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283284 Los(e)/Seite
Los 332
Attributed to Dame Laura Knight DBE, RA, RWS (1877-1970) A head and shoulders portrait study of a young lady in semi profile oil on canvas, bears signature the canvas bearing the number '150' in crimson paint in freehand verso 37 x 33cm Provenance: The painting has been in the ownership of our client's mother and thence by inheritance since 1961. Our client's mother purchased the painting in Dublin in 1961 at a public auction conducted by Allen and Townsend, billed as an 'Important Auction', lot entry 205. The original catalogue with accompany the painting
Los 477
A mixed collector's lot, including a 19th century silhouette portrait in ebonised frame, a doll's house Regency dining chair and sofa table, a beadwork gilt collared and tassled purse, a clockwork father/daughter, two soapstone figures, bone paper knife, and a Chinese rosewood carved and pierced stand
Los 388
Circle of Nicolaes Eliasz. Pickenoy (Dutch, 1588-1656)PORTRAIT OF A GENTLEMAN, THREE-QUARTER LENGTH SEATED, WITH A PARROT;PORTRAIT OF HIS WIFE, THREE-QUARTER LENGTH SEATED, IN A BLACK DRESS AND WHITE BONNET AND HOLDING A BOOKA pair, inscribed respectively 'Ao 1629, Aetatis 79' and 'Ao 1629, Aetatis 55' oil on copper28.5 x 23.5cm (2)
Los 109
Enea Becheroni (1819-1855),a marble bust of a gentleman, a member of the Caetani family, signed and dated 'E Becheroni f.1849', raised on a white marble socle,76cmThe portrait is possibly of Michelangelo Caetani (1804-1882), the Duke of Sermoneta and Prince of Teano. He was a scholar, politician and patron of the arts.
Los 262
A 17th Century etched Italian shield, the 62cm diameter mildly convex body with turned edge and sparse domed brass rivet decoration, eight further domed rivets for the braces, etched foliate swirl emanating from the central domed boss, further quadrant decoration in the form of two portrait busts within laurel wreaths and two heraldic shields, the first depicting an eagle with outstretched wings and feet, the last depicting a dog. Contemporary repair.
Los 422
A late 18th Century miniature watercolour portrait on ivory, depicting "a favourite officer of Lord Nelson", in dark coat and white cravat, 6.5 x 5cm oval. (Handwritten provenance that this is "a favourite officer of Lord Nelson who gave him a miniature of himself which a cousin sold to Messrs Brown, Grafton Street, Dublin.)Please note that this lot will not be allowed to be imported in to the USA.
Los 425
A 19th Century miniature watercolour portrait of a gentleman in black suit and cravat, (some overpainting) in yellow metal double sided brooch frame, 5 x 4.5cm overall (approx.), together with three further pendant frames containing photographic portraits (two double sided and one with hair to reverse). (4)
Los 67
19th century Botanical studies, by Samuel Anderson of Whitby, Fellow of the Linnean Society in 1854, he discovered blushing peat moss (Sphagnum Molle), to include a leather bound note book of pen and ink illustrations for a glossary of botanical terms and a book of notes on Flora Moss, together with other books owned by Anderson and portrait photos
Los 806
Philip Mercier (1689/91-1760) oil on canvas Portrait believed to be Lady Mary Watson - Wentworth Milbanke, the sitter was the sister of the future prime minister signed Ph Mercier Fecit and dated 1744 (mid left) 29 x 24in. Lady Mary Watson - Wentworth Milbanke was the mother of Lady Mary Watson - Wentworth, sister to the Prime Minster, Charles Watson - Wentworth, 2nd Marquess of Rockingham and who married Lord John Gage. Mercier was commissioned to paint members of notable Yorkshire nobility, of whom the Rockingham's were prominent Provenance: Purchased by the present owners at Edgar Horn's Auction Room, Eastbourne in 1973 The picture was inspected and verified as the work of Mercier in 1975, by the then acknowledged expert in the artist oeuvre - John Ingamells, who later included it in his Catalogue, published by the Walpole Society in 1978, where it is listed as no. 123 and in May 2016 by Brian Allen, Chairman of the fine art dealers Hazlitt. The picture was one of the subjects on the BBC programme Fake of Fortune, in August 2016 Mercier, who was born in Berlin, the son of a Huguenot tapestry worker employed by King Frederick of Prussia, studied under Antoine Pesne and came to London in 1716 on the recommendation of the Court at Hanover. His early patrons in England were mostly aspiring Hanoverian courtiers and in 1729 he was appointed Principal Painter to Frederick, Prince of Wales, as well as to other posts in the Prince's household. However, he was not secure in this post for long and was eventually replaced by John Ellys in 1736. He lived in London (in Covent Garden) until 1739 when he decided to settle in York, where he remained until 1751, when, after living for a while in Portugal, he returned to London. Although in the early part of his career he concentrated on portraiture, from the mid 1730s he turned increasingly to painting 'fancy pictures', of which the present picture is a particularly good example, probably partly because of the weight of competition in the field of portraiture but also because of the commercial possibilities presented by the market for prints of such works.
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283284 Los(e)/Seite