283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
Los 1642
FERNAND MOURLOTSouvenirs et portraits d’artistes. Jacques Prévert: Le coeur á l’ouvrage. Paris/New York: Mazo/Amiel 1972. 32,3 x 25,3 cm. Mit 25 (19 farb., 1 doppelblattgr.) OrLithographien verschiedener Künstler. 245 SS., 1 nn. S., 3 Bll. Lose Bogen in OrUmschlag und OrLn.-Kassette mit Rt.(Kassette gering berieben und gebräunt. Umschlag gering gebräunt. Die Lithographien meist mit Abklatsch. Minimal gebräunt.)Eines von 800 Ex. auf Vélin d'Arches. Sauberes Exemplar des Freundschaftsbuches der bedeutendsten französischen lithographischen Anstalt des 20. Jahrhunderts. - Mit OrLithographien von Maurice Brianchon (L’Arlequin), André Masson (Le départ), André Beaudin (Feuilles évadées), Apel·les Fenosa (Tramontane), Maurice Estève (Alalito), Henri Matisse (Studie für das Buch „La Religieuse Portugaise“), Paul Guiramand (Intérieur), Kostia Terechkovitch (Cavalier tunisien), Georges Braque (Profil de femme [M. 25]), André Derain (Buste de femme [1950]), Pablo Picasso (Le seigneur et la dame [M. 322]), Paul Jenkins (Composition pour Eric; doppelblattgr.), Joan Miró (Jaille du calcaire), Jean Cocteau (Manuscrit), André Minaux (La femme et l’oiseau), Jacques Villon (Portrait d’une jeune fille), Marc Chagall (Bouquet pour Fernand), Giacometti (Fleurs), Bernard Buffet (Les ombelles), Paul Wunderlich (Torso sur une pierre bleue), Paul Delvaux (Confidences), Victor Vasarely (Beryll), Alfred Manessier (La tache rouge), Charles Lapicque (Le chant des oiseaux) und Graham Sutherland (Hybrid).
Los 790
Splendid original oil painting on alloy made in a Neo-Classical style reminiscent of the precision of the Orientalist artworks by Jean-Auguste-Dominique Ingres. This portrait depicts a powdered white skin sitter whose hair is partially covered by an elaborate white turban with ribbon and torsade. She holds a sumptuous dark green and gold velvet dress that falls off her breast. Housed in a carved and gilded wooden frame set around an alloy border. Artwork dimensions: 12"L x 14.50"H. Frame size: 22.25"L x 25.50"H x 3"W. Issued: c. 1800Country of Origin: Continental EuropeCondition: Age related wear.
Los 297
Andrew Beer (1862-1954) - Oil on canvas laid on board - Racing pigeon portrait, '"Blue Belle", Blue Hen. N.U.RP. 36.P.848. In 1936 flew all stages of Normanton. In 1937 won 1st Chesterfield and 4th Banff. 432 miles in Wrington Val H.S. Bred and raced by C.H. Dyer. Farleigh Stores, Backwell', signed lower left, 27cm x 37cm, in a burr wood veneer frame
Los 332
Circle of Thomas Murray, (Scotland 1663 - London 1756) - Oil on canvas - Portrait of a young child with spaniel, circa 1730, the full-length figure wearing stylish blue jacket, mantle and tied sandals, feeding a grape from a bowl of fruit to a perching bird (a grey parrot or similar), in a garden setting, 110cm x 101.5cm, relined in gilt frame with repository labels referencing Lady Campbell Local private collection, formerly the property of Sir Harold and Lady Campbell.Captain Sir Harold George Campbell GCVO DSO (6th April 1888 – 9th June 1969) was a British Royal Navy sailor, civil servant and courtier who served as Equerry to King George VI and Queen Elizabeth II.Campbell served as Private Secretary to then Duke of York from 1933-1936 and Deputy Comptroller in 1936. Upon the Duke of York becoming King, Campbell was appointed to Royal Household as an equerry and Groom of the Robes to HM Queen Elizabeth.He was made a CVO (Commander of the Royal Victorian Order) in 1935, promoted to KCVO (Knight Commander) on the 2nd June 1943 and later GCVO (Knight/ Grand Cross) on the 16th November 1953. Another item from the same Estate (with the above biography) sold in these rooms, 1st June 2023 lot 341. For a comparable portraits by, attributed to or after Murray and depicting children with spaniels, see: Christies, British Pictures 1500-1850, 25th November 2003, lot 14. Sothebys. Royal & Noble, 21st January 2020, lot 58. Portrait of Miss Darnel, later Mrs Muilman of Dagenham, Essex (now at Kelmarsh Hall, Northants) https://artuk.org/discover/artworks/miss-darnel-49148
Los 334
Folk Art - British Naïve School, 19th century - Oil on canvas - Portrait of a mother and daughter, seated before a red curtain in a 'Primitive' manner reminiscent of the style of Sir Thomas Lawrence, the young girl with her hair in ringlets, wearing a teal blue dress, her mother with matching hair ribbons, over lace-trimmed black (mourning?) dress, 90cm x 75cm, in gilt slip and cavetto-moulded gilt frame
Los 246
ERROR: Bank of England, John B. Page, £1 (2), 1970, serial numbers ES20 571414, and EX13 248667, both with printing error, first with ink smudge in portrait field, second with ink smudge across the Queen’s face, first uncirculated, second good very fine (2 notes) EPM B322 £150-£200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Los 792
* Historical Fan. View of the Trial of Warren Hastings Esq. at Westminster Hall, [Publish'd as the Act directs by Cock & Co. No. 36 Snow Hill Septr 22nd,] 1788, engraved folding paper fan, the leaf with large interior scene of a crowded Westminster Hall printed in brown, imprint to lower edge worn (with archival tape repair on verso) and only date legible, flanked by ovals providing a key to the main figures, the ovals suspended from beribboned portrait medallions of young girls, the central scene and the ovals edged with spangles, the whole on a black diaper ground, mounted on wooden sticks, upper guardstick with 'Feb 12th 1788' written in ink in an early hand, 25.5 cm (10 ins), contained in a green morocco-grain paper-covered fan box with pull-off lid (larger than fan)QTY: (1)NOTE:Schreiber Collection 7, p.3
Los 688
* Embroidered Picture. A large needlework picture, English, 18th century, worked in cross-stitch and tent stitch in coloured wools on canvas, the central cartouche with a basket of flowers, surrounded by volutes and floral decorations, flanked by columns of portrait busts of stylised men in profile, threadbare in places, 75.5 x 52 cm (29 3/4 x 20 1/2 ins), framed (77.5 x 54 cm) QTY: (1)NOTE:Provenance: Collection of Peta Smyth
Los 791
* French Revolution Fan. Regis Christianissimi Pietas Augusta, Paris: Petit, Rue de Petit Pont, circa 1780, hand-coloured etched double-sided handscreen fan, the recto with a portrait medallion of Louis XVI held aloft by female deities, one holding a cross, and the other unloading a cornucopia to figures with outstretched arms below, a female figure within sunburst above, holding a banner bearing the words 'Regis Christianissimi Pietas Augusta', and a putto lower left with a scroll bearing the words 'Franciæ Ætas Aurea' and 3 fleur-de-lys, border of flowers and volutes, incorporating imprint at foot, verso with text titled 'La Piété du Roi et Sa Libéralité, within a frame of winged fish entwined with madonna lilies, 3 fleur-de-lys above, and imprint at foot, a little dusty, and rubbed in places, lacking handle, 27 x 24 cm (10.5 x 9.5 ins)QTY: (1)NOTE:An extremely rare propaganda fan published by Petit, who was active during the second half of the 18th century; we have been unable to trace another such at auction or in an institution. With textual and visual references to the piety of the King, his liberality, and the golden age over which he reigned, the scarcity of this fan can hardly be surprising given that succeeding events in France would have made it a dangerous object to own.
Los 683
* Chinese Panel. A panel of silk damask embroidered with figures, probably 18th century, stitched with four male figures, including a warrior, one holding an incense burner, and another holding a flag, hand-worked in long and short stitch in coloured silk threads, each figure 43 cm (12.5 ins) high and slightly smaller, some losses to threadwork revealing pencil outlines, on a gold silk damask ground (perished with losses to vertical crease between figures), border of gold silk (with some stains and small holes), top edge and backing of blue linen, backing with Chinese script in black ink (marked, holes to lower edge), 127 x 91 cm (50 x 36 ins), plus a pieced panel of Chinese yellow silk cloud damask, probably 18th century, machine-stitched joins, frayed with losses (especially to edges), 124.5 x 89 cm (49 x 35 ins), and a Chinese gold velvet chair back depicting dragons, probably 17th century, backed with linen, damaged with losses, 185 x 53 cm (73 x 21 ins), together with:Chinese Ancestor Portrait. A double ancestor portrait, late Qing Dynasty, pen, ink, and gouache, highlighted in gold, on paper, depicting an Oriental gentleman and his wife seated, rubbed, some losses, especially to upper edge (only marginally affecting image), carefully conserved and laid down on paper support, 112 x 89.5 cm (44 x 35.25 ins), mounted on a modern scroll, 177 x 103 cm (69.5 x 40.5 ins)QTY: (4)NOTE:Provenance: Collection of Peta Smyth
Los 2184
Johann Georg Wille(1715 - 1808) - "Portrait des Regenten Friedrich II. von Preußen" - Kupferstich/Papier. 35 x 27 cm, 34,5 x 26 cm (Passepartoutausschnitt).Sign. in der Platte l. u.: Pesne pinx Wille sc. Passepartout. Rahmen. Stockfleckig. Gerbäunt. Kupferstich nach einem Gemälde von Antoine Pesne aus dem Jahre 1750, 2. Hälfte 18. Jh.
Los 212
A 20th Century carved wood panel of rectangular form, depicting a female portrait in profile. 8.5cm x 13.5cm. Together with a pair of velvet-covered metal bookends, each embroidered with a vase of flowers, height 14cm, an Italian painted wood bookslide, the ends with fruitbowl decoration, minimum width 28cm, three beaded evening bags, a gilded composite figure of cherub, a Chinese lacquer box with inlaid mother of pearl fruiting vine decoration, and other decorative items in one box.
Los 229
An early 20th century Regency style gilt metal frame. Enclosing a colour print - the portrait of a young woman in profile - within a beaded border with floral design, height 33cm, together with a bookslide etched with spider's cobweb motifs, signed and dated 'Sheelagh Robertson August 1928' to base, a 1930s miniature oil painting of a vase of anemones by Mona List, a small pen and ink sketch of two lurchers with their puppies, a pencil drawing of a cat signed with initials, two Louis Wain postcards and one other vintage cat postcard, a carved and painted sculpture of a cherub, a pack of playing cards in a leather case, and other decorative items in one box.
Los 251
An early 19th century simulated burr walnut snuff box of circular form. The property of Peter Hone. The lid transfer printed with the portrait of a classical male in profile, the base transfer printed with figures to its edge, and a menagerie of animals to the underside, height 2.5cm, diameter 8.25cm. Together with another 19th century snuff box, the lid printed with the portrait of and inscribed 'Caroline Queen of England', diameter 8.5cm. Stepping over the threshold into Peter Hone’s London home is an unforgettable experience; a sensory over load of the most delightful sort; inside is a curated wonderland interior as enchanting and extraordinary as the man himself.Peter has lived in his Notting Hill flat since the 1960s. Its fabulous interior has graced the cover of World of Interiors more than once and its creator is adored by the cognoscenti of the interior design world. Peter is a man of many stories, and one of last year’s exciting chapters was the auction we held for him, selling the remarkable contents of his London abode: all the ancient architectural fragments, classical busts, urns, marbles and curios, and perhaps most wondrous of all, Peter’s beautiful plaster reliefs, which adorn almost every available wall. Peter’s interest in plasterwork developed during his 15 years at Clifton Nurseries in Little Venice, where he managed an architectural antiques shop for Lord Jacob Rothschild. This is where Hone ‘honed in’ on plaster, as he likes to joke.These further items from Peter are excess lots to his previous sale. We will also have further items in our next Oak & Country sale on June 13th 2024.
Los 499
A pair of late 19th/early 20th century continental pottery figures of seated ladies holding fans. Height 12cm, plus other decorative ceramics to include a pair of 1930s pottery bookends modelled as playful terriers, four pieces of Beswick comprising two models from the Beswick 'Alice Series' - 'Gryphon' and 'Mock Turtle', a sculpture of a lioness, and a 'Tigger' figurine, together with a plate hand painted with an anthromorphic portrait of a cat dressed as a pirate, a pottery model of a startled cat, a miniature tureen modelled as a fish and one other fish.
Los 331
Collection of engravings and etchings, 17th - 19th century, to include 1662 engraving (Portrait of Mildmay Fane, half length to right in an oval wreath, short beard and moustache, wearing cap, collar and sash; curtain to the left, and map of part of Lincolnshire on the right, below a monogram; at top, banderole with motto 'Patriae causa principis iusse semper in utrumq(ue) paratus; in lower left spandrel, troops being led by men on horseback; in lower right spandrel, a town with breached walls against which rest ladders; coat of arms in lower margin, with motto 'Neville Fano'Recently acquired by British museum due to 'secret' map in background
Los 3010
George Cairlin (French, 1843 – 1919): An original vintage poster for Theatre Sarah Bernhardt - Theodora, late 19th century (circa 1884), French two-sheet poster format, with central portrait image of Bernhardt, colour lithographic printed by F. Champenois, 66 Boulevard de St Michel, Paris, bearing printed signature to lower left side, framed, visible area approximately 71cm x 199cm, the frame approximately 84cm x 210cm. Condition report: Unexamined out of frame – there is an area of visible paper loss to top left corner. Paper ruched within frame and some bubbling to surface – water staining to left hand side around signature area – possible evidence of restored tears running from top edge through ‘H’ of title to centre and additionally from right hand centre horizontally.
Los 47
Richard Prince (1949), Portrait, 1997, acrylique, encre et graphite sur papier, signée et datée, 51x46,5 cmEtiquette au verso : Barbara Gladstone Gallery, New York, réf RP1024 Skarstedt Fine Art, New York, réf. PS1106 Galerie Vedovi, Bruxelles, exposition FIAC du 21 au 25 octobre 2004LA COLLECTION D'UN AMATEUR D'ART CONTEMPORAIN Tous les lots marqués en rouge dans le catalogue papier, lots 44 à 60 de la vente à la criée et 1925 à 2012 de la vente online, proviennent de la collection d’un amateur d’art contemporain ayant résidé à Genève.Participant activement à la vie artistique de Genève, ancien membre du Centre d’Art Contemporain, il a constitué au fil des années une importante collection avec une sensibilité particulière pour les artistes contemporains africains dont certains figurent aujourd’hui parmi les noms les plus reconnus.Tous les lots de cette collection sont mis en vente sans prix de réserve.
Los 27
Charles Camoin (1879-1965), Portrait de Léon-Paul Fargue , 1929, huile sur toile, signée et datée, 81x65 cmL'oeuvre est répertoriée dans les archives de Camoin. Un certificat d'authenticité pourra être délivré sur demande.Provenance: Georges Couturat, Paris, c.1930, puis restée dans la famille jusqu'à ce jourExposition : Rétrospective : Charles Camoin (1879-1965), Fondation de l'Hermitage, Lausanne, Musées de Marseille, RMN, Paris, 1997, cat. exp., p. 128, no. 61, ill.Etiquette au verso : Galerie Charpentier, Paris, no. 61 Musée Cantini, 1997-1998, Marseille, no. 61 Fondation de l'Hermitage, Lausanne, du 26.06.1997 au 5.10.1997, no. 61/02 COLLECTION GEORGES COUTURAT (1890-1948)Grand marchand, mécène et collectionneur de la première partie du XXème siècle, Georges Couturat était un ami des peintres. Grand-oncle des propriétaires actuels suisses par alliance d'une famille patricienne vaudoise, il a oeuvré pour valoriser le travail des artistes de la modernité comme Manguin, Camoin, Cross, Signac, etc...Il a constitué une extraordinaire collection de plusieurs centaines d'oeuvres dans son appartement parisien incluant l'un des chef d'oeuvres de Caillebotte,"L'homme au balcon".En tant qu’esthète, il n’hésitait pas à prodiguer ses conseils aux artistes au cours de leurs processus de création. Plus qu’un conseillé pour certains, sa relation avec Manguin pouvait s’apparenter à celle d’un confident, confortant ce dernier dans ses moments de doute, il l’aida à établir sa propre peinture.Toutes les oeuvres provenant de cette collection et marquées en bleu dans le catalogue papier (lots 17 à 35 et 2106 à 2226) ont été conservées par descendance dans la famille jusqu'à ce jour.
Los 56
Omar Victor Diop (1980), Portrait de Don Miguel De Castro , 2014, impression jet d'encre pigmentaire sur papier Harman By Hahnemulhe, édition de 8 + 2 EA, 60x40 cmProvenance : Galerie Magnin-A, Paris LA COLLECTION D'UN AMATEUR D'ART CONTEMPORAIN Tous les lots marqués en rouge dans le catalogue papier, lots 44 à 60 de la vente à la criée et 1925 à 2012 de la vente online, proviennent de la collection d’un amateur d’art contemporain ayant résidé à Genève.Participant activement à la vie artistique de Genève, ancien membre du Centre d’Art Contemporain, il a constitué au fil des années une importante collection avec une sensibilité particulière pour les artistes contemporains africains dont certains figurent aujourd’hui parmi les noms les plus reconnus.Tous les lots de cette collection sont mis en vente sans prix de réserve.
Los 25
Charles Camoin (1879-1965), Portrait de femme , pastel sur papier, signé, 44x37,5 cm L'authenticité de ce tableau a été confirmée par Madame Anne-Marie Grammont-Camoin, lequel sera inclus dans le catalogue raisonné de Charles Camoin actuellement en préparation par les Archives Camoin. Un certificat d'authenticité pourra être délivré sur demande.Provenance: Georges Couturat, Paris, c.1930, puis restée dans la famille jusqu'à ce jour COLLECTION GEORGES COUTURAT (1890-1948)Grand marchand, mécène et collectionneur de la première partie du XXème siècle, Georges Couturat était un ami des peintres. Grand-oncle des propriétaires actuels suisses par alliance d'une famille patricienne vaudoise, il a oeuvré pour valoriser le travail des artistes de la modernité comme Manguin, Camoin, Cross, Signac, etc...Il a constitué une extraordinaire collection de plusieurs centaines d'oeuvres dans son appartement parisien incluant l'un des chef d'oeuvres de Caillebotte,"L'homme au balcon".En tant qu’esthète, il n’hésitait pas à prodiguer ses conseils aux artistes au cours de leurs processus de création. Plus qu’un conseillé pour certains, sa relation avec Manguin pouvait s’apparenter à celle d’un confident, confortant ce dernier dans ses moments de doute, il l’aida à établir sa propre peinture.Toutes les oeuvres provenant de cette collection et marquées en bleu dans le catalogue papier (lots 17 à 35 et 2106 à 2226) ont été conservées par descendance dans la famille jusqu'à ce jour.
Loading...-
283287 Los(e)/Seite