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283287 Los(e)/Seite
Los 104
English school, 19th century, head of a lady, oil on canvas, oval, 43 x 33cm, together with a portrait of a lady, oil on board, oval (2)Condition report: Both are dirty, but basically complete. The board from the back is not flat and very dirty from age. There are several areas of paint loss and surface marks.
Los 314
Dutch school, 19th century, portrait of a gentleman, oil on board, 14 x 12cmCondition report: Looks to be a study of a Cavalier. Signed with monogram. Looks old, although the label on the back suggests the board has been re-used. Frame is old, but has loose joints and missing parts to the applied decoration.
Los 295
Border Fine Arts, Moonlight Portrait B0337 by John Brown, 17 x 15 cm, Border Fine Arts, The Visitor A0130 by Ray Ayres, 14 x 16cm, together with, Border Fine Arts, River Watch SRE3 by Ray Ayres, 7 x 5 cm (boxed) together with, Otters SWW1 by Richard Wawrzesta 10 x 13 cm, Otter Family WW14 by Richard Wawrzesta 9 x 15 cm and Border Fine Arts, Mouse on Apple Core 017 by Ray Ayres, 12 x 6 cm, together with Mouse on Banana 012 by Anne Wall 8 x 9 cm, Mouse on Peach 031 by Ray Ayres 10 x 9 cm (9)
Los 149
NO RESERVE Levant.- Le Bruyn (Cornelius) A Voyage to the Levant:..., first English edition, additional engraved pictorial title, engraved portrait, 61 engraved plates only (of 98), many double page or folding, some with trimmed margins, engraved illustrations, lacking 2D1-2 and 3C1-2, first 8 ff. and endpapers loose or nearly loose (including titles, and plates) contemporary panelled calf, rebacked, upper cover detached, lower cover coming loose at head, spine head chipped, worn, [Blackmer 2251], folio, Jacob Tonson, 1702.
![NO RESERVE Africa.- Gordon of Khartoum (General Charles George) [small collection of ephemera] relating to General Gordon inc](https://cdn.globalauctionplatform.com/e2557cbd-211b-4fc1-8806-ae7500f8cf0e/2248a394-f688-4daf-b3e6-ae750100b1a9/468x382.jpg)
Los 15
NO RESERVE Africa.- Gordon of Khartoum (General Charles George) [small collection of ephemera] relating to General Gordon including; printed cotton souvenir, commemorative porcelain teacup, small metal bust, a framed engraved portrait, collection of 4 printed Christmas cards framed, and some pamphlets and postcards, v.s., v.d. (17)
Los 163
Middle East.- Hondius (Jodocus) and Gerard Mercator. Turcici Imperii Imago, detailed map showing from Sicily and the Balkan Peninsula across to the Caspian Sea in the north, and from Northern Africa through to the Arabian peninsula in the south, with decorative title cartouche surmounted with portrait of Sultan Mehmed II, engraving with full-hand-colouring, platemark 365 x 490 mm (14 1/4 x 19 1/4 in), sheet 390 x 525 mm (15 1/4 x 20 3/4 in), Latin text verso, printer's crease to left half, minor surface dirt and browning, unframed, [Amsterdam, 1633].
Los 18
NO RESERVE Africa.- Livingstone (David) Missionary Travels and Researches in South Africa, first edition, folding wood engraved frontispiece and 22 wood engraved plates, 1 engraved portrait, 1 folding plan, 2 folding maps, 1 in pocket at end, illustrations, advertisements at end, scattered spotting, hinges strengthened, original cloth, bumping to corners and spine extremities, a little rubbed, 8vo, 1857.
![Netherlands.- [Court (Pieter de la)] The True Interest and Political Maxims of the Republick of Holland and West-Friesland, e](https://cdn.globalauctionplatform.com/e2557cbd-211b-4fc1-8806-ae7500f8cf0e/13bef8cc-8693-427e-a172-ae7501006b9f/468x382.jpg)
Los 185
Netherlands.- [Court (Pieter de la)] The True Interest and Political Maxims of the Republick of Holland and West-Friesland, engraved portrait frontispiece to half-title verso, scattered faint spotting, contemporary calf, slight bumping to corners and spine extremities, [Goldsmiths' 3864], 8vo, 1702.⁂ This had been wrongly attributed to Jan de Witt, but is in fact by Pieter de la Court.
Los 19
Africa.- Livingstone (David) Missionary Travels and Researches in South Africa, first edition, second issue, folding tinted lithographed frontispiece, engraved portrait and 21 plates, folding plan, 2 folding maps (1 in pocket at end), illustrations, 8pp. advertisements, some light spotting and occasional light finger-soiling, ink ownership inscription to endpaper, original cloth, rebacked, retaining original backstrip, [Czech p.97], 1857 § Burton (Sir Richard Francis) The Lake Regions of Central Africa, first American edition, frontispiece, folding map, 11 plates, illustrations, 4 pp. advertisements, very occasional scattered foxing, original cloth, repair to lower joint, spine ends and corners a little bumped and frayed, [Penzer p.66], New York, 1860; and 4 others, Africa, 8vo (6)
Los 219
NO RESERVE World.- Chapman (Abel) Savage Sudan, first American edition, map frontispiece, plates and illustrations, original cloth, faint spotting, slight bumping to corners and extremities, New York, 1922 § Edwards (Amelia) Pharaohs, Fellahs and Explorers, portrait frontispiece, illustrations, original cloth, gilt, slight bumping to corners and extremities, New York, 1892 § Martial (A.) Paris en 1867, etched text and illustrations only, contemporary morocco-backed boards, rubbed, slight staining, a little rubbed, Paris, n.d; and 13 others, world, 8vo (16)
Los 225
World.- Lawrence (T.E.) Revolt in the Desert, first edition, portrait frontispiece, plates, folding map, original buckram, dust-jacket, a little rubbed, slight chipping to extremities, 1927 § Wood (Frances) The Silk Road, illustrations, original decorative silk, browned spine, housed in original pictorial slipcase, a little rubbed, 2002; and others similar, v.s. (30).
Los 3
Africa.- Baker (Sir Samuel White) The Albert N'Yanza, Great Basin of the Nile, and Explorations of the Nile Sources, 2 vol., first edition, engraved portrait frontispiece, tinted lithograph frontispiece, 12 wood-engraved plates, 2 maps, 1 folding, illustrations, occasional faint spotting, new endpapers, original decorative cloth, slight bumping to corners and extremities, [Czech p.10], 1866 § Du Chaillu (Paul) Explorations & Adventures in Equatorial Africa, folding frontispiece, plates and illustrations, folding map at end, short tears with tape repairs, strengthened joints, original decorative cloth, neat restoration to spine extremities, a little rubbed, bumping to corners and spine extremities, 1861 § Griffiths (V. L.) and Abdel Rahman Ali Taha, Sudan Courtesy Customs, original cloth, bumping to corners and spine extremities, The Sudan Government, 1936 § Driberg (J. H.) The Lango: a Nilotic Tribe of Uganda, first edition, portrait frontispiece, plates and illustrations, folding map, scattered spotting, original cloth, slight bumping to spine extremities, dust-jacket, short tear to top edge, chipping and small loss to spine extremities, a little rubbed, 1923; and others Africa, 8vo & 4to (c.65)
Los 4
Africa.- Baker (Sir Samuel White) The Albert N'Yanza, Great Basin of the Nile, 2 vol., engraved double portrait frontispiece, tinted lithograph frontispiece, 2 colour maps with routes in red, one folding (with repaired tear),13 wood-engraved plates, illustrations, occasional light marginal soiling, 1 or 2 leaves with repaired tears, modern half calf, spines gilt with red and black morocco labels, spines a little faded, 1866 § Alexander (Boyd) From the Niger to the Nile, 2 vol., half-titles, portrait frontispieces, plates and illustrations, 3 folding maps, some light scattered foxing, original cloth, spines faded , extremities a little rubbed, 1907 § Cheesman (Major R. E.) Lake Tana & the Blue Nile: An Abyssinian Quest, half-title, folding frontispiece, plates, 2 folding colour maps at end, some light edge-spotting, original green cloth, light fading to spine, 1936, first editions; and 3 others, Africa and the Nile, 8vo (8)
Los 57
Central Asia.- Burnes (Lt.-Col. Sir Alexander) Cabool: being a Personal Narrative of a Journey to, and Residence in that City in the years 1836, 7, and 8, first edition, engraved portrait, 11 plates, most lithographed, 2 folding, 7 tinted, 1 plate trimmed and laid down, 1 plate bound upside down, erratum f. at end, lacking publisher's catalogue, some light offsetting, "People's Library, Newport, R.I." ink stamp to title and head of 1 or 2 other pp., modern half calf, gilt, spine gilt with red and green morocco labels, light fading to spine, 8vo, 1842⁂ In 1836 Burnes was sent on a political mission to Dost Mohammed in Kabul and as a result advised the British to support Dost Mohammed's claim to the throne. The British instead reinstated the puppet ruler Shah Shuja which angered Dost Mohammed and caused him to turn to the Russians. Burnes returned to Kabul as political agent in 1839 and was murdered there by an Afghan mob in 1841, leading to the disastrous First Afghan War.
Los 6
Africa.- Burckhardt (John Lewis) Travels in Nubia, first edition, engraved portrait and 3 engraved maps, 2 folding (one with short tear to inner margin running into image), lacking advertisement leaf at end, light offsetting onto title, occasional scattered spotting, contemporary calf, sympathetically rebacked, spine gilt with red and green morocco labels, covers rubbed and scuffed, [cf.Blackmer 238, second edition], 4to, 1819.⁂ Burckhardt travelled from Aleppo to Cairo and then made two journeys, one along the Upper Nile, the other through the Nubian desert.
Los 61
Central Asia.- Hedin (Sven) Central Asia and Tibet. Towards the Holy City of Lasa, 2 vol., first edition, Autograph Note signed from the author to Colonel F. M. Bailey with cabinet photograph of the author also with signed presentation inscription to Bailey loosely inserted, half-titles, portrait frontispieces, 4 folding colour maps, plates, 7 colour, book-label of Panos Gratsos to front endpapers, original pictorial cloth, gilt, spines slightly sunned, light rubbing, [Yakushi H100b], 8vo, 1903.⁂ The note and photograph inscribed to a fellow protagonist of the Great Game, Frederick Marshman Bailey (1882-1967), best remembered for his mission to Tashkent in 1918.
Los 7
Africa.- Campbell (Rev. John) Travels in South Africa..., third edition, 4pp. advertisements at beginning, engraved portrait, folding map and 9 plates on 8 sheets, one folding, contemporary ink signature to head of title, plates lightly foxed and offset, 1815; Travels in South Africa...being a Narrative of a Second Journey in the Interior..., 2 vol., first edition, half-titles, folding hand-coloured map, 12 hand-coloured aquatint plates, vol.1 with binder's leaf, 3pp. advertisements and final blank at end, light offsetting from plates, Sir James G.Frazer's copy with his ink inscription to half-title of vol.1, [Abbey, Travel 328], 1822, uniformly bound in modern half tan calf, red and green morocco labels, uncut; and a 1857 Glasgow Bible edited by Campbell, 8vo (4)⁂ Sir James G.Frazer (1854-1941), social anthropologist and folklorist who studied mythology and comparative religion, author of The Golden Bough, first published in 1890.
Los 74
Central Asia.- Wolff (Rev. Joseph) Narrative of a Mission to Bokhara, in the years 1843-1845, to ascertain the fate of Colonel Stoddart and Captain Conolly, third edition, half-title, frontispiece portrait, light sunning to spine and cover, otherwise excellent, 1846 § Robertson (Sir George Scott) The Kaffirs of the Hindu-Kush, new edition, title tipped in with ink ownership stamp of O. Olufsen, folding map at rear, plates, light sunning to spine, joints rubbed, 1900 § Olufsen (O.) Through the Unknown Pamirs. The Second Danish Expedition 1898-99, first edition, plates, folding map at rear, bookplate of the Cavalry Club to pastedown, 1904, original cloth; and 3 others, Central Asia, 8vo & 4to (6)
Los 8
Africa.- Campbell (W. W.) East Africa by Motor Lorry, first edition, signed and dated by author, portrait frontispiece, plates, map, ex-library with occasional discreet blind-stamp, abrasion mark where label removed to front pastedown, original cloth, gilt, blind-stamp to upper cover, remnants of label to spine foot, slight bumping to corners and extremities, 1928 § Kearton (Cherry) In the Land of the lion, first edition, frontispiece, plates, scattered faint spotting, original cloth, gilt, 1929; and 3 others, Africa, 8vo (5).
Los 87
China.- Tibet.- Montgomery McGovern (William) To Lhasa in Disguise, first edition, portrait frontispiece, plates and maps, scattered spotting, original cloth, lightly sunned spine, slight bumping to corners and extremities, 1924 § Noel (Captain J. B. L.) Through Tibet to Everest, first edition, frontispiece, advertisements at end, original cloth, small stain to upper cover, a little rubbed, slight bumping to corners and extremities, 1927 § Whistler (Hugh) In the High Himalayas, first edition, frontispiece detached and loosely inserted, plates and map, scattered spotting, original cloth, slight bumping to corners and extremities, 1924; and 3 others, similar, 8vo (6).
Los 88
China.- Tibet.- Wellby (Capt. M. S.) Through Unknown Tibet, first edition, frontispiece portrait, plates and illustrations, 4 folding maps in pocket at rear, original pictorial cloth, light toning to spine, spine ends and corners a little bumped, light rubbing and surface soiling, 1898 § [Bird (Isabella L.)] "Mrs. J. F. Bishop". The Yangtze Valley and Beyond, first edition, plates and illustrations, folding map at end, original cloth, rebacked in modern morocco, spine gilt, new endpapers, light surface soiling, 1899; and 8 others, China and Tibet, 8vo (10)
Los 11
A PORTRAIT OF THE FIDDLER NEIL GOWOil on canvasImage size: 72 x 61cm. (28¼ x 24in.)Framed size: 88 x 78cm. (34¾ x 30¾in.)This portrait is similar to Raeburn's most well known portrait depicting Neil Gow. Neil Gow was the most famous Scottish fiddler of the eighteenth century. Gow recieved patronage from the Duke of Atholl and it is believed that this was the result of Gow's performance in a musical competition, judged by John McCraw, a blind musician, who awarded Gow first prize, and stated that he:"would ken his bow hand amoung a hunder(d) players".This patronage meant Gow secured performances for balls and dance parties put on by the local nobility, which would go on to make him a renowned musician and composer. Raeburn~s complete portrait of Neil Gow is currently on display at the Scottish National Portrait Gallery.Provenance: The Tony Bingham Collection
Los 12
PORTRAIT OF AN APOLLO LYRE PLAYERSigned l.l. 'B.Houel'Oil on canvasImage size: 100 x 79cm. (39½ x 31in.)Framed size: 117 x 98cm. (46 x 38 ½in.)The lyre-guitar enjoyed great popularity as a salon instrument.Great guitarists of the day such as Fernando Carulli, Fernando Sor, Matteo Carcassi, Mauro Giuliani (believed to be the sitter in this portrait) and Pierre Jean Porro wrote music and method books based on the instrument.It is believed that the lyre depicted was made by Robert Wornum, an example of which is in the Victoria and Albert Museum.Provenance: The Tony Bingham Collection
Los 15
PORTRAIT OF SPANISH BORN FLAUTIST JOSE MARIA RIBAS (1796-1885)Oil on canvasImage size: 54 x 41cm. (21¼ x 16in.)Framed size: 71 x 60cm. (28 x 23½in.)José Maria del Carmen Ribas was considered one of the darlings of the London musical world in the nineteenth century. Contemporary with the flautists Drouet and Nicholson, Ribas was born in Burgos, where his father worked as a regimental musician. With his father's tuition, the young Ribas learnt to play flute, oboe and clarinet before joining the regimental band as a clarinet player.During the Napoleonic Wars, Ribas was taken prisoner by the French, but eventually freed by the British forces and went on to serve under Wellington at the Battle of Toulouse. After the war, Ribas went on to pursue his career in music and joined the Orchestra of the Royal Theatre of S Joao, Oporto as First Clarinet. In 1825, Ribas moved to Britain. The reason for his sudden departure to England is somewhat debated. It is believed this move was due to his personal affairs with women that caused local scandal^ whilst others believe that the local church had posted a public letter describing Ribas as a "recalcitrant".Ribas went on to live and perform in London for 25 years. He was the second flautist of the King~s Theatre London in 1835^ becoming principal flautist in 1837. Ribas renowned skill and musicality quickly placed him as a firm favourite in London society. In 1851, Ribas decided to retire and leave England. In 1852^ he toured in Spain and Portugal, giving concerts in some of the principal towns. Most notably^ during one of these visits, Queen Isabella of Spain presented to him a diamond brooch as a testament to his ability as a musician. He returned to Oporto and spent the remainder of his life as a tutor, giving lessons on the flute and the concertina.Provenance: The Tony Bingham Collection
Los 27
PORTRAIT OF A LADY HOLDING A FLUTEOil on canvasUnframedImage size: 78½ x 63½cm. (30¾ x 25in.)This portrait is considered to be a rare depiction of a female flautist during the the first half of the 19th century. This due to the societal beliefs that was apparent during this time, which deemed playing the flute as un-ladylike.
Los 36
PORTRAIT OF A SPANISH FEMALE GUITARIST WEARING CORAL AND GOLD JEWELLERYOil on canvasImage size: 85.3 x 67cm. (33.5 x 26 ¼in.)Framed size: 111 x 90cm. (43 ¾ x 35 ½in.)The guitar depicted in this portrait is very likely made by the brothers Joseph and Louis Pons, renown guitar makers in Paris, Grenoble and London. The guitar shows extra frets on the fingerboard, a 'moustache' bridge and the geometrical design around the soundhole, which are all typical of these makers.Provenance: The Tony Bingham Collection
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283287 Los(e)/Seite