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Framed, unsigned oil on canvas, portrait of Jessie Harriette Bradshaigh-Bradshaw (1871-1875), daughter of James Bradshaigh-Bradshaw, member of the House of Representatives, Dunedin, New Zealand, attributed to John Irvine (1805-1888), 35cm x 30cm, together with dress worn in painting and another children’s dress. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
19th century school, a portrait of Hon Jon Leggett, watercolour heightened with body colour, framed & glazed, and its pair Lady Sarah Jones, both framed & glazed, 14 by 15cms (5 by 6ins). (2)Condition ReportJon - heavily foxed all over, majority in the background, some fox markings to faceSarah - less foxing one large fox mark above her head, both in original frames.
QUEEN VICTORIA INTEREST - MEMORIAL STICK PIN COMMEMORATING FRANCIS CLARK, with portrait of Clark within a serpentine motif border, glazed, the reverse engraved 'From V.R.I. 1895 F.C.', 7.5cm long Note: Francis Clark was a servant of Queen Victoria's during her time in the Scottish Highlands.
* DORA WADE (CONTEMPORARY) 'Mick' A head and shoulders portrait study of Sir Mick Jagger, signed, titled and dated 2003 verso, oil on canvas, 50cm x 40cm. Dora Wade is a graduate of Christchurch College Oxford, Ruskin School of Art. She came to national attention in 2005 with her installation 'Fear on the Streets' which was featured in, and subsequently removed from, a window of Selfridges. The installation dealt with "the climate of fear being fostered in the aftermath of the July 7 subway bombings and the police killing of Brazillian electrician Jean Charles de Menezes."
SHEPARD FAIREY (B. 1970) 'Untitled' signed in pencil to the margin, screen print, 61.25cm x 45.25cm (unframed). American illustrator and graphic designer Frank Shepard Fairey first emerged from the skateboarding scene with his seminal 'Andre the Giant has a posse' (...OBEY...) sticker campaign while attending the Rhode Island School of Design (RISD). He became widely known during the 2008 U.S. presidential election for his Barack Obama 'Hope' poster. The Institute of Contemporary Art, Boston has described him as one of the best known and most influential street artists. His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York City, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, D.C., the Virginia Museum of Fine Arts in Richmond, and the Victoria and Albert Museum in London.
*CHRISTOPHER SANDERS (1905-1991) 'Frances Mary' a full-length portrait of a young girl seated in an interior, her hair tied with red ribbons to match her cardigan, signed lower right, titled and inscribed verso, oil on canvas, 100cm x 75cm. Christopher Cavania Sanders was selected as an Associate of the Royal Academy of Arts on April 24, 1953, elected as a Royal Academician on 21 February 2 1961, and became a Senior Academician on January 1, 1981. He exhibited frequently and regularly at the Royal Academy from 1933 onwards and also became a member of the Royal Society of Portrait Painters in 1962. In 1955 he won a gold medal at the Paris Salon. His obituary in The Daily Telegraph noted that "Sanders's work proved popular and accessible from the beginning of his career" and he "produced paintings that were always intensely personal in feeling and passionate in their view of the natural world". Provenance: By direct descent of the Artist
MANNER OF SIR WILLIAM ORPEN (1878-1931) A HEAD AND SHOULDERS PORTRAIT OF A LADY the sitter with her blonde hair in a stylish bob, wearing a blue dress with frilly collar and a blue and white beaded necklace, feigned oval, oil on canvas, 56cm x 52cm; to be sold with a print of a portrait of John Richard Haig, the father of Field Marshal Haig, and three reproductions after Orpen, with dedications (5). Provenance: From the Estate of a descendant of Field Marshal Douglas Haig, 1st Earl Haig

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