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283287 Los(e)/Seite
Los 4190
Derbyshire, various – Robinson (Joseph Barlow), Derbyshire Gatherings: A Fund of Delight, London, J. R. Smith, 1866, large 4to, 106pp, numerous engraved plates and vignettes by the author, bound black and gilt embossed bevelled boards, gilt titles to spine; Bemrose (H. H. MA DSc), The House of Bemrose 1826-1926, Derby, Bemrose, 1926, roy. 8vo, xiii + 160pp, frontis. photographic portrait of the founder with tissue guard, numerous other plates, printed endpapers, bound half cream cloth over oatmeal boards, black printed titles to reserve on front board and to spine; Anon. View of Matlock, 8vo, n.d. (1860), 22 pp of 44 engravings of views by Rock & Co., all dated 4th June1860, embossed blue boards, gilt titles; Holyoake (George Jacob) and Scotton (Amos), The Jubilee History of the Derby Co-operative and Provident Society Ltd. 1850-1900, Manchester, Co-operative Printing Society Ltd., 1900, 12mo, vi + 198pp, frontis and numerous photographic illustrations, bound mauve emboseed boards, gilt titles and to spine (spine faded); Firth (J. B.) illus. Erichsen (Nelly), Highways and Byways of Derbyshire, London, Macmillan, 1905, 12mo, xvii + 500pp, engraved frontis with tissue guards, numerous illus., bound green cloth gilt titles (5)
Los 4157
China, social life – Hardy (Revd. E. J., MA) John Chinaman at Home: Sketches of Men, Manners and Things in China, New York, Charles Scribner’s Sons, 1905, 8vo, 335pp, frontis and 31 monochrome photographic prints, buff boards, black titles, gilt pagoda and titles to spine, cover worn; Der Ling (Princess), Old Buddha, New York, Dodd, Mead & Co., 1928 8vo, xvii + 347pp, yellow and red end papers, yellow boards, black and red printed titles; Dyer Ball (J., ISO, MRAS), The Chinese at Home or the Man of Tong and his Land, London, Religious Tract Society, 1911, 8vo xiii + 370pp coloured frontis and title page, 6 colour plates and 21 monochrome, MS inscr. C M J Caird/29th March 1912, red boards, gilt embossed titles and vignette, gilt spine titles; Hosie (Dorothea, Lady, 1885-1959), Portrait of a Chinese Lady and Certajn of her Contemporaries, London, Hodder & Stoughton, popular edn., 1933, 8vo, xv + 404 pp, frontis and seven monochrome plates, pink textured cloth, embossed black titles, d. w. with plastic protector; Selby-Lowndes (Joan), Circus Train, illus. Geoffrey Dean, New York, Abelard-Schuman, 1957, 8vo, 240pp, monochrome vignettes, pink embossed black boards with vignettes, black spine titles, d. w. (slight tears) plastic protector; Brown (Brian) The Wisdom of the Chinese: their Philosophy in Sayings and Proverbs, preface Ly Hoi Sang, NY, Brentano, 2nd printing 1920, 8vo, 208pp, frontis portrait of Confucius with tissue guard, several plates, quarter black cloth over orange boards with black Chinese symbol; Dingle (Edwin), Across China on Foot: Life in the Interior and the Reform Movement, new foreword by Graham Earnshaw, Hong Kong, China Economic Review Publishing, reprint of 1911 original, 2007, 8vo, xx + 445, profusely illus,, maps at end, card covers; Giles (Professor Herbert A., LLD, MA, trans. and annotated), Strange Stories from a Chinese Studio, Shanghai, Kelly & Walsh, 1916 small 8vo, xxiii + 488pp, bookseller’s label inside front cover, Ray L. Six, Stillwater, Oklahoma, re-bound brown cloth re-mounted yellow boards; Forbes (Archibald) Chinese Gordon: A Succinct Account of his Life, London, Routledge, 1884, small 8vo, 252pp, photographic frontis. portrait, ‘Gordon Pasha photographed at Khartoum’ with tissue guard, red boards, gilt dragon, black titles, some wear to cover (9)
Los 4248
Spiritualism – Doyle (Sir Arthur Ignatius Conan KStJ, MD, DL 1859-1930), The Spiritualist Reader: A Collection of Spirit Messages from many Sources, Specially Prepared for Short Readings, Manchester, Two Worlds, 1st edn., 1924, 12mo, 160pp, photographic portrait of the author to frontis., purple boards, white titles, and to (faded) spine; Payne (Phoebe Daphne, Mrs. Laurence Bendit, 1891-1968) & Bendit (Dr. Laurence J.,, MD, DPM, MRCS, LRCP, d. 1974) The Psychic Sense, London, Faber &B Faber rev. edn., 1958, 12mo, 228pp, bound black cloth, gilt titles to (faded) spine; Payne (Phoebe Daphne, Mrs. Laurence Bendit, 1891-1968) preface E. Graham Howe, Man’s Latent Powers, London, Faber & Faber 1st edn., 1938, 12 mo, 269pp,. autograph dedication by the author to flyleaf, dark grey boards, gilt spine titles; Sadhu (Mouni) Concentration: an Outline for Practical Study, London, George Allen & Unwin, 2nd impr. 1964, 8vo, 181pp, grey boards, d. w. with plastic cover; Taimni (Prof. I[qbal] K[ishen] 1898-1978), The Science of Yoga: Commentary on the Yoga Sutras of Patan-Jali in the Light of Modern Thought, Madras, Theosophical Publishing House, 1961, small 8vo, xiii + 446pp, red cloth, black titles, cover loosening, plastic cover (5)
Los 4169
China: History, manners – Huc (M.) A Journey Through the Chinese Empire, 2 vols., New York, Harper & Bros., 1856, 12mo, bound embossed brown boards, Vol. I: xxi + 421pp,, slight tear to top of spine, folding map; Vol. II: 422pp; Maclay (Revd. R. S., MA), Life Among the Chinese with Characteristic Sketches and Incidents of Missionary Operations and Prospects in China, New York, Carlton & Porter, 1861, 12mo,, old rebound in embossed brown boards; Mackie (J. Milton), Life of Tai-Ping-Wang Chief of the Chinese Insurrection, New York, Dix, Edwards, 1857, 12mo, 371pp, engr. frontis and other engraved illus., green endpapers, some staining to title pages, bound embossed green boards, gilt Chinese titles, lacking spine, rear board and postscript pages detached; Anon., China Fights for Freedom, London, Communist Party of Great Britain, 1937, 12mo paper-bound pamphlet, 16pp, with retailer’s stamp A J Statham/The Progressive Book Shop/24, North Sherwood Street, Nottingham, some two colour vignettes, black and orange printed cover; A British Resident (J. S.), Twelve Years in China, Edinburgh, Thomas Constable, 1860, 12mo, xviii + 328pp, lithographic title page, 12 other lithographic illus., bkplt. Junior United Services Club, marbled edges, and endpapers, bound full calf, gilt lines and spine titles, top of spine coming away, top of front board, splitting; J. L. K., China and the Chinese, Containing a general Description of China Proper with an outline of the History of the People from the Earliest Times to the Present Day….for the young, London, W. H. Broom, 1872, 16mop, 147pp, some woodcuts in text, bound embossed green boards, gilt titles; Mao Tse-Tung, Selected Military Writings, Peking, Foreign Language Press, 1968, 18mo, 410pp, frontis. photographic portrait of author with tissue guard, red page marker, bkplt. B. C. Levett-Yeats/Chine/Kwangchow/1974, maroon boards, gilt titles and to spine, d. w. in cardboard slipcase of issue; Goldsmith (Oliver), The Citizen of the World or, Letters from a Chinese Philosopher Residing in London to his Friends in the East, Vol. 2 or 2, London, J. Parsons 1794, 32mop, 194pp, bkplt. John H. Clarke/Farnworth, bound full calf, gilt bands to titles gilt titles to spine (8)
Los 4141
China, history and customs –4to, 160pp, 52 coloured plates, bound quarter black moquette over Franzbleu (Abraham Norman, PhD, MD, LHD, 1901-1982), Erotic Art of China: A Unique Collection of Chinese Prints and Poems Devoted to the Art of Love, New York, Crown, 1st edn., 1977,white boards, taijitu in silver, silver spine titles; Guo (Hao), A Wealth of, A Learning with Joy: the Album of Mao Zedong Badges, Xi’an, Zhang, 1992, 83ppp, Chinese text with added English translations, colour plates, card covers; Tao (Gen. Llangzhang) trans. Yuan Shibing, Sun Tzu’s Art of War: The Modern Chinese Interpretation,, New York, Sterling, 1st US edn., 1990, small 4to, 128pp, diagrams and portrait of Tao at end, oatmeal endpapers, red boards, silver spine titles, d. w.; Phathanothai (Sirin) & Peek (James), The Dragon’s Pearl: Growing up among China’s Elite, New York Simon & Schuster, 1994, 8vo, 336pp, 10 photographic plates, quarter black cloth over yellow boards, gilt spine titles, d. w. with plastic protector; Fleming (Peter) The Siege at Peking, New York, Harper & Row, 1959, 8vo, 273pp, frontis portrait of Sir Claude MacDonald, 33 photographic plates, seven maps, ex Mandan (N Dakota) Public Library, grey cloth, printed orange spine titles, d. .w; Forman (Harrison), Report from Red China, New York, Book Find Club, 1st edn. ,1945, 8vo, iv + 250pp, photographic illus., maps to endpap0erts, black boards, gilt spine titles; Levy (Howard Seymour), Chinese Footbinding: the History of a Curious Erotic Custom, New York, Bell, 1957, 8vo, 352pp, monochrome illus., diagrams, bound pink cloth black spine titles; White (Theodore H.) & Jacoby (Annalee), Thunder out of China, New York, William Sloane, 1946, 8vo, 331pp, 3 maps and maps to endpapers, blue boards, gilt titles and titles to spine; Hedin (Sven) trans. Bernard Norbelie, Chiang Kai-Shek, Marshal of China, New York, John Day 1940, 8vo, xiv + 290pp, 17 photographic plates, blue boards, silver spine titles, d. w. with plastic protector; Wilson (Dick), The Long March 1935, The Epic of Chinese Communism’s Survival, New York, Viking, 1972, 8vo, xx + 331pp, 13 photographic plates, four maps, black endpapers, red boards, gilt Chinese characters to boards, silver and gilt spine titles, d. w.; Jernigan (Muriel Molland), Forbidden City, New York, Crown, 1954, small 8vo, 247pp, yellow boards, red titles to spine; Waley (Arthur), The Opium War through Chinese eyes, London, George Allen & Unwin, 1st edn., 1958, 8vo, 257pp, brown boards, silver spine titles, d. w. (12).
Los 229
Oil painting on canvas depicting "PORTRAIT OF A WOMAN". Late 18th-early 19th century. In frame. Defects and restorations. Already reframed. 58x49 cm approx. Dipinto olio su tela raffigurante "RITRATTO DI DONNA". Fine XVIII-inizi XIX secolo. In cornice. Difetti e restauri. Gia' rintelaiato. 58x49 cm ca.
Los 30
Edward Collier (Breda circa 1640-1708 London)A trompe l'oeil still life of a framed letter rack with a copy of Antony Thysius's Sondaghsche uren, a letter, a Delft Almanac, two combs, a quill, a portrait miniature and other objects signed with initials 'E.C.' (on the letter, centre)oil on panel46.2 x 64.3cm (18 3/16 x 25 5/16in).Footnotes:ProvenancePrivate Collection, EuropeWe are grateful to Dr. Fred Meijer for dating the present outstanding and well-preserved example of Collier's work to his mature period when he was working in Leiden between 1702 and 1706. It can be compared closely to two other depictions by the artist of framed letter racks from the same period, both with portraits of Erasmus and both of which are dated 1703 (respectively with Peter Tillou in 1987; and with Richard Green in 2003 - see RKD image nos. 121442 and 107542). In the present painting, among the usual arrangement of journals, engravings, letters, combs, sealing wax sticks and other ephemera (signifying an updating of the older 'memento mori' still life model) is included a copy of Antonius Thysius's Sondaghsche uren, ofte Poëtische bedenckingen over eenighe historien uyt de H. Schriftuyr genomen. Gedrukt boek (which was published in Leiden in 1646 and translates as 'Sunday hours, or Poetic reflections on some histories taken from the Holy Scripture's printed book').Although the date of Collier's death had been variously given as early as before 1702 and as late as 1710, this confusion appears to have arisen from the records of burials of men with a similar name in Leiden (an Evert Colier and an Evert Pietersz. Coleyn respectively). We now know, however, that the artist returned to London since his last known painting is signed 'London 1707' and his burial is recorded on 8 September, 1708 at Saint James's, Piccadilly.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 35
Nicolaes Maes (Dordrecht 1634-1693 Amsterdam)Portrait of a gentleman, three-quarter-length, seated in a chair, before a red curtain oil on canvas137.2 x 111.8cm (54 x 44in).Footnotes:ProvenancePossibly, The Lawson Collection, Brough Hall, Yorkshire, late 18th CenturyPrivate Collection, UK, until circa 1980Private Collection, EuropeWith Hoogsteder & Hoogsteder, The Hague, The Netherlands, where acquired by the present owner on 29 November 1995ExhibitedThe Hague, Hoogsteder & Hoogsteder, Rembrandt's Academy, 4 February - 2 May 1992, cat. no. 31LiteratureW. Sumowski, Gemälde der Rembrandt-Schuler, Landau, 1983, vol. VI, no. 2377, pp. 3731, 3988P.Huys Janssen and W. Sumowski, The Hoogsteder Exhibition of Rembrandt's Academy, The Hague, 1992, exh. cat., cat. no. 31, pp.240-2, ill.I. Németh, 'De portretten van Jacob Trip en Margaretha de Geer door Nicolaes Maes in Boedapest', in Oud Holland, vol. 110, 1996, pp.81-2, ill., fig. 5L. Krempel, Nicolaes Maes, Petersberg, 1999, p.302, cat. no. A100a, ill., pl. 149Prof. Dr. Ekkart believes that the present portrait originally had a pendant, which was signed and dated 1669, and offered at Christie's, London, 27 June 1975, lot 33. At the time of this sale, the Portrait of a Woman was offered with an incorrect pendant portrait. Although each of the same dimensions, these two works clearly do not belong together: for example, the woman is noticeably larger than the man; the table beside her is much higher than in the male portrait; and the man is depicted before a view of the landscape or sea which is missing in the female portrait.Ekkart suggests that the present work is a more suitable pendant to the Portrait of a Woman, given the stylistic and compositional connections between each work, particularly the rendering of the drapes and placement of the sitters (see: P.Huys Janssen and W. Sumowski, The Hoogsteder Exhibition of Rembrandt's Academy, exh. cat., The Hague, 1992, pp.240-2).This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 36
Jan Anthonisz. van Ravesteyn (The Hague circa 1570-1657)Portrait of a lady, bust-length, in an embroidered dress and with honeysuckle in her hair bears monogram and date 'Anno 1607/JVR: Fecit' (upper right)oil on panel68.2 x 56.9cm (26 7/8 x 22 3/8in).Footnotes:ProvenanceSale, Christie's, London, 9 July 1993, lot 207 With Rafael Valls Ltd., London, 1994, where acquired by the present ownerThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 12
Amsterdam School, 17th CenturyPortrait of a gentleman, half-length, in black, holding a glass oil on canvas90.2 x 74.6cm (35 1/2 x 29 3/8in).unframedFootnotes:ProvenancePrivate Collection, The Netherlands for at least 70 yearsThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 47
Claude Vignon (Tours 1593-1670 Paris)Portrait of a young man, bust-length, in a ruff, possibly a portrait of the artist oil on canvas56.1 x 43.8cm (22 1/16 x 17 1/4in).Footnotes:ProvenanceWith Kleinberger & Co, New York, from whom acquired in 1960 (as Simon Vouet)The Collection of Mr and Mrs Joseph McMicking, San Francisco and thence by descentExhibitedTravelling exhibition, Héritage de France French Painting 1610-1760,: Montreal, The Montreal Museum of Fine Arts, 6 October-6 November 1961; Quebec, Le Musée de la province de Québec, 16 November-16 December 1961; Ontario, The National Gallery of Canada, 4 January-4 February 1962; and Toronto, The Art Gallery of Toronto, 16 February-18 March 1962, cat. no. 81 (as Simon Vouet)San Francisco, Fine Arts Museum, on loan, August 1979 - spring 1980 (as Simon Vouet)LiteratureP. Rosenberg, 'Nouvelles acquisitions. Musee du Louvre. Un tableau de Claude Vignon' in La Revue du Louvre et des musées de France, 1968, vol. I, note 17, p. 43, fig. 238 (as Simon Vouet)B. Nicolson, Caravaggism in Europe, Oxford, 1979, vol. I, p. 211, cat. no. 731, vol. II, ill. (as Simon Vouet)P. Pacht Bassani, Claude Vignon 1593-1670, Paris, 1992, p. 176, cat. no. 21, ill.J-P. Cuzin, Figures de la réalité. Caravagesques français, Georges de La Tour, les frères Le Nain..., Paris, 2010, pp. 126, cat. no. 139, ill. fig. 139 (as Claude Vignon)We are grateful to Arnauld Brejon de Lavergnée for confirming the attribution to Claude Vignon and for suggesting that this portrait was executed during Vignon's stay in Rome in the 1620s.Traditionally regarded as a work by Simon Vouet, Jean-Pierre Cuzin was the first to recognise this portrait as by Vignon. Later, in her catalogue entry for the work, Bassani notes a similarity, both in handling and physiognomy, with the Portrait of a young man, previously with Sestieri in Rome (see P. Pacht Bassani, Claude Vignon 1593-1670, Paris, 1992, p. 175, cat. no. 20). It has been suggested that this latter portrait may depict François Langlois, called Ciatres as the sitter resembles that in the recognised portrait of him now on loan to the Davis Museum and Cultural Center, Wellesley.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 18
Arthur Devis (Preston 1712-1787 Brighton)Portrait of a member of the Sergison family, possibly Michael Warden of Cuckfield Park, standing full-length, with a view to a park landscape beyond signed and dated 'Art. Devis fe./ 1751' (lower left)oil on canvas76.2 x 62cm (30 x 24 7/16in).Footnotes:ProvenanceThe Collection of Lady BrookeThe Collection of Sir Phillip Sassoon Bt.The Collection of Mr and Mrs Robert Tritton, KentSale, Christie's, London, 15 July 1983, lot 54With Richard Green, London, by 1986, where purchased by the Chaplin family, Manoir de Ban, Corsier-sur-Vevey, SwitzerlandExhibitedLondon, 25 Park Lane, Loan Exhibition of English Conversation Pieces, 1930, no. 98 (lent by Lady Brook)LiteratureG. C. Williamson, English Conversation Pieces, 1931, p. 11, pl. XXVS. H. Paviere, 'Biographical Notes on the Devis Family of Painters' in The Walpole Society, vol. XXV, 1936/37, p. 129, no. 57S. H. Paviere, The Devis Family of Painters, London, 1950, p. 35, cat. no. 125C. Neve, 'Arthur Devis: A Minor English Master', in Country Life Annual, 1972, p. 46, pl. 5E. G. O'Oench, The Conversation Piece, New Haven, 1980, p. 87, no. 139Charles Sergison (1655-1732), Royal Navy administrator and MP, occupied Cuckfield Park in 1693. He died without issue in 1732, so his estate was left to his great nephew, Thomas Warden, who had married one of his nieces and who changed his name to Sergison, by private act of Parliament. Devis painted numerous members of the Sergison/Warden family, presumably at the same time; other works include the portrait of Sarah Warden and a further male member of the Sergison family (see G. C. Williamson, English Conversation Pieces, 1931, p. 11).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 91
Ink and pigments on silk. Depicts in the center the solemn image of an emperor seated cross-legged in lotus position on a rectangular seat adorned with colorful blooming lotuses and scrolls of curled leaves. The man shows a solemn and serene expression, gazing straight ahead, connecting with the viewer.The head is adorned by a traditional bicolor hat, combining red and white tones; and the body is adorned by a chanfgu of cobalt blue on the outside and celadon green on the inside, which is closed by a succession of golden buttons on the torso. Both faces show delicate embroidered details, barely perceptible, such as archaic geometric elements or a large coiled dragon arranged in the center of the chest, next to a sea of ruyi clouds, undisputed symbol of the Chinese imperial family. In her hands she holds a delicate mala, made of small reddish beads interspersed with larger jade beads, from which hang strings of ruyi ornaments.The colorful portrait contrasts with the neutral ochre color of the wall and the floral elements of the carpet and seat. Arranged on a plain, rectangular wooden seat with a decorative frieze in front. Size: 94.5 x 98 cm; Size with frame: 108.5 x 112.5 cmProvenance:- French private collection.
Los 144
Bronze portrait plaque of Colonel R.E. Crompton, in profile, dated 1924, 26.5 x 19cm, bears a label to the reverse "The plaque was presented to Stan Wood, Stapleford, by the late C.R. Crompton Esq. Stanton Hall; cousin of Col;. R.E. Crompton. The presentation was intended to mark the occasion of Mr Crompton's 80th birthday on Feb. 1st. 1949. In 1881, Col. Crompton (then a director of the Stanton Ironworks Co Ltd.) using his explosion-proof switchgear fitted the Stanton Company's Pleasley Colliery for electric lighting, thus making it the first colliery in the world to be so lighted. Four years earlier, the company's new works foundry had been equipped with electric lighting and so became the first iron foundry in the world to use this form of lighting"
Los 205
FOOTBALL INTEREST: A mixed lot of memorabilia, to include: - A presentation frame for England's George Best, including limited edition print portrait by Heather G Harman (53/500), autograph card, matchday ticket, banquet programme with facsimilie signatures etc COA to verso, size approximately: 62x73cm (unautheticated by Keys Auctioneers)- A collection of matchday programmes, ticket stubs, poster etc
Los 2187
CASSANDIA ANN WALKER FOR DELLA ROBBIA; a large Art Nouveau twin handled vase, sgraffito decorated with a portrait bust of a maiden and floral sprays on a blue/green ground, signed and dated 1903, height 39.5cm.Condition Report: Large U shapped piece has been broken out of the top rim and glued back, light crazing throughout.
Los 2407
COALPORT; a fine twin handled pedestal urn vase with turquoise jewelling and elaborate gilt scrolling and floral decoration surrounding two oval cartouches, the first a portrait of a girl, the second of a landscape scene, purportedly produced for the Chicago Exhibition, printed marks and signed in gilt 'Chicago Exhibition' to the underside, height 22cm.Condition Report: Very minor crazing and wear to gilding. Very fine hairline crack to one handle, the odd minor loss to turquoise jewel, faint hairline crack to underside of pedestal, minor staining to underside.
Los 588
THE SAYINGS OF SNOOKER; limited edition of four copies, issued for private circulation only, with forward by Gustave Agate and illustrated by Osmund Wainright, photographic portrait frontis, privately printed 1933 (1)Condition Report: Hardback with a black spine. 192 numbered pages and latter page at the back from the BBC to Gerard Heller dated 27th September 1927. Page before contents states "Fiest edition (one copy), 1929. Reprinted (limited editin four copies) 1933. With black and white plates. Some general age wear browning to pages but overall ok.
Los 635
A collection of PHQ postcards, examples include 2002 Airbus A340-600, World Cup 2002, 1964 VC10, 1964 Trident, The Deep, Hull, Virginia Woolf National Portrait Gallery, T.S Eliot National Portrait Gallery, Maggie's Centre Dundee, with a further collection of postcards relating to television, geographic locations and transport (Qty)
Los 474
λ A REGENCY PORTRAIT MINIATUREIN THE MANNER OF ANDREW ROBERTSON M.A. (1777-1845)on ivory, possibly of Robert Galby, initialled 'RA', dated '1807', inscribed verso, together with another portrait of a young lady, and a collection of silhouettes, 19th and 20th century, framed and glazed (14)25.5 x 16cm (max)*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
Los 279
TWO PAIRS OF PORTRAIT ENGRAVINGSLATE 18TH CENTURYto include 'His Grace Charles Spencer' after Joshua Reynolds, 'The Rt Hon.ble George Lord Anson' after Joshua Reynolds, 'Robert Lord Henley' after Thomas Hudson and 'The Right Hon.ble William Pulteney' after Allan Ramsey, each in a glazed Hogarth style frame (4)41 x 30cm (max)ProvenanceKenneth Neame: An Enduring Legacy.TO BE SOLD WITHOUT RESERVE.
Los 567
A FRENCH WHITE MARBLE PORTRAIT BUST OF FLORA BY ALBERT-ERNEST CARRIER-BELLEUSE (1824-1887)possibly Sophie-Alexandrine Croizette or Marguerite Bellanger, signed 'Carrier-Belleuse', on a turned socle66cm highCatalogue NoteAlbert-Ernest Carrier Belleuse was one of the most talented and prolific French artists of the 19th century He reacted against the static poses of the neo-classical art and drew inspiration from the opulence and excess of Rococo portraiture from the 18th century. This bust resembles both Sophie Croizette and Marguerite Bellanger. Sophie Croizette (1847-1901) was a Russian born actress and considered the main rival to Sarah Bernhardt. Marguerite Bellanger (1838-1886) was also an actress and one of the leading figures of the demi-monde of the Second Empire. She was Napoleon III's mistress between 1863 and 1865. She inspired Carrier-Belleuse to create a number of fantasy busts including the Four Seasons. For an identical bust descrbed as 'Sophie Croizette' see Sotheby's, Ninetheenth Century European Paintings, Drawings and Sculpture, 22nd November 1988, lot 46.
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283287 Los(e)/Seite