Fables.- Aesop. Fables, of Æsop and other eminent mythologists, edited by Sir Roger L'Estrange, 2 parts in 1, engraved frontispiece of the Aesop surrounded by animals, engraved portrait of L'Estrange by R. White after Geoffrey Kneller, final advertisement f., some foxing or mostly light browning, occasional spotting, contemporary panelled calf, spine in compartments and with antique style leather label and modern gilt date at foot, spine ends little worn, corners worn, joints starting, but holding firm, rubbed, [Wing A709 & L1287], folio, Printed for R. Sare, B. Took, M. Gillyflower, A. & J. Churchil, G. Sawbridge, and H. Hindmarsh, 1699.
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NO RESERVE Medicine.- Rowbotham (Dr. S) Biology, Hygiene, and Hydropathy: an inquiry into the cause of Natural Death from Old Age ... with a supplement by G. D. Hughes, presentation copy from Hughes with photographic portrait and his ink-stamp to front pastedown, ex-library with occasional ink-stamps and remnants of paper label, lacking front free endpaper, original cloth, remnants of papers labels to upper cover, backstrip becoming detached at lower joint, small loss to spine head, a little rubbed, 8vo, Manchester & London, [1899].⁂ Scarce.
Chesterfield (Philip Dormer, Earl of) Letters Written...to His Son, Philip Stanhope, Esq, 2 vol., first edition, second issue with "qui auroit" in line 16 p.55 vol. 1, half-titles, engraved portrait frontispiece (off-setting), p.343 vol. 2 creased, the odd scattered spot or stain, contemporary calf, rebacked, preserving original spine with green and red morocco labels, small repairs to corners, some scuffs to covers, 4to, J. Dodsley, 1774.
Astronomy.- Postel (Guillaume) De universitate libri duo: in quibus astronomiæ, doctrinaeve coelestis compendium, 2 vol. in 1 (2nd vol. in 2 parts), third edition, 2 titles in red and black and with woodcut printer's device, half-title to 2nd part of vol.2, full-page engraved portrait of author, a few small woodcuts in text, including maps, woodcut decorative initials, blank f. at end of both vol., the odd short tear, water-stained, occasional spotting, lightly browned, contemporary vellum, yapp edges, lightly soiled, Leiden, Joannes Maire, 1635-1636; and another, by the same, 16mo (2)⁂ Guillaume Postel (1510-1581), French astronomer, linguistic, Kabbalist, and diplomat.
Grant (Ulysses S.) Personal Memoirs of U. S. Grant, 2 vol., first edition, half-titles, etched portrait frontispieces, plates, map illustrations, vol. 2 with folding map at end, ink ownership inscriptions to pastedowns and front free endpaper, frontispieces lightly offset and with ink-stamp to verso, vol. 1 frontispiece lacking tissue-guard, vol. 1 first few ff. loose or working loose, a few other ff. beginning to work loose, 2 plates with short tears without loss, margins lightly toned, vol. 1 upper hinge broken, original pictorial cloth, gilt, lightly rubbed, heavier to spine ends and corners, 8vo, New York, 1885-86.⁂ The cloth depicting the congressional medal awarded to Grant in 1863.
NO RESERVE Birds.- America.- Wilson (Alexander) and Charles L. Bonaparte, American Ornithology; or, The Natural History of the Birds of the United States, 3 vol., with notes by Sir William Jardine, half-titles, engraved portrait frontispiece, 103 chromolithograph plates after the hand-colored originals, some light foxing, mainly to text leaves, original green morocco-backed red cloth, spines gilt with large bird of prey, wear to spines, t.e.g, [c.f. Nissen IVB 996], 8vo, Cassell Petter & Galpin, [c.1880]
Voyages.- Lesson (René-Primevère) Voyage Autour du Monde, 2 vol., half-titles, engraved portrait frontispiece and 41 plates, 2 folding, 19 of natural history with fine hand-colouring, tissue-guards, vol. 1 with contemporary ink gift inscription to front free endpaper, foxed, some light browning, 1 folding plate with repaired tear, a few natural history with minor water-staining to lower outer corner, contemporary morocco-backed glazed red boards, vol. 2 with a few tiny worm holes to joints, lightly rubbed with a few small marks, still an attractive set, [Sabin 40214; Hill 1012; Ferguson 2787], 8vo, Paris, 1839.⁂ The naturalist's account of the French scientific expedition of the Coquille, which sailed from 1822-25 under the command of Louis-Isidore Duperrey. The official account of the voyage was never published, rendering Lesson's work of particular importance. This is one of two issues, the other with the title to vol. 1 dated 1838 and containing only 37 plates (Ferguson 2533). A four volume version with just four plates was published in Brussels in 1839.
Law.- Stephen (Henry John) A Treatise on the Principles of Pleading in Civil Actions; comprising a Summary of the whole Proceedings in a Suit of Law, first American edition, inscriptions to endpapers in pencil and ink, contemporary ink ownership inscription to title, title strengthened at inner margin, a few instances of contemporary ink correction or marginalia, foxed, contemporary calf, neatly rebacked and recornered, original spine laid down and with new morocco label, old covers rubbed, Philadelphia, 1824 § De Lolme (Jean Louis) The Constitution of England, or an Account of the English Government, new edition, engraved portrait frontispiece, very lightly offset, O3 with tear touching text but without loss, faint spotting to peripheral ff., front free endpapers with small worm trace to foot, contemporary speckled calf, spine gilt and with black morocco label, rubbed at spine ends and corners, upper joint starting at head, for G.G.J. & J. Robinson, 1788; and others, most law related, v.s. (10)
Geology.- Woodward (John) An Essay towards a Natural History of the Earth, and terrestrial bodyes especially minerals, third edition, small marginal chip to c.40ff, scattered spots, light marginal damp-staining, modern calf-backed baords, A. Bettersworth, et al., 1723 § Whiston (William) A New Theory of the Earth, fifth edition, engraved frontispiece (small hole to image) and 9 engraved plates, advertisements to rear, light damp-staining to gutter towards end, contemporary panelled calf, rebacked, for Joh Whiston, 1737 § Whitehurst (John) An Inquiry into the Original State and Formation of the Earth, second edition, half-title, engraved portrait frontispiece and 7 plates only (of 8), some folding, p. 147 torn with hole (some text loss), browning and spotting to initial leaves, for W Bent, 1786; and 4 others, including a copy of A Treatise on the Deluge by Alexander Catcott (1768), 8vo & 4to (7)
NO RESERVE First World War.- De L'Isle (Adéle) Leaves from a V.A.D.'s Diary, frontispiece and 9 plates, some colour, plates lightly toned, the odd spot, endpapers browned, original buckram-backed cloth, spine toned, some light soiling, spine ends and corners lightly rubbed, 1922 § [Howson (Hugh E.E.)] Two Men. A Memoir, portrait frontispieces, four photographic plates, occasional faint spotting, endpapers browned, original buckram-backed boards, printed paper label to upper cover, light browning to spine and portion of boards, a few patches of soiling, very slight shelf-lean, Oxford, 1919, first editions, 8vo & 4to (2)⁂ The first mentioned an autobiographical account of the War from a female perspective, in which De L'Isle remembers her time at an English military hospital and later a Red Cross hospital. The second mentioned is the memoir of Evelyn Southwell and Malcolm White, fellow teachers at Shrewsbury School and correspondents from the trenches. Both died at the Somme.
NO RESERVE Literary Criticism.- Davies (Thomas) Dramatic Miscellanies: Consisting of Critical Observations on Several Plays of Shakespeare, 3 vol., frontispiece portrait of Thomas Betterton to vol.1, bookplates to each vol., some toning and light spotting, contemporary mottled calf, gilt-ruled, red morocco labels to spines, some light rubbing to extremities, spines neatly restored at heads, 1783-84 § Adamson (John) Memoirs of the Life and Writings of Luis de Camõens, 2 vol., portrait frontispiece and vignette title to each vol., 2 plates, one folding, bookplate, ownership inscription in ink to front free endpaper, very light spotting, half-calf over marbled boards, rebacked, spines decoratively tooled with red morocco labels, extremities slightly rubbed, edges and endpapers marbled, 1820, first editions, 8vo (5)
Tennyson (Alfred, Lord) The Works, portrait frontispiece, contemporary brown half morocco, spines gilt with floral decorations in two bands, lightly rubbed, 1897 § Goldsmith (Oliver) The Vicar of Wakefield, illustrations after Thomas Rowlandson, later green half morocco by Bayntun Riviere, spine blind-stamped with red morocco onlays in floral pattern, gilt, lightly rubbed, 1926, 8vo (2)
NO RESERVE English Civil War.- Holles (Denzil, Baron) Memoirs of Denzil Lord Holles, Baron of Ifield in Sussex, from the Year 1641, to 1648, engraved portrait frontispiece, ex-Nottingham Public Libraries with occasional ink-stamps, occasional faint marginal water-staining, modern cloth, [Wing H2464], 8vo, for Tim. Goodwin, 1699.
NO RESERVE Shakespeare (William) Carmina quae Sonnets nuncupantur latine reddita ab Alvredo Thoma Barton, number 61 of 150 copies, lacking portrait frontispiece, title printed in blue and black, light spotting to endpapers, original vellum, some light discolouration, t.e.g., others uncut, 8vo, Medici Society, 1913.⁂ First edition of this notable translation.
Coley (Henry) Merlinus Anglicus Junior: or, An ephemeris for the year 1689, title with engraved portrait of William Lilly, final advertisement f., first few ff. very slightly frayed at edges, E5 small rust hole within text, lightly browned throughout, some light spotting or soiling, modern boards, paper label to spine, [Wing A1440], small 8vo, J. Macock for the Company of Stationers, 1689.
Flora Lion (1876 - 1958), portrait of a woman with an infant, pastel/charcoal on brown paper, signed and dated '05, 40cm x 30cm, framedGood original condition, the spot in the background to the right of the woman's head appears to be an ink splash rather than a fox mark, no paper damage, original frame
19th century English School, portrait of a man in military uniform with medal, oil on canvas, unsigned, 33cm x 30cm, framedPainting has come from a local deceased estate, area of paint flaking on left-hand edge, no other damage, no restoration, generally slightly dirty, no patches or repairs
Portrait of George Washington, 19th century oil on canvas after John Trumbull, unsigned, 30cm x 21cm, framedPainting has come from a local deceased estate, canvas is in untouched condition with no damage or restoration, not relined, no patches or repairs or overpainting, generally dirty condition, original frame with a few very minor gesso chips, backing all untouched
19th century English School, portrait of a girl with a lace-collared dress, oil on canvas, unsigned, 54cm x 45cm, framedCanvas has been light but no sign of previous damage or restoration, no sign of overpainting, generally very good clean condition, probably original ornate gesso frame with a few age-related drying cracks but generally very good condition
Early 19th century English School, portrait of John Morison (1815 - 1825), son of Sir Alexander Morison MD, oil on canvas, unsigned with original hand written labels verso, 45cm x 35cm, original frameGood untouched condition, no canvas damage, patches or repairs and no overpainting, some bitumen bubbling in the darker areas and generally slightly dirty, original carved frame in good condition
CARTIER: ART DECO DIAMOND BROOCH, CIRCA 1925The slightly curving openwork plaque with arrow-shaped terminals, set throughout with vari-cut diamonds including old brilliant, old pear, baguette, French, Asscher, single and calf, signed Cartier Ltd London, numbered ?304, length 5.9cm, fitted Cartier case Footnotes:ProvenanceMaud Russell (1891-1982)Descent to the current ownerMaud Russell, British art collector and patron, was one of Britain's foremost collectors of French modern art during the 20th century and a stylish and popular society hostess known for her infinite generosity. Maud and her husband, Gilbert Russell, a cousin of the Duke of Bedford, regularly entertained artists, writers, intellectuals, musicians, politicians and society figures at their London home and at their beautiful 2000-acre country estate, Mottisfont Abbey, in Hampshire, now owned by the National Trust. Their numerous friends, to name but a few, included Duff and Lady Diana Cooper, Cecil Beaton, Margot Asquith, Clementine Churchill, members of the Bloomsbury Group, the Souls and Ian Fleming. Fleming's friendship after her husband's death from asthma in 1942 was a vital lifeline during a period of intense grief for Maud.A few years later, Maud's gift of £5000 enabled Fleming, with whomshe worked in Naval Intelligence during the Second World War, to purchase Goldeneye, his retreat in Jamaica, where he created his world-famous spy James Bond. At Mottisfont, where she lived until 1972, Maud commissioned Rex Whistler to paint magnificent tromp l'oeil murals in the drawing room and a mosaic called the Angel of Mottisfont and a mural, by Russian artist, Boris Anrep, (the angel's likeness was modelled on Maud). Other artists Maud sat for during her life include Sir William Nicholson, John Singer Sargent, Ambrose McEvoy, Cecil Beaton and Henri Matisse. Born Maud Nelke, she was the daughter of a wealthy German banker and stockbroker, Paul Nelke, who immigrated to Britain in the 1880s and who later counted Winston Churchill as a client. Her mother Maria was also German, the daughter of Carl Conrad (Director of the Berlin Mint). During the 1930s, as war loomed, Maud helped as many of her relatives escape Germany as she could, bravely visiting Cologne after Kristallnacht in 1938 to see if they needed help and bringing those that wanted to, back to England. After Maud's death, her family discovered she had kept a regular diary throughout her life, which her granddaughter, Emily Russell, spent three years sensitively editing for the book 'A Constant Heart, The War Diaries of Maud Russell, 1938-1945', published by the Dovecote Press. The well written entries reveal the mind of a sensitive and observant woman and are a rare social record of the time.This brooch, given to Maud by her husband, has never been offered on the market before, is being sold by her family.Additional image creditsMaud with Ian Fleming and Angus Menzies at Mottifsont. © Emily Russell. Portrait of Miss Maude Nelke, c.1914 (oil on canvas), by Nicholson, William (1872-1949). © Ferens Art Gallery / Bridgeman ImagesFor further information on this lot please visit Bonhams.com
GOLD AND ENAMEL LOCKET BRACELET, CIRCA 1860The articulating cylindrical linking, set with seven lockets, each containing a photographic portrait, the exteriors decorated with the sitters' initials and monograms in blue enamel, some enamel loss, length 17.5cm, fitted case by James Muirhead & Son, GlasgowFor further information on this lot please visit Bonhams.com
PHILIP RICKMAN "Pheasant in snowy landscape", watercolour, signed lower right, 19cm x 28cm together with Joanna Dunham "Dorothy McGuire as the Virgin Mary in The Greatest Story Ever Told", pencil study, initialled and titled in pencil 21cm x 17cm (2) CONDITION REPORTS The Philip Rickman : the surface translucent paper has some minor creasing and ripping to the edges. There is slight paint loss to the lower bottom edge which may or may not be part of the original work. There is some rippling to the left hand side of the paper. The rear of the paper has some marking/paint splashes - see images for further detail. The Joanna Dunham: pencil portrait of Dorothy McGuire is basically in good order throughout and mounted. There is a faint, what appears to be, rubbed out title above left of the initials and rubbed out initials lower left below the title
Princess Mary's Christmas Gift Tin to the troops in France - 1914, comprising: Gilded Tin [5 x 3.25 inches] with Hinged Lid. The Lid being Embossed with a Relief Portrait of the Princess, Trophies of Arms with the Names of the Allied Countries & a Latin Legend - "Imperial Britannicum" & "Christmas 1914". Some age wear otherwise generally Excellent overall
Quantity of ballet books relating to the most notable 20th century choreographers and impresarios, 1st edition Autobiography Léonide Massine My Life in Ballet, D. Vaughan Frederick Ashton and His Ballets, Kavanagh J. Secret Muses Life of Frederick Ashton, 1st edition Portrait of Mr B photographs of George Balanchine, Scheijen Sjeng Diaghilev A Life, limited edition Costumes and Curtains from the Diaghilev and De Basil Ballets nr 630/750, Vicente Garcia-Marquez Massine, Richard Buckle Diaghilev, Nesta MacDonald Diaghilev Observed by Critics in England and The United States 1911-1929, 1st edition Kochno Boris Diaghilev and the Ballets Russes, 1st edition Lifar Serge - Serge Diaghilev His Life His Work His Legend An Intimate Biography, 1st edition Arnold l. Haskell Diaghileff his Artistic and Private Life, John Percival Diaghilev, Zoe Dominic John S. Gilbert Frederick Ashton a choreographer and his ballets, Diaghilev and the Golden Age of the Ballets Russes 1909-1929.
First edition, second issue folio issue The Antiquities, Natural History, Ruins, and Other Curiosities of Egypt, Nubia, and Thebes, Frederic Lewis Norden, publ. by Edward Jeffery, London 1792, engraved on one hundred and sixty-four plates, with titles in French frontispiece portrait of the author with an allegorical scene after the title page, by Martin Teuscher, leather bound volume with coloured marble design to covers, gilt title on spine. Footnote: Frederic Lewis Norden (1708-1742) was a Danish captain and explorer, who studied drawing and engraving as part of his duties. It was on the request of King Christian VI of Denmark, that he make the journey through Egypt and down to Nubia in 1737-1738. The drawings and additional notes were taken at each given location and constitutes a wonderful document of the area as found.
Large quantity of ballet books, memoirs or autobiographies relating to the notable female prima-ballerinas of the 20th century, including Ninette de Valois Step by Step, Meredith Daneman Margot Fonteyn, Dolin Anton The Sleeping Ballerina The Story of Olga Spessivtzeva, A.H Franks Svetlana Beriosova, Sokolova Lydia Dancing for Diaghilev, Elvira Roné Olga Preobrazhenskaya A Portrait, Tamara Geva Split Seconds A Remembrance, A.E.Twysden Alexandra Danilova, Katherine Sorley Walker Ninette de Valois Idealist without Illusions, Choura The Memoirs of Alexandra Danilova, autobiography by Lydia Lopokova, Baron at the Ballet photographic book, Anthony Gordon Ballerina Further Studies of Margot Fonteyn, Dance Autobiography Natalia Makarova, Crowle Pigeon Beryl Grey The Progress of a Ballerina, Svetlana Beriosova, Violette Elvin, Six Dancers of the Sadlers Wells, A Day with Galina Ulanova, Katherine Dunham Her Singers, Dancers, Musicians, Ashton Geoffrey Giselle, Autobiography Margot Fonteyn, Mona Inglesby Ballerina and Choreographer, Photographic Study of Lynn Seymour, Kleinert Annemarie Eva Evdokimova, Portraits and Impressions of Nadia Nerina, Knight, Ballet and its Music, The Autobiography of Lynn Seymour, Ninette de Valois Come Dance with Me, Crowle Pigeon Moira Shearer Portrait of a Dancer, Elaine McDonald, The Reminiscences of Tamara Karsavina, Markova Alicia Giselle and I, Pictorial Attribute to Margot Fonteyn, Clarke Mary Dancers of Mercury The Story of the Ballet Rambert, Rambert Marie Quicksilver, Verdy Violette Giselle A Role of a Lifetime, Baron Encore, Allegra Kent Once a Dancer, Guest Ivor The Dancers Heritage, Margot Fonteyn Impressions of a Ballerina, Monahan James Fonteyn Study of a Ballerina in her Setting, Anthony Gordon Margot Fonteyn, Money Keith Fonteyn The Making of a Legend, Money Keith Anna Pavlova, Kahn Albert Days with Ulanova.
Marie Taglioni (1804-1884) in four scenes from La Sylphide (1832) choreographed by Filippo Taglioni of important scenes from the ballet approx cms, together with Marie Taglioni in La Fille du Danube (1836) choreographed by Filippo Taglioni, approx cms, framed and glazed; Marie Taglioni colour portrait print, framed and glazed, approx. cms; and Marie Taglioni in the role of Fleur des Champs print, framed and glazed, approx. cms.
18th century etching and stipple, printed in brown, portrait of the dancer Marie Auguste Vestris, performing a dance in the character of Colas in the Ballet of Ninette a la Cour, 1781, after a drawing by Scorodoomoff, published in London May 9th 1781 by C.Ruotte, No 18 Wells Street Oxford Street, and to be had of Mrs Vivares Printseller, Great Newport Street, approx 24 x 32.3 cms, framed but not glazed. This lot includes a print of Monsieur Vestris Senior, by J.Miller, published in London April 1781, approx 10w x 18 h cms and another of Monsieur Vestris Junior, published London April 1781, approx 9.4 x 14 cms, both framed and glazed. Note: These two were the most celebrated 18th century father and son ballet virtuoso. Vestris Junior helped establish ballet as a stand alone pursuit quite separate from Opera, this propelled ballet into the serious art form we see today. Note: Property of a Yorkshire lady.
Caricature portrait of French dancer Auguste Vestris (1760-1842) on stage, etching with aquatint printed in sepia, titled a Stranger at Sparta, Greek inscription after Plutarch Lacome Apothegms, loosely translated 'A stranger at Sparta standing long upon one leg, said to a Lacedaemonian, I do not believe you can do as much , true (said he) but every goofe (s) can, published in London 2nd April 1781 the year of his debut on the London stage, approx 32 x 37 cms, framed and glazed. Note: Property of a Yorkshire lady.
English School (18th century) - Portrait of a lady half length wearing a blue dress, red shawl and holding a posy of flowers in her right hand, oil on canvas, 28" x 20.25" - * The work is inscribed on a later label circle of Simon Verelst (1644-1721) - ** Accompanied with an old historical photograph showing the portrait hanging in the room of a resident
English School (20th century) - Portrait of a gentleman, head and shoulders wearing a blue suit and blue tie with white shirt, indistinctly signed with a monogram and possibly dated 1938, also inscribed verso K.C. Liddell, Montreux Switzerland, oil on canvas, 27" x 22"; together with a further portrait of a gentleman at the stern of a boat wearing sailors outfit, spectacles and hat, oil on canvas, 20" x 16" (2)

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283284 Los(e)/Seite