huth (A.H.) A Catalogue of the Woodcuts and Engravings in The Huth Library, one of 150 copies , 1910, titles printed in red & black, blind-stamp on titles and last ff., library bookplate, contemporary leather-backed cloth, worn at spines, t.e.g., others uncut, 1910, 4to (6)
Ireland.- Charles II - Letters Patent to Stephen Ludlow granting him land and tenements... ( King of England, Scotland & Ireland, 1630-85) Letters Patent to Stephen Ludlow granting him land and tenements in Julianstown, East Meath, D sealed, large engraved initial "C", portrait of Charles II and with engraved decoration at head including the Royal arms, manuscript on vellum, 2 sheets, large remains of Great Seal, broken with loss but with strong image (Face smoothed), some wear along folds with small loss but most clearly legible, folds, slightly browned, 645 x 700 & 430 x 700mm., 10th January 1684; and another, a Chancery document, v.s., v.d. (2). Stephen Ludlow (d. 1721), six clerk in the High Court of Chancery, Ireland; MP Irish House of Commons; grandfather of the first Earl Ludlow. Provenance: Reginald Walter Gibson, bibliographer of Sir Thomas More and Francis Bacon; worked at B.H. Blackwell.
Conrad (Joseph) - The Arrow of Gold, first issue , original cloth , 1919; The Secret Agent, limited edition signed by the author, frontispiece portrait, spare spine label tipped in, original parchment-backed boards, uncut, dust-jacket, soiled, rubbed at extremities , 1923; A Letter to William Nicholson, one of 50 copies , frontispiece, tipped-in facsimile letter, original cloth, gilt, dust-jacket , 1985, first editions ; and 5 others, Conrad, 8vo (8)
Hueffer [- Ford] (Ford Madox) - The Heart of the Country: A Survery of a Modern Land, title printed in red & black, 2pp. advertisements, some spotting, ink name of novelist Stephen Reynolds on front free endpaper, original cloth, spine slightly sunned, t.e.g., others uncut , 1906; Women & Men, number 68 of 300 copies, loose portrait of the author loosely inserted, original printed wrappers, light dust-soiling, small hole near spine, Paris, Three Mountains Press , 1923; Some do not , light toning, front free endpaper browned, original cloth, dust-jacket, spine browned with some light marking, a few small chips and minor closed tears , 1924, first editions ; and 12 others, Ford, 8vo (15)
Maugham (W.Somerset) - The Book-Bag, one of 725 copies signed by the author on frontispiece, original buckram-backed boards, sunning to edges, dust-jacket, soiled and torn, Florence , 1932; The Judgement Seat, number 1 of 150 copies signed by the author and artist, frontispiece by Ulrica Hyde, original cloth , 1934; Don Fernando, number 125 of 175 copies signed by the author, original cloth, t.e.g., others uncut, slip-case , 1935; The Unconquered, number 14 of 300 copies signed by the author, original cloth, ?original glacene jacket, New York , 1944; Cakes and Ale, limited edition signed by the author and artist, frontispiece portrait by Graham Sutherland, original two-tone leather, t.e.g., others uncut, preserved in contemporary morocco-backed cloth drop-back box, no slip-case , [1954], first editions ; and 2 others by Maugham in same style as last, [Stott A44, A49, A50a, A63, A41b, A71 & A75], 8vo (7)
Priestley (J.B.) - Talking, number 35 of 75 copies signed by the author, frontispiece portrait, original cloth, dust-jacket, marked and slightly rubbed, t.e.g., others uncut , 1926; Angel Pavement, limited edition signed by the author, frontispiece portrait, original cloth, t.e.g., others uncut, slip-case (soiled) , 1930; Faraway, one of 25 speically bound copies , pictorial title by Kenneth Hobson, full morocco by Henry T.Wood Ltd, spine sunned, g.e. , [1932]; The Happy Dream , number 14 of 400 copies signed by the author, original cloth-backed pictorial boards, t.e.g., others uncut, Whittington Press, Andoversford , 1976, first editions ; and 27 others, Priestley, 8vo (31)
Whistler (Rex).- [Olivier (Edith, - editor )] Mildred, number 72 of 112 copies editor )] Mildred, number 72 of 112 copies , tipped-in frontispiece portrait by Stephen Tennant, original patterned-paper boards, printed label on upper cover, uncut, rubbed, spine slightly faded, spine ends and corners a little worn, Shaftesbury, High House Press, 1926 § Hadfield (John, editor ) Georgian [and] Restoration Love Songs, together 2 vol., each one of 660 copies, original buckram-backed marbled boards, uncut, Hitchin, Cupid Press, 1949-50 § Waugh (Eveleyn) Wine in Peace and War, John Hadfield's copy with his book-label, pastedowns foxed, original boards, [1948] § Harcourt-Smith (Simon) The Last of Uptake, one of 100 copies on handmade paper and signed by the author and artist , prospectus loosely inserted, original morocco-backed cloth, spine slightly faded , 1942 § Whistler (Laurence) ¡Oho!, original pictorial boards, dust-jacket, lightly spotted, 1946 § Whistler (L.) & Ronald Fuller. The Work of Rex Whistler, light spotting at beginning and end, original pictorial cloth, a few small stains, dust-jacket, rubbed and frayed, 1960, all with plates and/or illustrations by Rex Whistler, some colour ; and 13 others illustrated by or about Whistler, 8vo & 4to (20)
Salmon (William) - Polygraphice: or The Arts of Drawing, Engraving, Etching, Limning..., fifth edition, 23 engraved plates, ?lacking engraved title and portrait, light scattered foxing, modern calf, for Thomas Passinger, 1685 § Pyne (W.H.) Etchings of Rustic Figures for the Embellishment of Landscape, 60 engraved plates, some very light foxing endpapers browned, contemporary cloth-backed boards, spine worn, [1813]; and 13 others, mostly art, v.s. (15)
Robertson (William) - The History of America, 3 vol., first Dublin edition , half-titles, engraved portrait frontispiece and folding plate, some ff. a little creased or soiled, ink ownership inscription to head of titles, bookplate to pastedowns, contemporary calf, spines gilt with red and black morocco labels, corners lightly bumped, [Sabin 71973], 8vo, Dublin, for Messrs. Price et al., 1777.
Clement I - Recognitionum Libri X, t ranslated by Rufinus of Aquileia and... ( Pope ) Recognitionum Libri X , t ranslated by Rufinus of Aquileia and edited by Johannes Sichardt. title within handsome woodcut border depicting a portrait of King Solomon at centre, surrounded by portraits of various classical philosophers and writers and the nine muses, woodcut borders, head-pieces and initials, title with 3 ink stamps and contemporary ink inscriptions, occasional spotting, very lightly browned, early 20th century boards, lightly browned and stained, [Not in Adams], folio, Basel, Johannes Bebel, 1526.
Ogilvie-Grant (W.R.) & others. - The Gun at Home and Abroad: British Game Birds and Wildfowl, one of 950 copies, photogravure portrait of King George V (spotted), colour plates after George E.Lodge, captioned tissue guards, light staining to fore-edge of front free endpaper, original crimson morocco, gilt, te.g., others uncut, spine faded, 1912 § Dixon (Charles) The Game Birds and Wild Fowl of the British Islands, chromolithographed plates after Charles Whymper, original pictorial cloth, upper cover lightly stained at fore-edge, Sheffield, 1900 § Folkard (H.C.) The Wild-Fowler, second edition, engraved additional vignette title and plates, frontispiece lightly spotted, 24pp. catalogue at end, original pictorial cloth, gilt, recased, 1864, all a little rubbed, 4to & 8vo (3)
Sowerby (George B.) and others. - A Conchological Manual, second edition, 2 folding tables and 26 hand-coloured engraved plates, occasional spotting, ink inscription to front free endpaper, modern half morocco, 1842 § De Kay (James E.) Zoology of New York, parts 5 and 6 only in 1 vol., 53 hand-coloured lithographed plates, foxing, portrait postcard to front pastedown, ink inscription to front free endpaper, original pictorial cloth, rebacked, New York, Boston & Albany , 1843-1844 § Chenu (Jean Charles) Manuel de Conchyliologie et de Paleontologie Conchyliologique, 2 vol. in 1, numerous illustrations, foxing, rubbed, contemporary half morocco, gilt, g.e., Paris, 1859-1862; Lecons Elementaires sur l'Histoire Naturelle des Animaux, 11 engraved plates only (of 12), printed in colour, minor foxing, original cloth, rebacked, rubbed, Paris , 1847; and a fourth edition of the first mentioned, 4to (5)
Yarrell (William) - A History of British Fishes, 2 vol. including supplements bound at ends, first edition , engraved portrait, numerous wood-engraved illustrations, contemporary half morocco, spines gilt, t.e.g., spines a little faded, [Nissen ZBI 4488], 1836-60 § Lamond (Henry) The Sea-Trout, plates, some colour, light foxing, 1916 § Holder (Charles Frederick) The Game Fishes of the World, pictorial title, plates, first leaf of Preface foxed, 1913 § Maxwell ( Sir Herbert) British Fresh-water Fishes [and] Aflalo (F.G.) British Salt-water Fishes, together 2 vol., Woburn Library of Natural History, plates, some foxing, 1904, all but the first original cloth, most pictorial gilt, very slightly rubbed, 8vo & 4to (6)
Lauro (Giacomo) - Antiquae Urbis Splendor, 4 parts in 1 vol., engraved throughout, except for 'to the reader' f., with 167 numbered engraved sheets comprising titles, portraits, dedications, plates and an index, plus an unumbered portrait of Urban VIII, first title repaired at inner margin, just touching the odd letter, portrait of Urbanus VIII repaired at inner margin (not near image), 3 or 4 plates with short repaired tears without loss, some water-staining (mostly at beginning and end), occasional spotting and finger-marking, a few small stains, contemporary limp vellum, soiled, oblong 4to, Rome, 1612-1628 [but later, to the reader dated 1637].
Sorocold (Thomas) - Supplications of saints. A booke of praiers and prayses. In foure parts, 3 parts in 1, 'eleaventh edition', title within typographical border, half-page woodcut portrait of Elizabeth I, woodcut head-pieces and initials, title trimmed at top and fore-edge and laid down, within border at fore-edge, L5 verso 2 lines scored through, occasional staining or spotting, 19th century half calf, spine gilt, upper cover detached, backstrip detaching, corners worn, rubbed, [STC 22934], 12mo, by I[ohn] B[eale] for Nicholas Bourne, 1623. Rare. ESTC lists only one copy (Huntington).
Taylor (Jeremy) - Antiquitates Christianæ: or, the History of the Life and Death of the Holy Jesus, 2 parts in 1, engraved frontispiece, additional pictorial title, portrait, 2 folding plates and illustrations within text, final advertisement f., both plates with repair verso to fold, second plate stained, a few small stains elsewhere, occasional spotting, 19th century vellum, gilt, lightly soiled, [Wing T287], a good copy of a handsome production, folio, by R. Norton, for R.Royston, 1675.
Cottonian Library.- Smith (Thomas) - Catalogus librorum manuscriptorum Bibliothecæ Cottonianæ, first edition , double column, engraved portrait frontispiece and title vignette of the Sheldonian, portrait creased and with short tear within image with no real loss to printed area, but with loss of a small section of outer margin, title frayed and creased, no loss of text, occasional light foxing, a few small stains, contemporary calf, upper joint split, but holding firm, head of spine and corners worn, rubbed and scuffed, [Wing S4233], folio, Oxford, Sheldonian Theatre, 1696.
Clarendon - ) The History of the Rebellion and Civil Wars in England begun in... (Edward Hyde, Earl of ) ) The History of the Rebellion and Civil Wars in England begun in the year 1641, 3 vol., first edition, half-titles, engraved portrait frontispieces and title vignettes to each vol., slightly browned, occasional spotting, new endpapers, modern half calf, gilt spines and with red morocco labels, folio, Oxford, At The Theater, 1702-1704.
Homer. - The Iliad, translated by Alexander Pope, vol.1-5 only (of 6), half-title in vol.1, engraved frontispiece portrait, titles in red and black, privilege leaf in each vol., one folding engraved plate only, list of subscribers, browned, vol.2 with slight worming to lower margin just touching edge of plate, modern half calf, spines slightly faded, 4to, W. Bowyer for Bernard Lintott, 1715-20; sold not subject to return
Stackhouse (Thomas) - A New History of the Holy Bible, from the Beginning of the World A New History of the Holy Bible, from the Beginning of the World, to the Establishment of Christianity , 2 vol., titles in red and black, engraved portrait frontispiece, 96 plates and 7 maps, water-stained at foot, heavier to vol.1, offsetting, occasional spotting, contemporary calf, sympathetically rebacked, corners worn, rubbed, folio, for John Hinton, 1752.
Fox (Charles James) - A History of the Early Part of the Reign of James the Second A History of the Early Part of the Reign of James the Second, engraved portrait frontispiece, some slight foxing, 2 bookplates on front endpapers, including Vincent J. Robinson (1829-1910, art collector), contemporary calf, gilt, rubbed and scuffed, 1808; and 10 others, 4to & 8vo (11).
Shakespeare.- Chalmers (Alexander) - & George Steevens The Plays of William Shakspeare , 9 vol & George Steevens The Plays of William Shakspeare , 9 vol., new edition, portrait frontispiece, marginal pencil annotations, oxidisation, a little spotting, water-staining to lower fore-corners of a few ff. of vol.VI, later green half morocco, spines gilt, rubbed, heads of spines of vol.I and III worn with superficial loss, 8vo, 1811. Containing the text of the plays established by Steevens with his notes abridged by Chalmers. Steevens' editions were the prototypes of the variorum editions.
King (Lord) - The Life of John Locke With Extracts From his Correspondence Journals, and Common-Place Books, portrait frontispiece, foxed, contemporary calf, rubbed, Henry Colburn, 1829 § Moore (Thomas) Letters and Journals of Lord Byron: with Notices of his Life, 2 vols., frontispiece to vol. 2, foxed, contemporary half calf, rubbed, joints cracked, lacks letter piece to spine of vol. 1, John Murray, 1830, Bryan (Margaret) Lectures on Natural Philosophy, portrait frontispiece and 36 plates, old staining throughout, book-plate of F. William Cock, manuscript author biography tipped to front free endpaper, contemporary half calf, rubbed and dry, For the Author, 1806; and 6 others, 4to & 8vo (10)
Marie Laurencin (1885-1956) - Self-portrait, 1912 pencil and charcoal on paper, signed, dated and dedicated at upper right 11 1/4 x 8 3/4 in., 28.5 x 22.5 cm Provenance: Private Collection, London. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lucian Freud (1922-2011) - Self Portrait, 1979 oil and ink wash on a hen's egg overall size 60 mm (2 3/8 in) Provenance: The work was produced at the request of the Langton Gallery, London, for an Easter themed exhibition called Eggs which opened in 1979. As well as Freud, the artists contributing work included Peter Blake, Heathcote Williams, Bert Kitchen and John Glashan. A highly unusual medium for the artist to work on, it is quite possible that this is Freud's only 3-Dimensional work. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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283287 Los(e)/Seite