283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 254
Humphrey Bogart (1899-1957) – A framed black and white photograph signed by Humphrey Bogart in black ink “Humphrey Bogart”. Black and white portrait photograph of a young Bogart in a ‘gangster style trilby’ hat. Provenance; comes with original Fraser’s Certificate of Authenticity. 13cm x 16cm.
Los 258
Basil Rathbone (1892-1967) – A framed black and white photograph signed by Basil Rathbone in black ink “Basil Rathbone”. Black and white portrait photograph of Rathbone with slicked back hair. Provenance, was supposedly originally purchased from Christies, framing label for 1996. 7cm x 11cm.
Los 2039
§ Harry Aaron Kernoff (Irish, 1900-1974), portrait of Madam Barnard Cogley (1966), oil on board, signed top right, 19 x 14cm, framed and glazed.Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.
Los 224
A shell cameo depicting a bust profile portrait of a classical female figure; in a 9 carat gold mount with ropetwist border; together with a pair of oval foliate engraved clip on earrings, converted from a pair of cufflinks, a single stone amethyst dress ring; a ruby and diamond half hoop eternity ring in 9 carat gold mount; a graduated row of cultured pearls to a marcasite clasp; a French Art Deco silver and paste jabot pin, a silver ingot pendant on chain; a silver and marc sire bird brooch and one a carved glass and enamel brooch. Gross weight weighable 9.63 grams. (9)
Los 2059
Nineteenth-century British School, circular portrait of a girl holding a bouquet of flowers, oil on canvas, 38.5 x 38.5cm, framed.Condition Report: Some condition issues, including craquelure throughout, as well as some unevenness in certain areas indicating bitumen damage. A few small areas of loss. Picture surface generally stable. Clear wear and loss to the frame.
Los 125
Baxter. Print, unusual small colour portrait of the Duke with good Baxter stamps on the mount. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Los 91
Diana Rigg Avengers James Bond signed 10 x 8 b/w portrait photo. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Los 60
Dame Elisabeth Frink R.A. (British, 1930-1993)First Horse signed and editioned '/6 Frink' (on the back-left hoof)bronze with a brown patina56.3 cm. (22 1/8 in.) highConceived in 1990, this cast is number 1 from the edition of 6Footnotes:ProvenanceThe Artist, from whom acquired byEric and Wanda Newby, 1991, thence by family descent to the present ownerPrivate Collection, U.K.ExhibitedDorchester, Dorset County Museum, Elisabeth Frink: Man and the Animal World, 28 June-23 August 1997, cat.no.85 (another cast)LiteratureEdward Lucie-Smith, Elisabeth Frink: Sculpture since 1984 and Drawings, Art Books International, London, 1994, p.190, cat.no.SC57 (ill.b&w, another cast)Annette Downing, Elisabeth Frink: Sculptures, Graphic Works, Textiles, Salisbury Festival and Wiltshire County Council, Salisbury, 1997, pp.42, 71, cat.no.SC57 (coll.ill., another cast)Annette Ratuszniak (ed.), Elisabeth Frink: Catalogue Raisonne of Sculpture 1947-93, Lund Humphries, Farnham, 2013, p.186, cat.no.FCR388 (col.ill., another cast)The horse is widely regarded as being Frink's most successful and commercial motif. Emerging during the late 1960s and conceived as both singular entities and with riders, they are largely the result of her time spent in the Camargue region of France, celebrated for its herds of semi-wild horses and rugged landscape. Frink's father had been a keen horseman during her childhood in rural Suffolk and the country life resonated with her, acting as a welcome distraction from the London art scene at the time.Upon returning to England in 1973 Frink continued to explore and develop the horse theme within her work over the following decades. As with the other animals she chose to sculpt and by her own admission, they are more concerned with representing her emotional response to, and spiritual identification with, the subject in question than with literal physical form. In view of this particularly subjective approach, Frink denied being an animal sculptor in the true sense of the notion, stating her principal interest to lie 'in the spirit of the animal' (Edward Lucie-Smith & Elisabeth Frink, Frink: A Portrait, London, Bloomsbury, 1994, p.123).At Woolland, there was always a small group of thoroughbreds in the stable yard, Frink's husband was an enthusiastic racing man who had hopes of winning an important event with a horse he had bred. These thoroughbreds were part of Frink's domestic surroundings, but they were not, except in a very general fashion, models for her work. The type of horse which attracted her aesthetically was the beast in its most primitive form. The horses of Camargue, whose resemblance to those in the cave paintings at Lascaux has often been remarked upon, made an indelible imprint on her imagination: she liked their stocky bodies, short necks and large heavy heads. Edward Lucie-Smith notes that it is a Camargue horse which is likely to have supplied the model for First Horse (Elisabeth Frink Sculpture since 1984 and Drawing, London, 1994, p.40).The former owner of the present work, Eric Newby, was an English travel writer famed for works such as A Short Walk in the Hindu Kush, A Small Place in Italy and Round Ireland in Low Gear. He also made travel films for the BBC and was awarded a CBE in 1994. Eric and Wanda formed a close friendship with Frink and the present work is accompanied by a letter from the artist to them dated 26 June 1991, confirming this cast is number 1 from the edition of 6.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 49
Sir William Nicholson (British, 1872-1949)Mrs Reginald McKenna and her sons, Michael and Davidoil on canvas 106.8 x 122 cm. (42 1/8 x 48 1/8 in.)Painted in 1927Footnotes:ProvenanceCommissioned by Reginald and Pamela McKenna, thence by family descent to the present ownerPrivate Collection, U.K.ExhibitedBelfast, City of Belfast Museum and Art Gallery, Loan Exhibition of Paintings and Prints by William Nicholson, January-February 1934, cat.no.5 (as On the Grass)LiteratureLillian Browse, William Nicholson, Rupert Hart-Davis, London, 1956, p.101, cat.no.434Patricia Reed, William Nicholson, Catalogue Raisonné of the Oil Paintings, Modern Art Press, London, 2011, p.449, cat.no.561 (col.ill.)Painted in the summer of 1927 at Mells Park House, Somerset, the present work is the first in a series of conversation pieces by William Nicholson that included Sidney and Beatrice Webb 1928 (London School of Economics) and The Ridley Family 1930 (Private Collection); the best known work features Winston Churchill and his wife Clementine in 1934 Breakfast at Chartwell (National Trust).Having moved to Sutton Veny in 1923 Nicholson was soon making frequent visits to Mells some 12 miles away. Initially to Lady Horner and her widowed daughter Katherine Asquith and family at the Manor House beside the church, and after 1925 also to Park House close by where her niece Pamela Jekyll (1889-1943) and husband Reginald McKenna (1863-1943) lived with their two sons, Michael (1910-1931) and David (1911-2003). In 1920 Nicholson had painted Pamela's aunt, Gertrude Jekyll (National Portrait Gallery) but the introduction came not from the celebrated garden designer but from their mutual friend, the architect Sir Edwin Lutyens who designed several houses, and memorials, for the families. From the meagre correspondence that survives it would seem that Pamela McKenna commissioned the painting, rather than her husband who was Chairman of the Midland Bank and formerly Chancellor of the Exchequer in Asquith's wartime coalition government. When a student at Trinity Hall, Cambridge, McKenna had been a notable rower and a member of the winning crew in the 1887 Oxford and Cambridge Boat Race. He was keen that his sons, who were now both at Eton, should follow in his footsteps. In the late 18th century the landscaping of Park House gardens included broadening the Mells Stream and creating two lakes separated by a weir that formed a waterfall with stepping stones above. They were part of the footpath from Lily Batch Lodge to Park House. By 1925 the upper lake with its Victorian boathouse was too congested with water weed to be suitable for rowing but McKenna had the lower lake excavated and a small island created near the weir from which a pair-oar could be launched and he could encourage the rowers. This island appears in the foreground of Nicholson's composition. Here Pamela McKenna is seated on a rug happily reading a book. Behind her and to the right is her younger son David who is in the green-and-white-painted dinghy which he had built himself and launched earlier that year. David later recalled that Nicholson had him continuously tacking in a circle so that he could capture the effect of the wind in the sails, though the wind wasn't always there. The waterfall forms the backdrop to the composition with a marked division between the smooth flow of the water on the right-hand side which is in shadow, while to the left the water cascades out in irregular bursts catching the sunlight with a silvery pool of smooth water beside the island. Michael is striding purposefully over the stepping stones in the direction of Park House carrying an oar on his shoulder. He is followed by a Shetland pony and the family dog, a golden retriever known as Briney. More than half of the canvas is a cloudscape, capturing the sunny-cloudy day with the playful breeze - possibly suggesting that oars are more reliable than sails.The finished work was hung in the library at Park House. The earlier 18th century house had been destroyed by fire in 1917 and Reginald McKenna had acquired a lease on condition that he rebuild the house, which he did to the designs of Sir Edwin Lutyens 1924-5. The interior design and decoration was by Sir Herbert Jekyll, Pamela's father. Unusually for Nicholson he executed three figure paintings preparatory to the finished work. Pamela McKenna had first refusal on these. She acquired the two of her sons but not the larger painting Mrs McKenna on the Grass, first exhibited in 1928 as Seaward Island (Reed 564). In this version she is seated on a smaller rug which she shares with the dog Briney. The work is more brightly lit than the other two (which are in Private Collections). While David McKenna in a Dinghy (Reed 563) is similar to the finished work, Michael McKenna in a Landscape (Reed 562) is more a study of the waterfall. Michael is standing on the right with his back to the viewer and is looking diagonally across to the waterfall. He is dressed in a jacket and knickerbockers, whereas in the finished work he appears to be wearing a white shirt, or jumper, and long shorts. One reason for these studies might have been that Nicholson just enjoyed being at Park House. He found Pamela, like her aunt Lady Horner, very sympathetic. Often he played tennis with Michael and David, another cousin making up a foursome, and while Nicholson did not share their love of music he was happy to take Michael to the National Gallery during the school holidays.This rapport is manifest in the double 'leaving portrait' of Michael and David that Nicholson executed in three or four sittings in December 1928. The boys had more than fulfilled their father's expectations – both becoming Captain of Boats and Head of School at Eton and gaining places at Trinity College, Cambridge, Michael with a scholarship. The portrait was presented in 1930 (Eton College). We are grateful to Patricia Reed for compiling this catalogue entry.This lot is accompanied by an illustrated letter from William Nicholson addressed to Mrs McKenna, which reads 'I'll expect Mike at 1.15 and will trot (if he still wishes it) along with him to the N.G. after lunch. I couldn't go in the morning as my Dentist claims me. Edie and I are just recovering from a painting injury. I have tennis elbow from holding my brush for 8 hours solid (I got to bed at 4.30. hoping that picture was better than it looked.)'For further information on this lot please visit Bonhams.com
Los 23
Laurence Stephen Lowry R.A. (British, 1887-1976)Portrait of a woman signed and dated 'L S Lowry 1917.' (lower centre)pencil37.5 x 33.6 cm. (14 3/4 x 13 1/4 in.) (sheet); 33.6 x 25 cm. (13 1/4 x 9 3/4 in.) (image)Footnotes:ProvenanceNed Owens, thence by family descent to the present ownerPrivate Collection, U.K.ExhibitedManchester, Manchester Art Gallery (catalogue untraced)Ned Owens, a fellow artist, knew Lowry personally and co-founded (along with his wife Margo Ingham) the Mid-Day Studios Gallery which was located opposite Manchester Art Gallery. The gallery made a considerable difference to local artists and in fact held Lowry's first solo show in Manchester in 1948, which was an important show of support for the artist who at the time was famously appreciated more outside of his home city than in it. Lowry even painted the Mid-Day Studios, and an oil painting of this subject (previously in Ned Owen's collection) is now in the Manchester Art Gallery. Ned Owens was a staff artist for the Manchester Guardian, and he and his first wife Margo Ingham are mentioned and pictured in Shelley Rohde's biography of Lowry (see Shelley Rohde, L. S. Lowry: A Biography, Lowry Press, Salford Quays, 1999, pp.338-341).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 1164
Goldene Jugendstil-Taschenuhr mit Damenporträt "Nicolet"Nomos-W. Co.-Swiss / Nomos-Uhr-Gesellschaft, Guido Müller & Co. Um 1906/10. Werknr. 15051, Gehäusenr. 34043.Gemarktes Schweizer Werk mit Ankerhemmung, Schraubenkompensationsunruh, gebläuter Breguet-Spirale, Steinen, Kronenaufzug, läuft nicht. "Nicolet" bezeichnetes, gekörnt vergoldetes Zifferblatt mit einer Damenfotografie, arabischen Zahlen, Minutenkranz, kleiner Sekunde und gebläuten Spade-Zeigern.14 kt gepunzt, Schweizer Beschauzeichen, Firmenmarke. Ø 4,5 cm. 57 g. Glattes, flaches Gehäuse mit rückseitigen, blau emaillierten Initialen "EAB" Leichte Alters- und Gebrauchsspuren, partiell kleine Defekte.In schwarzem Etui "Rich. Kröber, Uhrmacher Pirna". Golden Art Nouveau pocket watch with lady portrait "Nicolet"Nomos-W. Co.-Swiss / Nomos-Uhr-Gesellschaft, Guido Müller & Co. Around 1906/10. movement no. 15051, case no. 34043.Market Swiss movement with lever escapement, screw compensation balance, blued Breguet hairspring, jewels, crown winding, does not run. "Nicolet" marked grained gilt dial with a lady's photograph, Arabic numerals, minute crown, small seconds and blued Spade hands.14 kt hallmarked, Swiss hallmark, company mark. Ø 4,5 cm. 57 g.Smooth, flat case with blue enameled initials "EAB" Slight signs of age and wear, small defects in places.In black case "Rich. Kröber, watchmaker Pirna".*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1324
Biedermeier-DamenporträtKohlezeichnung mit Weißhöhung. Unsigniert.Blatt: 42,5 x 36,5 cm. Fein gezeichnetes Porträt im Profil einer jungen Dame mit Haube Blatt griff- und knickspurig, rechter Rand mit kleinem Riss. Biedermeier lady portraitCoal drawing with white heightening. Unsigned.Sheet: 42.5 x 36.5 cm.Fine drawn portrait in profile of a young lady with bonnet Sheet handle and crease, right margin with small tear.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1325
HOLTZMANN, Carl Friedrich(1740 Dresden - 1811 Dresden) Bildnis des Georg von WerthernKolorierter Kupferstich, Gouache. In der Platte signiert.Blatt: 27 x 20,5 cm. Ovales handgemaltes Bildnis des Grafen Georg von Werthern d. Ä. (1663 - 1721), auf Vorlage-Kupferstichmedaillon geklebt; verso handschriftlich "31", "Schloßprotokoll lfd. Nr. 461", "le Comte à Werthern Sen." Klebespuren.Provenienz : Fürsten Reuß j.L. HOLTZMANN, Carl Friedrich(1740 Dresden - 1811 Dresden) Picture of George of WerthernColored copperplate engraving, gouache. Signed in the plate.Sheet: 27 x 20.5 cm.Oval hand-painted portrait of Count George of Werthern the Elder (1663 - 1721), pasted on original copperplate medallion; on the verso handwritten "31", "Schloßprotokoll lfd. No. 461", "le Comte à Werthern Sen." Trace marks.Provenance : Princes Reuss j.L..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1326
HAMANN, Gustav Hermann(1868 Schwarzenberg/Sachsen - 1933 Weimar) Handsigniertes Bildnis des Dirigenten Arthur NickischLithografie. Künstlersignatur im Druck, Tintensignatur von Arthur Nikisch. Im Druck datiert "20/9. [19]20".Gerahmt & hinter Glas52,5 x 43 cm. Handunterzeichnetes Bildnis des ungarischen Dirigenten Arthur Nickisch (1855 - 1922), der, nachdem er unter anderem Chefdirigent des Boston Symphony Orchestra und Direktor der Königlichen Ungarischen Oper in Budapest war, 1895 zum Gewandhauskapellmeister in Leipzig berufen wurde Blatt knickspurig. HAMANN, Gustav Hermann(1868 Schwarzenberg/Saxony - 1933 Weimar) Hand-signed portrait of the conductor Arthur NickischLithograph. Artist's signature in print, ink signature of Arthur Nikisch. Dated in print "20/9. [19]20".Framed & behind glass52.5 x 43 cm. Hand-signed portrait of the Hungarian conductor Arthur Nickisch (1855 - 1922), who, after having been, among others, chief conductor of the Boston Symphony Orchestra and director of the Royal Hungarian Opera in Budapest, was appointed Gewandhauskapellmeister in Leipzig in 1895 Sheet creased.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
![VOGELER, Heinrich(1872 Bremen - 1942 Kolchos) "Die Lerche"Radierung auf Bütten. Im Druck monogrammiert. [1899].Platte: 15,](https://cdn.globalauctionplatform.com/8dc16d45-a509-4960-8b91-b00300f89be9/4a25fdb2-7f74-4c2e-9bcc-b01a002bd465/468x382.jpg)
Los 1344
VOGELER, Heinrich(1872 Bremen - 1942 Kolchos) "Die Lerche"Radierung auf Bütten. Im Druck monogrammiert. [1899].Platte: 15,7 x 15,7 cm. Gerahmt & hinter Glas45 x 39 cm. Jüngerer Abzug des 1899 entstandenen Selbtsbildnisses Deutscher Maler, Grafiker, Architekt, Designer, Pädagoge, Schriftsteller und Sozialist; gehörte zur ersten Generation der Künstlerkolonie Worpswede: "Was Heinrich Vogeler unter den anderen Künstlern des Jugendstils und des Symbolismus hervorhebt, ist die unbeschwerte Märchenhaftigkeit seiner Bilderwelt mit ihrer großen Fabulierkunst. Solchen Märchenbildern ist die Betonung einer Empfindungswelt gemeinsam, in der geheimnisvolle Vorgänge spielen." (Zitat: Hans H. Hofstätter in: Symbolismus und Jugendstil in Malerei und Grafik von Heinrich Vogeler, www.heinrich-vogeler.de).Literatur : Vgl. Heinrich Vogeler - Von Worpswede nach Moskau (1997), S. 144; WVZ Rief Nr. 24. VOGELER, Heinrich(1872 Bremen - 1942 Kolkhoz) "The Lark"Etching on laid paper. Monogrammed in print. [1899].Plate: 15.7 x 15.7 cm. Framed & behind glass45 x 39 cm.Younger print of the 1899 self-portrait German painter, graphic artist, architect, designer, educator, writer and socialist; belonged to the first generation of the artist colony Worpswede: "What Heinrich Vogeler stands out among the other artists of Art Nouveau and Symbolism, is the light-hearted fairy tale-like nature of his imagery with its great fabulierkunst. Such fairy tale pictures have in common the emphasis on a world of sensation in which mysterious processes take place." (Quote: Hans H. Hofstätter in: Symbolism and Art Nouveau in Painting and Graphic Art by Heinrich Vogeler, www.heinrich-vogeler.de).Literature : Cf. Heinrich Vogeler - From Worpswede to Moscow (1997), p. 144; WVZ Rief No. 24..*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1458
ESSER, Klaus "Who's drunk?"Offsetdruck auf Karton. Im Druck signiert. Blatt: 39 x 27 cm. Humorvolles Porträt eines Herren Stockfleckig, fleckig, Randbereich mit Bestoßungen. ESSER, Klaus "Who's drunk?"Offset print on cardboard. Signed in print. Sheet: 39 x 27 cm. Humorous portrait of a gentleman Stained, stained, marginal area with bumps. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1484
KRESSEL, Diether(1925 Düsseldorf - 2015 Hamburg) 3 mystisch-fantasievolle Werke3 Farbradierungen auf Bütten. Je mit Bleistiftsignatur.Blatt je: 33 x 25 cm. 2 Exemplare "Bildnis einer Dame", Exemplar: 79/100 und 84/100, Druckplatte: 23,6 x 17,7 cm, Blatt je: 33 x 27 cm aus der Serie "Das Stillschweigen der Rose" | Selbstbildnis, Exemplar: 76/100, [1983], Druckplatte: 23,7 x 17,6 cm, Blatt: 33 x 27 cm Deutscher Maler, Illustrator und Grafiker. "[...] Dafür erzählen seine Bilder Geschichten, die im Kopf des Betrachters entstehen. Es sind Erzählungen mit offenem Ausgang, in dem auch Alltägliches eine eigentümliche Magie entfaltet und mitunter subtile erotische Elemente auftauchen, die nie eindeutig, sondern vielmehr beiläufig sind, aber gerade deshalb Wirkung zeigen: elegante Damenschuhe etwa, oder auch ein herumliegender Slip" (Zitat aus Hamburger Abendblatt, 08.01.2015). KRESSEL, Diether(1925 Düsseldorf - 2015 Hamburg) 3 mystical-fantasy works3 color etchings on laid paper. Each with pencil signature.Sheet each: 33 x 25 cm.2 copies "Portrait of a Lady", copy: 79/100 and 84/100, printing plate: 23.6 x 17.7 cm, sheet each: 33 x 27 cm from the series "The Silence of the Rose" | Self-portrait, copy: 76/100, [1983], printing plate: 23.7 x 17.6 cm, sheet: 33 x 27 cm German painter, illustrator and graphic artist. "[...] For this, his pictures tell stories that arise in the mind of the viewer. They are open-ended narratives, in which even everyday things unfold a peculiar magic and sometimes subtle erotic elements emerge, which are never explicit, but rather incidental, but just therefore show effect: elegant women's shoes, for example, or even a slip lying around" (quote from Hamburger Abendblatt, 08.01.2015).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1678
Lebensgroße Bildnisbüste der "Sophie Reuss"Weißer Marmor, wohl Carrara. Auf der Sockelfront "Sophie S.E. AE. L. Reuss“ betitelt, auf der Standfläche Nr. "67". H 63 cm. 47,5 kg. Biedermeier-Bildnis der jungen Sophie Marie Therese Reuss ä.L., geborene Prinzessin von Löwenstein-Wergheim-Freudenberg (1809 Prag- 1838 Bubentsch), vermählt 1834 mit dem damaligen Erbprinzen und späteren Fürsten Heinrich XX. Reuss ä.L. (1794 Offenbach- 1859 Greiz). Nasenspitze fehlt, Alters-/Gebrauchsspuren.Provenienz : Fürst Heinrich XXII. und XXIV. Reuß ä.L. im Unteres Schloss Greiz (Nr. 690 im Inventarverzeichnis von 1918/19), Ida Prinzessin Reuß ä.L., vermält Fürstin zu Stolberg-Roßla (1891 - 1977) auf Schloß Roßla, 1945 Enteignung, 2023 Restitution (Ausgleichsleistungsgesetz).Shipping not available. Life-size portrait bust of "Sophie Reuss"White marble, probably Carrara. On the plinth front "Sophie S.E. AE. L. Reuss" titled, on the base no. "67". H 63 cm. 47,5 kg. Biedermeier portrait of the young Sophie Marie Therese Reuss ä.L., born Princess of Löwenstein-Wergheim-Freudenberg (1809 Prague- 1838 Bubentsch), married in 1834 to the then Hereditary Prince and later Prince Heinrich XX Reuss ä.L. (1794 Offenbach- 1859 Greiz). Nose tip missing, signs of age/use.Provenance : Prince Henry XXII and XXIV Reuss ä.L. in the Lower Castle Greiz (No. 690 in the inventory of 1918/19), Ida Princess Reuss ä.L., vermält Princess of Stolberg-Roßla (1891 - 1977) at Roßla Castle, 1945 expropriation, 2023 restitution (Ausgleichsleistungsgesetz).Shipping not available.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1680
Eisenguss-Büsten von Goethe und SchillerGusseisen bronzefarben gefasst, innen teils grün gefasst. H 14 cm. Einander leicht zugewandte Bildnisbüsten der Dichterfürsten Unauffällige Lockerung der Sockelnieten an den Brustbeinen. Iron cast busts of Goethe and SchillerCast iron bronze colored, inside partly green. H 14 cm. Easy facing portrait busts of the poet princes Unobtrusive loosening of the plinth rivets on the pectoral legs. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1681
Relief-Tondo mit dem Bildnis einer jungen Frau (Königin Luise von Preußen?)Am Büstenschnitt Nr. "1841", verso "Rg.-No. 1376" mit undeutlichem Monogramm.Zellan oder Marmalyth?. Ø 32 cm. Ein Marmor- oder Porzellan-Relief imitierendes Porträt der mit Weinlaub Bekränzten Relief tondo with the portrait of a young woman (Queen Luise of Prussia?)Am bust cut no. "1841", verso "Rg.-No. 1376" with indistinct monogram.Zellan or Marmalyth?. Ø 32 cm. A marble or porcelain relief imitating portrait of the wreathed with vine leaves .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 1915
Bestallungsurkunde mit Unterschrift von Kaiser Wilhelm II Bögen 33 x 42 cm, Briefumschlag 19 x 24 cm. Im erhaltenen Briefumschlag Bestallungsurkunde vom 17. 3 1906 für den Amtsrichter Kurt Zander in Schleusingen mit Ernennung zum Amtsgerichtsrat. Unterschrift manu propria von Kaiser Wilhelm II. mit Blindsiegel sowie Gegenzeichnung manu propria vom Justizminister Max von Beseler. Dazu Anschreiben vom Justizminister an den Amtsrichter mit undeutlicher Unterschrift im Auftrag. Beigelegt 2 Postkarten: Kriegspostkarte (Feldpostkarte) mit dem Bildnis Wilhelm II. (beschrieben und gelaufen 1915) und Foto-Postkarte "Unser Hindenburg", recto wohl Autograph mit Sinnspruch, Unterschrift und Datum 30.7.1917 Einige wenige Alters-/Gebrauchsspuren nur am Umschlag. Certificate of appointment signed by Kaiser Wilhelm II Sheets 33 x 42 cm, envelope 19 x 24 cm. In the preserved envelope certificate of appointment dated 17. 3 1906 for the district judge Kurt Zander in Schleusingen with appointment to the district court council. Signature manu propria of Emperor Wilhelm II with blind seal as well as countersignature manu propria of the Minister of Justice Max von Beseler. In addition, cover letter from the Minister of Justice to the district court judge with indistinct signature in the order. Enclosed 2 postcards: war postcard (field postcard) with the portrait of Wilhelm II (described and used 1915) and photo postcard "Our Hindenburg", recto probably autograph with motto, signature and date 30.7.1917 A few traces of age / use only on the envelope. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 2241
Mädchenbüste mit RoseUngemarkt. 1. H. 20. Jh. Heller Ton, dunkelgrün glasiert mit metallischem Schimmer. H 35 cm. 3,9 kg. Vollplastisches Hüftbildnis eines weiblichen Halbakts mit einer vor der Brust gehaltenen Rose Partiell Glasur bestoßen, am Stand ein feiner Brandriss. Girl bust with roseUnmarket. 1st h. 20th c. Hell clay, dark green glazed with metallic shimmer. H 35 cm. 3.9 kg. Fully sculpted hip portrait of a female semi-nude with a rose held in front of the breast Partially bumped glaze, at the stand a fine fire crack. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 2491
Kännchen mit AntikenporträtsFulda. Blaumarke, 1770-1788. Polychrom bemalt, goldstaffiert. H 10,5 cm. Birnkännchen mit drei Rocaillefüßen, Rocaillehenkel und -schneppe. Beidseitig ein lorbeerkranzgerahmtes Medaillon mit dem sepiagemalten Bildnis eines antiken Mannes, bezeichnet "Cicero" und "Hannibal", verso Blumenmalerei Schneppe, Mündungsrand und unterer Henkelansatz restauriert. Jug with antique portraitsFulda. Blue mark, 1770-1788. Polychrome painted, gold decorated. H 10,5 cm. Pear jug with three rocaille feet, rocaille fief and finial. On both sides a laurel wreath framed medallion with sepia painted portrait of an ancient man, inscribed "Cicero" and "Hannibal", verso floral painting Nib, mouth rim and lower handle base restored. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 2589
Paar Biedermeier-Tassen mit BiskuitreliefsKPM Berlin. Zeptermarke, um 1800, Bemalung um 1850. Polychrom bemalt, goldstaffiert. H 13,5 cm. Zylindertassen mit Kraterrand, 3 Tatzenfüßen und Rosettenhenkel. Schauseitig ein Ovalmedaillon mit dem Reliefporträt einer Dame und eines Herren, bezeichnet "L.C." bzw. "B.C.", ornamental-florale Goldmalerei sowie polychrome Blütenfestons auf der Wandung 1 Fuß bestoßen. Pair of Biedermeier cups with bisque reliefsKPM Berlin. Scepter mark, c. 1800, painting c. 1850. Polychrome painted, gold decorated. H 13.5 cm. Cylindrical cups with crater rim, 3 paw feet and rosette handle. On the front an oval medallion with a relief portrait of a lady and a gentleman, inscribed "L.C." and "B.C." respectively, ornamental floral gold painting and polychrome floral festoons on the wall 1 foot bumped. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 2600
Empire-Tasse mit Biskuitporträt der Königin LuiseKPM Berlin. Zeptermarke und blauer Unterstrich (Malereimarke), um 1810. Polychrom bemalt, goldstaffiert. H Tasse 10,5 cm, Ø Untertasse 13 cm. Sogenannte "Luisen-Tasse". Gefußte Glockentasse mit Schwanenhenkel und originaler Untertasse. Grauer Fond unter einem umlaufenden Wiesenkleeband. Schauseitig ein Medaillon mit dem Biskuitrelief der Königin Luise von Preußen (1776-1810) und graviertem Würmelband auf goldbronziertem Fond, der Medaillonrahmen mit der Inschrift "Sie lebt auf immer in den Herzen edler Menschen!", vegetabil gravierte Vergoldung an Fuß, Rand und Henkel. Im Spiegel der Untertasse die Lebensdaten der Königin Luise "10. Maerz 1776 / 19. Julü 1810" Kurzer Haarriss am Tassenrand, Untertassenspiegel minimal berieben. Empire cup with bisque portrait of Queen LuiseKPM Berlin. Scepter mark and blue underline (painting mark), around 1810. Polychrome painted, gold decorated. H cup 10.5 cm, Ø saucer 13 cm. So-called "Luisen cup". Footed bell cup with swan handle and original saucer. Gray background under a surrounding meadow clover band. On the front a medallion with bisque relief of Queen Luise of Prussia (1776-1810) and engraved choke band on gold-bronzed background, the medallion frame with inscription "She lives forever in the hearts of noble people!", vegetal engraved gilding on the foot, rim and handle. In the mirror of the saucer the dates of life of Queen Luise "10. Maerz 1776 / 19. Julü 1810" Short hairline crack at the edge of the cup, saucer mirror minimally rubbed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3074
Eidose und kleine VaseUm 1900. Polychrom bemalt, goldstaffiert. H 17,5 und 13 cm. 1x imitierte Bindenschildmarke: eiförmiges Potpourrigefäß mit durchbrochenem Scharnierdeckel, drei Füßen und Rundplinthe; mit grüner Schuppenbordüre und Watteau-Malerei. / 1x gemarkt Richard Klemm, Dresden: amphorenförmiges Väschen mit zwei Handhaben; schauseitig ein Ovalmedaillon mit dem gemalten, unterseitig bezeichneten Bildnis der Prinzessin Alexandra von Bayern, verso rosa und hellgelber Fond mit reicher Reliefgoldmalerei Eidose: je 1 Brandriss an den Füßen, Deckelknauf geklebt. Eidose and small vaseAround 1900. Polychrome painted, gold decorated. H 17,5 and 13 cm. 1x imitation banded shield mark: ovoid potpourri vessel with pierced hinged lid, three feet and round plinth; with green scale border and Watteau painting. / 1x marked Richard Klemm, Dresden: amphora-shaped vase with two handles; on the outside an oval medallion with the painted portrait of Princess Alexandra of Bavaria, marked on the underside, verso pink and light yellow background with rich relief gold painting Eidose: 1 fire crack each on the feet, lid knob glued. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3078
3 Plaketten mit Reliefporträt 1x Meissen, Böttgersteinzeug, Modell-Nr. R 233: Profilrelief von Friedrich Schiller nach David d'Angers (1788-1856). Im grünen Etui. / 1x Metzler & Ortloff: Gedenkplakette zum 100. Geburtstag von Johann Wolfgang von Goethe (Ø 9,5 cm) und 1 kleine Plakette mit dem Profilrelief von J. G. v. Goethe (Ø 4,8 cm) 3 plaques with relief portrait 1x Meissen, Cooper stoneware, model no. R 233: profile relief of Friedrich Schiller after David d'Angers (1788-1856). In green case. / 1x Metzler & Ortloff: Commemorative plaque for the 100th birthday of Johann Wolfgang von Goethe (Ø 9.5 cm) and 1 small plaque with the profile relief of J. G. v. Goethe (Ø 4.8 cm) *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3122
Bildplatte: DamenporträtKPM Berlin. 32 x 26 cm, Rahmen: 45 x 39 cm. Farbige Bemalung von Franz Till, Dresden, signiert. Sehr fein gemalte Charakterdarstellung einer jungen Dame im ausgehenden 19. Jahrhundert. Rückseitig Namenszug H. Meisel. Unglasierter Boden, Ritzmarke, Pressmarke. Neuwertiger schwarz lackierter Profilrahmen mit vergoldeter Leiste Porcelain plaque * Partnerauktion Bergmann. Literatur : Neuwirth (1977) Band II Seite 303. Provenienz : Fränkischer Sammlungsnachlass. Picture plate: Portrait of a ladyKPM Berlin. 32 x 26 cm, frame: 45 x 39 cm. Colored painting by Franz Till, Dresden, signed. Very finely painted character portrayal of a young lady in the late 19th century. Name inscription H. Meisel on the reverse. Unglazed bottom, incised mark, pressed mark. As new black lacquered profile frame with gilded bar Porcelain plaque * Partner auction Bergmann. Literature : Neuwirth (1977) Volume II page 303. Provenance : Franconian collection estate. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3123
Bildplatte: Der ZinsgroschenKPM Berlin. 17,5 x 12,5 cm, Rahmen: 28 x 23,5 cm. Nach dem Gemälde von Tizian (Tiziano Vecellio, 1490 Pieve di Cadore - 1576 Venedig). Das Ölgemälde befindet sich in der Gemäldegalerie Alte Meister, Dresden. Farbige Bemalung, unsigniert. Unglasierter Boden, Pressmarke. Neuwertiger Goldrahmen Mehrere Sprünge restauriert. Tizian, Bildnis- und Historienmaler, 1513 eigene Werkstatt, 1533 Hofmaler von Kaiser Karl V. Einer der Hauptmeister der italienischen Renaissance. Porcelain plaque * Partnerauktion Bergmann. Literatur : Bergmann (2021) Katalog-Nr. 380. Provenienz : Fränkischer Sammlungsnachlass. Picture plate: The interest groschenKPM Berlin. 17.5 x 12.5 cm, frame: 28 x 23.5 cm. After the painting by Titian (Titiano Vecellio, 1490 Pieve di Cadore - 1576 Venice). The oil painting is in the Gemäldegalerie Alte Meister, Dresden. Colored painting, unsigned. Unglazed bottom, press mark. As new gold frame Multiple cracks restored. Tizian, portrait and history painter, 1513 own workshop, 1533 court painter of Emperor Charles V. One of the main masters of the Italian Renaissance. Porcelain plaque * Partner auction Bergmann. Literature : Bergmann (2021) catalog no. 380. Provenance : Franconian collection estate. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3129
Vase mit GemäldekopieUngemarkt, 1. H. 20. Jh.; unterseitig bezeichnet "Porzellankunst FS handgemalt 'Der Flötenspieler' n. G. Richter cop. F.Scherf". Signiert "cop. F. Scherf". Polychrom bemalt, goldstaffiert. H 18 cm. Balustervase mit dem Porträt eines Flötenspielers, nach einem Gemälde des böhmischen Porträtmalers Johann Kupetzky (1667-1740) Vase with painting copyUnmarket, 1st half of 20th century; inscribed on the bottom "Porcelain art FS hand-painted 'The Flute Player' n. G. Richter cop. F.Scherf". Signed "cop. F. Scherf". Polychrome painted, gold decorated. H 18 cm. Baluster vase with the portrait of a flute player, after a painting by the Bohemian portrait painter Johann Kupetzky (1667-1740) .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3132
Porträtteller im Wiener Stil: Comtesse de TillièresDresden. Blaue Pinselmarke, wohl Adolph Hamann und Goldmarke, 2. H. 19. Jh./1. H. 20. Jh. Signiert "Klichko". Polychrom bemalt, goldstaffiert. Ø 25 cm. Auf der kobaltblauen Fahne goldener Teilfond mit zahlreichen hellblauen Emailpünktchen, silberne Ovalmedaillons, vegetabiler Reliefgoldmalerei sowie einem Floralband mit rosa Emailpünktchen. Im Spiegel das Bildnis der Comtesse de Tillières im Pelzmantel, nach einem 1750 entstandenen Gemälde von Jean-Marc Nattier (1685-1766) Viennese style portrait plate: Comtesse de TillièresDresden. Blue brush mark, probably Adolph Hamann and gold mark, 2nd h. 19th c./1st h. 20th c. Signed "Klichko". Polychrome painted, gold decorated. Ø 25 cm. On the cobalt blue flag golden partial background with numerous light blue enamel dots, silver oval medallions, vegetal relief gold painting and a floral band with pink enamel dots. In the mirror, the portrait of the Comtesse de Tillières in a fur coat, after a painting by Jean-Marc Nattier (1685-1766) created in 1750.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3133
Porträttasse: Beartrice CenciKPM Berlin. Zeptermarke KPM, 1837-1844. Ohne Malereimarke. Polychrom bemalt, goldstaffiert. H Tasse 10,5 cm, Ø ergänzte Untertasse 14 cm. Kratertasse mit Widderkopfhenkel. Schauseitig eine goldgerahmte Rechteckkartusche mit dem Porträt der Beatrice Cenci, nach einem Bildnis von Guido Reni (zugeschr., 1575-1642) Portrait cup: Beartrice CenciKPM Berlin. Septer mark KPM, 1837-1844. without painting mark. Polychrome painted, gold decorated. H cup 10.5 cm, Ø supplemented saucer 14 cm. Craters cup with ram's head handle. On the front a gold-framed rectangular cartouche with the portrait of Beatrice Cenci, after a portrait by Guido Reni (attributed, 1575-1642) .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3134
2 Porzellanbilder mit FrauenporträtsEnde 19. Jh./1. H. 20. Jh. Polychrom bemalt, 1x über Vordruck. 1x Porzellangemälde, signiert "R. Baischlag cop. n. F. Schier" (= Franz Schier, 1909-1954): Profilporträt einer jungen Frau mit Rose im Haar (12,5 x 10,5 cm, im goldbronzierten Rahmen 17,5 x 15 cm). / 1x Porzellanbild: ovale Plakette mit dem Porträt der Malerin Elisabeth Vigee Lebrun (1755-1842), nach einem Selbstbildnis der Künstlerin (L 6,3 cm, im schleifenbekrönten Messingrahmen [L 9,5 cm]) 2 porcelain pictures with portraits of womenLate 19th c./1st h. 20th c. Polychrome painted, 1x over preprint. 1x porcelain painting, signed "R. Baischlag cop. n. F. Schier" (= Franz Schier, 1909-1954): Profile portrait of a young woman with rose in her hair (12,5 x 10,5 cm, in gold-bronzed frame 17,5 x 15 cm). / 1x porcelain picture: oval plaque with the portrait of the painter Elisabeth Vigee Lebrun (1755-1842), after a self-portrait of the artist (L 6.3 cm, in a loop-crowned brass frame [L 9.5 cm]) .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3138
Bildplatte: RheingoldKPM Berlin. 23,5 x 26 cm, Rahmen: 50 x 44 cm. Kokette weibliche Schönheit mit einem gefülltem Weinglas. Eine unterschwellig-erotische Porträt-Darstellung. Farbige Bemalung von Emil Kies, Stuttgart, signiert. Rückseitig auf altem Klebezettel bezeichnet. Unglasierter Boden, Pressmarken. Neuwertiger Profilrahmen Minimaler Abplatzer am Rand. Porcelain plaque * Partnerauktion Bergmann. Literatur : Neuwirth (1977) Band II Seite 9. Provenienz : Fränkischer Sammlungsnachlass. Picture plate: RheingoldKPM Berlin. 23.5 x 26 cm, frame: 50 x 44 cm. Coquettish female beauty with a filled wine glass. A subliminal erotic portrait depiction. Colored painting by Emil Kies, Stuttgart, signed. Inscribed on old adhesive label on the reverse. Unglazed bottom, press marks. As new profile frame Minimal chipping at the edge. Porcelain plaque * Partner auction Bergmann. Literature : Neuwirth (1977) Volume II page 9. Provenance : Franconian collection estate. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3139
Porzellangemälde: "Rotkäppchen"KPM Berlin. Geprägte Zeptermarke KPM, um 1840. Signiert "A. Blattner" (KPM Berlin, um 1837-1844). Polychrome Malerei. 13,5 x 11 cm, im Goldstuckrahmen (23 x 20,5 cm). Rechteckige Platte mit dem Porträt eines kleinen Mädchens mit roter Samtkappe, nach einem Gemälde von Gabriel Schachinger (1850-1912) Porcelain painting: "Little Red Riding Hood"KPM Berlin. Stamped scepter mark KPM, c. 1840. signed "A. Blattner" (KPM Berlin, c. 1837-1844). Polychrome painting. 13,5 x 11 cm, in gold stucco frame (23 x 20,5 cm). Rectangular plate with the portrait of a little girl with red velvet cap, after a painting by Gabriel Schachinger (1850-1912) .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3142
Bilderteller im Wiener StilFraureuth. Imitierte Bindenschildmarke und Prägemarke, 1899-1922. Signiert "Hamann". Polychrom bemalt, goldstaffiert. Ø 25 cm. Teller mit mehrpassigem Rand, kobaltblauer Fahne mit reicher vegetabiler Reliefgoldmalerei und Emailpünktchen. Im Spiegel das Bildnis einer jungen Frau in orientalischer Kleidung Gold in der Kehlung minimal berieben. Picture plate in Viennese styleFraureuth. Imitated bandage shield mark and embossed mark, 1899-1922. signed "Hamann". Polychrome painted, gold decorated. Ø 25 cm. Plate with multi-pass rim, cobalt blue flag with rich vegetal relief gold painting and enamel dots. In the mirror the portrait of a young woman in oriental dress Gold minimally rubbed in the fillet. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Los 3144
Bildplatte: Die Dame mit dem FächerSelb, Heinrich & Co., Kunstabteilung Seethal Chiemsee. 25 x 19 cm, Rahmen: 36 x 30 cm. Nach dem Gemälde von Diego Velázquez (1599 Sevilla - 1660 Madrid). Das Ölbild (93 x 69 cm) befindet sich in der Wallace Collection, London. Farbige Bemalung von Geigenmüller, signiert. Unglasierter Boden, Bodenmarken. Vergoldeter Stuckrahmen Diego Rodriguez de Silva y Velázquez, Historien- und Bildnismaler. Ab 1618 eigenständig tätig, seit 1623 Hofmaler von König Philipp IV. in Madrid. Zeitweilig in Italien tätig. Porcelain plaque * Partnerauktion Bergmann. Literatur : Bergmann (2021) Katalog-Nr. 144. Provenienz : Fränkischer Sammlungsnachlass. Picture plate: The lady with the fanSelb, Heinrich & Co, Art Department Seethal Chiemsee. 25 x 19 cm, frame: 36 x 30 cm. After the painting by Diego Velázquez (1599 Seville - 1660 Madrid). The oil painting (93 x 69 cm) is in the Wallace Collection, London. Colored painting by Geigenmüller, signed. Unglazed bottom, bottom marks. Gilded stucco frame Diego Rodriguez de Silva y Velázquez, history and portrait painter. From 1618 independently active, since 1623 court painter of King Philip IV in Madrid. Temporarily active in Italy. Porcelain plaque * Partner auction miner. Literature : Bergmann (2021) catalog no. 144. Provenance : Franconian collection estate. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Loading...-
283284 Los(e)/Seite