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283284 Los(e)/Seite
Los 210
Henry Payne (1868-1939) "Portrait of Ruth Calverley, Black Horse Inn, Amberley" signed (lower left) conte crayon on buff paper 26.5 x 19.5cm. Provenance: From the collection of John Redman (b.1937). John Redman lived with the Payne and Gere families in their Cotswold home during the 2nd World War from 1940 to 1944. He points out the home was a constant visiting location for a number of important artists and writers including Sir Stanley Spencer, Vanessa Bell, Virginia Woolf, Sir William Rothenstein, George Bernard Shaw, John Betjeman and many others. He has collected a comprehensive range of the Payne and Gere families works through a lifetime's friendship with Edward R. Payne (1906-1991), the Payne's second son of three and also an artist. These are well represented by the selection included in this auction.
Los 72
19th Century English school Bust length silhouette portrait of a gentleman, side profile heightened in gilt & white 8.5 x 7cm oval; a portrait engraving of Edward VI; and a pair of printed miniatures - Peter Campbell of Killin (b.1760) and James Campbell of Edinburgh in simulated ivory frames (4).
Los 20
Two oval shell cameo brooches, late 19th centuryComprising: an example depicting veiled Nyx (Night), with closed eyes, poppies in her hair and a bat with out-stretched wings, with cannetille decorated frame and glazed back, dimensions approximately 65.2 x 54.4mm; also another example, carved with a Classical female portrait profile, with similarly decorated and glazed frame, dimensions approximately 53.6 x 45.4mm (2)For further information on this lot please visit Bonhams.com
Los 279
A collection of mostly gem-set stickpinsComprising: one with enamelled terminal, modelled as a knight's helmet, with dragon crest; another with oval shell cameo, depicting a classical portrait profile; another with a diagonal border of three rose-cut diamonds to the terminal; and twenty-two others (25) Footnotes:This lot will be subject to USA Fish and Wildlife regulations if imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Los 58
Four oval shell cameo broochesComprising: an example carved to depict an angel, with clasped hands, to a plain polished frame applied with scrolls; together with three examples, each depicting classical female portrait profiles, one with glazed back (4)For further information on this lot please visit Bonhams.com
Los 158
GROUP OF FIVE INTAGLIO ENGRAVED GLASS TASSIE 'GEMS', late 18th or early 19th century, including a circular black button with a Roman head in low relief, 1.3cm diameter; an amber coloured oval example engraved 'M & W', 1.8cm wide; an amber coloured oval example depicting Cupid driving a two-horse chariot, 1cm wide; a green oval example depicting Fortuna holding balance scales, 1.2cm high; an engraved amethyst stone intaglio loosely depicting a horse, probably ancient, 1.8cm wide; a Victorian engraved bloodstone seal disk, with monogram, 1.1cm diameter; three Tassie plaster portrait reliefs; a white ceramic profile relief in Classical style; and two other items Provenance: The Miller-Williams Collection of Tassie Intaglios The avid and erudite Dorset collector Mrs Margaret Miller-Williams, forms her fascinating collection of Tassie glass intaglios, related seals and imprints. The group, assembled over many years of sharp eyed hunting in shops and markets in the UK and abroad, is a small but strongly representative part of William Tassie's (1777 - 1860) huge output. Miller-Williams' original interest in the Tassie Neoclassical phenomenom was originally fired by a close friend who as a great great great great niece of Tassie's had inherited a large collection of the engraver's own intaglios, and who gave Miller-Williams her duplicates, to get the collection started William Tassie himself, nephew of James Tassie (1735 - 1799) who was also a gem engraver, had a famed collection of over 20,000 intaglios. It is thought that between them, the Tassies could reasonably be credited with the reintroduction of the ancient skill of Intaglio gem engraving, and their work meshed perfectly with the newly fashionable Grand Tour and the general and ubiquitous vogue for all things Neoclassical. The sheer quality of their work brought great acclaim, and their intaglios found their way into many great collections, including that of Catherine the Great of Russia -that cumulation now held at the State Hermitage Museums The bracketed numbers in the following lots relate to the full listing 'A CATALOGUE OF THAT PART OF MR WILLIAM TASSIE'S EXTENSIVE COLLECTION OF IMPRESSIONS FROM ENGRAVED GEMS, CONSISTING OF DEVICES AND EMBLEMS...', printed by W.Nicol, London 1830
Los 561
ENGLISH SCHOOL, 20th Century A naive style portrait of the steam ship 'Ben-My-Chree', watercolour and gouache, 38cm x 57cm TSS (RMS) Ben-My-Chree was a passenger ferry operated by the Isle of Man Steam Packet Company between 1927 and 1965. The fourth vessel in the company's history to carry the name, which means 'Woman of my Heart' in Manx, Ben-my-Chree was requisitioned in 1939 and served as a personnel ship until she was released from service in May 1946
Los 578
CIRCLE OF JOHN RILEY (1646-1691) A portrait of a gentleman, depicted half-length seated in an interior, wearing a brown cloak over his white shirt with lace collars and jabot, a long brown wig falling over his shoulders, seated before a brown curtain, pulled back in part to reveal a landscape beyond, 123cm x 102cm
Los 580
CIRCLE OF THOMAS MURRAY (1663-1734) A portrait of a gentleman, depicted half-length, a brown wig falling over his shoulders, wearing a lace cravat over a green jacket with red sash fastened with a brooch at the shoulder, oil on canvas, 73cm x 61.5cm (oval) ; together with the companion portrait of a woman wearing a pale red dress with scooped neckline and a blue silk cloak, oil on canvas, 73cm x 61.5cm (oval) (2)
Los 598
CIRCLE OF SIR GODFREY KNELLER (1646-1723) Portrait of a gentleman wearing full plate armour and lace jabot, depicted standing before a red curtain, his left hand resting on the hilt of his sword, his helmet being placed on a pedestal beside him by his black servant boy, the attendant wearing a blue uniform with silver collar and turban, a landscape visible beyond, oil on canvas, 125cm x 99cm Provenance: Private Collection, Dorset
Los 600
GEORGE BEARE (fl. 1740-1749) A portrait of William Coles of Salisbury (1701-1789), depicted half-length, the sitter wearing a white wig resting on his shoulders, an open brown tunic over a waistcoat with gold buttons and brocade, signed "G. Beare pinxt" lower left, feigned oval, oil on canvas, 75cm x 62cm; together with the companion portrait of his wife Jane Coles (1708/9-1801) , depicted half length together with her cat, signed "G. Beare pinxt" lower right, feigned oval, oil on canvas, 75cm x 62cm (2) George Beare was a portrait painter who worked mainly in the West Country. Little is known of his training, but some fifty signed paintings, all dated between 1744 and 1749, suggest a knowledge of Philip Mercier (1691-1760) and particularly of William Hogarth (1697-1764), with whom he has sometimes been confused. William and Jane Coles of The Close, Salisbury, Wiltshire had one daughter, also called Jane (c.1742-1801), who married Thomas Hutchings Medlycott (1729-1795) on 16th September 1766. Medlycott was a practising barrister and MP for Milborne Port, Somerset, between 1763 and 1770 and again in 1790. The Medlycott Family owned Ven House in Milborne Port throughout the 18th and 19th centuries, until they sold much of the estate between 1918 and 1925. The house itself was let to a succession of tenants until Sir Hubert Mervyn Medlycott sold it in 1957. A memorial to William and Jane Coles, together with their daughter Jane Medlycott and granddaughter Jane Paget Ainslie, can be found in Salisbury Cathedral today.
Los 641
ATTRIBUTED TO BARTHOLOMEUS VAN DER HELST (Dutch, 1613-1670), Portrait miniature of a bearded gentleman, wearing armour and white lace trimmed collar, inscribed 'umbe Kannt 112' in ink verso, further inscribed 'van Helst' in pencil, oil on canvas laid on card, 7.6 x 6cm (oval) in a later gilt brass frame
Los 666A
WILLIAM PARKINSON (1858-1938) AN AUTOGRAPH ALBUM containing numerous cut-and-mounted signatures of luminaries of the second half of the 19th and early 20th centuries, including Queen Victoria, Field Marshall B.L. Montgomery, Oscar Wilde, Henry Moore and Edwin Long, together with a small quantity of loose signatures and correspondence, and a small portrait of the Artist's father
Los 22
An Unusual Japanese Wooden Figure of a Priest. Edo Period, 18th Century. The priest with his head and hands raised in supplication, probably a portrait of an actual priest. It has the broad expressive carving of the mingei (folk craft) artist who has left the piece unpainted or decorated but showing the natural grain of the softwood. Height 35cm.Provenance: from the collection of the late Brian Page (1938-2018), the well-known Oriental art and antiques dealer from Brighton.
Los 1821
A SUPERB LARGE 17TH-18TH CENTURY AUGSBURG SILVER AND IVORY TANKARD, the lid set with semi-precious stones and carved ivory eagle with portrait plaque, the ivory tusk body carved with a scene of cupids with rams pulling a chariot, lion and cupid merrymaking, the carved ivory handle with a cupid mask head and supported on a circular silver base, repousse with scrolls and set with coloured stones. 13ins high. Base: 7ins diameter.
Los 192
the oval half length portrait of a young man, with curly chestnut hair, clean shaven apart from long sideburns, dressed in the Regency mode, attributed to the influential Irish painter and miniaturist Adam Buck (1759-1833), set in a plain mount with fixed bale, the back with central glazed panel of neatly woven chestnut hair with gold monogram on top, JH, within a broad border of foil backed Bristol blue glass, length with bale 8.9cm
Los 20
the profile bust length relief portrait of a woman in thin pressed gold set on a woven hair ground, within an oval border of red enamel with overlaid ropetwist wirework, covered with a rose cut rock crystal, collet and closed back set with scallop and claw mount, the outside of the shank engraved with the memorial (now much worn), reading 'MAN*? DIA*? HANTO*? OB: 30 AUG 177? ÆT 73'; ring size approximately M, length of ring head 1.6cm
Los 324
the body decorated with a band of pressed scrollwork over a textured ground, the friction fitting hinged cover bordered with individually rub over set coloured stones and featuring individual miniature portrait images of Napoleon, Marie Louise and Napoleon II as a child bordered by a crowned foliate swag, with lightly gilded interior and two unidentified marks to the base, 9 x 6.5cm, 4.6ozt
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283284 Los(e)/Seite