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Los 14
Colonial School. Peru. Circa 1800."Portrait of Lieutenant colonel Manuel Ramires, Comandant-General of the province of Cuzco"Oil on canvas. 100 x 70 cm.In the lower cartouche the subject is described in a handwritten text which states: "Ret.to del Teniente Coronel Com.te de la Coluna de cazadores D. Manuel Ramires, el que despues de haber concluido la campaña en España conta el Ymperio Franses Pidió a S.M.Sor. Dn. Fernando VII pasar á los paises de America a sosegar estosde la Ynsurrecsionabiendola efectuado en el Exto. Del Teniente General Dn. Pabo Morillo donde despues de la toma de.. .. Margarita ocupada por los ynsurgentes en la costa firme, bino con su Regimiento de cazadores de Estremadura que fue destinado á la ciudad de Lima asiendo su ruta por Panamá y haviendo llegado a su destino fue nombrado su Coronel de Comandante Genral de la probincia del Cuzco y marchó en su Compaña mandando la 6ª compania de su Rto. Y desde su llegada á la ciudad de Cuzco se ejersito en formar una coluna de cazadores de seiscientos hombres por orden de dho. Sr. Ricafort Com.te General la que despues de formada en el mes de Junio de este año le confirió el Exco. Sr. Virrey del Peru Dn. Ernando de Abascal el marcho de esta coluna la que halla a sus pies ydentica en un todo y cuantos progresos haga se le debe á dho. Sr. Ricafort pr. Su selo y arbitrios tomados para su formacion. Se retrató a la edad de 22 años"(Portrait of Lieutenant Colonel Commander of the Column of Light Infantry Manuel Ramires, who after having concluded the campaign in Spain against the French Empire was asked by H.M. Ferdinand VII to go to the countries of America to calm them of the Insurrection, which he did in the Army of Lieutenant General Pablo Morillo where after the capture of… Margarita, occupied by the insurgents on the mainland, he joined his Light Infantry Regiment from Extremadura, which was assigned to the city of Lima, and took his route through Panama. Having reached his destination, he was named Colonel Commander General of the province of Cuzco and marched in their Company, commanding the 6th company of his regiment. And from his arrival in the city of Cuzco he dedicated himself to forming a column of Light Infantry of six hundred men by order of Mr. Ricafort Comandant General, which after being formed in the month of June of this year, the Viceroy of Peru Ernando de Abascal conferred this column to him, the one he found at his feet and wholly identical. Whatever progress made is due to Mr. Ricafort’s zeal and judgement in his training. His portrait was taken at the age of 22).
Los 35
Nicolas André Courtois (Paris, 1734 - 1806)"The Emperor Napoleon and the Empress Josephine"Pair of miniatures. Signed. 9 x 8 cm each.Both come with tortoiseshell and bone frames with tin applications.Measurements with frame: 20,5 x 18 cm each.Courtois was a painter, draftsman and miniaturist. Among other museums, his work can be found at the Musée Musée Cognacq-Jay Le goût du XVIIIᵉ in Paris, where there is a miniature replica of Raphael’s Madonna della Seggiola which is kept in the Palazzo Pitti, in Florence.In December 2008, an identical pair of miniatures of the emperors appeared on the French market. They were considered to be previously unknown, were signed by the painter Nicolas Jacques (1780 - 1844) and retained the label from an inventory for the son of the Empress, Eugène de Beauharnais.The series we see here is another, identical depiction of the emperors, we do not know if it would have been painted before or after that by Nicolas Jacques, both painters were active during the years of the Napoleonic Empire.There is also the odd engraving of Josephine from the 19th century in existence, which was taken from the same portrait.
Los 115
Framed measurements: 165 x 174, canvas measurements: 155 x 164 cm (each one, both canvases same large, one 5 cm taller). Where we observe, a carpet covering a table in the left corner where rest, respectively, a globe, an oval portrait, a sculpture, various books, a planetarium, a table clock and a world map, and another in which the viewer You can see the armor of a complete knight resting on the same table covered with a carpet, and, next to it, a jug, both inside separate Caprices. Work typically associated with the artistic canons of the Italian Baroque that directly connects with similar models of the famous painter of the Roman school Francesco Noletti, called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university. called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian Baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university. called il Maltese and born in Valletta, Malta (Valletta? c. 1611-Rome, 1654) Noletti was an Italian Baroque painter, born as his nickname indicates, in Malta and specialized in still life painting. Noletti's still lifes have been attributed to the so-called Francesco Fieravino or Fioravanti, a confused creation of the 18th century, until, in the early 2000s, his true identity was discovered from an anonymous portrait kept at the Foundation for International Studies of La Valletta, in the building of the old university.
Los 161
LATE 19TH CENTURY FRENCH SCHOOL; a circular portrait miniature watercolour on paper depicting two children, indistinctly signed and dated, in ornate ormolu frame, diameter of image 7.75cm, external diameter 12cm.Provenance: The contents of a Cheshire Country House.Additional InformationSome toning and tarnishing to the metal frame. The image itself is very slightly faded, but presented well.
Los 78
LITA CABELLUT (Sariñena, Huesca, 1961).Untitled, 2020.Lithograph on Hahnemühle photo rag 308 gr. paper, copy 30/50.Signed, dated and justified by hand.Enclosed certificate issued by Marc Latorre in 2021.Measurements: 43 x 30 cm.Of gypsy origin, Lita Cabellut was born in the small town of Sariñena, in Huesca, in a family with serious dysfunctionalities. Abandoned by her parents, she was raised by her grandmother in the city of Barcelona. Las Ramblas, the Boquería market, the Port Vell and the Plaza Real, places full at the time of outsiders, artists and show business personalities but also tourists, were the setting for her childhood, marked by dyslexia and the need, at times, to beg. The death of her grandmother when she was only ten years old led to her placement in an orphanage, where, at the age of thirteen, she was adopted by an upper-class Catalan family. The paintings of Goya, Velázquez, Ribera and Rembrandt, discovered during visits to the Prado Museum, revealed her artistic vocation and, in 1978, the artist held her first exhibition, at the Masnou Town Hall. In 1982 she moved to Holland with her family, where she studied with a scholarship at the Gerrit Rietveld art academy until 1984. The painting of the great Dutch baroque masters was essential in the construction of her art, not so much in terms of style as in terms of technique. The artist works with oil on canvas as well as drawing on paper, sculpture, photography, visual poems and video art. Sometimes her works take on certain aspects of the Italian "buon fresco", or she adds a crackle effect to her oil paintings that produces a strong plastic, visual impact. His work abounds in portraits, where the strong influence of Rembrandt, Francis Bacon or Jackson Pollock can be seen, all of them characterised by the expressiveness of the line and the disfigurement of reality in an attempt to reflect the inner tearing of his models. Reflecting violence, sordidness and cruelty, which are sometimes hidden under a superficial layer of glamour, under an evanescent and ephemeral beauty, is one of his main objectives. Her work is grouped in collections or series, such as the one dedicated to Frida Kahlo or A Portrait of Human Knowledge (2012), where she effigies some of the most significant figures in the world of culture and science of the last 150 years, from Stravinsky to Marie Curie, Billy Holiday or Federico García Lorca. The artist has participated in numerous solo and group exhibitions in major cities such as New York, Dubai, Miami, Singapore, Hong Kong, London, Paris, Venice, Monaco and Seoul. She has received numerous awards and recognitions, such as the Gypsy Culture Award for Painting and Plastic Arts from the Institute of Gypsy Culture in 2011. She is also one of the most sought-after living artists on the current art market. In 2015, Artprice magazine ranked her 333rd on its list of 500 most sought-after contemporary artists, placing her only behind Miquel Barceló and Juan Muñoz as far as Spanish artists are concerned.
Los 2
2002 Royal Mint, Gold Proof Five Pounds (Crown), Golden Jubilee commemorative. 2002 Royal Mint, Gold Proof Five Pounds (Crown), weight 39.94g, diameter 38.61mm, struck in 22-carat gold, Golden Jubilee commemorative. Equestrian portrait of The Queen with the inscription 'ELIZABETH II DEI GRA REGINA FID DEF' around the circumference and 'AMOR POPULI PRAESIDIUM REG' within and the date '2002' below separated by the central element of the Royal Arms R. New portrait of The Queen with the denomination 'FIVE POUNDS', obverse and reverse designs by Ian Rank-Broadley, in original purple box of issue, L10.
Los 69
Queen Elizabeth II, Sovereign, 2002. Queen Elizabeth II, Sovereign, 2002, Crowned head r. obverse portrait by Ian Rank-Broadley, R. The Shield of Arms of Our United Kingdom of Great Britain and Northern Ireland within an open wreath of laurel and ensigned by Our Royal Crown and beneath the date of the year, reverse by Timothy Noad, struck in 22-carat gold, weight 8.0g, BU, sealed with certificate of authenticity.
Los 75
2008 London Mint Office, Tristan da Cunha, Trafalgar One Third Guinea, Uncirculated Gold coin. 2008 London Mint Office, Tristan da Cunha, Trafalgar One Third Guinea, Uncirculated Gold coin, with obverse portrait of Elizabeth II and reverse with a portrait of Admiral Lord Nelson to celebrate the 250th Anniversary of the birth of Admiral Lord Nelson, numbered 101/499, struck in 22-carat gold, weight 2.8g, diameter 17mm, in original case of issue with certificate.
Los 452
§ Sir Quentin Blake CBE, FCSD, FRSL, RDI (1932-) and Dr Peter Rowan Ask Doctor Pete, written by Dr Peter Rowan and illustrated by Quentin Blake, 8vo, first edition, Jonathan Cape, London, 1986the front free endpaper with two portrait illustrations drawn by Blake of himself and Doctor Pete and inscribed 'Written by Doctor Peter Rowan Who is also good at vaccinating people and Illustrated by Quentin Blake who is also good at getting vaccinated * 2022'Provenance:Gifted directly by Quentin Blake to the East Anglian Air Ambulance
Los 531
§ Ivan Peries (1921-1988) Half-length portrait of a womaninscribed and signed 'KurukÅ«lasuriya / Ivan Peries' (upper centre)oil on card laid to board73 x 60cmProvenance:Acquired directly from the artist during the 1980sThe surface is glossy and even with the paint layer appearing in good and stable condition overall. There is a slight bowing of the support in the lower right hand quadrant with a very fine crack to the paint layer (approx 8cm long) but with no loss of media. A light layer of dust across the surface, but overall in nice clean condition.
Los 311
Utagawa Kunisada, (Toyokuni III) (1786-1865) Portrait of an Actor, Woodblock print. 19th Century, frame size 51.5 x 40cm.From the estate of Edward Leslie Costigan.Edward Costigan was born in London in 1939. He and his whole family were evacuated to St. Just in West Cornwall, where he spent his early years.He was educated at the Humphrey Davy Grammar School in Penzance where he won a scholarship to study English Literature at Magdalen College, Oxford through the Violet Vaughan Morgan national competition. He became a Professor after his degree, and taught both in the UK and in Europe. He went on to teach for the British Council in Africa, Canada and Japan.His interests were in film, music and architecture, and he travelled widely. He learned Japanese and particularly enjoyed walking in the mountains of Japan.Upon his retirement he returned to Cornwall, setting up home in Sancreed, West Penwith, where he continued walking and cycling until becoming ill. He died at home in February 2022.
Los 12
Irish interest, an Edward VII silver cup in the form of the "Cup of Nestor", Chester 1907, makers George Nathan & Ridley Hayes, the tapering bowl flanked by two bird capped angular handles, inscribed to base "To Odysseus on his first birthday from his Father and Mother 23rd July 1908" 15cm high, 10.5ozOliver St John Gogarty (1878-1957) was a Dublin born surgeon, author and poet. In 1901 he made the acquaintance of James Joyce who later portrayed him as the irrepressible character Buck Milligan in Ulysses.He was a friend of Arthur Griffith and spoke at the founding meeting of Sinn Fein in 1905.In August 1906 he married Martha Duane and their first child was Oliver Duane Odysseus Gogarty, born on the 23rd July 1907.Gogarty's Sinn Fein sympathies remained and in 1919 he took the Sinn Fein headquarters files into his house, when the party was banned, and sheltered men on the run.Between 1922 and 1936 he was an active member of the Free State senate.He was also friends with W.B. YeatsOliver Duane Odysseus Gogarty was brought up amid his father's artistic associates.His portrait was painted in 1913 by Sir William Orpen (see Sotheby's the Irish Sale 7th May 2009, lot 28), a family friend, and on his first visit to the cinema he was accompanied by Augustus John.He became a barrister and was a staunch supporter of Fine Gael.He died in 1999.
Los 104
Jacques Callot (1592 – 1635) The Crucifixion of Christ, copper plate engraving, plate 7.5cm x 6cm; together with Georg Jahn (1869 – 1941) Portrait of a woman in old Silesian national costume, original etching, circa 1900, image 28.5cm x 22.5cm; and Ethel Gabain (1883 - 1950) The Recluse, signed & titled in pencil, lithograph, proof edition of 12, image 37cm x 25.5cmQty: 3The collection of Joan Elizabeth Mary Streeter. Jahn purchased Elizabeth Harvey - Lee, November 2002. Gabain purchased Craddock & Barnard, December 1979.Gabain printed on thin brown paper, some paper discolouring showing signs of previous mounting, good wide border. Some whiter spots to the border and tears to the corners. Professionally repaired tear to the bottom of the border. Now mounted in a card folio with acetate front (not framed)Jacques Callot mounted on card (not framed), Georg Jahn mounted in a card folio with a loose acetate front (not framed)
Los 172
Sir Anthony van Dyck (1599 - 1641) portrait of Pieter Brueghel the younger, original etching, circa 1628/32, fifth state, plate 24cm x 15.5cm and a portrait of Ioannes Van Milder, original etching, overall 24.5cm x 17cm and Arthur William Heintzelman (1890 – 1965) Pensee de Beethoven, circa 1929, etching, signed proof, edition of 75, image 25cm x 20cmQty: 3The collection of Joan Elizabeth Mary Streeter. Pieter Breughel and Beethoven purchased from Craddock & Barnard, April 1970 & September 1985 respectively.Van Milder - some water damage and repairs. Breughel with some discoloration to the paper and a small tear to the top left corner.
Los 176
James Jacques Joseph Tissot (1836 – 1902), Mavourneen (known as Portrait of Kathleen Newton), original drypoint etching, monogrammed and dated within the plate 1877, early proof with artist stamp, plate 37.5cm x 20cm The collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, June 1974.Paper discoloured, otherwise no further obvious faults visible.
Los 466
A pair of signed photographs of HM Queen Elizabeth II and HRH Prince Philip, The Duke of Edinburgh, with black and white portrait photographs by Anthony Buckley, in the State Rooms, Buckingham Palace, signed to the mounts in ink, 'Elizabeth R 1973' and 'Philip 1973', the arched Morocco leather easel frames with gilt-blocked with ER II and Crowned monogram, the frames each 32 cm x 22 cm. 'Anthony Buckley Photograph' printed verso to both, numbered 5170-10 and 5170-3Qty: 2Given to the vendor's father, the Chilean Ambassador to London, in 1973.Good overall condition, with some foxing to the photograph mounts. Protected under glass, so the photos themselves are good. Both frames are missing their easel stands.
Los 51
James Green (1771-1834), Portrait of four children under a garden pergola, purported to be Lucy Maria, Anne Elizabeth, Dorthea Banker and Alexander Francis Lind, signed and dated 1830, watercolour and pencil, 60 cm x 47 cm in a gilt frame.Bearne's 2nd March 2004 saleAppears overall to be in good condition. Some very slight paper damage to the skirt of the girl on the far left. Framed and glazed, has not been removed from the frame for inspection.
Los 170
Louis William Desanges (1822-1887) Portrait of a lady half length nursing a baby and seated in an interior and the companion picture of of a gentleman seated in an interior holding a leather bound book, signed and dated 1868, a pair, oval, oil on canvas, 107cm x 84cmProvenance:The content of Wartnaby Castle in Melton Mowbray, Leicestershire, the property is mentioned Nicholas Pevsner's The Building of England and noted as a substantial house in the Little Belvoir Estate built in 1839 and enlarged in the mid 19th century.
Los 179
Madeleine Coll (Lemaire) (1845-1928)Portrait of a lady wearing a blue dress standing in an interior holding a small bunch of roses, signed lower left, oil on canvas, 33cm x 22cm*Madeleine Lemaire was taught first by her aunt. She was a pupil in Paris of the artists Madame Herbelin and Charles Chaplin. Lemaire was a painter in watercolour and oils of still lives with flowers, especially roses, genre scenes and portraits. She exhibited at the Paris salon and the Societe des Aquarellistes from 1879. Lemaire illustrated many books notably those of Marcel ProustShe was a great Belle-Epoque period hostess and entertained amongst others Dumas fils, Anatole France etcLemaire enjoyed enormous success during her lifetime as a painter-so much so that she was known as the Empress of Roses
![Robert Walpole, mezzotint portrait [engraved by John Simon after Sir Godfrey Kneller, c.1720], oval mounted, framed & gla](https://cdn.globalauctionplatform.com/1bfb2ba2-56a3-4f06-b64c-af2c015440e0/120bc624-bce3-4028-8a37-af35011ddf3c/468x382.jpg)
Los 4366
König Wilhelm I. - prunkvolle KPM-Portraittasse, um 1860 Weißes Porzellan, teils glasiert, vergoldet, farbige Miniaturmalerei. Im Boden die blaue Zeptermarke, die blaue Pfennigmarke sowie Reichsapfel mit "K.P.M." in Eisenrot. Hohe Glockenform mit auslaufendem Lippenrand auf abgesetztem Fuß. Schauseitig das fein gemalte Brustbildnis von Wilhelm I. in Uniform mit Ordensschmuck und der Schärpe des Hohen Ordens vom Schwarzen Adler. Seitlich rechteckige Felder mit figürlichen Reliefs in Biskuitporzellan (Herkules mit dem Löwen, Europa mit dem Stier). Vollplastischer, figürlicher Biskuithenkel mit sitzendem Genius als Schildhalter des Hohenzollernwappens (seitlich etwas berieben). Leichte Gebrauchs- und Altersspuren, Vergoldung partiell leicht berieben, Biskuitoberflächen reinigungsbedürftig. Höhe 12 cm. Äußerst repräsentativ. King Wilhelm I - a magnificent KPM portrait cup, circa 1860 Weißes Porzellan, teils glasiert, vergoldet, farbige Miniaturmalerei. Im Boden die blaue Zeptermarke, die blaue Pfennigmarke sowie Reichsapfel mit "K.P.M." in Eisenrot. Hohe Glockenform mit auslaufendem Lippenrand auf abgesetztem Fuß. Schauseitig das fein gemalte Brustbildnis von Wilhelm I. in Uniform mit Ordensschmuck und der Schärpe des Hohen Ordens vom Schwarzen Adler. Seitlich rechteckige Felder mit figürlichen Reliefs in Biskuitporzellan (Herkules mit dem Löwen, Europa mit dem Stier). Vollplastischer, figürlicher Biskuithenkel mit sitzendem Genius als Schildhalter des Hohenzollernwappens (seitlich etwas berieben). Leichte Gebrauchs- und Altersspuren, Vergoldung partiell leicht berieben, Biskuitoberflächen reinigungsbedürftig. Höhe 12 cm. Äußerst repräsentativ.
Los 4363
König Friedrich Wilhelm IV. - prunkvolle Portraittasse als Prinz, um 1820 Weißes, glasiertes Porzellan, reich vergoldet, ungemarkt. Glockenförmige Tasse mit elegantem hochgezogenen Henkel mit palmettenförmigem Ansatz, schauseitig in feiner Miniaturmalerei das schwarz-weiße Brustbildnis des Prinzen in Uniform mit angelegtem Ordensschmuck. Dazu die hohe Untertasse. Höhe der Tasse 9,5 cm, Durchmesser der Untertasse 13,5 cm. Vergoldung stellenweise berieben, Gebrauchs- und Altersspuren. Sehr repräsentative, frühe Tasse. King Friedrich Wilhelm IV - a magnificent portrait cup as a prince, circa 1820 Weißes, glasiertes Porzellan, reich vergoldet, ungemarkt. Glockenförmige Tasse mit elegantem hochgezogenen Henkel mit palmettenförmigem Ansatz, schauseitig in feiner Miniaturmalerei das schwarz-weiße Brustbildnis des Prinzen in Uniform mit angelegtem Ordensschmuck. Dazu die hohe Untertasse. Höhe der Tasse 9,5 cm, Durchmesser der Untertasse 13,5 cm. Vergoldung stellenweise berieben, Gebrauchs- und Altersspuren. Sehr repräsentative, frühe Tasse.
Los 4355
König Friedrich II. von Preußen - Portraitbüste nach Johann Gottfried Schadow, um 1900 Graugrün patiniertes Kupfergalvano, unsigniert. Lebensnahe Büste des "Alten Fritz" mit federgeschmücktem Dreispitz und Hermelinmantel. Auf kreisrundem, profiliertem Sockel aus schwarz lackiertem Holz (etwas bestoßen). Partiell leicht beschädigt, Altersspuren. Gesamthöhe 47 cm. Detaillierte, fast lebensgroße Figur mit atmosphärischer Wirkung, geschaffen von einem der bedeutendsten Bildhauer des deutschen Klassizismus. King Friedrich II of Prussia - a portrait bust after Johann Gottfried Schadow, circa 1900 Graugrün patiniertes Kupfergalvano, unsigniert. Lebensnahe Büste des "Alten Fritz" mit federgeschmücktem Dreispitz und Hermelinmantel. Auf kreisrundem, profiliertem Sockel aus schwarz lackiertem Holz (etwas bestoßen). Partiell leicht beschädigt, Altersspuren. Gesamthöhe 47 cm. Detaillierte, fast lebensgroße Figur mit atmosphärischer Wirkung, geschaffen von einem der bedeutendsten Bildhauer des deutschen Klassizismus.
Los 4486
Otto Fürst von Bismarck (1815 - 1898) - große Portraitbüste Ausdrucksstarke Bildnisbüste des Kanzlers mit Hut und Mantel. Bronziertes Kupfergalvano, rückseitig signiert "Harro Magnussen, Berlin 1894". Auf getrepptem Steinsockel. Partiell berieben, Gebrauchs- und Altersspuren. Gesamthöhe 50 cm. Sehr repräsentativ und schön erhalten.Magnussen (1861 - 1908) war Ende des 19. Jhdts. als erfolgreicher Bildhauer mit zahlreichen Aufträgen für Denkmäler betraut, er schuf das Bismarckstandbild in Kiel sowie mehrere bekannte Bildnisbüsten und Statuetten Bismarcks, die als besonders gelungen galten. Kaiser Wilhelm II. beauftragte ihn mit verschiedenen Arbeiten. Vgl. Thieme-Becker XXIII, S. 565; Bismarck-Museum in Jever. Otto Fürst von Bismarck (1815 - 1898) - a large portrait bust Ausdrucksstarke Bildnisbüste des Kanzlers mit Hut und Mantel. Bronziertes Kupfergalvano, rückseitig signiert "Harro Magnussen, Berlin 1894". Auf getrepptem Steinsockel. Partiell berieben, Gebrauchs- und Altersspuren. Gesamthöhe 50 cm. Sehr repräsentativ und schön erhalten.Magnussen (1861 - 1908) war Ende des 19. Jhdts. als erfolgreicher Bildhauer mit zahlreichen Aufträgen für Denkmäler betraut, er schuf das Bismarckstandbild in Kiel sowie mehrere bekannte Bildnisbüsten und Statuetten Bismarcks, die als besonders gelungen galten. Kaiser Wilhelm II. beauftragte ihn mit verschiedenen Arbeiten. Vgl. Thieme-Becker XXIII, S. 565; Bismarck-Museum in Jever.
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283284 Los(e)/Seite