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283284 Los(e)/Seite
Los 954
†Harry Holland (b.1941). "Nude". Signed, inscribed on an exhibition label verso, oil on canvas laid down, 32.5cm by 31.5cm. Provenance: Andrew Knight Gallery, 31 Charles Street, Cardiff. Born in Glasgow, trained at St. Martin's School of Art from 1965-69. His work is in public collections world-wide including the Tate Gallery, British Museum, Metropolitan Museum of Art New York, National Museum of Wales, National Portrait Gallery Canada, Welsh Arts Council, European Parliament Collection, Belgian National Collection and the Fitzwilliam Museum Cambridge.
Los 965
Arthur Dampier May (fl.1872-1900). Portrait of a Young Girl, seated, three quarter length, wearing a cream blouse and blue apron. Signed, oil on canvas, 76.5cm by 60.5cm. Exhibited at the Royal Academy 1876-1900, Suffolk Street, New Watercolour Society and Grosvenor Galleries. See illustrationl
Los 966
Ralph Hedley R.B.A. (1848-1913). "Locus John", portrait of an elderly gentleman. Signed, inscribed with the title and artist's name on the original frame, oil on canvas, 46cm by 31cm See illustration. Provenance: William F. Arnold, Star Buildings, 26 Northumberland Street, Newcastle. Born in Gilling West, North Yorkshire he studied at Newcastle School of Art under William Bell Scott and William Cosens Way. Renowned for his views of working life, he is closely associated with the Staithes Group.
Los 1235
Hinton Gibbs (fl.late 1740s-c.1822): Profile Portrait of Mrs John Winter of Newbury, circa 1820, on convex glass, facing to dexter, wearing an elaborate lace mob cap, high collar and lace trimmed dress, painted in black only, in a papier mâché frame, with impressed crown, Hill & Co makers mark, the reverse with paper label printed H Gibbs Profile Painter and written in ink Mrs John Winter of Newbury See illustration. See McKechnie (Sue), pg.581, no.1045 (trade label no.5)
Los 1242
William Miers (1793-1863) and John Field: Profile Bust Portrait of a Gentleman, circa 1821-25, with thinning hair and sideburns, wearing a jabot and broad-lapelled jacket, painted black on plaster of paris with bronzed detail, oval, 8.2cm, in black papier mâché frame with leaf clasp to the suspension ring (with Miers & Field original label pasted to the reverse); and Another Similar, by John Miers, circa 1810-20, depicting a similar looking gentleman, said to be Rev S Holsworthy, in matching frame (with relevant pasted label on reverse) (2) See illustration
Los 1244
English School, circa 1810: Miniature Portrait of a Gentleman, with grey hair, blue eyes and wearing a blue jacket, oval, 6.5cm, with plaited hair beneath glazed panel to the reverse; and Another, circa 1810, depicting a young gentleman with brown hair and sideburns, brown eyes, wearing a white neckerchief and black jacket, oval, 7.4cm, with hair locket to the reverse (converted to a brooch with pin fastener) (2)
Los 1245
A George III Profile Portrait Remembrance Ring, circa 1790, the marquise shape bezel inset with a bust portrait of a lady facing to dexter, a veil in her coiffured hair, possibly on ivory, within a surround of plaited hair, wrigglework cut outer bezel, with wirework shank, the bezel 3.2cm; Two Navette Shape Brooches, inset with profile miniatures; and A Ring, with glass intaglio depicting a profile portrait of a bewigged gentleman, bearing the inscription TASSI (4)
Los 1246
William Miers (1793-1863) & John Field, circa 1825: Profile Bust Portrait of a Midshipman, facing to sinister, with short curly hair, and wearing officer's jacket, black paint and gold detail on white plaster of paris, oval, 8.1cm, in papier mâché frame, original label on the reverse; and Another by John Miers, post 1801, of a lady, facing to sinister, with upswept plaited hair and lace collar, painted black with gold detail, on white plaster of paris (cracked), oval, 8cm, in ebonised frame with original label on the reverse (2). Both these profiles were purchased from Greenwoods of Harrogate in 1969.
Los 1248
Edward Ward Foster: Profile Bust Portrait of a Gentleman, 1833, facing to dexter, painted in Venetian red and decorated with bronzing, signed Foster pinx 1833, oval, 10cm, in turned and stained wood deeply moulded frame; and Another by the same artist, 1824, of a young gentleman, facing to dexter, on fawn tinted paper, oval, 8.5cm, in papier mâché frame (2) See illustration
Los 1249
John Miers (1758-1821): Profile Bust Portrait of William Cocks, circa 1800, sinister, with angular and feather trimmed hat, lace cravat, his long hair tied with ribbons, painted black on white plaster of paris, oval, 9cm, in domed verre eglomise with laurel banding, in deeply moulded turned and stained pearwood frame, with original label pasted verso inscribed Miers Profile-Painter & Jeweller No.111 Opposite Exeter Change, Strand, London, inscribed in ink with sitter's name W M Cocks, 18.6cm high overall See illustration
Los 1251
John Bryan: Profile Bust Portrait of a Lady, circa 1800, dexter, black painted on plaster with scratched detail, she wears a broad ribbon in her frilled and embroidered headpiece, oval, 9cm, within domed verre eglomise, in a deeply moulded stained pearwood frame, original label pasted on reverse inscribed John Bryan Miniature Painter No.34 Stationers Court, Ludgate St, 20.5cm high overall See illustration
Los 1253
Attributed to Augustin Amant Constant Fidèle Edouart (1789-1861): A Cut-Out Silhouette of the Rev C Simeon, circa 1840, giving a sermon from a pulpit, inscribed with the subject's name, 24cm by 17.5cm; Another Similar, 24cm by 19.5cm; and William J Hubard: A Cut-Out Silhouette Full Length Profile Portrait of a Gentleman wearing a top hat, circa 1845, on grey painted ground, paper embossed mark Taken at the Hubard Gallery, 25.5cm by 16.5cm (3). William James Hubard (c.1809-1862). Cut his first portrait at the age of twelve. He took the portraits of the President and Mrs Franklin Pierce in America in 1824. In 1862 he met his death as a member of the Confederate Army whilst filling a shell at Richmond, Virginia.
Los 1254
John Woodhouse (fl.1810?-1839), Blackett Street, Newcastle-on-Tyne: A Reverse Half Length Profile Portrait on Glass, circa 1830, of a young woman wearing muslin bonnet and puff sleeve black dress, on a light pink background, image 22cm by 17.5cm, in a period rosewood veneered moulded frame; and A Cut Silhouette Full Length Portrait of a Lady, circa 1850, wearing a bonnet and holding a day bag on her right arm, 26.5cm by 16cm, a label on the reverse inscribed Mrs Hibbert Sale, and with the Marples & Hibbert, 78 Fargate, Sheffield label (2)
Los 1256
Frederick Frith (Royal Victoria Gallery): A Cut-Out Silhouette Full Length Portrait of a Young Woman, 1840, she wears a bonnet over her bun, and wears a muff chain over her lace trimmed dress, turning to the right, with gold painted detail and grey wash ground, signed and dated 1840, arched rectangular, 25.5cm by 16.5cm; and Another, by the same artist, 1844, of a gentleman facing to dexter and gesturing with his hands, signed and dated 1844, 28.5cm by 17cm, in fruitwood frame (2) See illustration
Los 1257
A Wax Profile Bust Portrait of Napoleon, 19th century, polychrome detail, laid onto black paper within ebonised circular frame, 15.2cm diameter overall; A Continental Porcelain Painted Plaque Depicting the Bust of Napoleon, circa 1900, of convex oval shape, depicted gazing slightly to sinister against a cloud background, 10cm; and Two Others Smaller, depicting the head of Christ wearing the Crown of Thorns, 6cm, and a young Middle Eastern maiden gazing pensively downwards, 4.2cm, all unsigned (4)
Los 1262
Peter Rouw: Wax Profile Bust Portrait of James Woolley Esq of Birmingham, 1807, finely modelled in light salmon pink wax, sinister, wearing jabot and broad lapelled jacket, signed P Rouw sculpt London 1807 on the truncation, against a black slightly mirrored background, circular, 10.2cm, beneath a glazed dome within a black papier mâché square frame, inscribed on the reverse in ink A portrait of James Woolley Esq, Birmingham, Peter Rouw sculptor, Portland Road, London 1807 See illustration
Los 1263
Peter Rouw: Wax Profile Bust Portrait of His Grace the Duke of Bridgewater, 1803, finely modelled in light salmon pink wax, dexter, wearing a jacket, against a black slightly mirrored background, circular, 10.2cm, beneath a glazed dome within a black papier mâché square frame, inscribed on the reverse in ink Portrait of His Grace the late Duke of Bridgewater, Peter Rouw sculptor, Portland Road, London 1803, 18.5cm by 18cm See illustration
Los 1265
Peter Rouw: Wax Profile Bust Portrait of a Young Woman, 1810, finely modelled in light salmon pink wax, turning to dexter, her hair upswept and held by a band in Grecian style, wearing a ruffled lace collar to her pearl embellished dress, signed on the truncation P Rouw sculpt London 1810, against a black polished glass background and beneath domed glazing, within a gilt metal outer frame and in green leather protective case (front cover lacking), the image 11cm diameter See illustration
Los 1266
Charles Rosenberg (Austrian 1745-1844): Profile Bust Portrait of a Gentleman, possibly W Pemberton, circa 1800, painted on the underside of glass, wearing a top hat and gazing to dexter, against a salmon pink ground, within a leaf and arch decorative verre eglomise border, within turned and stained pearwood frame with original label verso inscribed Mr Rosenberg of Bath, Profile Painter to their Majesties & Royal Family, also indistinctly inscribed in ink with the sitter's name W Pemberton W, 8cm See illustration ALSO ILLUS OF LABEL. At the end of the 18th century Bath was practically the second capital of England. Rosenberg was well acquainted with many members of the aristocracy and court, and his sitters included the Duke of York.
Los 1267
Mrs Hudson: Profile Portrait of a Gentleman, circa 1780, his long hair tied by a ribbon, and wearing a broad lapelled jacket, with bronzed detail, signed, against a white Plaster of Paris background, oval reserve, 6.7cm, in gadroon, bead and star embossed gilt brass frame with original label on the reverse inscribed Models in Wax and Striking Likenesses in Profile, or in Colours, Executed in a Superior Stile (sic) of Elegance & Fashion by Mrs Hudson, Pall Mall, London See illustration
Los 1268
French School: Profile Bust Portrait of a Gentleman, facing to sinister, his hair en queue and tied by a ribbon, painted in black on gold glass, oval, 7.6cm, in a gilt metal foliate frame with ribbon cresting; and A Very Similar Example, depicting a lady, facing to dexter, signed under the truncation CD, in similar frame (2) See illustration. Ex Bonhams, Jack Pollak's Sale, 21 February 1996
Los 1269
Follower of Isabella Beetham: Profile Portrait of a Lady Painted on Glass, circa 1790, sinister, with a light veil on her long curling hair and lace fichu, against white plaster of paris background, oval, on convex glass with verre eglomise border, 10cm overall, in pressed and gilded brass frame; and Another Somewhat Similar, 8.7cm (2) See illustration
Los 1270
Sarah Harrington: A Hollow-Cut Profile Bust Portrait of a Young Woman, circa 1785-90, facing to dexter, her hair gathered up into a high and elaborate coiffure embellished with ribbons, oval, 10.6cm, in a silvered and stamped pewter ribbon tied and reeded frame, a typed label on the reverse states Arthur Main Col See illustration. Mrs Harrington with the first professional operator known to use a machine. She not only used it, she invented and took out Royal Letters Patent for it. It consisted of a sort of camera obscura in which the rays of the sun were allowed to enter through an aperture to cast a shadow. When the sun was not available, artificial illumination took its place. She took out this patent for her machine on 24th June 1775. Sarah Harrington was also a cutter, and her speciality was the hollow cut-a means by which the portrait was cut out of a sheet of white paper and placed against a sheet of black paper.
Los 1271
John Field (1772-1848): Profile Portrait of a Lady, possibly Miss Male, circa 1830, painted in black and with gold detail, facing to dexter, a high comb in her coiffured Grecian style hair, signed Field 111 Strand, oval, 7.8cm, in papier mâché frame; J H Gillespie: Profile Portrait of a Gentleman, circa 1820, facing to dexter, black painted with gold detail, oval, 7cm, in black lacquered papier mâché frame with original label verso; and Profile Portrait of Ernest Gray, aged 4, circa 1842, black cut-out, with gold detail, facing to sinister, oval, 8.4cm (further sitter detail on the reverse), in papier mâché frame (3)
Los 1273
William Hamlet of Bath (c.1779-c.1815): Profile Portrait of a Lady, said to be Mrs Harrison, painted black, facing to sinister, wearing a large hat, oval, 7cm, original label on the reverse of the papier mâché frame with inscription Mrs Harrison lived to be 90, sister to the old Gen Borthwick; and Three Other Decorative Silhouettes, of two gentlemen and a lady, one with the label of Mr W Seville (4)
Los 1275
John Field (1772-1848): Painted Silhouette Portrait of Mary Anne Leaf of Streatham (Mrs Walker of Maunby Hall), circa 1837, black with bronze detail, signed (under the bust) Field 2, Strand, oval, 8.7cm by 7.3cm, in black papier mâché frame, label on the reverse inscribed Illustrated in the Antique Collector October 1969, the Brothers Jorden; and Three Profile Portraits, early 19th century, comprising two ladies and a young gentleman (4)
Los 1278
French School: Profile Portrait of a Gentleman, circa 1790, facing to sinister, his hair en queue, against a solid gilded glass ground with serrated ribbon border imitating mother-of-pearl, the reverse with plaited hair panel over cursive initial L with serrated border, 5.6cm See illustration
Los 1280
French School, circa 1780: Profile Bust Portrait of a Gentleman, painted black, his hair en queue, against a gilded glass ground with foliate engraved broad border, the reverse with gilt metal fretted insert with central monogram JSP(?) and around the edge il m'aime tout son coeur, against a light blue silk panel, oval 7.2cm See illustration
Los 1281
English School, circa 1740: Miniature Portrait of a Young Gentleman, with long powdered curly hair, brown eyes, wearing a lace jabot and light blue velvet jacket, oval, 6cm, on copper, in later papier mâché frame; and English School, early 19th century: Portrait of a Robert Durham and Mrs Durham, he wears a black jacket, she wears an embroidered mob cap and ruff, oval, 7cm and 6cm respectively, in black papier mâché frames (3). A label on the reverse of the Robert Durham miniature states He was a Unitarian, Robert Durham (Yorkshireman) Builder & Undertaker, buried on the kings .... near to ... Symans Church, London. Married a Miss Ovens and afterward a Miss Stamp. Died rich = born in 1747. He was my great grandfather G G W Gordon. On the reverse of the Mrs Durham miniature My great grandmother Mrs Durham formerly a Miss Ovens & I think the writing is my aunt Elizabeth Durham (Sprinter) but I don't know my great grandmother's christian name. G G W Gordon
Los 1282
J T Mitchell: Miniature Portrait of a Gentleman, circa 1830, with grey hair, blue eyes, wearing a white collar and cravat, and navy jacket, oval, 6.7cm; and Two 19th Century Portraits, one depicting a pretty young woman with ringlets, 9cm by 7.4cm, the other a young gentleman with sideburns, oval, 7.5cm, both in papier mâché frames (3)
Los 1284
John Miers of Leeds (c.1758-1821): Profile Portrait of a Lady, circa 1781-83, facing to dexter, black painted on white plaster of paris, oval, 9cm, in black and parcel gilt (plaster?) frame with original label pasted onto the reverse Jno Miers, Lowerhead Row, Leeds; and Another by Miers, similar to the preceding, oval, 9cm, no label to the reverse (damage) (2). The type of label of the first example can be seen in Mayne (Arthur) British Profile Miniaturists, pg.54, label no.4
Los 1286
William Miers & John Field (fl.1823-1829): Profile Bust Portrait of a Young Woman, circa 1825, facing to sinister and wearing a ribbon tied veil over her hair, painted on black on white plaster of paris, oval, image only 8cm, domed verre eglomise border and black papier mâché frame with original label pasted verso; and Attributed to Hinton Gibbs: Profile Portrait of a Lady, circa 1790, wearing a full face mob cap and frilled ruff and blue dress, the sitter with black painted face and details on solid white wax ground, on slightly domed glass, within pressed brass frame (possibly later?), oval, 7.4cm (2) See illustration. An old label on the reverse describes this piece as Portrait of a lady by W J Phelps. Hinton Gibbs served for upwards of twenty years in the Bedfordshire Militia, attaining the rank of corporal and, while his tally of military likenesses is negligible, he apparently managed to combine professional profilism with his military duties for several years before his demoblisation in the period c.1790-1815. Gibbs relied on wax as a backing material, which generally does not stand up well to the rigours of time. For further details concerning this artist see Mayne (Arthur) British Profile Miniaturists, pg.72 andMcKechnie (Sue) British Silhouette Artists and Their Work 1760-1860, p.530.
Los 1289
English School, circa 1800: Miniature Portrait of a Young Gentleman, said to be James Morrison, son of Humphrey Morrison of Dunstan Steads, with grey powdered hair, grey/blue eyes, wearing a jabot and brown jacket, against a sky background, oval, 5.4cm, in a gold metal frame with hair locket to the reverse, in a crushed morocco silk lined case with old paper note My great-grandfather James Morrison, son of Humphrey Morrison of Dunstan Steads, M Davison See illustration
Los 1290
English School, circa 1830: A Family Group Portrait Miniature, depicting a mother with black curly hair and wearing a puff-sleeved black dress, with her five children, one of the young boys holding a toy gun, within a curtain draped interior, 17cm by 22cm, in a gilt brass slip frame, the narrow main frame carved with fruiting acorns, ribbons and leaves, stamped WW on the backplate, 24cm by 29cm overall See illustration
Los 1291
English School, late 19th century: Portrait Miniature of a Lady, in 18th century costume, her powdered and pearl decorated hair in an elaborate coiffure, wearing a lace trimmed dress enriched with pearls, signed Andrew Pinxt, oval, 6.5cm, in gilt metal frame with blue glass reverse panel See illustration
Los 1293
Attributed to George Engleheart (1752-1829): Miniature Bust Portrait of a Lady, circa 1790, with short brown curly hair, grey-blue eyes and wearing a coral bead necklace and pleated lace trimmed white dress, against a cloudy sky background, initialled E, oval, 8.5cm high, the reverse with seed pearl trimmed hair locket within a guilloche machine turned blue glass covered border, gold metal frame See illustration
Los 1294
A Relief Cast Plaster Profile Portrait of a Gentleman, circa 1775, oval, the sitter facing to dexter, wearing a cloak around his armour, within a gilded narrow outer "slip" frame, the whole within an ebonised plaster ogee moulded frame with original glass, 23cm by 20cm overall See illustration
Los 3
A Bohemian Ruby Glass Scent Bottle and Stopper, circa 1870, the long tapered neck and bulbous body with overall scroll decoration in gilt, applied with three opaque white medallions, one painted with a female portrait, the others with flowers, 24cm. Provenance: Burrow Hall, Nether Burrow, Kirkby Lonsdale, Lancashire, Tennants sale on the premises, 14 May 1996, lot 23
Los 48
A Minton Porcelain Pierced Oval Two-Handled Tureen, circa 1880, with strapwork scrolled handles, key pattern fretted frieze, the lattice pierced frieze punctuated by two roundels painted with portrait heads of pretty young girls, on four Chinese inspired tusk form feet, the whole picked out in turquoise and other enamel colours and gilt, crown and globe mark in gilt, 35.5cm wide
Los 84
A KPM (Berlin) Painted Porcelain Plaque, third quarter of the 19th century, oval, painted with a three-quarter length portrait of a vestal virgin, wearing a diaphanous veil and dress, turning to dexter, holding an oil lamp in her right hand, apparently unsigned, impressed sceptre and KPM, 42cm by 34cm (approx), in a decorative giltwood frame See illustration
Los 87
A Pair of "Sevres" Porcelain Oval Portrait Plaques with Ormolu Frames, signed Lebre, circa 1875, each oval plaque with midnight blue border and turquoise jewelled inner frame, about a bust length portrait of Marie Antoinette and Madame de Pompadour (?), signed Lebre, the omolu strut-back frames with ribbon-tied crestings and rich acanthus and fruiting laurel decoration, the plaques 14cm high, 22cm high overall See illustration
Los 197
A Chinese Export Small Reverse Painted Portrait on Glass, Qianlong, circa 1780, the rectangular bevelled plate painted with a half length portrait of a Manchu courtesan holding an open fan and wearing a bejewelled head piece and blue silk robe, in a garden setting, 5cm by 7cm, in a carved wood, ebonised and parcel gilt Hogarth frame See illustration
Los 300
A Swiss Enamel Hase Brooch, the round concave face depicts a coloured enamel portrait of a Nordic Goddess in blue and purple robes wearing a winged helmet, against a red background, measures 3.7cm in diameter, and A Cameo Brooch, the carved shell shows Medusa within a rope and herringbone oval frame, measures 4.8cm by 5.5cm. See illustration-1.5 col.
Los 524
A George V 9ct Gold Small Compact or Pill Box, London 1929, circular, inset with a profile portrait miniature of a pretty young woman with curly brown hair, blue eyes and wearing a pearl necklace, a rose held to her throat, against an illuminated blue graduated ground, within a narrow engraved band of scrolls, machine turned ground, internally with mirror beneath the lid, 3.7cm diameter See illustration
Los 586
A Neapolitan Tortoiseshell Pique Snuffbox, circa 1740, of lobed circular form, the pull-off lid inlaid with gold pique and iridescent mother-of-pearl with two ladies, a gentleman and a servant boy greeted by a monk near a ruin, engine turned wave moulding to the sides and base, 8.5cm diameter; and An Ivory and Tortoiseshell Snuffbox, 18th century, circular, the pull-off lid applied with two (later) portrait miniatures of a gentleman and lady divided by reeded bosses, 7cm diameter (2) (both a/f)
Los 68
S. S. Empress of Britain - An album of photographs, postcards and ephemera relating to the World cruise of 1938, with photographs, certificates of Neptunes proclamation, dinner invitations and menu etc, together in a suede bound album with hand decorated ship portrait to the cover. * Perhaps one of the best known of the Canadian Pacific line liners and flagship of the company fleet, she was commissioned into war duties. Attached by air and set afire, attempts to rescue her were finally put to an end by a U32 two days later.
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283284 Los(e)/Seite