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283325 Los(e)/Seite
Los 262
BOX OF MIXED PICTURES TO INCLUDE FRAMED AND UNFRAMED WATERCOLOURS AND OILS ON BOARD STUDIES - KING JOHNS BRIDGE, TEWKESBURY SIGNED ALBEMARLE T WATSON, 19TH CENTURY WATERCOLOUR OF SHIPS ON ROUGH SEA, ST MICHAELS MOUNT, CORNWALL, STUDY OF WADI JHIZI IN THE UNITED ARAB EMIRATES, PORTRAIT OF THE HON CAROLINE NORTON AND MANY OTHERS, PLUS A FRAMED PEARS SOAP ADVERTISING PRINT
Los 442
Ed Little (American, B. 1957) "Santa Claus" Signed lower right. Original Oil painting on CanvasBoard. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 29c Santa Claus stamp issued October 17, 1999. "His eyes -- how they twinkled! his dimples -- how merry! His cheeks were like roses, his nose like a cherry!" in 1822 Clement C. Moore wrote a charming Yuletide story especially for his children. Originally titled "A Visit from Saint Nicholas," the entrancing story came to be called "The Night Before Christmas." In poetic style, the saga humorously chronicled Moore's fictional encounter with Santa Claus and gave many readers their first portrait of the "jolly old elf." The mythology surrounding this fabled fellow dates back to 300 A.D. and centers on Saint Nicholas, bishop of Myra in Lycia, who under cover of night took gifts to the needy. Nicholas' fame spread after his death, and many European countries began to celebrate December 6 -- his feast day -- with joyful revelry, the exchange of gifts and sumptuous repasts. Dutch settlers brought the custom to the New World during the 17th century. St. Nicholas, or Sinterklaas as Dutch children called him, was originally pictured as a tall, slender man of stately demeanor. But in America his appearance -- and his name -- changed. Sinterklass became Santa Claus, and with the help of American educator and poet Clement Moore, the saint evolved into a round, jolly elf with rosy cheeks, a white mane of flowing hair and a long beard. Image Size: 25 x 21.5 in. Overall Size: 32 x 27.75 in. Unframed. (B13391)
Los 489
Paul Calle (American, 1928 - 2010) and Chris Calle (American, B. 1961) "Mimbres Indian Portrait" Signed lower right. Original watercolor/Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. Image Size: 14 x 12 in. Overall Size: 23 x 20 in. Unframed. (B17302 / B17304)
Los 8
Simon Jacques Rochard (France, 1788 - 1872) Important Portrait of Napoleon. Watercolor on ivory. Signed and dated 1816 lower left. With original inscription verso. Rochard studied under Étienne Aubry and at the École des Beaux-Arts. He also studied miniature-painting from Emilie Bounieu (daughter of Michel Honoré Bounieu). At only twenty he painted a portrait of the Empress Joséphine for Napoleon and later other portraits of the imperial family. He exhibited mostly at the Royal Academy of Arts from 1816 to 1845.Sight Size: 7.75 x 5.25 in.Overall Framed Size: 13.5 x 11 in.
Los 136
FERGUSON, James: 1- Astronomy Explained upon Sir Isaac Newton's Principles, and made easy to those who have not studied Mathematics. Printed for and sold by the Author, at the Globe.. 1756, First edition. With 13 folding plates plus the folding frontis supplied in facsimile. PP:(viii), 267, (ix)Index & direction to binder. 4to. Recent full calf with raised bands & gilt lettered label. The title page & following 4 leaves torn with loss to fore-margins (away from any text) and professional repair. 2- Lectures on Select Subjects in Mechanics, Hydrostatics,.. Sherwood & Co. 1825, New & improved edn. With a portrait frontis and 10 plates. Original plain boards; rubbed; 3- Brewster, D: Plates Illustrative of Ferguson's Lectures on Mechanics, Hydrostatics.. Edinburgh, Bell & Bradfute, 1806, 2nd. Edn. enlarged. Complete with 50 double page Plates. Original plain boards; rubbed; 4- An easy introduction to Astronomy for young gentlemen and ladies. T Cadell, 1769, 2nd. Edn. With 7 folding plates (as called for). PP:(iv), 252. Cont. full calf; rubbed & hinges cracked. Plate one with part missing and replaced with a facsimile; 5- Select Mechanical Exercises: Shewing how to construct different clocks, orreries, and sun-dials.. Strahan, 1790, With 9 folding plates. PP:(xii), xliii, (i)blank, 1-90, 95-272. Lacking pp 91-94; few plates with pieces missing & repaired. SOLD NOT SUBJECT TO RETURN. You can make an appointment to view this lot) (5)
Los 168
CAMDEN, William: BRITANNIA or a Chorographical Description of the Flourishing Kingdoms of England, Scotland, and Ireland and the Islands Adjacent, in 4 volumes. J. Stockdale, 1806, 2nd. edn. Folio, with a frontis portrait plus 99 plates only of 104, Also lacking all the maps. Cont. full treecalf; little rubbed. (4)
Los 18
DANIEL, WB: Rural Sports, 4 volumes (including supplement). Vols. 1-3: Longman, Hurst, Rees and Orme 1807 Supplement: T. Davison, 1813. All 4 volumes First edition. All Plates present as called for: 79 engraved plates, including engraved titles and portrait (2 Double-page and one Hand coloured). 4to. Vols. 1-3 bound in the original full ribbed leather, recased in 1983, preserving the original covers and spines. Vol. 4 in matching 1983 binding. Occasional foxing & browning. Museum bookplate only, no stamps. (The first lot, of many, to come from the Leicestershire Museum.. Library, Most of of their books only have their bookplate and no stamps) (4) Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps)
Los 188
CORNWALL: 1- GILBERT, C S: An Historical Survey of The County of Cornwall: To Which is Added, A Complete Heraldry of The Same; With Numerous Engravings. In Two Volumes. Plymouth-Dock, J Congdon, 1817-20, 1st. edn. Vol. 1 lacking one portrait, BUT with 2 extra portraits and an extra plate “View of castle of Trematon, in Cornwall” And Vol. 2 With 3 Extra plates. Cont. full leather; covers detached and endpapers torn; 2- WARNER, R: A Tour Through Cornwall in the Autumn of 1808. R Cruttwell, 1809, 1st. edn. Illustrated with a Sepia frontis plate plus rout maps in the text. Original plain boards and home made paper label; rubbed; first gathering a little loose. Plus one other. (4)
Los 19
FALCONER, Hugh: Palaeontological Memoirs and notes of the late Hugh Falconer with a Biographical Sketch of the Author. Compiled and edited by Charles Murchison, in two 2 volumes. R Hardwick, 1868, first edition. PP: lvi, 590, (i)Adv,+34 Maps & plates, including frontis; xiii, (i), 675, +38 plates + Frontis portrait. Later plain cloth with gilt lettering and museum number to spines. Leicester Museum bookplate to front pastedown, But NO STAMPS. (2) Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps)
Los 196
1- AUSTEN-LEIGH J. E: A Memoir of Jane Austen by Her Nephew. R. Bentley, 1870, first edition. With a frontis portrait plus 4 plates. PP: v, (iii), 236. Original cloth rubbed and with tears; recased with new endpapers; 2- TROLLOPE, Anthony: The Last Chronicles of Barset, in two volumes. S. Elder, 1867, first edition. PP: 384; 384. Cont. half leather, rubbed, inner hinges cracked and sellotaped. (3)
Los 211
GILLRAY, James: The works. For H Bohn, no date (Frontis portrait dated 1819). Large folio, C140 pages of illustrations printed on both sides. Loose without covers. Damp staining throughout and some plates A/F. SOLD AS A COLLECTION OF PLATES, NOT SUBJECT TO RETURN. You can make an appointment to view this lot)
Los 22
Saville-Kent, William: The Naturalist in AUSTRALIA. Chapman & Hall. 1897, first edn. 4to. With a frontis portrait, 9 chromo plates (one double-page), 50 collotype plates, plus 104 text illustrations. Original pictorial cloth; rubbed and the block has come away from the binding. Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps)
Los 26
CUMBRIAN GEOLOGY: 1- SALTER, J W: A Catalogue of the Collection of Cambrian and Silurian Fossils Contained in the Geological Museum of the University of Cambridge. Cambridge University press, 1873 1st. edn. 4to. With a frontis portrait plus text illustrations. Sedgwick mentions Darwin in his preface. PP: xlviii, 204, (i) Adv. Later leather backed boards. VG+ with only the Leicester Museum bookplate and no stamps; 2- SALTER, JW: A Monograph of the British Trilobites from the Cambrian, Silurian, and Devonian Formations. Palaeontographical Society, 1864-83. pp: (VIII), 224+ 31 Plates (each with a description page). Later leather backed boards. VG+ Occasional foxing. With only the Leicester Museum bookplate and no stamps; 3- MARR, J E: Classification of Cambrian and Silurian Rocks. Cambridge, Deighton, Bell, 1883, 1st. edn. Original cloth; a working copy, with underlining and notes in ink. (3) Provenance: Leicester Museum Reference Library (Most of their books only have their bookplate and no stamps)
Los 12
Edouard De Jans (Belgium, 1855 - 1919) Tryptich of (3) portraits. Oil on canvas. Signed on two portraits (upper right). Housed in a gilt frame. Provenance: Alberta Orta collection- Ex Art Director of Vogue Magazine. De Jans studied at Bruges Academy of Fine Arts in 1869, studying with the Director, Eduard Wallays. By 1873, he was a teacher at the Bogardenschool. Two years later, he was accepted at the Royal Academy of Fine Arts (Antwerp) and placed in the Master Class, where his instructor was Nicaise De Keyser. Sight Size: 26.5 x 18 in (each individual portrait). Overall Framed Size: 32 x 65 in.
Los 15
ALFRED JANES oil on board - standing portrait of Iain Macleod, titled on 1974 Welsh Arts Council label verso, with ownership noted as The Constitutional Club, London, signed, 94 x 73cms Provenance: private collection Essex, Welsh Arts Council, Constitutional Club Auctioneer's Note: Iain Macleod (1913-1970), Conservative politician, former leader of the House of Commons Presentation & Condition: no problems, framed NB: Located for viewing / collection at Cardiff saleroom
Los 38
ANNA DAVIES mixed media on board - entitled verso on Kooywood Gallery label 'Portrait of a Woman', signed and dated 2015 verso, 32.5 x 24cms Provenance: private collection, consigned via our Cardiff office Presentation & Condition: no problems, framed NB: Located for viewing / collection at Cardiff saleroom
Los 237
Louis Wain (1860-1939) interest- early 20th Century "Pen and Pencil Memories Album" containing numerous signatures, paragraphs of verse, drawings and paintings, to include a pencil sketch depicting a smiling cat by Louis Wain, watercolour of a rose by A H Geller, portrait of a young lady by Winifred Teal, coastal watercolour by EJ Warren etc.
![Artist: Diego Rivera (Mexican, 1886 - 1957). Title: "Self-portrait [Time magazine]". Medium: Color offset lithograph. Date: C](https://cdn.globalauctionplatform.com/51dbaf30-969c-4e40-81e2-ad78012f672b/ecacf93c-fac0-4477-a4e2-ad9e00017efb/468x382.jpg)
Los 1676
Artist: Diego Rivera (Mexican, 1886 - 1957). Title: "Self-portrait [Time magazine]". Medium: Color offset lithograph. Date: Composed 1949. Dimensions: Overall size: 11 x 8 in. (279 x 203 mm).Lot Note(s): Signed in pencil, lower left; signed in the image. Edition unknown. Thin coated smooth wove paper. Wide margins. Fine impression. Good condition. Provenance: Acquired directly from the artist, then descended in the family, Mexico City. Comment(s): Scarce to find in good condition, as ours; rare when signed. The cover of "Time Magazine" April 4, 1949, Volume LIII, Number 14. Image copyright © The Estate of Diego Rivera. [28798-2-300]
![Artist: Henri Matisse [imputee] (French, 1869 - 1954). Title: "Portrait de Marguerite". Medium: Ink and brush on paper. Date:](https://cdn.globalauctionplatform.com/51dbaf30-969c-4e40-81e2-ad78012f672b/234c337e-2204-4731-8b5e-ad9e0003b259/468x382.jpg)
Los 1751
Artist: Henri Matisse [imputee] (French, 1869 - 1954). Title: "Portrait de Marguerite". Medium: Ink and brush on paper. Date: Composed 1906. Drawn c1920. Dimensions: Overall size: 12 x 9 in. (305 x 229 mm).Lot Note(s): Signed in ink, lower right. Light cream laid paper. Very good condition; a few dimples in the sheet; scattered light ink stains verso, not visible recto; unidentified partial stamp, verso. Comment(s): Image copyright © Succession H. Matisse, Paris /Artists Rights Society (ARS), New York. [30094-2-2400]
![Artist: Don Hong-Oai (Chinese/American, 1929-2004). Title: "Inspecting the Mine [China]". Medium: Color analogue print. Date:](https://cdn.globalauctionplatform.com/51dbaf30-969c-4e40-81e2-ad78012f672b/fbd85470-d623-4a3c-b6ac-ad9e0004c36f/468x382.jpg)
Los 1971
Artist: Don Hong-Oai (Chinese/American, 1929-2004). Title: "Inspecting the Mine [China]". Medium: Color analogue print. Date: Composed 1984. Printed 1984. Dimensions: Overall size: 5 x 7 in. (127 x 178 mm). Image size: 3 x 4 1/8 in. (76 x 105 mm).Lot Note(s): Signed on the mount, lower right; stamped on the verso. A unique print; not editioned. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Fine condition; mounted and matted by the artist. Comment(s): Hong-Oai was born in Canton as the youngest son to a business family and was raised and educated in Saigon. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in Chinatown of San Francisco. His style was heavily influenced by the legendary photographer Long Chin-San’s technique of layering negatives. Each photograph was assembled only by the artist himself, never having an assistant or master printer aid him. His work has won scores of international awards and has been collected worldwide. Image copyright © The Estate of Don Hong-Oai. [28045-1-800]
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283325 Los(e)/Seite