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Preisdatenbank abonnierenSign. Meyrer, frz. Miniaturmaler des 18. Jh., Herrscherportrait als Emailleminiatur im Oval, verso sign. ''Meyrer f.'', gefasst in Medaillonrahmen ca. 4,5 x 3,8 cmsigned Meyrer, French miniature painter of the 18th century, portrait of a ruler as enamel miniature in oval, verso signed ''Meyrer f.'', set in medallion frame ca. 4,5 x 3,8 cm
Monogrammist G.S.C., Miniaturmaler des 17. Jh., ovales Portrait eines Mannes mit Allongeperücke, Miniaturmalerei in Goldmedaillon, rückseitig graviertes Monogramm u. dat. ''G.S.C. 1689'', ca. 3,5 x 3,2 cmMonogramist G.S.C., miniature painter of the 17th century, oval portrait of a man with allonge wig, miniature painting in gold medallion, reverse engraved monogram a. dated ''G.S.C. 1689'', ca. 3,5 x 3,2 cm
Frz. Miniaturmaler des 18. Jh., Bildnis eines jungen Frau, (Porzellan?)Miniatur, unsign., gefasst in Medaillonrahmen mit umlaufenden Perlen besetzt, ca. 4 x 3,5 cmFrench miniature painter of the 18th century, portrait of a young woman, (porcelain?)miniature, unsigned, set in medallion frame with surrounding pearls, ca. 4 x 3,5 cm
Wiener Miniaturmaler des 18. Jh., ovales Bildnis der Kaiserin Maria Theresia von Östererreich als Witwe, wohl Tempera auf Bein (ungeöffnet), unsign., verso frz. bez., in Medaillonrahmen gefasst, ca. 5 x 4 cmViennese miniature painter of the 18th century, oval portrait of Empress Maria Theresa of Austria as a widow, probably tempera on bone (unopened), unsigned, verso inscribed in French, set in medallion frame, ca. 5 x 4 cm
Wiener Miniaturmaler des 18. Jh., ovales Bildnis des Kaisers (HRR) Kaiser Franz I. Stephan, Herzog von Lothringen, Großherzog der Toskana. Wohl Tempera auf Bein (ungeöffnet), unsign., verso ausführlich frz. bez., in Medaillonrahmen gefasst, ca. 4,7 x 4,2 cmViennese miniature painter of the 18th century, oval portrait of the Emperor (HRR) Emperor Francis I Stephen, Duke of Lorraine, Grand Duke of Tuscany. Probably tempera on bone (unopened), unsigned, extensively inscribed in French on verso, set in medallion frame, ca. 4,7 x 4,2 cm
Wiener Miniaturmaler des 18. Jh., querovales Bildnis der Erzherzogin Maria Elisabeth (1743-1808), Tochter von Franz I. und Maria Theresia von Österreich,, wohl Tempera auf Bein (ungeöffnet), unsign., verso frz. bez., in Medaillonrahmen gefasst, ca. 5 x 6 cmViennese miniature painter of the 18th century, transverse oval portrait of Archduchess Maria Elisabeth (1743-1808), daughter of Francis I and Maria Theresa of Austria, probably tempera on bone (unopened), unsigned, inscribed in French on verso, set in medallion frame, ca. 5 x 6 cm
Wiener Miniaturmaler des 18. Jh., querovales Bildnis eines Kindes aus dem Hause Habsburg mit blumengeschmückter Haube. Wohl Tempera auf Bein (ungeöffnet), verso alt als Erzherzog Leopold II (1747-1792) bezeichnet, unsign., im Medaillonrahmen 4,5 x 5,5 cmViennese miniature painter of the 18th century, cross-oval portrait of a child from the House of Habsburg with flower-decorated hood. Probably tempera on bone (unopened), verso old inscribed as Archduke Leopold II (1747-1792), unsigned, in medallion frame 4,5 x 5,5 cm.
Wiener Miniaturmaler des 18. Jh., ovales Bildnis von Erzherzog und späterem Kaiser Leopold II (1747-1792). Wohl Tempera auf Bein (ungeöffnet), verso alt bezeichnet, unsign., im Medaillonrahmen 4,5 x 3,8 cmViennese miniature painter of the 18th century, oval portrait of Archduke and later Emperor Leopold II (1747-1792). Probably tempera on bone (unopened), verso old inscribed, unsigned, in medallion frame 4,5 x 3,8 cm.
Wiener Miniaturmaler des 18. Jh., ovales Bildnis der Marie-Antoinette von Österreich-Lothringen. Wohl Tempera auf Bein (ungeöffnet), verso alt bezeichnet, unsign., im Medaillonrahmen 4,5 x 3,5 cmViennese miniature painter of the 18th century, oval portrait of Marie-Antoinette of Austria-Lorraine. Probably tempera on bone (unopened), verso old inscribed, unsigned, in medallion frame 4,5 x 3,5 cm.
Wiener Miniaturmaler des 18. Jh., ovales Bildnis der Erzherzogin Maria Christina von Österreich (1742-1798) als Kind mit Blume und Maske. Wohl Tempera auf Bein (ungeöffnet), verso alt bezeichnet, unsign., im Medaillonrahmen 5 x 6 cmViennese miniature painter of the 18th century, oval portrait of Archduchess Maria Christina of Austria (1742-1798) as a child with flower and mask. Probably tempera on bone (unopened), verso old inscribed, unsigned, in medallion frame 5 x 6 cm.
Wiener Miniaturmaler des 18. Jh., ovales Bildnis eines Sprosses aus dem Hause Habsburg-Lothringen auf ein Rhinoceros in einem aufgeschlagenen Buch weisend Wohl Tempera auf Bein (ungeöffnet), verso alt auf frz. bezeichnet ''Erzherzog Charles (Karl) geboren 1743'', unsign., im Medaillonrahmen 5,5 x 6,5 cmViennese miniature painter of the 18th century, oval portrait of a scion of the House of Habsburg-Lorraine pointing to a rhinoceros in an open book Well tempera on bone (unopened), verso old inscribed in French ''Archduke Charles (Charles) born 1743'', unsigned, in medallion frame 5,5 x 6,5 cm
Wiener Miniaturmaler des 18. Jh., querovales Bildnis der Erzherzogin Maria Amalia von Österreich (1746-1804) als Kind mit blumengefüllter Schürze. Wohl Tempera auf Bein (ungeöffnet), verso alt auf frz. bezeichnet, unsign., im Medaillonrahmen 5 x 6 cmViennese miniature painter of the 18th century, cross-oval portrait of Archduchess Maria Amalia of Austria (1746-1804) as a child with flower-filled apron. Probably tempera on bone (unopened), verso inscribed in old French, unsigned, in medallion frame 5 x 6 cm.
Miniaturportrait, 19. Jh., im vergoldeten, klassizistischen Rahmen. Auf der Rückseite handschriftlich bez. und datiert 1825. Leicht best. & ber., 14 x 13 cmMiniature portrait, 19th century, in gilded, classicist frame. On the back handwritten inscribed and dated 1825. Lightly bumped & rubbed, 14 x 13 cm.
Famian Strada, ''De Bello Belgico decades duae ab excessu Caroli V...'', 778 S. + Index. Mit der Karte des ''Leo Belgicus'' mit handschrft. Exlibris, 25 gestochenen Porträttafeln und 30 mehrfach gefalteten Kupferstichansichten, Mainz, Johann Gottfried Schönwetter, 1651. Die erste Ausgabe eines der bedeutendsten Werke über Belgien, Autor war der Jesuit und römische Rhetorikprofessor Famian Strada (1572-1649). Nicht eingehend kollationiert, gebräunt und fleckig, Pergamenteinband der Zeit, 21 x 17 cmFamian Strada, ''De Bello Belgico decades duae ab excessu Caroli V...'', 778 pp. + index. With the map of ''Leo Belgicus'' with handwritten. Bookplate, 25 engraved portrait plates and 30 copper engraved views folded several times, Mainz, Johann Gottfried Schönwetter, 1651. The first edition of one of the most important works on Belgium, author was the Jesuit and Roman professor of rhetoric Famian Strada (1572-1649). Not collated in depth, browned and spotted, vellum binding of the time, 21 x 17 cm.
Miniatur-Brosche GG 510/000 ungest., gepr., mit einer ovalen Miniatur-Malerei 33 x 26 mm, antikes Portrait eines Herrn (l. Kratzer), mit Flussperlen 3 mm, 43 x 36 mm, 17,0 gMiniature brooch GG 510/000 unstamped, checked, with an oval miniature painting 33 x 26mm, antique portrait of a gentleman (left scratch), with river pearls 3 mm, 43 x 36 mm, 17.0 g
2 Miniaturen, um 1800. 1 x Herrenportrait im Beinrahmen 13 x 11 cm), 1 x Damenportrait im Hornrahmen (9,5 x 8 cm). Beiliegend ein älteres Schriftstück mit entsprechenden Bezeichnungen und Beschreibung. Ber. & best2 miniatures, circa 1800. 1 x portrait of a man in a leg frame 13 x 11 cm), 1 x portrait of a lady in a horn frame (9,5 x 8 cm). Enclosed an older document with corresponding designations and description. rubbed & best
H. W. G. Betteridge (19th/20th century), portrait of a young boy perched on the arm of a chair and another of a boy picking apples, the former in pencil and watercolour, signed in full and initialled 'HB', the latter in ink, watercolour and gouache and initialled 'HB'; the same young model, possibly the artist's son, appears in both studies (2, unframed), 18.5 x 23cm & 16.5 x 11cm
Seven monochrome reproduction prints of etchings after Menpes and two satirical prints, comprising: Menpes, 'Bearing a Burdon' (2), 'Japanese Children', three other studies of children and a portrait of the Madonna; Rowlandson, 'Pot Fair Cambridge' (etching) and Gilray, 'The Monster going to take his Afternoon's Luncheon' (9, two unframed)
English School c.1840oil on canvasNaive portrait of a pipe player seated in a pastoral landscape35. x 28in.CONDITION: Oil on canvas cleaned and relined within the past 10 - 20 years or so, canvas remains tight, paint in good clean condition with a fine but stable craquelure throughout most of the paint, some sign of old bitumous bubbling across the top, possibly some retouching throughout notably the bowl on the trunk of the tree and around the knee, red flowers and lower corner, housed in an old tatty 19th century frame, no labels verso.
George G. Fish (American 1822-1906) after John Singleton Copley (American 1738-1815)oil on canvasPortrait of Timothy Folger50.75 x 40in.CONDITION: Oil on original canvas which is slightly sagging, paint very dirty with bitumous bubbling in the darker areas, a broad craquelure running throughout and some flaking at 1 and 9 o'clock, a short 4 inch tear just to the right of his cravat, another short tear approximately 1 inch lower left, housed in the original gilt gesso frame which is now very tatty, relatively recent hand written labels verso giving details of the work and saying commissioned by Edward Folger Starbuck.
William Rothenstein (1872-1945), sepia chalk, Portrait of a young woman, initialled and dated 1933 and inscribed 'For her unique self', 32 x 21cm and another unsigned portrait of a lady, 39 x 28cm (2) 15.5 x 11in.; a framed set of 3 graphite pencil drawings of a young lady, one inscribed 'Me asleep drawn by Will R. 1933', 10.25 x 8.25in. and a pencil and watercolour montage by Michael Rothenstein entitled 'Some pictures of Sarah Walters at Auchenflower', overall 19.5 x 27in.CONDITION: 1st drawing - showing slight undulation of paper and some scattered dirt marks, washline mount and slim frame2nd drawing - paper undulating, possibly slightly faded, a horizontal dirt mark running across through her hair3 pencil drawings - ground paper discoloured, creasing on all of them but most notably on the central image with some fox spotting and acid stains around the mountsM. Rothenstein montage, drawn on a single piece of paper with the exception of the lower right image which has been laid down onto it, slightly faded with some scattered dirt and fox spots, a little acid staining around the edges of the stuck down image.
Etching After Rembrandt (1609-1669), After the oil painting in the Norton Simon Foundation, portrait of a Boy, Rembrandt's son Titus, 'The Prince of Orange study from Rembrandt' , monogrammed CPS and dated 1880 lower left, framed. Note - After the oil painting in the Norton Simon Foundation, largest 56cm x 48cm (exc frame)
A Victorian double portrait silhouette painting, signed Brauhurt lower left, painted with a man standing reading a letter and a woman seated with needlework, within mahogany frame, bearing a label referring to the sitters verso, 'Uncle Mason and Mrs Wm Crawley', mid 19th century, 36cm x 28cm (exc frame)
An Elizabeth II commemorative plate, by Richard Comyns, London, 1972, number 442 from a limited edition of 2,000, circular and engraved with a portrait of Queen Elizabeth and Prince Philip after Pietro Annigoni, commemorating the silver wedding anniversary, 23cm diameter, 12oz 6dwt, 384gr, with fitted box and certificate
Bolingbroke (Henry St. John) A Letter to Sir William Windham. II, Some Reflections on the Present State of the Nation. III, A Letter to Mr. Pope, A. Millar, 1753, first edition, portrait frontis, contemporary calf; [idem], Letters on the Spirit of Patriotism: On the Idea of a Patriot King: and on the State of Parties and the Accession of King George the First, A. Millar, 1749, contemporary calf (2)
A late 18th to early 19th century circular oil on panel shoulder-length portrait miniature of Henry VIII within an ebonised frame (panel 8.6cm and frame 13cm in diameter) This has come from a private client who has a collection of miniatures and has chosen to sell some of them. The back of the round painting has sustained some prevalent scratching to the centre taking away the ebonising. It is in fairly good overall original condition, there is a brown spot visible above the subjects left eye and also some surface scratching although this is only visible close up under a loupe. There is an approx. 1cm scratch looking at it from the front to the left of the chain of office.
A mid-Victorian cast iron memorial portrait plaque, of Arthur Wellesley, 1st Duke of Wellington, Moulded by Johnsons's Litchurch Works, Derby, head-and-shoulders length and turned to dexter in profile, circular frame surmounted by a ducal coronet, D27.5cm, foundry marks and dated 13th November 1854 to verso; and gilt painted spelter figure of a cavalier on ebonised wooden socle base H48cm (2) - Condition Report Top of crown broken off to plaque.
Victorian gilt metal portrait relief plaque of Field Marshal Sir Arthur Wellesley, 1st Duke of Wellington, after Peter Rouw (1770-1852), late 19th century, portrayed looking to sinister, in full military costume and draped around the truncation, mounted on red velvet in a deep stepped gilt frame with outer simulated rosewood frame 43 x 38cm overall - Condition Report
A 19th Century Sevres style 'jewelled' cabinet cup and saucer, painted with an oval portrait of a lady holding a teathered dove, pseudo Sevres marks, cup 7.5cm high; another with agricultural implements to the saucer; and a 19th century Nove cup and saucer, painted with a Da Vinci style portrait of a lady, various marks (3) Condition Report: First with gilding particularly to rim, some mild rubbing to raised enamels of saucer. Second with some small losses to 'jewels.' Third with rubbing and irregularities to gilding throughout. Condition Report Disclaimer
Circle of George Henry Harlow Portrait of lady in a landscape wearing a red shawl Oil on canvas 91 x 73.5cm (35¾ x 28¾ in.) Condition Report: UV showing retouching and minor repairs throughout- notably right hand margin. Section of paint missing to left of her face- upper neck/cheek and with vertical line to right hand margin with paint losses Condition Report Disclaimer
Four framed and glazed hand tinted equestrian portrait prints, Duke of Wellington, Prince of Orange, Sir Thomas Picton, published by Richard Evans, White's Row, Spitalfields and another of Rowland Hill, 1st Viscount Hill by John Romney, published by Richard Evans, after Meycon (4) Condition Report: Look to be 20th century restrikes- mild fading throughout- frames a little tired to margins, some browning from backboards Condition Report Disclaimer
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