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Dickens, Charles, Memoirs Of Joseph Grimaldi, Edited by "Boz" With illustrations by George Cruikshank vols I & II, London: Richard Bentley, New Burlington Street, 1838, 1st edition 2nd impression, grotesque border to page 238, lacking portrait of Grimaldi vol I Like master like man & Live properties vol II, no publishers catalogue to rear, half leather over marbled boards, 8vo., together with various other books to include Caldecott Picture Books etc.
A late Victorian gilt metal container of circular form, the cover relief decorated with a view of Windsor Castle, the base with Royal Coat of Arms, opening two reveal seven miniature medallions depicting Queen Victoria and five of her children, each with a portrait to the obverse and birth details to the reverse (Princess Alice x2), together with various other Royal commemorative items to include an enamel lapel badge with V.R cypher, 1902 Edward VII Coronation medal, 1911 George V Coronation medal, 1935 Jubilee medal and 1977 Silver Jubilee crowns etc.
After Sir George Hayter - The Coronation of Her Most Gracious Majesty Queen Victoria, monochrome engraving, 65 x 91cm, housed in a rosewood glazed frame; together with four other Victorian rosewood framed monochrome engravings, to include The Royal Procession passing Trafalgar Square June 1887, two portrait studies and a French interior scene (5)
William Bruce Ellis Ranken (British, 1881 - 1941), 'The Redcoat', a young Lance Corporal in the Royal Horse Guards, (believed to be Harry Frankland), signed with monogram, and dated 1915, oil on canvas, with hand written label verso, 108.5 x 85cm, in later gilt frame Notes: The painting was first shown at the 4th National Portrait Society Exhibition held at The Grosvenor Gallery, 51a New Bond Street, London in March and April 1915. It was subsequently reproduced on the front cover of the magazine 'Colour' in June 1915. The painting was further exhibited at The Royal Scottish Academy in the summer of 1916 (no. 164). The sitter appears to bear a strong resemblance to the figure in Ranken’s oil 'Trooper of Royal Horse Guards, in Walking-Out Dress' (National Army Museum collection) and a watercolour in the collection of Warrington Museum and Art Gallery, both of which were gifted by the Ranken family. In 1915, Ranken also exhibited a large oil of a portrait group entitled ‘Life Guards’, the central figure has the same head as Warrington Museum’s painting and a strong resemblance to 'The Redcoat’ sitter. According to Ranken's papers, the painting was lost in the early 1920’s following an unauthorised sale of some of his works. Furthermore, there appears to be no auction records for 'The Redcoat'. This could be the first time the painting has appeared in the public domain in over 100 years. Information courtesy of Wendy & Gordon Hawksley, for further details we recommend that you contact - www.williamranken.org.
Rebecca Anne Foster (British, 1866-1951), Still life of roses, signed, oil on canvas, 18.6 x 31.5cm; pair of Regency engravings after moorland, with figures, coloured engravings, 28 x 21.8cm, in gilt moulded frames; 2 other prints, and a mirror with portrait above, 43.5 x 9.6cm. (6)#Condition:Few tiny marks to canvas, 3 corners of frame slight damage and top right hand about 4.5cm down - 2cm of damage to frame. Pair of oval prints in frames - good. The Cherub Choir - 3 creases in print and frame 4 areas of damage. Damage to Mona Lisa print and frame. Portrait Mirror some damage to frame.
Signed `Hesing´ in bold black ink at the foot beneath his portrait of Hesino Approx 7.5x4.5 Inch. Hesing Xi Cheng or Sheng, Captain of the "Keying". Was a Mandarin who travelled in the Keying, first Chinese junk to ever sail from Hong Kong to New York and further to London. The Keying was a three-masted Chinese trading junk that sailed from Hong Kong in December 1846 with a mixed crew of Chinese and British sailors. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
HERMANN SCHMIECHEN (GERMAN 1855-1923) PORTRAIT OF A GIRL HOLDING A BASKET OF FLOWERS Signed and dated '91' (lower left) 103 x 73.5cm (40½ x 28¾ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: UV light reveals small retouches scattered across the background area, and a 5 cm long retouch next to the girl's left cheek, near the hair. Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer
CIRCLE OF SIR HENRY RAEBURN (SCOTTISH 1756-1823) PORTRAIT OF A LADY IN A BLACK DRESS Oil on canvas 39.5 x 31.5cm (15½ x 12¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
MORITZ STIFTER (AUSTRIAN 1857-1905) PORTRAIT OF TWO LADIES IN DRESSES Oil on panel Signed (lower right) 20 x 12cm (7¾ x 4½ in.) (2)Provenance: Haynes Fine Art of Broadway, WorcestershirePlease note measurements do not include the frame unless otherwise stated. Condition Report: Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
CIRCLE OF BARTHOLOMEW DANDRIDGE PORTRAIT OF A YOUNG GIRL IN A BLUE DRESS Oil on canvas, oval 50 x 39cm (19½ x 15¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Relined. Light surface dirt and craquelure scattered throughout. Paint thinning throughout. Inspection under UV reveals scattered retouching across the canvas including quite extensive retouching to the girl's face. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
STUDIO OF GEORGE CLINT PORTRAIT OF VICE ADMIRAL WILLIAM (LUKIN) WINHAM Oil on canvas 111 x 85cm (43½ x 33¼ in.)After the original painting by George Clint (1770 - 1854), dating from 1825 and in the collection at Felbrigg Hall, Norfolk.Please note measurements do not include the frame unless otherwise stated.This portrait shows the sitter before his final promotion to Vice-Admiral, and the year after he inherited Felbrigg Hall, Norfolk in 1824. The original work still hangs at the house. William Lukin had not anticipated inheriting the estate. He was the grandson of William III Windham's mother, Sarah Hicks, by her first marriage. When William III had died without children, the inheritance passed across to the Lukin family. William Lukin assumed the name and arms of Windham in gratitude. His grandiose schemes for enlarging the house were, for the most part, prevented by lack of money.Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas is unlined and presents general craquelure across the surface. There are sever losses of paint on the right shoulder, close to the left shoulder, right leg, and bottom border. UV light reveals several restorations on the right arm and both the shoulders, which coincide with repairs of the canvas with patches on the verso. The painting shows dirt throughout. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
BRITISH SCHOOL (18TH /19TH CENTURY) PORTRAIT OF A GENTLEMAN Oil on canvas 52 x 44cm (20¼ x 17¼ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas has been lined. Craquelure throughout. Stretcher marks visible. Rubbing and abrasions to the framing edges. Surface scratches and dirt throughout. Some isolated spots of loss, some of this has been retouched and is visible in natural light. Inspection under UV reveals substantial retouching and infilling. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
SWEDISH SCHOOL (19TH CENTURY) A PAIR OF PORTRAITS OF AN OFFICER AND HIS WIFE Oil on canvas, arched tops Each 41.5 x 32cm (16¼ x 12½ in.)Together with a portrait of an old lady, after Nils Andersson; and a portrait of a young child. Various sizes (4)Please note measurements do not include the frame unless otherwise stated. Condition Report: Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
SWEDISH SCHOOL (EARLY 19TH CENTURY) PORTRAIT OF A LADY Oil on canvas 76 x 63cm (29¾ x 24¾ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas is unlined, it presents dirt across the surface and varnish blooming down the left shoulder and bottom end. General craquelure is present, predominantly on the right hand side; in some cases the cracks result in small loses of paint. A few dents a present that could be adjusted with re-stretching the canvas. Inspection under UV light reveals no retouching. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
TWENTY DYLAN THOMAS RELATED BOOKS mainly US 1st Editions including some scarce to the UK, including by Thomas ‘Collected Poems’, ‘Portrait of the Artist as a Young Dog’, ‘Adventures in the Skin Trade’, ‘Quite Early One Morning’ etc (please see online images for full listing)Provenance: from the library of actor David Ponting (1936-2018) who portrayed the poet in 'Dylan Thomas: The Man and The Myth'
19TH C. COQUILLA NUT FIGURAL SNUFF BOX & VESTA CASE, snuff box carved as a gent in hat and tailcoat, hinged compartment to rear, 9cm h; the brown bakelite vesta with Victoria portrait and VR monogram, 5cms h (2)Provenance: private collection mid Wales.Comments: snuff - both feet broken and reglued, worn. Vesta - case bowed.
Portrait of a Capuchin Friar. The Capuchin friar, wearing a dark beret on his head, directs a gaze at the viewer that is both intense and amused. The details with which he is depicted suggest an academic portrait. The painting is pleasant both in execution and size, and it is also accompanied by a contemporary frame.Period: Late 19th centuryOrigin: Private collection in NaplesTechnique: Oil on canvasDimensions: With frame: 65x78 cm; without frame: 51x63 cmCondition: The painting is in good condition; small color losses and minor deficiencies in the frame are visible.

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