An Egyptian Basalt Portrait Bust of a WomanMiddle Kingdom, 13th Dynasty, 1773-1650 B.C.Height 10 1/4 inches.Provenance:Robert Friedinger-Pranter (1894-1967), the Austrian ambassador to Egypt, acquired while on diplomatic post in Cairo, 1950-1953; thence by descent.with Munzen und Medaillen, Basel.with Royal-Athena Galleries, New York, acquired from the above, 1987 (Art & Auction, October 1987, p. 92; Art of the Ancient World, vol. V,1, 1988, no. 66).James and Marilynn Alsdorf, Chicago, acquired in 1987.Christie's, New York, Ancient Art from the James and Marilynn Alsdorf Collection, online, 2-16 June 2020, Lot 1.For condition inquiries please contact fdcr@hindmanauctions.com
283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
A Roman Marble Portrait Head of the Empress Faustina MinorCirca 162-176 A.D.Height of marble 12 inches.Note:Annia Galeria Faustina or Faustina Minor (the Younger) was born circa 125-130 A.D. She was one of four children of Emperor Antoninus Pius and Faustina Major (the Elder). Her great uncle, Emperor Hadrian, had betrothed her to Lucius Verus, but her father, who succeeded Hadrian as Emperor in 138 A.D., preferred his wife's nephew and Lucius Verus' adoptive brother, Marcus Aurelius, as Faustina's intended. Her father's preference ultimately prevailed, and in 145 A.D., Marcus Aurelius and Faustina were married. When Emperor Antoninus Pius died in 161 A.D., Marcus Aurelius ascended the Antonine throne alongside his adoptive brother, Lucius Verus, and Faustina was given the official title of Augusta or Empress (D. Kleiner, Roman Sculpture, New Haven, 1992, p. 278). Although the convention of multiple portrait types for members of the Imperial family is well-represented in the canon of Roman sculpture, the surviving portraits of Faustina Minor have been classified as adhering to a prodigious nine different types; only Septimius Severus, who was Emperor from 193 to 211 A.D., boasts more than Faustina Minor with ten documented portrait types (B.M. Levick, Faustina I and II Imperial Women of the Golden Age, Oxford, 2014, p. 277). This portrait head of Faustina Minor, which dates to circa 162-176 A.D., is representative of her eighth portrait type, the advent of which generally coincided with the birth of her twin sons Fulvus Antoninus and Commodus and her husband's ascension to power in 161 A.D. While her serene, oval face, almond-shaped eyes and centrally-parted braided chignon are evocative of her earlier portrait types, her face is €œimbued with a sense of maturity,€ a deliberate feature indicative of her status not only as Empress but as celebrated wife and mother of male heirs (D. Kleiner, pp. 278, 280). Faustina accompanied Marcus Aurelius on several military campaigns and was referred to by the Roman soldiers under his command as Mater Castrorum or €œMother of the Camp.€ She died in 175 A.D. while abroad at a military camp in Halala in Cappadocia, which was renamed Faustinopolis in her honor. Faustina was buried in the Mausoleum of Hadrian in Rome and was deified by her husband (D. Kleiner, p. 278).Close surviving examples of this portrait type can be found at the Archaeological Museum of Istanbul (Inv. no. 5130; cf. K. Fittschen, Die Bildnistypen der Faustina Minor und die Fecunditas Augustae, Gottingen, 1982, pl. 41); and Rome's Capitoline Museum (Inv. no. 632; op cit. pl. 43).Provenance:Sotheby's, London, Antiquities, 9-10 July 1984, Lot 332.Mahboubian Gallery of Ancient Art, London, 27 July 1984 (with invoice).Property from a Private Collector, Winnetka, IllinoisHeight overall 18 inches.For condition inquiries please contact fdcr@hindmanauctions.com
Continental School, oval oil on canvas, portrait of a lady wearing a tiara, in oval painted frame, 49cm x 38cm Condition report: Provenance: from a local private client. Some slight rippling to the canvas - possibly removed from another stretcher as the current one is a cheap plywood version. Some overpainting/restoration visible under a UV light but not detrimental to the overall look of the work.
English School, circa 1830, oil on canvas - portrait of mother and child, named verso as Mrs Charles Purcell Cotter and her daughter Alice Harriet Cotter, in gilt frame, 47.5cm x 36cm Condition report: Re-lined and restored some years ago, evidence of overpainting visible under a UV light. Some paint shrinkage particularly around the figures. Two paint chips in the background on the top right quarter.
Late 19th/Early 20th Century Chinese Su Embroidery, half seated portrait of a lady worked in monochrome silks, wearing a pendant with Chinese motifs, in a floral silk embroidered mount and ebonsied frame with inlaid decoration, 70cm by 100cm Su embroidery is the embroidery created around the city of Suzhou, Jiangsu, China, it is one of the oldest embroidery techniques in the world and one of the most representative type of art in Chinese embroidery.
Lord Brougham: a bisque portrait bust on gilt named square glazed base, circa 1831, 150mm.* Brougham came to fame as defence council to Queen Caroline in the 1820 Bill of Pains and Penalties. Subsequently he championed the 1832 Reform Act and the 1833 Abolition of Slavery act.(Social, Political, Naval, Military, War Commemoratives)
Attributed to JOHN IRVINE (1805-1888). Frames, unsigned oil on board, portrait of Sir John Larkin Cheese Richardson (1810-1878), politician and cabinet minister in Dunedin, New Zealand, 30.5cm x 25cm. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
Attributed to JOHN IRVINE (1805-1888). Framed, unsigned oil on board, portrait of James Benn Bradshaigh-Bradshaw (1832-1886), member of Parliament in Dunedin, New Zealand, 25.5cm x 20cm, with framed painted family coat of arms, framed letter from Anne Lorimer and Jessie Grieve, as well as various newspaper clippings relating to the politicians work. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
A collection of Wedgwood blue jasper ware to include a lidded jar 17cm, fruit bowl 21cm, teapot, sugar bowl with no lid, oval tray 25cm, tea cup and saucer, coffee cup and saucer, ashtray, four pin dishes, clock and portrait plaque together with a dark blue jasper vase 15cm.Condition ReportNo noticeable damage
A pair of 19th century bohemian gilt and white overlay ruby glass lustres the scallop edge bowls decorated alternate female portrait and floral panels on tapering ringed stems and circular bases with matching floral panel decoration; each with ten fine tapering prismatic cut drops, 28cms h. Condition ReportNo damage or restoration to the bodies, chips and nibbles to the drops, all the drops match.

-
283287 Los(e)/Seite