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283284 Los(e)/Seite
![[WWI / FRANCE] WEISS (R.) La Croix de Guerre de la Ville de Paris, 4to, portrait plates, map, text illus., full vellum gilt b](https://cdn.globalauctionplatform.com/0e124d24-b5c4-4a1c-81d3-ad7500edc648/84da760e-8c30-44d6-b351-ad7500f07050/468x382.jpg)
Los 423
Kasabian memorabilia to include: Kasabian - Re-Wired (Columbia ‎– PARADISE74) signed to front of sleeve by all four band members, purchased from the band website. Also a folded 'Empire' poster (10 x 15") signed by the band, a portrait poster (24 x 8") signed by the band - both items again purchased from the band website. Alos a branded pack of playing cards.
Los 906
A Staffordshire earthenware portrait figure of JEMMY WOOD, mid 19th c, 19cm h, a pair of contemporary Staffordshire figures of Tan O'Shanter and Souter Johnny, a Staffordshire flatback of Stanfield Hall, a pair of spaniels and three other figures, all late 19th c Jemmy Wood - wear to inscription. The other items generally good condition save for restoration to Souter Johnny's hat
Los 1261
A French giltmetal and Sevres style porcelain inset mantel clock, late 19th c, in Louis XVI style, the breakarched case surmounted by an oval portrait of a lady of fashion and crested by lovebirds, the enamel dial painted with flowers within the royal blue and gilt chapter ring, bell striking movement, 49cm h Lacks pendulum, parts slightly loose in places, gilding original but dirty, porcelain undamaged and all present
Los 1340
William Eddowes Turner (1836-1904) - Portrait of the Stallion "Monarch" in a Loose Box, signed and inscribed with the owner's initials J F on a blanket, with inscription on fragmentary label on the stretcher, oil on canvas, 29 x 44.5cm Lined, medium thin in passages, faint impression of an old tear just showing through above horses rump, varnish yellowed and requires cleaning, in modern gilt cavetto frame
Los 1341
William Eddowes Turner (1836-1904) - Portrait of the Stallion "Beverley" in a Loose Box, signed, dated 1889 and inscribed on a blanket with the owner's initials J R, signed and inscribed again with the title and artist's address 89 Bluebell Hill Nottingham on the artist's label verso, oil on artist's board, 29.5 x 44cm In good preservation save for streaky varnish that has yellowed and requires cleaning, in 20th c gilt frame
Los 1348
English School, 19th c - Portrait of a Young Woman Reading by Candlelight, oil on canvas, 38.5 x 28.5cm Provenance: According to an old handwritten label verso, the sitter is Dorothia Bosville (b.1765) of Ravenfield Park, Yorkshire. She married in November 1784 James Milward (b.1763) of Clifton, Conisborough, South Yorkshire Reduced in size, several scratches, unlined, varnish dirty, probably a copy of an earlier portrait, perhaps a drawing
Los 1369
English School, 19th c - Portrait of a Young Woman, half length in a white dress wearing flowers in her hair, oil on canvas, 49 x 39cm Unlined, general light paint shrinkage / craqueleur, possibly lightly cleaned and now requiring a clean and conservation, not holed or torn, medium not flaking, in what is likely to be the original ornate Victorian gilt frame that has been gold painted
Los 1378
English naïve artist, early 19th c ? Portrait of a Gentleman, small, full length holding a cane; Portrait of a Portly Man, seated, full length on a mahogany chair, two, watercolour, 31 x 23cm and two late Victorian watercolours, Seascape and Stonebridge (4) Portraits ? one soiled and rather grubby with numerous spots of light foxing, the other larger work similarly spotted and scratched, this wanting the glass. The two other works in better condition, the frames flaking
Los 1016
A German porcelain portrait medallion of Alexander von Humboldt, late 19th c, printed and painted, 65mm diam, contemporary Austrian maple frame, another of a lady, framed to match, three contemporary porcelain medallions, printed and painted with humorous figures and an early 19th c Continental portrait miniature of a man in a blue coat, brass buttons and white stock (6) The porcelain plaques in good condition if somewhat dirty, the ivory of the portrait miniature cracked
Los 1030
Two tapered cylindrical horn beakers with silver plated rims, 10cm h, a pair of French opera glasses, black japanned with black chequered barrels, another pair with giltmetal and ivory barrels, a magnifying glass, 19th c head and shoulder oval portrait of a woman wearing lace trimmed bonnet and blue coat, 5 x 4cm, the reverse with further head and shoulder portrait miniature of a woman wearing ornate ribbon tied dress and hair ornament, 4.5 x 3.5cm, a steel screw driver with brass plugged mahogany handle, a George VI nickel plated pen knife inset farthing, an ebony faced steel pen knife, a national security number 222 fountain pen, badges to include Nottingham Imperial Union Grand Lodge Star, Nottingham Imperial Union of Oddfellows Grand Lodge Medal and ribbon, a Victorian presentation badge to John Cutler by the Officers and Members of the Mansfield PC, June 10th 1867, two other badges and an Elizabeth II 2002 golden jubilee 50p, encapsulated, a novelty cotton reel box carved as a moustached gentleman with turned boxwood screw base Items showing wear, some losses and faults
Los 370
Charles Frederick Goldie ( 1870-1947) New Zealand Watercolour sketch Portrait of Maori Chieftain Wiremu Patara Te Tuhi, Of Ngati Mahuta, ? A Hot Day ? Patara (77) is dressed in European clothing , with traditional Ta Moko to face, wearing a pendant green stone ( Kahurangi) in one ear and is caught sleeping Signed upper right and partially dated 13 3/4 x 10 1/2 in ( 34.9 x 26.7 cm) aperture This was given by the artist to a close personal friend and hence by descent etc. It is known that the final oil is in the Christchurch Art Gallery , New Zealand presented by the Canterbury Society of Arts. The sitter ?Patara, The Scribe? as written about in the Christchurch STAR, issue 7331, 18 February 1902, page 4, titled ??Cannibal and Editor. The Life-Story of a Notable Maori Chief, The Raising of the King?.? N.B. Te Tuhi was born in Waikato. He belonged to Ngati Mahuta. His father was Paratene Te Maioha, a cousin of Potatau Te Wherowhero, the first Maori King. Te Tuhi was a second cousin of Tawhiao, Te Wherowhero's successor, and served him as editor, warrior, secretary and adviser The Ng?ti Mahuta chief P?tara Te Tuhi (c. 1824?1910) was a key leader in the K?ngitanga, the M?ori King movement which aimed to unify M?ori under a single sovereign. He was a newspaper publisher and secretary to his cousin King T?whiao, travelling with him to England in 1884 to seek recognition from Queen Victoria of the 1840 Treaty of Waitangi signed on her behalf. P?tara Te Tuhi first met Charles Goldie in 1901 and became a favourite, regular model. He also became increasingly well- known throughout New Zealand through the widespread reproduction of his painted and photographic portraits. Goldie attended P?tara Te Tuhi?s tangi in 1910, where two reproductions of this portrait were prominently displayed.
Los 371
After Charles Frederick Goldie (1870-1947) New Zealand Coloured oval tondo Chromolithograph?A Good Joke (? Allee Same Te Pakeha ?)? Portrait of a Maori Titled under and bears facsimilie signature etc ? CF Goldie Auckland NZ 1905? upper rightThe whole 20 1/2 in ( 52.1 cm) x 16 in ( 40.6 cm)Possibly the most well known Maori portrait by Goldie. A portrait of the laughing Te Aho-te-Rangi Whaepu of Ngati Mahuta wearing a bowler hat and a European style suit.( with non-reflective/non-glare glass)
Los 70
Piero Sansalvadore (1892-1955)Lithograph Portrait of ?Malcolm C Salamam?Signed, dated ?1932? titled underAperture 8 1/4 x 10 1/4 in. (20.9 x 26 cm)Sansalvadore was based at Studio No.1, 77 Bedford Gardens, London W8, for many years, and travelled frequently to paint scenes all over England, Wales and Scotland. During these painting expeditions he would correspond, sometimes daily, with Helen Cathcart, describing locations, techniques, and his experiences along the way. This extensive collection of his letters and ephemera is accompanied by many of his exhibition catalogues, and press cuttings. Helen Weir Cathcart (1897-1988) of 11 Upper Wimpole Street, London, W1, was a close friend and confidante of Piero Sansalvadore. They met soon after he came from Italy to settle in London in 1930, and their friendship lasted until his death in Italy in 1955. She was the only daughter of Alexander Hunter Cathcart (1858-1934) and his first wife Gladys R.E. Wilding (1869-1938), and niece of Alexander?s younger brother Dr. George Clark Cathcart (1860-1951), who instigated and financed the Henry Wood Promenade Concerts (later known as the ?Proms? at The Royal Albert Hall ). All resided for many years at 11, Upper Wimpole Street. Alexander was the third son of James Walker Cathcart (1820-1881) of Edinburgh, a prominent wine merchant in Leith, Midlothian. Here he ran the London branch of his family firm, James Cathcart & Co at 41, Pall Mall. Provenance In 1957 Miss Cathcart attended the auction of Sansalvadore?s Studio Collection, archive of correspondence and exhibition ephemera at Puttick and Simpson?s, London, where she bought a carefully selected tranche of multiple lots that reflected her intimate knowledge of his favourite and earlier works. Previously, in 1938, she had purchased two paintings from his third exhibition at the Fine Art Society ( items 3 and 23); and she also owned several paintings he gifted to her during their long friendship. Following her decease in 1988, her Estate was administered by the Social Services? Legal Department of London Borough of Camden, their Clearance Contractors in Highbury handled the work; this collection was acquired by the vendor, and has been retained intact until now.
Los 623
A selection of books relating to railways, including: Highland Railway Album 2, by Anthony J. Lambert; The Country Railway, by David St. John Thomas; Highland Railway Album, by Anthony J. Lambert; Rescued from Barry, by Alan Warren; The Highland Railway, by O.S. Nock; Portrait of Steam, by Eric Treacy; and others.
Los 19
AN EARLY 20TH CENTURY 9CT GOLD PORTRAIT BROOCH, the circular double sided photo pendant, with painted photo on one side and vacant panel the other side, the pendant suspended from a bow brooch, 9ct hallmark for Chester, length 77mm, approximate gross weight 10 grams (condition report: one bottom section of bow brooch has broken off, green tarnishing to bow brooch, moderate surface scratches throughout)
Los 321
JOHN SWANNELL (BRITISH 1946) 'DASHA IN CUMBRIA SERIES No.2', an artist proof print photographic portrait of a nude female figure 1/5, signed to lower margin with blindstamp, approximate sizes: image 90cm x 71cm, frame 128cm x 107cm (condition: visible creases to the print, small marks to corner edges of the frame) (ARR)
Los 490
ROLF HARRIS (AUSTRALIA 1930) 'SELF PORTRAIT IN STRIPED SHIRT' a limited edition print 671/695, signed to lower margin with certificate, approximate size 45cm x 33cm, framed and glazed, together with a John Reaney print of a bird hunting for prey over a marsh, approximate size 35cm x 47cm (2) (Condition:- small dent to the Reaney frame)
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283284 Los(e)/Seite