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Preisdatenbank abonnierenFollower of Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London)Portrait of a gentleman, half-length, in a fur trimmed jacket oil on canvas, unlined76.2 x 63.2cm (30 x 24 7/8in).Footnotes:ProvenanceSale, Sotheby's, London, 21 March 2002, lot 37, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
Jean-Jacques-François Le Barbier the Elder (Rouen 1738-1826 Paris)Portrait of a young lady, bust-length, with a white ruff collar signed and dated 'Le *arbier l'ainé./ 1820.' (lower left, 'Le' on the side of the stretcher)oil on canvas, unlined40.9 x 32.6cm (16 1/8 x 12 13/16in).For further information on this lot please visit Bonhams.com
Circle of John Vanderbank (London 1694-1739)Portrait of Thomas Frederick, three-quarter-length, in a blue coat, his right arm resting on a plinth, with a landscape beyond; and Portrait of Leonora Marescoe, Lady Frederick, three-quarter-length, seated, in a burgundy dress, beside an urn on a plinth , a landscape beyond a pair, oil on canvas 127.8 x 100.3cm (50 5/16 x 39 1/2in). and 127.8 x 102.3cm (50 5/16 x 40 1/4in). (2)Footnotes:ProvenanceSale, Christie's, South Kensington, 27 May 2004, lots 21 and 27This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
After Thomas Gainsborough, R.A., 18th CenturyPortrait of Mary Gainsborough, bust-length, in a hat oil on canvas76.4 x 62.9cm (30 1/16 x 24 3/4in).Footnotes:The present work is derived from Gainsborough's original, now in The Tate Britain, London, with minor differences.For further information on this lot please visit Bonhams.com
George Engleheart (London 1750-1829)A portrait miniature of an officer, wearing red coat with blue collar and facings edged with gold trim, gold epaulettes and brass buttons, white chemise, stock and lace cravat, his hair powdered. Watercolour on ivory, gold fausse-montre frame with blue and white enamel borders front and verso, the front set with an inner surround of seed pearls. Oval, 60mm (2 3/8in) highFootnotes:Please note, the United States Government has banned the import of ivory into the USA.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Andrew Plimer (Devon 1763-1837 London)A portrait miniature of an officer, wearing red coat, cream collar, facings and epaulettes over his white frilled chemise and black stock, his hair powdered. Watercolour on ivory, gold frame, the reverse glazed to reveal an oval blue glass plaque within a surround of plaited hair. Oval, 78mm (3 1/16in) highFootnotes:Please note, the United States Government has banned the import of ivory into the USA.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Richard Cosway, R.A. (Devon 1742-1821 London)A portrait miniature of an officer, wearing red coat with black collar and epaulettes over his white waistcoat, chemise and cravat, his hair powdered and tied with black ribbon. Watercolour on ivory, gilt-metal frame. Oval, 42mm (1 5/8in) highFootnotes:Please note, the United States Government has banned the import of ivory into the USA.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
Horace Hone, ARA (Irish, circa 1756-1825)A portrait miniature of an officer, possibly a member of Admiral Vernon's family, wearing red coat with blue collar, white waistcoat, chemise and lace cravat, black stock, his powdered wig worn en queue. Watercolour on ivory, signed and dated on the obverse, HH/ 177*, mounted in a silver and gold bracelet clasp, set with cushion-shaped diamonds, weighing approximately 1.20 carats total, suspended from a chased surmount. Oval, 41mm (1 5/8in) highFootnotes:ProvenanceBasil Harcourt Vernon of Timperley, Cheshire, and thence by descent.Please note, the United States Government has banned the import of ivory into the USA.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
English School, 19th CenturyPortrait of George Villiers, bust-length, in a ruff bears inscription 'George Villiers Duke of Buckingham/ Cornelius Jansen Pinxt/ 1623' (on the reverse)oil on enamel8.2 x 6.9cm (3 1/4 x 2 11/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Attributed to Helena Beatson (Kilrie 1762-1839 Lichfield)Portrait of Robert Beatson (1730–1805) of Kilrie, half-length, in a red coatoil on canvas 76.2 x 63.2cm (30 x 24 7/8in).Footnotes:ProvenanceBy descent from the sitter to the present ownersLots 140-145 depict members of the Beatson family of Kilrie, Fife. Robert Beatson (1730–1805), a writer, married Jean (née Read) and had four children; Captain Robert Beatson, Major General Alexander, John and Helena. Jean was the sister of the artist Katherine Read, who later taught her daughter, Helena to paint. Family tradition suggests that these works were painted by Helena Beatson but so few works by her are known in oil that it is difficult to be certain.Although best known as a pastellist and her oils are relatively rare, Katherine Read was the first Scottish woman to train as an artist and was one of the most fashionable portraitists of the 18th century, painting royalty and gaining fame across Europe when in exile as a Jacobite.For further information on this lot please visit Bonhams.com
Attributed to Katherine Read (Forfarshire 1723-1778 ?)Portrait of Jean Beatson (née Read), wife of Robert Beatson, half-length, in a white dress, seated before a landscape, within a painted ovaloil on canvas 73.7 x 58.7cm (29 x 23 1/8in).Footnotes:ProvenanceBy descent from the sitter to the present ownersSee lot 140 for further information on the Beatson family.For further information on this lot please visit Bonhams.com
Attributed to Katherine Read (Forfarshire 1723-1778 ?)Portrait of Captain Robert Beatson, half-length, in military uniform, within a painted ovaloil on canvas 72.7 x 58.1cm (28 5/8 x 22 7/8in).Footnotes:ProvenanceBy descent from the sitter to the present ownersCaptain Robert (born 1758) was the eldest son of Robert Beatson of Kilrie and his wife Jean. See lot 140 for further information on the Beatson family.For further information on this lot please visit Bonhams.com
Attributed to Katherine Read (Forfarshire 1723-1778 ?)Portrait of Major General Alexander Beatson, half-length, in military uniform, within a painted ovaloil on canvas 73.2 x 57.8cm (28 13/16 x 22 3/4in).Footnotes:ProvenanceBy descent from the sitter to the present ownersAlexander Beatson (1758–1830), second son of Robert Beatson, was an officer in the East India Company's service and governor of Saint Helena from 1808-1813. He married Davidson Reid (1787-1865) and had 13 children. See lot 140 for further information on the Beatson family.For further information on this lot please visit Bonhams.com
Attributed to Katherine Read (Forfarshire 1723-1778 ?)Portrait of John Beatson, half-length, in a blue waistcoat and buff jacket, within a painted ovaloil on canvas 73.7 x 58.4cm (29 x 23in).Footnotes:ProvenanceBy descent from the sitter to the present ownersThe sitter, John (born 1760), was the third son of Robert Beatson of Kilrie. See lot 140 for further information on the Beatson family.For further information on this lot please visit Bonhams.com
Attributed to Katherine Read (Forfarshire 1723-1778 ?)Portrait of Helena Beatson, half-length, seated in a landscape, holding a paint brushoil on canvas 92.2 x 72.2cm (36 5/16 x 28 7/16in).Footnotes:ProvenanceBy descent from the sitter to the present ownersHelena Beatson (1762–1839) was the daughter of Robert Beatson and niece of Katherine Read. She was a keen artist, taught by her aunt, and exhibited at the Royal Academy in 1774. Later she travelled with her aunt Katherine to India and whilst there in 1777 she married Sir Charles Oakley, 1st Bt, later governor of Madras. See lot 140 for further information on the Beatson family.For further information on this lot please visit Bonhams.com
Attributed to Godaert Kamper (Düsseldorf 1614-1679 Leyden)Portrait of a lady, half-length, within a painted stone oval oil on panel73.8 x 58.4cm (29 1/16 x 23in).Footnotes:ProvenanceCider House Galleries, Surrey, 1985 where purchased by the present ownerFor further information on this lot please visit Bonhams.com
After Sir Peter Lely, early 18th CenturyPortrait of King Charles II, three-quarter length, in robes of the Order of the Garteroil on canvas 120.6 x 96.8cm (47 1/2 x 38 1/8in).Footnotes:The present composition is after the original work by Sir Peter Lely, currently in the Duke of Grafton's collection at Euston Hall.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Circle of Enoch Seeman (Danzig circa 1694-1745 London)Portrait of a young man, said to be Heneage Dering (born 1719), half-length, in a red coat and embroidered waistcoat oil on canvas76.6 x 63.7cm (30 3/16 x 25 1/16in).Footnotes:ProvenanceMost probably with Michael Carlton, London, 1960s, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
Giuseppe Tori (active Italy, 18th Century), after Anton Raphael MengsPortrait of Pope Clement XIII, three-quarter-length signed and inscribed 'Ills.*/ Papa/ Clemente XIII/ Pn/ Guiseppe Tori' (on scroll, lower right)oil on canvas108.8 x 91.4cm (42 13/16 x 36in).Footnotes:Provenance Sale, Christie's, New York, 26 October 1989, lot 39 Sale, Dreweatts, Berkshire, 28 July 2019, lot 61 (Cleo Rose: The Private Italian Collection)The present composition is derived from Anton Raphael Mengs (1728-1779) and workshop's Portrait of Pope Clement XIII currently in The Walters Art Museum (acc.no. 37.1700).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
George Knapton (London 1698-1778)Portrait of a girl, half-length, in a pink and white dress, within a painted oval; and Portrait of a boy, half-length, in a buff coat, within a painted ovala pair, oil on canvas 45.9 x 48.2cm (18 1/16 x 19in).(2)Footnotes:ProvenanceCollection of Miss N.M. de Mierre, Eastbourne, Sussex, before 1979 (according to labels on the reverse)Sale, Phillips, London, 16 December 1997, lot 29APrivate Collection, UKFor further information on this lot please visit Bonhams.com
Thomas Hickey (Dublin 1741-1824 Madras)Portrait of John George Livius, half-length, in a dark blue coat with gold trim indistinctly signed and dated 'T. Hi****/ 1782' (lower left)oil on canvas, oval26.9 x 21.2cm (10 9/16 x 8 3/8in).Footnotes:ProvenanceColonel O.G. Body, DSO, SalisburyPrivate Collection, UKExhibited Dublin, National Gallery of Ireland, London, National Portrait Gallery and Belfast, Ulster Museum, Irish Portraits 1660-1860, 14 August - 9 March 1969-70, cat. no. 70Literature A. Crookshank and the Knight of Glin, Irish Portraits 1660-1860, exh. cat., London, 1969, p. 55, cat. no. 70John George Livius served with the East India Company from 1772, when he arrived as a writer, until 1782, when he finished as a Junior Merchant the same year as this portrait was painted.For further information on this lot please visit Bonhams.com
English School, 18th CenturyPortrait of Sir Christopher Hatton, half-length, holding a cameo of Queen Elizabeth I bears inscription 'LORD CHANCELLOR/ HATTON 1589' (upper left) and 'TANDEM SI' (upper right) and charged with sitter's coat-of-arms (upper right)oil on canvas79 x 66.2cm (31 1/8 x 26 1/16in).Footnotes:ProvenanceThe Collection of Mrs Henrietta Coffin, 1866The Collection of Major A. F. M. Jack, Collacombe Manor, DevonHis sale, Knight, Frank and Rutley, 25 September 1962, lot 127, where purchased byThe Collection of D.S. Todd-White, from whom acquired by the current owner in 1963ExhibitedLondon, South Kensington Museum, The National Portrait Exhibition of 1866, 1866, no. 402 (lent by Mrs Henrietta Coffin)A similar portrait of the sitter is in the National Gallery, London (see inv. no. NPG 2162).For further information on this lot please visit Bonhams.com
Follower of Hans Holbein the Younger (Augsburg circa 1497-1543 London)Portrait of a young man from the Speth family, half-length, wearing a black hat and cloak, lace ruff and pink shirt dated '15.86' (upper right), inscribed 'AETATIS. SVE/ XVI' (centre), charged with sitter's coat-of-arms, extensively inscribed (verso and recto) gouache on paper13.1 x 8.4cm (5 3/16 x 3 5/16in).For further information on this lot please visit Bonhams.com
French School, 18th CenturyPortrait of a girl, said to be from the Luglen van Tuyll family, bust-length, in a blue dress pastel, arched top42.7 x 31.6cm (16 13/16 x 12 7/16in).Footnotes:ProvenanceSale, Sotheby's, London, 15 March 1966, lot 61 (for £720)With John Mitchell, LondonSale, Sotheby's, London, 24 October 1984, lot 132 (as Perronneau)Private Collection, UKLiteratureN. Jeffares, Dictionary of pastellists before 1800, London, 2006, p. 591, ill.N. Jeffares, Dictionary of pastellists before 1800, online, J.9.2847, illFor further information on this lot please visit Bonhams.com
Henry Edridge (London 1769-1821)Portrait said to be of Mrs J. Williams seated on a stone bench in a landscape playing a guitar signed and dated 'H. Edridge 1808' (lower right)graphite and watercolour40.3 x 29.5cm (15 7/8 x 11 5/8in).Footnotes:A portrait of Mrs J. Williams was exhibited by Edridge at the Royal Academy in 1808, no. 581For further information on this lot please visit Bonhams.com
After Pompeo Girolamo Batoni, 18th CenturyPortrait of James Stopford, later 2nd Earl of Courtown (1731-1810), half-length, in a green and red jacket, before a landscape oil on canvas98 x 73.4cm (38 9/16 x 28 7/8in).unframedFootnotes:ProvenanceSale, Christie's, London, 24-25 July 1986, lot 114 (as an unidentified sitter)LiteraturePossibly E.P. Bowron, Pompeo Batoni: A complete catalogue of his paintings, New Haven and London, 2016, vol.1, p. 198, under cat. no. 172, copy b The present work is after Batoni's original, now in the Huntington library, California (inventory number 94.3).For further information on this lot please visit Bonhams.com
Flemish School, 17th CenturyPortrait of a gentleman, bust-length, in black costume with a white collar bears inscription 'Joannes Scroüen Nepes Joannis Beris/ hic obüt 1610 .3. Junis' (around collar, centre) and charged with the sitter's coat-of-arms (upper left)oil on panel27.1 x 22.2cm (10 11/16 x 8 3/4in).unframedFor further information on this lot please visit Bonhams.com
After Annibale Carracci, circa 1800The Holy Family with the Infant Saint John the Baptist oil on copper38.4 x 28.7cm (15 1/8 x 11 5/16in).Footnotes:The present lot is after Annibale Carracci's original painting, now in the National Portrait Gallery, London (inv. no. NG6597).For further information on this lot please visit Bonhams.com
Follower of Carlo Ceresa (San Giovanni Bianco 1609-1679 Bergamo)Portrait of a lady, three-quarter-length, seated before a landscape, within a painted ovaloil on canvas 123.8 x 101.1cm (48 3/4 x 39 13/16in).Footnotes:ProvenanceCollection of Henry Birkey Arundel (1857-1905, according to a label on the reverse)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Attributed to Louis Gauffier (Poitiers 1761-1801 Livorno)Portrait of Jacques Darnaud, full-length, before a Mediterranean coast and the port of Genoa in the distance indistinctly inscribed 'Da***' (on scroll, lower right)oil on canvas40.8 x 33.4cm (16 1/16 x 13 1/8in).Footnotes:Having been initially enlisted in the French Royalist army in 1777, Jacques Darnaud continued to serve in the Revolutionary Army on the Rhine and in Italy. No longer leading men into battle in April 1801 he was named commander of Genoa, returning to France in August 1802. Thereafter he was named a Baron of the Empire in 1809 and later, with the Bourbon Restoration in 1814, he was named an honorary lieutenant general. He was a Grand Officer of the Légion d'honneur and a Commander of Ordre de Saint-Louis. His name is among those engraved on the Arc de Triomphe.For further information on this lot please visit Bonhams.com
Follower of Sir Anthony van Dyck (Antwerp 1599-1641 Blackfriars)Portrait of Charlotte Stanley (née de La Trémoille), Countess of Derby, half-length, in a white satin dress with pearl embellishments bears inscription 'Charlotte de la Tremoüille,/ Countess of Derby.' (upper left) and 'Ino Newington Hughes, Esqr/ No 13.' (on the reverse)oil on canvas75.5 x 61.2cm (29 3/4 x 24 1/8in).Footnotes:ProvenanceCollection of John Newington Hughes Esq.His sale, Christie and Manson, London, 14 April 1848, lot 163This portrait is derived from the original Sir Anthony Van Dyck Portrait of James Stanley, Lord Strange, Later Seventh Earl of Derby, with His Wife, Charlotte, and Their Daughter currently in the Frick Collection, New York (acc.no. 1913.1.40).For further information on this lot please visit Bonhams.com
Attributed to Jean-Baptiste Santerre (Magny-en-Vexin 1651-1717 Paris)Portrait of a lady, bust-length, in a white chemise with a red cloak and pearl earring oil on canvas 52.7 x 45.1cm (20 3/4 x 17 3/4in).Footnotes:Provenance Sale, Christie's, London, 8 July 2014, lot 481, where purchased by the present owner.For further information on this lot please visit Bonhams.com
Circle of Francois Pascal Simon Gerard, called Baron Gerard (Rome 1770-1837 Paris)Portrait of a young lady, half-length, in a white dress and coral beads oil on canvas76.1 x 63.2cm (29 15/16 x 24 7/8in).unframedFootnotes:ProvenanceCollection of J.T. Carter, London, by 1968For further information on this lot please visit Bonhams.com
A RUSSIAN ICONegg tempera on panel, depicting four saints around an angel, with remains of silvering, together with a portrait of Pope Julius II, oil on board, after Raphael, in a gilt Florentine style frame, a print of a Continental school picture of St Martin of Tours and the beggar in a bone and ebonsied frame, an embossed silvered brass and painted icon titled 'Adomirea Maici Dominului and a triptych after Correggio of The Adoration ofthe Christ Child flanked by angels (5)43 x 35cm (max)Icon - Christie's, 23rd March 1994, lot 562.
λ FOUR TUNBRIDGE WARE STAMP BOXESincluding one with a mosaic panel inscribed 'STAMPS' and another inscribed 'POSTAGE', together with a rosewood box applied with a 'RECEIPT STAMPS' print and another box with a mosaic portrait of the young Queen Victoria (4)2cm high, 6.3cm wide, 3.4cm deep (max)
†PAUL RICHARDS (born 1949); three oils on canvas, portrait of a female, 35 x 27cm, portrait of a male, 30.5 x 23cm, study of a female, signed and dated 2005 verso, 20 x 20cm, all unframed, also a charcoal sketch by the same artist, 21.5 x 17cm, with a larger sketch probably by another hand, signed with initials and dated 13/7/91, 58 x 42cm, both framed and glazed (5). Condition Report: The three small oils all appear to be in good condition, the two famed pictures and in generally tired, the smaller one with losses to the frame.
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