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Los 912

S. Perrett (British, 19th century), Portrait of a gentleman, wearing a black coat, gold waistcoat and white stock, within a painted oval vignette oil on canvas, signed and dated 'S. Perrett 1839' to stretcher verso 13 x 11 3/8in. (33 x 28.8cm.) * Condition: In a period stained, faux-grained pine frame with gold painted slip. Back of canvas covered with loose coarse weave canvas. Has been cleaned and restored - some scattered retouching visible throughout under UV, including some fairly large areas of retouching to the coat and top & right hand side of background. Also some repainting to the lower area of his face. Some strengthening visible to hair and right side of nose.

Los 898

Helen Mary Elizabeth Clamp (British, 1892-1973), 'Thank You Kindly', a portrait of a peddler oil on canvas, signed 'Mary Clamp' and dated 1923 lower left, inscribed to stretcher verso 43½ x 33½in. (110.5 x 85cm.); together with a collection of fifty-seven novels by Helen Mary Elizabeth Clamp, and eleven further novels published under her pseudonym, Olivia Leigh. (69) * H. M. E. Clamp was a very prolific author of romantic, adventure, historical and supernatural fiction, her career spanning 1925-1970. She later wrote gothic novels under the pseudonym Irina Karlova, the most well known of which is Dreadful Hollow, pub. 1942, which was the subject of a never-produced Hollywood screenplay by William Faulkner in 1945.

Los 982

English School (mid-19th century), Portrait of a gentleman and two young girls (probably a father and his two daughters) oval, watercolour with scratching out 8 5/8 x 6 3/8in. (21.9 x 16.2cm.); together with another Naive School portrait of a shepherd, watercolour, later converted to a matching oval. (4) * Condition: All have some time staining to paper, which has muted the effect of the colours somewhat. Paper on one slightly cockled. Gentleman has one small pale spot and a fox mark below the portrait. The shepherd has some light foxing and also time staining to paper - it was painted originally as a rectangular image, but has had additions later to create an oval to match the other three portraits.

Los 917

Early Colonial American interest Richard Phillips (British, 1681-1741), Portrait of Governor Jonathan Belcher (1682-1757) oil on canvas, inscribed on reverse of canvas "---- Jonathan Belcher of Boston New England. Anno AEtatis Suae [in the year of his age] 34 1/2 R Phillips pinxit 1716", painted in 1716 when Jonathan Belcher was 34 years old, in original early 18th century portrait frame 35¼ x 28¼in. (89.5 x 71.75cm.) * Provenance: By descent from the Chamberlayne family of Stoneythorpe Hall Warwickshire, England. The family had lived there since the 1600s. Thermuthes Chamberlayne married the son of the Governor of Virginia in 1797.** Notes: A significant Colonial portrait of one of the most interesting and influential figures in early American history. Jonathan Belcher became Governor of the Province of New Jersey from 1747 to 1757 and is regarded today as the founder of Princeton University. He was born on 8th January 1682 in Cambridge, Massachusetts, the son of Captain Andrew Belcher and Sarah Gilbert. He descended from the Belcher family of Guilsborough, Northamptonshire. He graduated from Harvard College in 1699 and in 1704 embarked upon a grand tour of Europe, visiting Holland, Germany and England where he met Princess Sophia and the future George II. In 1706 he married his first wife, Mary Partridge, the daughter of a former lieutenant governor of New Hampshire. In 1715 Jonathan Belcher made another trip to England where he defended Massachusetts' charter privileges and helped Governor Samuel Shute in his bid to become Governor of Massachusetts and New Hampshire, which he accomplished in October 1716. It was during Jonathan Belcher's visit to England in 1715/16 that Richard Phillips (1681-1741) painted this portrait. Richard Phillips was born in London in 1681 and, as far as it is known, he lived there until the end of his life in 1741. He was a principally a portrait painter and developed a prestigious client list including politicians and landowners and there are portraits by him in the National Portrait Gallery and Bank of England. Some of his portraits were engraved. A mezzotint of Jonathan Belcher was published in 1734 after a copperplate engraving by the Dutch portrait engraver John Faber the Younger (1684-1756), who was active in London. This was derived from a portrait by Richard Phillips, potentially the present picture. Copies of the mezzotint survive but not the engraving. Belcher ordered the plate to be destroyed and all impressions taken from it. The mezzotint depicts the sitter as Royal Governor of Massachusetts Bay and New Hampshire prior to becoming Governor of New Jersey. Although the coat and background are notably different the head and hand bear a very close resemblance to the portrait offered here. A full length portrait by Richard Phillips is recorded as having been presented to Princeton College by Jonathan Belcher at the time that he donated his extensive library. Sadly, this portrait was destroyed during the American Revolution. The portrait offered here is therefore a very significant discovery as it is the most authentic likeness of an historic figure from America's Colonial past. * Condition: Original strainer. The canvas is unlined but is badly torn in several places, including a horizontal six inch tear to the left of the face and a large puncture in the centre of the coat. The canvas is partly detached from the strainer on the left side. There are four patches on the reverse and old fillings. The surface is very dirty and the varnish has discoloured. There is evidence of paint shrinkage in the dark areas where the artist has mixed bitumen with the pigment.

Los 904

Emile Eisman-Semenowsky (Polish-French, 1857-1911), A portrait of a young woman in 16th century costume, wearing a red velvet and ostrich feather hat, gold brocade dress with square, chemisette neckline, neck ruffle and elaborate jewelled necklace oil on canvas, in period swept frame 20 x 16in. (50.75 x 40.75cm.) * Condition: Stiff relining and back of canvas lined with cloth. Recent cleaning and fairly extensive restoration. Repaired tear/split to left of her right eye. Some craquelure visible. Examined under UV - clear retouching / repainting in places, notably around the hat, the front of the dress and shoulders, some strengthening visible to facial features, hair and hat string. Hand written label to stretcher detailing attribution by Alan Darwell of Phillips in 1989.

Los 107

δ Pablo Picasso (1881-1973)Portrait de Vollard IV (Bloch 233)Etching, 1937, signed in pencil, the total edition was 310, on Montval laid paper with the Picasso watermark, printed by Lacourière, published by Vollard, Paris, 344 x 245mm (13 1/2 x 19 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 15

Rembrandt van Rijn (1606-1669)Self-Portrait etching at a WindowEtching, drypoint and burin, 1648, a good but a slightly later impression of New Hollstein's eighth state (of nine), the landscape printing weakly but inky edges to the upper right quadrant, on laid paper without watermark laid on thin tissue, platemark 158 x 131mm (1/4 x 5 1/4 in), sheet 161 x 133mm (6 3/8 x 5 1/4 in) (unframed)Literature:Hind 229; New Hollstein 240 viii/ix

Los 21

Rembrandt van Rijn (1606-1669) Portrait of Jan Cornelisz SylviusEtching on thin wove paper, 1633 but later, an evenly printed impression of the third state (of three) published by M'Creery, sheet 170 x 145 mm (6 3/4 x 5 3/4 in)Together with three others prints, including later impressions of Rembrandt's 'Christ crucified between the two thieves', and 'Jan Antonides van der Linden', with the other by Chevalier Ignace Joseph de Claussin (1766-1844) after a drawing by Rembrandt with five studies, on various wove papers, the latter on buff wove, between 140 x 100 mm (5 1/2 x 3 7/8 in) and 185 x 225 mm (7 1/4 x 8 7/8 in) (unframed) (4).Literature:New Hollstein 124 iii/iii

Los 49

James Jacques Joseph Tissot (1836-1902) Mavourneen (or Portrait of Kathleen Newton)Etching with drypoint, 1877, a good impression on laid paper with watermark of 'D&C Blauw', careful repair to upper section of right hand platemark with some light spotting, platemark 373 x 200mm (14 3/4 x 7 7/8in), sheet 450 x 290mm (17 3/4 x 11 1/2in) (unframed)Literature:Wentworth 31

Los 61

δ Marc Chagall (1887-1985)Self Portrait with Decorated Hat (Cramer 10)Drypoint, 1928, signed in pencil, from the edition of 60, on Arches wove paper, printed by Frazier-Soye, Paris, with full margins, plate 205 x 144mm (8 1/8 x 5 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Los 118

Coins : GB Royal Mint 4th / 5th circulating collage portrait proof boxed set - fine cond

Los 127

Coins : GB 2014 Royal Mint - Portrait of Britain 4 silver proof coin set boxed & fine cond

Los 571

Three Erhard & Söhne dolls’ house gilt metal faux bamboo picture frames, Two landscapes and one male portrait —3¼in. (8.25cm.) longest side

Los 230

Fine 19th century French gold and enamel mourning bangle, with pieced foliate panels and white enamel borders, the oval hinged oval locket bearing the initial monogram 'WL', enclosing the miniature portrait of Sir William Lawrence, the reverse with a hair locket, with safety chain, 49.7gm, 60mm wide; with the original box branded Philippi, 19 R. Richelien,Paris' - ** Sir William Lawrence, 1st Baronet FRCS FRS (1783 - 1867) was an English surgeon who became President of the Royal College of Surgeons of London and Serjeant Surgeon to the Queen (Victoria). In his mid-thirties, he published two books of his lectures which contained pre-Darwinian ideas on man's nature and, effectively, on evolution.

Los 231

9ct engraved mounted oval cameo brooch depicting a portrait profile of a lady, with safety chain, 57mm x 42mm

Los 31

A small collection of yellow Crown Staffordshire pottery tea wares, two silver-plated teapots, a pair of opera glasses, and a pair of limited edition oval portrait prints depicting 19th century Army officers, signed C.W. Bradbury, 34 x 23cm

Los 597

19th Century English School. Half-length seated portrait of a middle-aged woman wearing black coat with white lace collar and bonnet, unsigned, oil on canvas, 75x62cm, in giltwood frame

Los 144

A mixed lot to include a model boat, a planter, a Victorian portrait photograph and a hand mirror

Los 224

A copper abstract plaque, mounted, together with a continental poppy field print and two late 19th century portraits (glass A/F to one portrait)

Los 288A

A German royal armorial cut and engraved goblet and cover, first quarter 18th century, attributed to the workshop of Elias Rossbach, Zechlin, the ogee funnel bowl engraved with portrait of Friedrich I of Prussia, below the motto VIVAT FRIDERICUS BORUSSORUM REX, flanked by allegorical figures emblematic of victory and justice, the reverse with the Prussian royal arms, 21.5cm high LITERATURE Spiegl, Glas, München 1979 Abb.77

Los 282

Set of three 19th Century bronze portrait miniatures in gilt and glazed frame overall size 16cm x 14cm from The Grosvenor Hotel Torquay together with a reproduction miniature (4).

Los 112

Blow (John ). Amphion Anglicus. A Work of Many Compositions, For One, Two, Three and Four Voices: with sevral accompagnements of Instrumental Music; and a Thorow-Bass to each Song: figur’d for an Organ, Harpsichord, or Theorboe-Lute, printed by William Pearson, for the Author, 1700, engraved portrait frontispiece by R. White, title printed in red and black, preliminary leaves and 216 pages (portrait, a-b2, a-b2, unsigned advertisement leaf with Table of Songs to verso, B-Z2, Aa-Zz2, Aaa-Iii2), short closed marginal tear to foot of title, generally a good, clean copy, small pale green oval ownership stamp of B. F. Leavens to title and first leaf of dedication, later endpapers, 20 th century olive green plain morocco with red gilt morocco spine label, spine and head of upper cover faded to brown, folio (32 x 19.5 cm) (Qty: 1)Provenance: Benjamin Franklin Leavens (1817-1850), American church composer and author of The Service of Song (Boston, 1849). Day & Murrie, English Song-Books 1651-1702, 183; Wing B3353. The English composer John Blow (1649-1708) was organist at Westminster Abbey, a post he generously passed to his pupil Henry Purcell in 1679, until he resumed the role following Purcell’s untimely death in 1695. Blow’s music, alongside that of other English Baroque composers, has undergone a significant revival in recent decades, led particularly in England by Anthony Rooley with the Consort of Musicke, and Peter Holman and the Parley of Instruments. His Amphion Anglicus brings together both sacred and secular songs in a single publication, and is modelled on Purcell’s own collection of 1698, Orpheus Britannicus .

Los 113

Thumb Bible. Verbum Sempiternum, [by John Taylor], The Third Edition, with Amendments, 2 parts in one, printed for Tho James, [1700?], title-page preceded by imprimatur leaf dated October 6 1693 (often lacking), half-title, and engraved portrait frontispiece depicting 'His Illustrious Highness William Duke of Glocester', New Testament half-title preceding title to second part (former with small nick in fore-edge), blank at rear with inscription on verso 'Tryphena Russell Her Book 1708/9', preliminary blank with inscription on recto 'Philip Doddridge his Book given him by Miss Russell ye:4th:of May 1709', and further inscription dated 1802 on verso, also relating to the Doddridge family, all edges gilt, marbled endpapers, original black morocco, slightly rubbed, tiny hole at head of spine, foot of spine a trifle bumped, raised bands, compartments gilt panelled, with quatrefoil tool in centre and roundels at corners, covers with border of gilt dotted roll between single fillets, enclosing a double fillet panel with central quatrefoil device surrounded by thistle and wheel tools, volute cornerpieces, brass clasp, 55 x 50 mm (2.25 x 2 ins) (Qty: 1)Philip Doddridge (1702-1751) was an English nonconformist minister, author and hymn writer who did much to advance the education of the poor. Tryphena Russell was the daughter of Lord James Russell, son of the first Duke of Bedford, and Elizabeth Lloyd. In 1725 she married British politician Thomas Scawen (d.1774) who in 1722 had inherited the property of an uncle, which included Carshalton Park in Sutton. Their daughter Tryphena married Henry Bathurst, 2nd Earl Bathurst. There are several references to Lady Russell in The Correspondence and Diary of Philip Doddridge , edited by his great grandson John Doddridge Humphreys and published between 1829 and 1831. Doddridge refers to Lady Russell as a valuable friend, makes mention of a certain mysterious pecuniary embarrassment surrounding her, and describes her sudden death at Reading, on the road from Bath, on 1st September 1736. ESTC R184925; Wing T527; see Bondy, pp. 13-15. A rare early thumb Bible.

Los 127

Dunton (John). Athenian Sport: or, Two Thousand Paradoxes Merrily Argued, To Amuse and Divert the Age … With Improvements from the Honourable Mr. Boyle, Lock, Norris, Collier, Cowley, Dryden, Garth, Addison, and other Illustrious Wits. By a member of the Athenian Society, 1 st edition, printed for B. Bragg, 1707, half-title, text in double column, 18 th century engraved bookplate of Edmondstoune of Newton to front pastedown, with related ink note above ‘Newtoun Decr 4 th 1751’, contemporary blind panelled calf, slightly rubbed, 8vo, together with Athenianism: or, The New Projects of Mr. John Dunton, Author of the Essay entitl'd, The Hazard of a Death-Bed-Repentance being, Six Hundred distinct Treatises (in Prose and Verse) written with his own hand; and is an entire collection of all his writings, both in manuscript, and such as were formerly printed. To which is added, Dunton's Fare Wel to Printing, Vol. I [all published], printed by Tho. Darrack... and are to be sold by John Morphew, 1710, engraved portrait frontispiece of John Dunton by Van der Gucht after E. Knight, [2], xiv, [16], 224, 360 pages, minor spotting and light soiling to title and a few preliminary leaves, modern antique-style blind-panelled full calf, with gilt morocco label to spine, 8vo (Qty: 2)Provenance (for the first work): James Edmondstoune of Newton in Perthshire. Parks 339 & 362. The first work is a collection in prose and verse, compiled by the eccentric writer and bookseller John Dunton (1659-1732). Subjects vary from the whimsical to the scatological, but focus chiefly on human foibles and ignorance, and the relationship of the sexes. The second, and scarcer title, Athenianism , complete with the only surviving portrait of the author (and often missing) consists of 24 'projects', or Satires on literature, history, religion, autobiography and science, much of which is in verse, including a poem on male prostitution entitled 'The He-Strumpets'.

Los 186

Parry (James). The True Anti-Pamela: or, Memoirs of Mr. James Parry, Late Organist of Ross in Herefordshire. In which are inserted his Amours with the Celebrated Miss — of Monmouthshire, 1st edition, printed for the author, 1741, engraved portrait frontispiece, separate dated title-page to 'Love Letters that passed between Mr. James Parry and Parthenissa', woodcut head- and tailpieces and initials, contemporary speckled calf, rebacked retaining most of original spine, label renewed, 12mo (16.4 x 9.6 cm) (Qty: 1)ESTC N63317; not in Block. Very rare early parody of Richardson's Pamela , which had appeared the previous year. ESTC traces five copies in libraries world-wide. Parry had advertised the work before publication with the title Anti-Pamela; or Memoirs of Mr. James Parry , which seems to have been lifted by Eliza Haywood for her own Pamela parody, published eleven days before Parry's, prompting him to adopt the present title.

Los 204

Edwards (George). Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals... from designs copied immediately from nature, and curiously coloured after life... to which is added, a brief and general idea of drawing and painting in water-colours; with instructions for etching on copper with aquafortis: likewise some thoughts on the passsage of birds; and additions to many of the subjects described in this work, 4 volumes, printed for Author, at the College of Physicians, in Warwick-Lane, 1743-51, & Gleanings of Natural History, exhibiting figures of quadrupeds, birds, insects, plants &c. most of which have not, til now, been either figured or described, 3 volumes, printed for the author, at the Royal College of Physicians, in Warwick-Lane, 1758-64, 7 volumes in all, containing 362 fine hand-coloured copper engraved plates (210 and 152 plates respectively to each work), uncoloured engraved portrait of the author by Johann Sebastian Muller after Bartholomew Dandridge, 4 uncoloured engraved plates (including 3 folding) to first volume, single uncoloured engraved plate of Un Samojeed facing page 118 in the second volume, each of the first 4 volumes with printed French translation bound at rear, the 3 volumes of Gleanings of Natural History with parallel English and French printed text in double column, some offsetting from the plates to facing tissue-guard (as usual), the second volume with first issue misprint 'Afrer' to title-page, marbled endpapers, bookplate of Charles 1st Viscount Eversley of Heckfield (1794-1888) to front pastedown of each volume, contemporary uniform full tree calf, with Greek-key design to outer border of each cover, spines with gilt motifs between compartments and contrasting red and green morocco title and volume labels, very slightly rubbed and minor wear to extreme head and foot of spines, several volumes with joints partly cracked or tender, edges lightly rubbed, 4to (29 x 23 cm) (Qty: 7)Provenance: Charles Shaw-Lefevre (1794-1888), 1st Viscount Eversley of Heckfield, MP for North Hampshire from 1832 to 1857, and Speaker of the House of Commons from 1839 to 1857, the second-longest serving speaker of the House of Commons after Arthur Onslow. Anker 124-126; Fine Bird Books (1990) 93; Jeanson, Ornithologie (1988) 27; Lisney pp. 128-144; Nissen IVB 286-289; Zimmer pp. 192-4 & 196-9. A fine set in contemporary uniform binding of 'one of the most important of all bird books, both as a fine bird book and a work of ornithology' (Sitwell, Fine Bird Books). The father of British ornithology, George Edwards (1694-1773) was appointed librarian at the College of Physicians, with the assistance of Sir Hans Sloane, who also employed him to draw curiosities from his own collection. These drawings, as well as others made by Edwards from the collections of his circle, including Mark Catesby, and the Dutchman Gideon Loten, formed the basis of his Natural History. Amongst the species described, some of which appear in print for the first time, are many from India and North America. Edwards personally oversaw the colouring of the engravings - 316 of which are of birds - carefully supervising the colourists who worked from twelve model copies coloured by the author himself. The work includes 'some brief instructions for etching on engraving on copper-plates', Edwards having been encouraged to etch his own plates by Catesby, and 'A Brief Idea of Drawing and Painting in Water-Colours'.

Los 220

Phillips (Sarah). The Ladies Handmaid: or, a Complete System of Cookery; on the Principals of Elegance and Frugality. Wherein the useful Art of Cookery is rendered plain, easy and familiar: containing the best approved, yet least expensive Receipts in every Branch of Housewifry ... together with Instructions for Carving and Bills of Fare for every Month in the Year, 1st edition, J. Coote, 1758, engraved portrait frontispiece and four engraved plates showing table settings and trussing of fowls, erratic pagination, slight worming to lower blank corners of frontispiece, title and following leaf, each with neat repairs, few other leaves with minor worming to lower margins, toning, occasional dust-soiling and minor spotting, 20th-century dark brown sheep, maroon morocco title label to spine, 8vo (Qty: 1)Axford, p.243; Bitting, p. 369; Cagle 926; ESTC N34079; Maclean, p. 115; Simon, BG 1167. Rare, only four UK institutional locations found (British Library, John Rylands Manchester, Brotherton Library Leeds and National Library of Scotland).

Los 24

[Bourgeois, Louise]. The Compleat Midwife's Practice Enlarged … The second edition corrected, by R.C. I.D. M.S. T.B. Practitioners of the said Art. With a full supply of those rare secrets which Mr. Culpeper in his Brief Treatise of Midwifry, and other English writers, have kept close to themselves, concealed, or wholly omitted. Printed for Nath. Brook, 1659, [16], 309, [11], engraved portrait frontispiece, 5 engraved plates, including 2 folding, separate title-page to A Full Supply.., by T. Chamberlaine, very small hole to D1 not affecting text (generally a very good, clean copy), contemporary calf ruled in blind, 8vo (Qty: 1)Wing C1817D; Thomason E.1723[1]. Enlarged edition of the French midwife Louise Bourgeois’ book on obstetrics, Observations diverses sur la sterilité, perte de fruict, foecondité, accouchements, et maladies des femmes et enfants nouveaux naiz (Paris, 1609), in which she described herself as ‘the first woman practicing my art to take up the pen’. It was translated into German, Dutch, and English, and was influential throughout Europe in the 17th century.

Los 253

Knox (John). An Historical Journal of the Campaigns in North-America for the Years 1757, 1758, 1759, and 1760: Containing the most Remarkable Occurrences of that Period; particularly the two Sieges of Quebec, the Orders of the Admirals and General Officers; Descriptions of the Countries where the Author has served, with their Forts and Garrisons; their Climates, Soil, Produce, 2 volumes, 1st edition, for the author, 1769, engraved portrait frontispieces of generals Amherst and Woolfe, folding engraved map of British Dominions in America by Thomas Kitchin, errata leaves to rear, occasional light soiling, bookplates and ownership inscriptions of George Gun and John Long, contemporary sprinkled calf, rebacked with original spines relaid, a little rubbed, 4to (Qty: 1)ESTC T92897; Howes K-220; Sabin 38163.

Los 256

[Fleming, Francis]. The Life and Extraordinary Adventures, the Perils, and Critical Escapades of Timothy Ginnadrake, that Child of Chequer'd Fortune. In three volumes, 1st edition, Bath: printed by R. Cruttwell, for the author, 1771, engraved portrait frontispieces to volumes 1 and 2, list of subscribers to volumes 1 and 3, small hole partially repaired to volume 1 [pi]4 (in list of subscribers) affecting text verso, staining to leaves G1-2 and G5-6, gilt gauffered edges, contemporary red morocco, floral devices gilt to spine compartments, green morocco labels, floral and dogtooth roll-borders to sides gilt, spines consolidated at feet, volume 1 spine also chipped at heat, label perished, the compartment re-lettered, tips slightly bumped and worn, 12mo (16.6 x 9 cm) (Qty: 3)Provenance: 'W. Murray' (contemporary ownership inscriptions; additional ownership inscription 'J. T. Wadman' to volume three initial blank scored out); William John Mercer of Huntingtower, Perthshire (armorial bookplates). Block p. 78 (calling for two portraits); ESTC T98989 (tracing twelve copies world-wide). Irish musician Francis Fleming (1715-1778) was leader of Bath's Pump Room orchestra from the early 1730s until his death; his satirical, partly autobiographical novel has been identified as an important source for the social life of Georgian Bath. Rare: no other copy traced at auction since 1984.

Los 263

Bookseller's catalogue. For 1775. Sayer and Bennett's Enlarged Catalogue of New and Valuable Prints, in Sets, or Single; also Useful and Correct Maps and Charts; likewise Books of Architecture, Views of Antiquity, Drawing and Copy Books, &c. &c. in Great Variety, At No. 53, in Fleet-Street, London; Where Gentlemen for Furniture, Merchants for Exportation, and Shopkeepers to sell again, May be supplied with the greatest Assortment, on the most reasonable Terms..., [London], 1775, Appendix at rear with separate pagination and collation, lightly toned throughout, verso of front free endpaper with contemporary ownership signature of Philip Griffin, Warnford, Hants, front pastedown with armorial bookplate of Henry St. Andrew St. John, front free endpaper with bookplate of Martin and Josephine Orskey, and with ink inscription 'M. Orskey 1964', modern calf-backed contemporary marbled boards (rubbed), 8vo in 4s (Qty: 1)Provenance: Philip Griffin was rector of the village of Warnford in Hampshire. Henry St. Andrew St. John (1796-1874) was also a clergyman, whose ancestors hailed from Bletsoe in Bedfordhire, and his portrait hangs in Lydiard House, Swindon, Wiltshire. ESTC T152186 (listing just two locations, British Library and Göttingen University, Germany). ESTC lists three other similar catalogues put out by Sayer in the years 1766, 1774 and 1786. All are scarce. Robert Sayer (1725-1794) was a major British publisher and printseller. In 1745 he purchased the business of map and globemaker John Senex and went into partnership with Philip Overton, in 1748 marrying Overton's widow Mary. In 1774 Sayer entered partnership with his journeyman John Bennett and traded as Sayer & Bennett but Bennett apparently went mad in 1783. On Sayer's death, the business was taken over by his assistants Robert Laurie and James Whittle.

Los 281

Grose (Francis). The Antiquities of England and Wales, 8 volumes, 'new edition', Hooper & Wigstead, [1784-7], engraved frontispiece and vignette title-page to each volume, folding map to volume 7, portrait by Bartolozzi to volume 8, 655 engraved plates including views, antiquities and plans, a few folding, engraved vignette county maps, tissue-guards, offsetting, occasional spotting to leaves adjacent to plates and to a few plate margins, vignette map of Gloucestershire imperfectly printed to partial loss of cartouche, marbled edges and endpapers, bound green silk page-markers, early-19th-century russia elaborately gilt, octofoil devices on semé dot ground to spine compartments, covers with concentric decorative frames incorporating an oblique curlicued palmette roll, elaborate cornerpieces built up from various floral and leaf-form tools on semé dot ground, joints slightly rubbed in places, 4to (27.5 x 20.8 cm) (Qty: 8)The binding is similar to known examples by Regency binder Bartholomew Frye, an immigrant of German origin who by 1816 had established his own workshop in Halifax, possibly after an apprenticeship with Edwards, and later worked in Manchester and Liverpool. See Ramsden, Outside London , p. 76.

Los 284

Potter (T.). The Moralist; or Portraits of the Human Mind, exhibited in a Series of Novelettes, Partly Original and Partly Compiled, 1st edition, printed for the editor, 1785, half-titles, bound silk page-markers, without engraved portrait, intermittent tide-mark in lower margins extending into text, volume 2 with small damp-stain in fore margins of half-title and title-page, pp. 18-19 and leaves F1-2 stained, a few other marks, contemporary tree calf, smooth spines gilt with star motifs, twin morocco labels, gilt frames to sides, tips bumped and worn, 12mo (17.5 x 9.9 cm) (Qty: 2)Block p. 197; ESTC T55923. Rare: ESTC traces two copies world-wide (British Library and University of Chigaco); one copy of a 1786 edition found in auction records (in 1969). The author is identified on the title page as 'the late T. Potter, surgeon, at North Shields, near Newcastle-upon-Tyne'. The first volume consists almost entirely of oriental tales, including 'Amurath, an Eastern Tale', 'Choang and Hansi, a Chinese Tale', 'The Hermit of Lebanon', 'History of Abraoulf', and others.

Los 302

Curtis (William). The Botanical Magazine or Flower-Garden Displayed: in which the most ornamental foreign plants, cultivated in the open ground, the green-house and the stove will be accurately represented in their natural colours, volumes 1-8 (bound in 2), 1787-94, engraved portrait frontispiece of William Curtis, preface and dedication, retaining all 8 title pages and indexes, 288 engraved plates with contemporary hand colouring, very occasional spotting, some slight offsetting, late 19th century ownership signature to title pages of volume 1 and 5, 19th-century diced calf, gilt spines, very slight wear to extremities, minor staining to boards, 8vo (Qty: 2)

Los 303

Andrade (Manoel Carlos de). Luz da Liberal, e Mobre Arte da Cavallaria, offerecida ao Senhor D. Joao Principe do Brazil, 1st edition, Lisbon: La Regia Officina Typografica, 1790, engraved portrait frontispiece of Prince John of Brazil by Frois after Silva, title with engraved armorial vignette, 93 fine copper-engraved plates by Frois, Martini, Alegre, Piedra, after Silva, blank leaf after contents, errata leaf at end, contents generally in clean, crisp condition, with excellent impressions of the plates, marbled endpapers, all edges gilt, contemporary gilt-decorated red full morocco, very slightly rubbed, generally a very attractive copy, folio (Qty: 1)Provenance: Joseph Strutt (1749-1802), antiquary, artist and engraver, and author of A Complete View of the Dress and Habits of the People of England (1796-9), and Glick-Gamena Angel-Deod, or the Sports and Pastimes of the People of England (1801). Huth 56; not in Mennessier de la Lance. Only edition of this spendid description of the royal Portuguese riding school, with strong, rich impressions of these engraved plates.

Los 31

Netherlands. The Dutch Drawn to the Life, in I. An exact description and character of the several Provinces of the Netherlands. II. An account of their trade and industry. III. A well-weigh'd re-search into their policy, government and strength. IV. A particular discourse of their religion and customes. V. A close narrative of the way and method whereby they made themselves a free state, under the conduct of the Prince of Aurange: whereunto is added the lives of the 5. last princes. VI. A continued history of the last war, together with their dealings with England, from the year 1612. to the year 1660., 1st edition, printed for Tho[mas] Johnson & H[enry] Marsh, 1664, engraved frontispiece portrait of William of Orange, a little light spotting, contemporary sheep, old shelfmark label to spine, a little rubbed, 12mo (Qty: 1)ESTC R24309; Goldsmiths' 1723; Kress 1133; Wing D2898. Rare anonymous account published on the eve of the Second Anglo-Dutch War (1665-67), and including a long section on trade and fisheries.

Los 312

Bartram (William). Travels through North and South Carolina, Georgia, East and West Florida, the Cherokee Country, the Extensive Territories of the Muscoculges or Creek Confederacy, and the Country of the Chactaws. Containing an account of the soil and natural productions of those regions, 1st Dublin edition, for J. Moore [and others], 1793, engraved portrait frontispiece, folding engraved map of East Florida, 7 engraved plates (one folding), occasional minor offsetting and spotting, contemporary previous owner signature of Marcus Gage to title, contemporary tree calf gilt, spine a little rubbed, 8vo (Qty: 1)ESTC T121441; Howes B223; Sabin 3870. First published in Philadelphia in 1791 and London in 1792, the work records the author's extensive travels in the territories of the Creek, Cherokee and Choctaw Indians, as far west as the Mississippi River. The author had great interest in the customs and manners of the Indian tribes, fur traders and forest life. 'A work of high character well meriting its wide esteem' (Howes).

Los 313

Campbell (Patrick). Travels in the Interior Inhabited Parts of North America, 1st edition, Edinburgh: for the author, 1793, half-title, engraved portrait frontispiece of the author (partly hand-coloured with manuscript caption at foot 'Canadian Indian'), 2 engraved plates (one folding, with small stain), folding table, a little light spotting and soiling, untrimmed in original paper-backed marbled boards, a little soiling, light wear to extremities, recent clamshell cloth case, 8vo (Qty: 1)ESTC N13837; Howes C101; Sabin 10264. 'A curious and entertaining book' (Sabin), containing much first-hand information on Canada's First Nations. A Scottish farmer and merchant, Campbell claims to have sailed from Greenock in July 1791 with the intention of exploring for its own sake. Landing at St John's, he travelled on through New Brunswick, Frederick Town, Quebec, Montreal, Kingston, Niagara, Grand River, Genesee County, the Mowhawk River, Albany, New York and New Jersey. Rare: ESTC records only the National Library of Scotland's copy in British and Irish libraries.

Los 33

May (Robert). The Accomplisht Cook, or The Art and Mystery of Cookery ... Expert and ready Wayes for the Dressing of all Sorts of Flesh, Fowl, and Fish, with variety of Sauces proper for each of them; and how to raise all manner of Pastes; the best Directions for all sorts of Kickshaws; also the Tearms of Carving and Sewing. An exact Account of all Dishes for all Seasons of the Year, with other a la mode Curiosities. The second Edition, with large Additions throughout the whole Work; besides two hundred Figures of several Forms for all manner of bake’t Meats, (either Flesh or Fish) as Pyes, Tarts, Custards, Cheesecakes, and Florentines, placed in Tables and directed to the pages they appertain to. Approved by the fifty five Years Experience and Industry of Robert May, in his Attendance on several Persons of great Honour printed by R. Wood, for Nath. Brooke, at the Angel in Cornhill near the Royal Exchange, 1665, [32], 461, [31]pp., without the 2 folding plates (see ESTC), engraved portrait frontispiece on A1(v) a little creased, dust-soiled, toned and marked (neatly repaired at gutter margin and reattached), numerous woodcut illustrations throughout, 20-pp. publisher's advertisement list at rear, without folding leaves of plates, early ink manuscript markings to final leaf, few minor tears mostly to margins, some dust-soiling, browning and spotting throughout, rear free endpaper inscribed 'Ester Tudor Her Book March 1 1777', 20th century brown sheep, morocco title label to spine, 8vo (Qty: 1)Bitting p. 318 ; ESTC R214148; Oxf ord pp. 29-30; Simon, BG 1029; Wing M1392; cf. Cagle 867 (third edition, 1671).

Los 330

Auction Catalogue. A Catalogue of a Large, Extensive, and Valuable Parcel of Books, in Every Science, and in Most Languages; being the Genuine Library of George Galwey Mills, Esq. (gone to the West Indies,) removed from Slaughter-House in the County of Gloucester... which will be sold by auction, by Mr. Jeffery, at No. 11 Pall-Mall, on Monday, the 24th of February, 1800, and the twelve following days, (Sundays excepted.) Beginning each day exactly at one o'clock, [1800], ordinary paper edition (with 4 lines of lot description on title-page, as opposed to 5 lines on that of the large paper edition), lacking A1 (blank?), first two leaves adhered to front blank along gutter (with some consequent tears), occasional ink and pencil marginalia, title-page spotted, stab holes to gutter margins, marbled endpapers, remboîtage binding of late 18th century scarlet morocco, some marks and extremities rubbed, smooth spine gilt panelled and with musical trophy tool in centre of each compartment, covers with wide gilt border of hound's tooth roll, metope and pentaglyph roll, ribbon and fleuron roll, and scrolling fern roll, metope and pentaglyph roll repeated on edges and turn-ins, tall 8vo in 4s (Qty: 1)ESTC T7945. Rare and important sale catalogue; no other copy found at auction. The library of George Galwey Mills MP (1765-1828) was an impressive one by any standards, and yet he died in debt and at his own hand. Mills was born on St. Kitts, and inherited his father's plantations, although he appeared to spend much of his life in England. He served as a Member of Parliament for Wallingford, Mitchell and Winchelsea. In 1806 he was imprisoned for debt, amounting to some £43,000. He committed suicide in 1828, shooting himself through the head, whilst in New South Wales serving as Registrar of the Supreme Court. The inquest reported that Mills had showed signs of derangement before he died, and had made mention of monetary difficulties. Amongst the treasures listed in this library sale, which was presumably an attempt by Mills to raise funds, is the Sherborne Missal, and a Shakespeare First Folio (lots 1459 and 166 respectively). Mills was the first recorded English owner of the Sherborne Missal, the largest and most lavishly decorated English service book to survive from the Middle Ages, now in the British Library. He acquired the volume in 1797 (it bears his bookplate), and it was purchased at Jeffery's auction by Hugh Percy, 2nd Duke of Northumberland for £215. It remained in the possession of the Dukes of Northumberland at Alnwick Castle until deposited on loan at the British Library by the 10th Duke in 1983, and obtained for the nation in July 1998. Mills's copy of Shakespeare's First Folio (with portrait) fetched £10 10 shillings (Anthony James West, The Shakespeare First Folio: The History of the Book , 2002, p.301). The volume merits only two lines of letterpress in the catalogue, compared to six lines devoted to the following lot, a Johnson and Steevens 1793 set of Shakespeare's Plays .

Los 34

Palmer (Roger, Earl of Castlemaine). An Account of the Present War between the Venetians and Turk; with the State of Candie: (In a Letter to the King, from Venice.), 1st edition, printed by J. M. for H. Herringman, 1666, engraved portrait frontispiece of the Earl of Castlemaine by Faithorne, double-page engraved plan of Old Candy Town (present-day Heraklion) by Wenceslaus Hollar, double-page engraved map of the Eastern Mediterranean, contemporary sheep, old reback, 8vo (Qty: 1)Blackmer 1239; ESTC R7289; Wing C1238. 'Charles II had asked the Earl of Castlemaine to keep him informed of events while he toured Europe, and on Castlemaine's arrival in Venice he sent the King a long letter of information on the war in Crete between the Venetians and the Turks, which was then entering its final phase. When Castlemaine returned to England he received permission to print the letter, which is a basic source of information on the 20-year battle in Crete' (Blackmer).

Los 37

[Miege, Guy]. A Relation of Three Embassies from His Sacred Majestie Charles II to the Great Duke of Muscovie, the King of Sweden, and the King of Denmark. Performed by the Earle of Carlisle in the Years 1663 and 1664. Written by an Attendant, 1st edition, printed for John Starkey, 1669, 2 engraved portrait plates (the earl of Carlisle and Alexis of Russia, the former as frontispiece, both closely trimmed along fore edge, affecting pagination in the latter), 3 pp. advertisements to rear, small interlinear hole and contemporary ownership inscription ('Wm Hanby') to title-page, modern inscriptions in Greek to endpapers, contemporary blind-ruled sheep, neatly rebaked with original spine laid down, 8vo (17.4 x 10.8 cm) (Qty: 1)ESTC R15983; Wing M2025. Miege's account, written as a vindication of Carlisle's conduct in the face of Russian criticism, is considered 'a lively source of impressions of Russian society and culture' (ODNB). The embassy also included Andrew Marvell, who served as chief secretary.

Los 401

Mughal School. Portrait of Aurangzeb, Mughal emperor, circa 1650-75, gouache with pen and ink on paper, heightened with gold, head-and-shoulder portrait showing Aurangzeb in profile, facing right, haloed, named as 'Alamgir Padishah' in Persian in gilt to upper margin, later card mount (probably late-18th or early-19th century) with gilt helical frame recto, verso with Persian calligraphic panel in nasta'liq script, rubricated, mounted to centre within concentric decorative frames including a broad intermediate panel of green and white chevrons, loss of pigment to one of Aurangzeb's rings, calligraphic panel wormed, remnants of tape to mount verso, image size 29.6 x 21 cm, mount size 32.3 x 24 cm (Qty: 1)Aurangzeb (1618-1707) succeeded his father Shah Jahan as Mughal emperor in 1658. Known portraits can be dated by the apparent age at which the subject is depicted, with those produced later in his reign showing him visibly aged, with white hair.

Los 318

Madeline Smith James Bond actress signed 10x8 b/w young portrait photo. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Los 55

Arnold Palmer signed autograph presentation. High quality professionally mounted 17 x 11 inch overall sized display. 3D double mounted in acid free mountboard. Consists of an 8x10 inch colour portrait photograph and signature piece matted below the photo. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Los 565

Mike Bannister Chief Concorde Pilot and Adrian Meredith photographer signed 16x12 colour photo depicting Concorde flying over the Earth's Atmosphere. Portrait photo. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Los 89

Nancy Wake WW2 resistance heroine signed 6 x 4 b/w portrait photo. Nancy Grace Augusta Wake, AC, GM was a secret agent during the Second World War. Living in Marseilles with her French industrialist husband when the war broke out, Wake slowly became enmeshed with French efforts against the Germans, and worked to get people out of France. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

Los 539

After Jean Jacques HENNER (1829-1905), side profile portrait of lady in red, oil on canvas, 20cm x 28cm, bearing signature, glazed and framed 39cm x 47cm.

Los 24

Two Edwardian Portrait Miniatures, depicting a senior couple, approx 5.5 x 8 cms.

Los 25

Early 20th Century Portrait Miniatures of Victoria Elizabeth Garrett entitled No1 Pink Coral and another of the same sitter with an infant, together with a portrait miniature of the infant as a little girl. (3)

Los 26

Two Victorian Oval Portrait Miniatures depicting a gentleman, approx 7.5 x 9 cms, ebony frames.

Los 370

A Victorian Oil on Canvas Half Portrait of a Clergyman, approx 63 w x 77h cms, artist unknown and unframed.

Los 394

A Victorian Oval Pastel Portrait, depicting a young woman, indistinct signature dated 1860, framed and glazed. (minor foxing evident)

Los 407

A Victorian Portrait Oil on Canvas, approx 60 x 50 cms, sitter and artist unknown, framed.

Los 331

1906 COLOUR PRINT AFTER PHILIP BOILEAU 1864-1917 PORTRAIT OF PEGGY DICKINSON IN WOOD FRAME (54 X 39)CM

Los 404

Stringer (Thomas, 1722-1790). Portrait of Rake, 1770, oil on canvas, depicting a setting dog (with the general appearance of a red setter), wearing a leather collar with brass label inscribed 'H. Streatfeild Esq. Chiddingstone Kent', standing in a landscape with trees, a lake, and a church, with rocks in the foreground bearing the inscription 'Rake painted on 12 Augt 1770 by T. Stringer', some craquelure, professionally restored and re-lined, 66.5 x 97 cm (26.25 x 38.25 ins), framed (Qty: 1)The Streatfeilds are an historic English family from Chiddingstone, Kent. They were significant landowners in Sussex, Surrey and Kent, and the family seat was Chiddingstone Castle. Robert Streatfeild (1514-1599) is recognised as the common ancester of most living Streatfeilds, and amongst a number of illustrious descendants was author Noel Streatfeild (1895–1986). There are still direct descendants of his living in Chiddingstone. Thomas Stringer was an English painter specialising in oils of horses and dogs, who lived and worked in Knutsford, Cheshire. He began his working career as a servant in the employ of Peter Legh of Booths Hall, Knutsford, but after an argument with his employer, left to begin a full-time career as an artist, in which he was much encouraged by the local gentry. Stringer's compositions are often instantly recognisable by some of the disinctive techniques he employed, such as painting part of his subject matter disappearing behind another part of the composition, the nonchalant crossing of a sitter's legs, or inscribed tablets or rocks identifying the subject, as here.

Los 410

Naive School. Portrait of a seated girl with spaniel, possibly American, late 18th century, oil on canvas, depicting a young girl wearing a lace-trimmed white gown with wide blue sash, and cap with blue bow, seated in a ladderback chair, holding some strawberries in her right hand, her left hand reaching out to a spaniel seated on the floor beside, against a landscape of trees and sky, overall craquelure, professionally cleaned and re-lined, 76 x 63.5 cm (30 x 25 ins), framed (Qty: 1)

Los 411

Naive School. Portrait of Seven Dogs, circa 1780s, oil on canvas, depicting seven dogs in a landscape with rolling hills, trees, and clouds, comprising a large brown hound (possibly a talbot), a terrier, an English pointer, a beagle/foxhound, a springer spaniel, a King Charles spaniel (wearing a decorative collar), and a cocker spaniel, with flowers in the foreground, overall craquelure, professionally cleaned, restored and re-lined, 106 x 124.5 cm (41.75 x 49 ins), framed (Qty: 1)

Los 414

Clowes (Daniel, 1774-1829). Portrait of Sancho, oil on canvas, profile portrait of a brown and white spaniel wearing a black collar, against a landscape, titled 'Sancho' in white painted letters to lower margin, signed left 'D Clowes Pinx', overall craquelure, professionally cleaned and re-lined, 46 x 64 cm (18 x 25 ins), framed (Qty: 1)Naive artist Daniel Clowes lived and worked in Chester for most of his life, and is famous for his painting of animals and sporting subjects. This painting of an obviously beloved pet is particularly appealing.

Los 417

Clowes (Daniel, 1774-1829). Regency portrait of two children and a dog in a garden, circa 1810, oil on canvas, depicting a young girl in a high-waisted white muslin gown, bonnet trimmed with blue ribbon, and blue shoes, carrying a basket of fruit over her right arm and a book in her left hand, and a small boy, in a blue suit with frogging, and white ruff collar, carrying a brimmed hat in one hand, a brown and white springer spaniel bounding between them, the three figures on a winding path between lawns, with trees and flowers, and a Greek temple in the background, signed lower left 'D Clowes Pinx', some craquelure, professionally cleaned and re-lined, 69 x 64 cm (27.25 x 25.25 ins), framed (Qty: 1)

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