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283322 Los(e)/Seite
Los 19
Cricket.- The Tenth Australian Tour 1899 second edition illustrations original printed wrappers one page poorly opened wrapper slightly frayed at top edge tears to corner and half way down front fore-edge otherwise a very good copy 1899 § The Cricketers` Portrait Gallery. 16pp. 34 photographic illustrations original printed wrapper contents loose wrapper worn at staple Leeds 1903 v.s.(2)
Los 92
Willis/Coyne.Scenery and Antiquities of Ireland 2 vol. engraved additional vignette titles map and 113 plates only after W.H.Bartlett (of 118) also lacking portrait foxed and soiled some water-staining contemporary half calf worn vol.1 lacking upper cover 4to [1841]; sold not subject to return
Los 135
Travel. - Belzoni (G.) Narrative of the Operations text vol. only second edition lithographed portrait plate and folding map brown stained ex-library label contemporary half calf rubbed joints split spine partially detached 1821; § De Cosson (E.A.) The Cradle of the Blue Nile 2 vol. frontispieces plates folding map with repaired tear first few leaves of vol. 2 loose original cloth worn 1877; § Stark (Freya) The Coast of Incense author`s inscription to endpaper 1953; Baghdad Sketches 1937; Traveller`s Prelude 1950; Beyond Euphrates 1951; Dust in the Lion`s Paw 1961; illustrations original cloth gilt; and 19 others Freya Stark and the Middle East 8vo and 4to(27)
Los 152
Montgomery (James) engraved portrait frontispiece plates and illustrations modern half calf spine gilt and with double leather labels 1840 § Franklyn (Mortimer) A Glance at Australia in 1880: or Food from the South advertisements some staining to edges original pictorial cloth gilt frayed at edges Melbourne 1881 § Ponting (Herbert G.) In Lotus-Land Japan plates original pictorial cloth gilt a very good copy 1922; and 6 others Travel v.s.(12)
Los 207
Townsend-The Art Workers` Quarterly vol. 1 & 2 in 4 (including supplements) only plates and illustrations some colour many folding occasional spotting and browning original cloth gilt slightly rubbed and soiled 1902-3 § Belcher (George) By George Belcher mounted portrait on title illustrations signed presentation copy from the author inscribed on title T.L.s. from the BBC mounted tipped-in later cloth n.d.; and c.10 others similar including vol.4 no.14 & 16 of AWQ v.s.(c.15)
Los 246
Wollaston The Religion of Nature Delineated sixth edition engraved frontispiece slight staing to some edges contemporary calf red morocco label on spine John and Paul Knapton 1738; § Gray (Thomas) The Poems second edition engraved portrait frontispiece half-title occasional foxing and browning front free endpaper marked contemporary calf rubbed rebacked J. Dodsley and J. Todd 1775 § Waller (Edmund) The Works engraved portrait frontispiece ink ownership inscription in Latin of William Veale of Exeter College Oxford contemporary panelled calf slightly rubbed J. Tonson 1730; § Priestley (Joseph) A Comparison of the Institutions of Moses with those of the Hindoos... first edition 8pp. catalogue at end lightly foxed and browned modern half cloth edges uncut 8vo Northumberland [America] for the Author 1799; and 2 others 4to & 8vo
Los 249
Hoyle (Edmond) Hoyle`s Games Improved edited by Thomas Jones some browning to title and last few ff. contemporary sheep head of spine chipped with small loss rubbed for W.Wood 1778 § Butler (Samuel) Hudibras engraved portrait frontispiece and 9 plates some folding contemporary calf spine gilt and with red morocco label joints starting but holding firm rubbed for B. Moote 1732 § Cobbett (William) A Grammar of the English Language in a Series of Letters lightly browned a few spots original boards head of spine worn with loss original paper label chipped with loss rubbed 1826; and 5 others miscellaneous v.s.(8)
Los 255
Johnson (Samuel) A Dictionary 2 vol. sixth edition engraved portrait frontispiece vol. I half-title slightly foxed frontispiece stained in corner title offset extensively browned later endpapers later cloth [Courtney & Smith p. 57] for J.F. & C.Rivington and others 1785; and 4 others 4to & 8vo(6)
Los 275
Dickens (Charles) The Pickwick Papers 1837 engraved additional title and 41 plates 1837; Nicholas Nickleby engraved portrait frontispiece and 38 plates p.123 line 17 with `visitor` for `sister` 1839; David Copperfield engraved additional title and 38 plates 1850 first editions; and 11 other Dickens titles including 7 first editions and 4 later editions all plates spotted all in uniform contemporary half calf by James McCormick Dublin two with upper board and spine detached a little rubbed 8vo(17)
Los 290
Laurie Royal Irish Rifles 1914 half-title portrait frontispiece plates folding plans publisher`s blind-stamped presentation stamp to title original cloth gilt some loss to spine ends corners bumped 1914 § Buchan (John) The History of the Royal Scots Fusiliers (1678-1918) first edition half-title portrait frontispiece plates illustrations original cloth spine faded 1925 § Kenney (Cyril Ernest) The Quadrant and the Quill a book written in honour of Captain Samuel Sturmy signed presentation copy from the author to the illustrator wood-engraved decorations by Hellmuth Weissenborn photgraphic illustrations original cloth-backed pictorial boards 1945; and 12 others Military or Naval v.s. ***`.
Los 296
Beerbohm (Max) Caricature of Disraeli 1949 signed “Max/1949” to title of Clarke (Sir Edward) Benjamin Disraeli The Romance of a Great Career light spotting to title portrait frontispiece detached original cloth rubbed 1926; together with another pencil portrait with inscription “for our very/dear Dorothea/mx/1937” to half title of A Variety of Things one of 2000 copies original cloth a little frayed at head and foot of spine New York 1928 8vo(2) ***Beerbohm is well known for his caricatures of public figures. He is thought to have stopped doing caricature drawings around 1930 however which indicates the rarity of this example..
Los 381
Bunyan Divine Emblems 1757 fitted for the use of Boys and Girls tenth edition engraved portrait frontispiece by I. Sturt coloured by a former owner 49 illustrations fore-edge of frontispiece and last leaf strengthened a few minor tears repaired contemporary sheep rebacked new endpapers from a book of the same date [ESTC locates 6 copies of this edition only] 12mo E. Dilly 1757. ***This edition has a new preface signed with the initials J.D..
Los 91
Group of seven art and antiques reference books and exhibition catalogues comprising Franklyn (Julian), Brasses; Hill (Jonathan), Old Radio Sets; Cheetham (Reginald), Old Telescopes; Whinney, Sculpture in Britain 1530-1830; Whitworth Art Gallery, Medieval and Early Renaissance Treasures in the North West; British Museum, Thracian Treasures from Bulgaria; Holme (Charles), Early English Portrait Miniatures in the Collection of The Duke of Buccleugh. (7)
Los 13
JAMES PATERSON RSA PRSW RWS (1854-1932) Portrait Of A Lady (1916) Pastel and chalk, signed and dated 1916 Original frame 36cm x 26cm Note : After settling in Edinburgh, James Paterson drew several accomplished portrait sketches of high-profile contemporaries including a self-portrait drawing (1916) in pastel and chalk which is now in the collecton of The National Galleries Of Scotland. The portrait offered here is an outstanding example of his characteristic style as a draughtsman. Paterson has used hatching in red and grey chalk to model the face and give it depth.James Pater son`s work is currently being exhibited at The Kelvingrove Gallery as part of the major "Glasgow Boys" Exhibition and at The Hunterian Art Gallery (Glasgow) in "James Paterson : Works From The Artists Studio" (until 27th September)-an exhibition dedicated entirely to his own work.
Los 84
* RHONDA SMITH Self Portrait Study oil on canvas, signed and dated `91 47cm x 38.5cm Note : Rhonda was born in Glasgow in 1969 and graduated from the Glasgow School of Art in 1991 with a B.A Hons. Fine Art (Drawing and Painting). Rhonda has been awarded many prizes during her career, including the Winsor & Newton Young Artist Award, Royal Institute of Oil Painters and the Bessie Scott Award, Paisley Art Institute. In 1996 she was a Kennox Prize Finalist,(Aspect Prize). Her work is regularly exhibited at the Royal Institute of Oil Painters, Mall Galleries, the Royal Scottish Academy, and the Paisley Art Institute as well as galleries throughout Scotland and London. Her work is held in many public and private collections including Swiss Bank Corporation, KMM Ltd, Paisley Museum and Art Galleries, Hilton International Hotels and Thompson MacLeod Associates, Design Consultants. Private Scottish Collection.
Los 88
* ALISON WATT OBE Louise Mxed media on paper, signed 54cm x 35cm Note: Born 1965, Watt graduated with First Class Honours from Glasgow School of Art in 1987, continuing with Postgraduate studies. She has exhibited at the RA, RSA, National Portrait Gallery, London, among others, and has won the RA British Institution First for Painting (1986), National Portrait Competition (1987), the Mary Armour Still Life Prize at GSA (1987), etc. Private Scottish Collection.
Los 109
JOHN DUNCAN FERGUSSON (Scottish 1874-1961) Portrait of Meg (Margaret Morris) charcoal 32cm x 26cm Provenance: The artist`s wife Meg Morris c,1915, Duncan R. Miller Fine Arts label verso Note: Regarded as one of the major artists of the Scottish Colourists school of painting. While studying at the Louvre in Paris, Fergusson was impressed by the Impressionist paintings at the Salle Caillebotte and these were an important influence on his developing style. In the 1920s Fergusson was settled in a studio in London. His first solo exhibition was in 1923 and he was also involved in several important group exhibitions. In 1928 he and his partner, the dancer Margaret Morris, moved to Paris where they lived until the spectre of war once again loomed over Europe, prompting the couple to move to Glasgow 1939 where they were to remain for the rest of their lives. In 1940 Fergusson founded the New Art Club, out of which emerged the New Scottish Group of painters of which he was the first president. Private Scottish Collection. Copy of purchase receipt accompanies this lot (from Duncan R. Miller).
Los 110
* DENISE FINDLAY Portrait of the artist`s sister Oil on canvas, signed 121cm x 56cm Note: Denise Findlay graduated from Glasgow School of Art in 1996, and won the Elizabeth Greenshields Foundation Award in 1998. Her work is now in many private collections including HRH The Prince of Wales. She has exhibited in Glasgow, Edinburgh, London, as well as Holland and Belgium.She is the great great grand daughter of Jessie Newberry. Findlay depicts the human head on a large scale to force people to really look and appreciate its subtlety. Private Scottish Collection.
Los 123
* CRAIG MULHOLLAND Self Portrait with Floral Backdrop oil on canvas,signed with inital 153cm x 107cm Note: Born in Glasgow in 1969, Mulholland studied BA Honours Fine Art at Glasgow School of Art 1987-91. He has exhibited widely including in Edinburgh, Glasgow, Bristol, London, Copenhagen, Berlin, Bonn, New York. Human countenance intrigues the artist: his work conveys the maximum individuality and psychological intensity with the minimal means. Private Scottish Collection.
Los 129
* ROSEMARY BEATON (b.1963) Asleep on the Couch chalk and crayon, signed and dated Jan 85 29cm x 42cm Note: Beaton graduated from Glasgow School of Art in 1986 with BA Honours Fine Art, Drawing and Painting, after Postgraduate studies. She studied under Jack Knox, Jimmy Robertson, and Barbara Rae. She won the National Portrait Award in 1984 and the Emmy Sachs Drawing Prize at GSA in 1985. The artist has exhibited in Glasgow, Edinburgh, London, Manchester. Her West End Window was commissioned for a development in Ashton Lane, Glasgow. Private Scottish Collection.
Los 135
JAMES PITTENDRIGH MACGILLIVRAY RSA (1856-1938) Life Study for Sculpture 1915 brown ink, signed with initials and dated 18cm x 12cm Provenance: Ewan Mundy Fine Art Limited label verso Note: Son of sculptor William Brodie, this painter, philosopher, musician, poet and sculptor produced portrait busts of Glasgow Boy Joseph Crawhall (1881) and philosopher Thomas Carlyle (1889). He also produced sculptural work for Glasgow buildings, including City Chambers and Anderson`s Medical College. A close associate of the Glasgow Boys, and co-founder of The Scottish Art Review, MacGillivray became Sculptor Royal in 1921. Private Scottish Collection. Copy of the purchase receipt accompanies this lot.
Los 164
ROBERT INERARITY HERDMAN RSA RSW (1828-1888) The Portrait of Clara Schumann oil on canvas, monogrammed and dated 1856 46cm x 40.5cm Note: Clara Schumann was born Clara Vieck in Leipzig in 1819. Her father was a distinguished piano teacher and among his many famous pupils was Robert Schumann 1810-56. Schumann fell violently in love with Clara while under her father`s instruction but Vieck had planned that his daughter should have an international concert career as a piano virtuoso. After a tempestuous courtship during which Schumann wrote some of his most famous music for Clara, her father eventually relented and they married in 1840. Robert Schumann, as editor of Die Neue Musikzeitschrift was at the centre of a wide circle of the most prominent composers of the Romantic period, many of whom fell in love with Clara, again writing music for her to play and dedicating many pieces to here. After Schumann`s death in 1856 Clara financed the raising of their family by teaching, editing her late husband`s work and concert tours. She visited Britain regularly from 1856-88 and was much in demand as a teacher and performer. She also composed several original works. Towards the end of her life she was much in the company of Johannes Brahms who was deeply attracted to her. In spite of this Clara died a widow in Frankfurt in 1896. In the painting Clara wears `mourning clothes`. Private Scottish Collection.
Los 205
* DENISE FINDLAY Self Portrait graphite, charcoal and chalk on handmade paper, signed 31cm x 18cm Provenance: Exhibited Denise Findlay, Paintings & Drawings 12 April-5 May 1999, cat. no.38. Aitken Dott Ltd label verso. Private Scottish Collection. Copy of purchase receipt accompanies this lot.
Los 209
* CHANTAL JOFFE Young mother after August mixed media 9cm x 14cm Note : Chantal Joffe (born 1969 in St. Albans) is an English artist based in London. She is the sister of artist Jasper Joffe. Joffe completed her Foundation studies at Camberwell College of Arts in 1988, received her BA in Fine Art from Glasgow School of Art in 1989 and her MA in painting from the Royal College of Art in 1993. She has shown work internationally in many exhibitions including "London Calling" at Galleri KB in Oslo, "John Moores 22" at the Walker Art Gallery in Liverpool, "The Way I See It" at Galerie Jennifer Flay in Paris, "British Portrait 1" at Studio d`Arte Raffaelli in Italy and "Big Girl, Little Girl" at Collective Gallery in Edinburgh. She is represented by Victoria Miro in London. She won the £25,000 Charles Wollaston Prize in the 2006 Royal Academy summer exhibition for her painting Blond Girl-Black Dress. See also www.saatchi-gallery.co.uk Private Scottish Collection.
Los 221
WILLIAM SOMERVILLE SHANKS RSA RSW (1864-1951) Portrait W.T. Doherty, Esq., J.P. oil on canvas 90cm x 70cm Provenance: James McClure & Son label verso Note :William T Doherty was born in Airdrie in 1879, he was first apprenticed to the licensed grocery trade and for a period was located at Blackridge, West Lothian, around 1905 he was transferred to the Cowcaddens Ward. He then took over Mr Shanks public house at 80-82 Cowcaddens in 1913 and it changed names to WT Doherty (also known as The Symposium Bar). Doherty became heavily involved in the Scottish Defence work and became a member of the committee, he was also a director of the Scottish Legal Life Insurance Society, having offices in Bothwell Street and was elected to the town Council in 1920 to 1939. He was one of the first labour councillor`s on Glasgow Corporation and became a magistrate and deputy chairman of the Corporation. He was the first Roman Catholic to be convener of the Corporation Education Committee. He was associated with the Glasgow Vintners since its inception in 1920, being its first vice-president, then becoming president. In the 1930s William took over another public house at 183 Garscube Road. This portrait of W T Doherty was included in the exhibition held by the Royal Institute of Fine Arts in the McLellan Galleries in 1933. Somerville Shanks was a good friend of Mr Doherty and the portrait was presented to him a few years later when the exhibition was complete.
Los 298
ALEXANDER IGNATIUS ROCHE RP RSA NEAC (Scottish 1861-1921) The Crofter`s Steading oil on board 36cm x 44cm Note : Born at Gallowgate in Glasgow on 17th August 1861, the son of a milliner, Alexander Roche was schooled at St Mungo`s Academy and then attended some classes at the Glasgow School of Art while working in an architect`s office. His real art training came in Paris, where he studied for several years from 1881, under Boulanger and Lefebvre at Julien`s and later under Gérome at l`Ecole des Beaux-Arts. While in Paris he met several other Scottish students including William Kennnedy, (Sir) John Lavery and Thomas Millie Dow, along with Dow`s mentor, William Stott of Oldham. Together they painted at Grez-Sur-Loing, just south of Fontainebleau, all influenced by Bastien-Lepage (1848-84) and the plein-airistes. In 1885 Roche returned to Glasgow where he painted a number of romantic idylls of girls in gardens, interiors or in landscape, such as The Dominie`s (schoolmaster) Favourites exhibited at the Glasgow Institute in 1885, No. 591, which was priced at the great sum of £250 and The Shepherdess (exhibited to acclaim at the RA 1890). He moved to a cottage on the banks of the Luggie in Dunbartonshire and there some of his best landscapes were painted. Most of 1888 was spent in Capri, where he was associated with a cosmopolitan group of artists including Fabio Fabbi and Harold Speed. Two further trips to Italy followed, to Florence and Venice, in the early 1890s when he painted peasants in the Sabine Hills. In Florence, he met and married an Italian girl, but the marriage was not to last. In 1896 Roche moved to Edinburgh and began to paint portraits and figure studies. His sense of colour and confident brushwork were well suited to portraiture and in his later years this became his main output and source of income. He spent some time in the USA, fulfilling portrait commissions and seeking others. Among his lucrative commissions was a group portrait for Andrew Carnegie, then the world`s richest man, of his wife Louise (nee Whitfield) and their daughter, Margaret. He won a gold medal at Munich 1891, an Hon. Mention at the Paris Salon 1892 and a gold medal at Dresden 1897. Elected ARSA 1894 and RSA 1900, he exhibited at the RSA from 1887-1976 and at the RA from 1890-1919. Roche was considered a member of the Glasgow School, but after the late 1880s he drifted to the fringes of the movement. In 1906, he remarried, to Jean, daughter of the animal painter Robert Alexander and sister of Edwin, the flower and animal painter. All four shared a friendship with Joseph Crawhall, together with a love of Tangier. They lived from 1907 until the outbreak of the Great War at 8 Royal Terrace in Edinburgh. Around this time he was struck with a cerebral haemorrhage which paralysed his right hand. He taught himself to paint with his left and was later to produce some of his best landscapes.
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283322 Los(e)/Seite