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283284 Los(e)/Seite
Los 74
Sir Hugh Casson (United Kingdom, 1910 - 1999) "Albert Memorial". Watercolor. This painting was originally published on the Fleetwood First Day Cover for the Westminster Collector's Society Great Britian 12p Albert Memorial stamp issued May 7, 1980. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Princess Victoria became heir presumptive to the British throne when she was only eleven years old. Just seven years later, in 1837, the shy princess was crowned Queen. When coronation ceremonies concluded, advisers encouraged the eighteen-year-old queen to marry. Two years later, her cousin, Prince Albert of Saxe-Coburg, visited London and the young queen fell deeply in love with him. Victoria and Albert were married in 1840. The handsome prince became the center of Queen Victoria's life and, with their nine children, the royal couple led a full and happy life. But, in 1861, Prince Albert died of typhoid fever. The queen was inconsolable. Heartbroken, she withdrew from her court and family. Gradually, Queen Victoria returned to her duties but, each year, on the anniversary of Albert's death, her grief returned. Queen Victoria vowed that the nation would never forget her beloved Albert. To accomplish this she built the Albert Memorial in Kensington Gardens. Sir George Gilbert Scott designed the memorial which represents the essence of High Victorian taste. To this day, the statue of Prince Albert of Saxe-Coburg sits under a richly ornamented Gothic canopy. The Prince is clutching the catalogue of the Great Exhibition of 1851 which he helped engineer. One hundred sixty-nine portrait sculptures march around the podium, allegorical figures crown the arches and bronze statues adorn the spire. Overall Size: 17 x 19 in. Unframed. (B06025)
Los 135
Paul Calle (1928 - 2010) and Chris Calle (B. 1961) "Acoma Indian Portrait". Signed lower right. Mixed Media on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Image Size: 14 x 12 in. Overall Size: 23 x 20 in. Unframed. (B17306 / B17307)
Los 286
Nicholas Cudworth (B. 1947) "Sports #3". Signed lower right. Mixed media on board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Nick was born in Derby and achieved a BA Hons. at Chelsea School of Art. He has been a practicing artist for over 35 years. Nick also enjoyed an early career in music as a piano player with the band Siren and recorded several blues/rock and roll albums in the 1960?s on John Peel?s label. His successful reputation as an artist has been gained by having exhibited in group and one man shows in galleries throughout the world including London, Milan, Winnipeg and New York. He joined The Portal Gallery in Piccadilly in 1997 where he has since had several successful one man shows. Nick was commissioned by The Royal Mail to design a set of stamps for the Commonwealth Games which were on show at The Post Office Museum in Bath. In 1999 The National Portrait Gallery in London purchased a painting of film director Ken Loach for their permanent exhibition. Overall Size: 16.25 x 22 in. Unframed. (B10117)
Los 198
Bryan Kneale (British, B. 1930) "Dinosaur - Iguanodon" Colored Pencil on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This artwork was originally published on the Fleetwood First Day Cover for the Great Britain Owen's Dinosauria 1841 22p Iguanodon stamp issued August 20, 1991. Unearthed Iguanodon fossils drew a provocative portrait of a large biped, duck-billed dinosaur measuring more than twelve feet in height and thirty feed in length. Possessing muscular hind limbs and short forelegs complete with hands, the Iguanodon earned it moniker from its peculiarly serrated teeth -- similar in form and function to iguana teeth. The creature's stout build and sharp teeth belied its placid nature and vegetarian diet. Scientists have discovered mass repositories of Iguanodon fossils, suggesting that they traveled in herds or lived in family groups. Some paleontologists have also hypothesized that this species was partially aquatic and sought refuge in lakes or streams when frightened or threatened. Image Size: 19.75 x 21.75 in. Overall Size: 30.25 x 23.75 in. Unframed. (B13212)
Los 752
* SARAH ASPINALL (BRITISH b 1965), SOUND MAN AT ASCOT oil on canvas, signed and dated 1996 55cm x 70cm Framed. Note: Sarah Aspinall is a respected equestrian portrait artist who usually works to commission but also exhibits at The Osborne Studio Gallery (London). "Sound Man" won the Tingle Creek Chase at Sandown (a Grade 1 National Hunt Steeplechase) in 1995 and 1996. He was trained by Edward O'Grady in Ireland for owner David Lloyd and ridden for both wins by Richard Dunwoody.
Los 750
* SARAH ASPINALL (BRITISH b 1965), SOUND MAN AND VIKING FLAGSHIP, CHELTENHAM oil on canvas, signed and dated 1996 52cm x 70cm Framed. Note: Sarah Aspinall is a respected equestrian portrait artist who usually works to commission but also exhibits at The Osborne Studio Gallery (London). "Sound Man" won the Tingle Creek Chase at Sandown (a Grade 1 National Hunt Steeplechase) in 1995 and 1996. He was trained by Edward O'Grady in Ireland for owner David Lloyd and ridden for both wins by Richard Dunwoody.
Los 36B
After Laurence Stephen Lowry RBA, RA (1887-1976) ''Self Portrait'', ''The Artist's Mother''; ''The Artist's Father'' Each signed, a colour reproduction, framed as a triptich and issued with a bronze profile commemorating the artist's 88th birthday, from an edition of 300, 106cm by 52cm & 20cm by 22cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Los 191
Philip Naviasky (1894-1983) Head and shoulders portrait of a lady wearing a red patterned scarf Oil on board, 59.5cm by 49.5cm Provenance: Private Collection North Yorkshire This work has been authenticated by the artist's wife Millie Naviasky, see label verso Born in Leeds to Polish-Jewish immigrant parents, Philip Naviasky was a prodigiously talented youth and after attending Leeds School of Art was admitted to the Royal Academy Schools aged just eighteen (allegedly the youngest ever entrant). After winning a Royal Exhibition Award he studied at the Royal College of Art before returning to his childhood home and teaching at the Leeds College of Art. Naviasky's work is gradually attracting the attention his talent deserves and the increasing prices achieved for his portraiture reflect that. Owing to him living and working in Leeds, and eschewing the bright lights of London, Naviasky's discovery by the art market has been gradual, but his bold brush strokes, striking colours and ability to capture a likeness are beginning to develop a dedicated following. Although we do not know the sitter, it has been suggested that she may have moved in the same North Leeds artistic milieu as Naviasky. Her cool detached expression and effortlessly chic appearance only add to the mystery of this unknown femme fatale. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration
Los 189
Herbert William Palliser (1883-1963) Portrait bust of John Harold Wood Signed, bronze, 37cm high John Harold Wood was awarded a gold medal for his rockery at the first Chelsea Flower Show in 2013 Sold together with an image of the garden and an article depicting HM the Queen at the first Chelsea Flower Show Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 1086
DAVID COWAN DOBSON (1894-1980), PORTRAIT OF A LADY WEARING A LONG PEARL NECKLACE, signed lower right, oil on canvas. 132cm by 76.5cmNote: David Cowan Dobson (1894–1980) was a leading Scottish portrait artist of his day. Dobson was born in Bradford, Yorkshire, the second son of the Scottish portrait painter Henry John Dobson (1858–1928). Dobson started his career in Scotland. He was educated at George Watson's College in Edinburgh and studied art in Edinburgh, London and Paris. In 1918 he was using his father's studio at Dalry. Around 1920 he moved to London and from then on he worked and resided mainly in London. Occasionally, he would work in and around Glasgow. He is said to have rented Kenmure Castle, in New Galloway, Kirkcudbrightshire, in the 1930s and 1940s to entertain and paint fashionable sitters.
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283284 Los(e)/Seite