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283287 Los(e)/Seite
Los 229
John Bratby (1928-1992). Through the conservatory window, reaching to the sea by the east ridge. An unfinshed full length portrait of a man on the reverse. Oil on board. Signed lower centre. 103cm x 60.5cm. This lot is accompanied by a letter from the artist giving details of this painting and other similar works.. Visit www.dnfa.com for condition reports.
Los 10
A Victorian gold mounted hardstone cameo set brooch, of rounded rectangular design, carved to depict classical male and female portrait profiles, within ropetwisted borders; a cornlian intaglio set ring, of swivelling design, with foliate scroll decorated tapering shank; a 9ct gold mounted navette shaped oval shell cameo set ring; a multi-gem set ring and a puzzle ring (5). Cameo brooch 2.6cm x 2cm
Los 316
A late 18th Century Creamware Canister, painted in colours with a half-length portrait of a gentleman in 18th century costume, and also either side with initials PW and DS, and also in iron red and green with sprigs of flowers, entwining foliage etc (foot rim chip and cover missing), 3 1/2" high
Los 542
Allan Ramsay (1713-1784) John Fitzgerald Villiers, 1st Earl Grandison (c. 1684-1766) Oil on canvas, signed and dated bottom left: A Ramsay 1743, 124.5x99.1cm. Known as "Good Earl John", John Fitzgerald Villiers was the eldest son of Brigadier-General the Hon. Edward Villiers and Katharine Fitzgerald, Viscountess Grandison of Limerick. She had been a ward of Charles II, while he was the eldest son of the 4th Viscount Grandison. John was educated at Eton and Magdalene College, Cambridge. In 1706 he married Frances Cary, duaghter of the 4th Viscount Falkland. He greatly improved his estates at Dromana by plantation and was briefly member of Parliament for Old Sarum in 1705. He became governor of the city and county of Waterford and built the village of Villierstown. In 1699 he had succeeded his paternal grandfather as 5th Viscount Grandison of Limerick and was subsequently created Earl Grandison in 1721. He was also a privy councillor. For further information on the family, see Thérèse Muir Mackenzie, Dromana, The Memoirs of an Irish Family, especially page 178 where the portrait is reproduced when it was still at Dromana. The portrait was painted in what Alastair Smart has designated Ramsay's 'first style', during the years 1738 to 1751 when he successfully established himself in London after his first visit to Italy. It is listed as no. 205 in Smart's Allan Ramsay A Complete Catalogue of his Paintings, Yale University Press, 1999. For further discussion of Ramsay's work during the early 1740s, see the same author's Allan Ramsay: Painter, Essayist and Man of the Enlightenment, Yale University Press, 1991, pages 40-93
Los 565
Jack Vettriano OBE, Hon LLD (b1951) ARR Self portrait of the artist Signed oil on canvas, c1994, 50.5x40.5cm A larger version was shown in the Portland Gallery. Chimes at Midnight, exhibition. 12Oct-1 Nov, 1991, catalogue no.5. This lot was the study given by the artist to the present vendor
Los 274
Hardback Books: Margaret The Last Real Princess by Noel Botham, signed with dedication dated 1302, First Edition, Cupid & The King by The Princess Michael of Kent, dedication & signed by Princess Michael, First Edition Signed Copy of The Prince of Wales A Biography by Jonathan Dimbelby, Her Royal Majesty Elizabeth II by Robert Lacey, First Edition, signed, Elizabeth the Queen Mother by Hugo Vickers & Philip & Elizabeth the Portrait of a Marriage by Giles Brandreth, signed first edition
Los 283
Mary I Hailwood (R.A) (British 1908 - 1983). A portrait miniature on vellum or ivory of Mrs M A Broadhead, the grandmother of illustrator and horse artist William Smithson Broadhead (1888 - 1960). She is shown seated with head lowered, knitting, in a black jacket and white shirt with pearls, unsigned, but labelled verso '(Miss) Mary Hailwood, Old Hastings Hotel, Warninglid, Haywards Heath Sussex, No.2 Title Mrs M A Broadhead.' 6.5cm by 7.5cm.
Los 323
BUCHANAN. Pair of oils on canvas laid on board, one bearing signature, impressionist garden scene and impressionist still life study of flowers in a vase, 15" x 11.1/4", together with four framed watercolours on paper, various artists and subjects, all bearing signatures, 12" x 15" (average), MAX HOLFER, signed oil on canvas laid on board, a country house garden scene, 15" x 18.3/4" and Style of KERNOFF, unframed, unsigned oil on board, portrait study of a man wearing hat and glasses, smoking a pipe, see verso, 19.3/4" x 15.3/4".
Los 299
HARRY W POTTER (NORWICH WARTIME ARTIST), CHARCOAL DRAWING, A Head Portrait of Adolph Hitler; a WATERCOLOUR, of Troops Walking down a Country Road, DATED 1922; and a Norwich Daylight Air Raid Warning at 6:35 hours with Barrage Balloons, St Peter Mancroft, the City Hall, the Cathedral, Castle, ST John the Baptist Church, various sizes (3)
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283287 Los(e)/Seite