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283284 Los(e)/Seite
NEOPOLITAN SCHOOL, A portrait of the barque "Princess Alexandra", Vesuvius on the bow. Oil on canvas. 20 x 31ins. NOTE. A Princess Alexandra is recorded to have been built in New Brunswick, 1862. With the painting is sold a letter from Edward Archibald of The National Maritime Museum, dated 1953. (See illustration)
Five Hammered Coins, comprising: James I Irish Sixpence first coinage 1603/4 Fine but weak portrait; Robert II Half Groat Edinburgh mint, about Fine; Elizabeth I Threepence ? legend incorrect; Alexander III Penny Scotland second coinage, Fine; and a Henry VIII Groat, Fine with striking cracks, third or posthumous coinage
A Selection of Banknotes, including: Ten Shillings-five Beale EF to Mint, two O'Brien EF to Mint, an O'Brien portrait issue VF, four Fforde, forty three Hollom Fine to VF; One Pound-Peppiatt blue X41H 763651 about Fine, two Beale green Fine, thirteen O'Brien green, nineteen Fforde VF, one Page EF; Five Pounds-two O'Brien A64 675486 Fine and H09 466612 Fine, three Fforde VF; also with four Scottish £1 notes-Commercial 1947, Commercial 1952, Commercial 1940 and British Linen Bank 1960 and some Foreign banknotes
A bell metal portrait medallion of Cosimo de Medici, inscribed 'MAGNUS COSMUS MEDICES PPP', a medallion commemorating Kind Edward and Queen Alexandria, the verso with a view of Hotel Victoria, London by Elkington, five copper portrait medallions with traces of plating, a brass model of Napoleon on horseback, a brass figure of a young boy and two brass paper weights. (11)
Four cutout patterns for a waistcoat and cloak, variously inscribed, 'May 1858, Prince Imperial, Prince Napoleon February 1818', mounted as two, overall size 27.25 x 39.25in (69 x 97cm), a framed envelope inscribed 'His Imperial Highness Prince Napoleon Bonapart, model Paletot Raglan 1858, constructed to measure, taken by H. Creed at Palais de, Palaiside, St Cloud', a framed letter highlighting the payment of a bill from Prince d la Mo??, and an 18th century three quarter length portrait of James Henry Creed holding a picture of his father, founder of Creed & Co, oil on copper, 6 x5in (15 x 13cm). (5)
Charles Turner 1773-1857- Portrait of a gentleman, standing full length in an interior; publ. march 25th 1839, by Paul &b Domenic Colnaghi, London, mezzotint after George Hayter, 43x35cm in a gilt applied frame: James Watson 1740-1790- "Edmund Burke Esq"; mezzotint after Sir Joshua Reynolds RA 1723-1792: together with other 19/20th century prints and engravings after various hands, (a lot)
* Jean-Paul Cleren b.1940- Portrait of a lady head and shoulders; gouache and watercolour, signed, 72x54cm: together with one further mixed media collage picture by the same hand depicting a hand and a portrait combined, signed, 59x41cm: Dennis Cohen, late 20th century- Architectural interior study from the late 1960's; gouache and collage, signed, 20x37.5cm., (3), (unframed) (may be subject to Droit de Suite)
Jean Lurçat, French 1892-1966- Fishermen unloading nets on a shore viewed through foliage; lithograph printed in colours, signed and numbered 191/200 in pencil, 55.7x74.5cm., (unframed). After Louis Valtat 1869-1952- Portrait of a lady seated half-length turned to the right; etching, 17x12cm: After Maurice de Vlaminck 1876-1958- Still life with a hat, book, bottle and a pipe; lithograph printed in colours, signed within the plate and bears tamped signature, 28x35.7cm: together with a small quantity of 20th century prints by different/unidentified hands, (a lot), (unframed)
William Nelson Gardiner 1766-1814- "A Girl of the County of Wicklow"; stipple engraving printed in colours, after James Nixon c.1741-1812, 29x20cm, oval: John Jones c.1745-1797- Young girl in a classical landscape; publ. November 1st 1791, by J Jones, No 75 Great Portland Street, London, stipple engraving, after Sir Joshua Reynolds RA 1723-1792, in a verre-eglomise gilt frame: William Ward ARA 1766-1826: together with other 18/19th century stipple engravings and prints after various hands to include a portrait of a young woman, over painted photograph: Manner of Sir Edwin Landseer RA, "Page with Falcon and Bloodhound"; hand-coloured lithograph, titled, further examples after Reynolds, mostly in gilt verre-eglomise frames, (a lot)
British School, mid-late 20th century- Village harbour scene; oil on canvas board, 29x39.5cm: After Honore Daumier 1808-1879- "Bonsoir Cherie..si ton epicier nous voyait...mais a cette heure ci, il dort le cornichon!", from Moeurs Conjugales, plate 40, publ d'Aubert & Cie; lithograph, 28x19.5cm: British School early-mid 20th century- Portrait of a man head and shoulders; oil on canvas laid down on board, bears Rowley Gallery label verso, 46x35.5cm: 20th Century School- Mountain river landscape; oil on canvas board: together with a framed child's drawing of a locomotive and a Japanese colour woodblock print, (a lot)
* British School, early 19th century- Portrait of the artist, John Martin 1789-1854, head study, inscribed and dated July 30th 1830, 25x20cm: together with a similar study depicting the artist David Roberts RA 1796-1854, head and shoulders; pencil and watercolour wash, inscribed and one further pencil study depicting the artist John Martin reading, (3) mounted, (unframed)
* Isidore Klein, American 1897-1986- "Honey...I Saw Robin Today..."; pen and black ink, cartoon, signed and inscribed, 45.5x35.5cm: After Pablo Picasso 1881-1973-Cockerel; lithograph printed in colours, signed within the plate, 51x46cm: Edmund Xavier Kapp 1890-1978- Portrait of the composer Richard Strauss 1864-1949 conducting; pencil, signed, inscribed and dated 31, 26x19.5cm: Follower of Theophile Alexandre Steinlen 1859-1923- Study of a young man seated full-length; pencil on pink paper, 20x17cm: together with two prints after Felix Topolski 1907-1989, (6), (unframed)
* William Leighton Leitch 1804-1883- Portrait of a young Italian girl, bust length; pencil and watercolour heightened with white, on buff paper, inscribed Rome, signed and dated 1837, 23x18cm: together with other after various hands to include David Roberts RA, Ernest Cole and several studies attributed to Thomas Uwins RA 1782-1857 others, (a lot)
A collection of four 19th Century and later glass Vases and a Ewer: comprises a red glass Vase, painted with coloured scrolls and with geometric foliate panels; a blue glass Vase with a white foot, painted in cream with neo- classical scrolls etc, and applied with a portrait print of a regal figure; a further later green glass Vase of conical baluster form, etched with foliage on a star cut foot; a decorative blue glass Ewer gilded with geometric panels of foliage on a blue ground, all approximately 12" high (4)

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283284 Los(e)/Seite