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Chaucer Auctions
Los 318

Charlton Heston signed autograph presentation. High quality professionally mounted 17 x 11 inch overall sized display. 3D double mounted in acid free mountboard. Consists of an 8x10 inch colour portrait photograph and signature piece matted below the photo. Charlton Heston (4th October 1923 - 5th April 2008) was an American actor and political activist. As A Hollywood star, he appeared in almost 100 films over the course of 60 years. The picture shows Heston starring as Judah Ben-Hur in the film Ben-Hur. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

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Chaucer Auctions
Los 319

Diana Rigg signed autograph presentation. High quality professionally mounted 16 x 13 inch overall sized display. 3D double mounted in acid free mountboard. Consists of an 8x10 inch colour portrait photograph and signature piece matted below the photo. She is best known for playing Emma Peel in the 1960's TV series The Avengers, Countess Teresa di Vicenzo, wife of James Bond in On Her Majesty's Secret Service, and Olenna Tyrell in Game of Thrones. She won and was nominated for many awards, winning the BAFTA TV Award for Best Actress, the Emmy Award for Best supporting Actress in a Miniseries of TV Movie. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

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Henry Adams Auctions
Los 131

An early 20th century embroidered portrait print of Napoleon Bonaparte, with inset buttons and sword hilt, label verso 'Napoleon (Gerrard) sewn by Lucy Fenwick, 1934, 24cm by 19cm

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Henry Adams Auctions
Los 176

A 19th century full length portrait silhouette of a gentleman, with bronzed highlights, in gilt and imitation rosewood frame, with receipt from Peter Jones, 24.5cm by 16cm, together with a 19th century coloured engraving of The Tower of London - The Norman Armoury, after Melville, engraved by B Sky, 21cm by 14cm

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Henry Adams Auctions
Los 179

A cut paper silhouette depicting a figure with a bird and a young girl beside a tree, indistinctly signed in pencil, Walvary?, 19cm by 15cm, together with a portrait profile silhouette initialled RA, 12cm by 8cm, and four various miniatures

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Henry Adams Auctions
Los 348

Horse racing and cricket interest, five sporting prints comprising a Vanity Fair portrait of a jockey, 'Danny', dated 1903, 36.5cm by 22cm, two humorous Punch cricket prints, 12.5cm by 18cm, a view of cricket players at Priory Park, Chichester, 27cm by 40cm, and another

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Bristol Auction Rooms
Los 89

Anders Zorn (Swedish 1860-1920)Portrait of a manEtchingSigned in pencil lower right16 x 12cm Label verso Thomas Murray & Son, Dundee

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David Lay FRICS
Los 1210

A Sherwin & Cotton portrait tile of William Gladstone from a portrait by S Mendelssohn in an oak frame, tile measures 21.5 x 14cm.

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David Lay FRICS
Los 2527

A pair of miniature binoculars with standard lens, a portrait miniature after Gainsborough and and a gilt pocket watch.

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David Lay FRICS
Los 2530

Fountain and other pens, a portrait, a naval two part buckle and a snake skin purse.

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David Lay FRICS
Los 2608

An Edwardian silver vesta case with a portrait of Ralph Slazenger Sheriff of London 1909-1910 Chester hallmarks together with a small perfume bottle. Condition report: Both items commensurate with age.The vesta case is dented to the back.

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David Lay FRICS
Los 3228

An early 20th century framed fabric portrait of a girl, 24 x 19cm.

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David Lay FRICS
Los 459

A quantity of art and poetry related books, to include 'Dufy, Braque and Chagall Les Tresors de la Peinture Francaise', 'St Ives 1883-1993 Portrait of an Art Colony' by Marion Whybrow, 'Augustus John' by John Rothenstein and 'Arts and Crafts in Newlyn 1890-1930' by Hazel Berriman etc.

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David Lay FRICS
Los 639

A ship's portrait pastiche of an early painting by W J Huggins, together with a small oil on canvas.

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David Lay FRICS
Los 766

A large Chinese ancestor portrait scroll on silk, depicting an elderly lady in court robes with child, 167.5 x 94cm.

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East Bristol Auctions
Los 219

A pair of 19th century Victorian early plastic Vulkanite / Bois Durci vesta cases featuring the portrait bust of Queen Victoria. 5cm high 4cm wide. 

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East Bristol Auctions
Los 563

MALE AND FEMALE PORTRAIT STUDIES BY BERTRAM PARK (1883-1972) British Photographer. A large collection of original vintage studio portrait photographic bromide and silver gelatin prints - some sepia but mostly black and white. Circa 1920s-1930s. Approx 70 photos with sizes ranging from 15cmx20cm, most being 20cmx25cm and larger examples. Some have branding on mounted photo verso Petram Park 43 Dover Street Piccadilly London. Mostly female portraits, some male children family etc. Also included are some travelling related sepia photography by Bertram Park of countryside scenes and village buildings etc (20) each being mounted. All items contained within four branded booklets. 39cm high 31cm wide biggest folder. 

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East Bristol Auctions
Los 102

A 19th Century Victorian cupboard display commemorative cup and saucer for the diamond jubilee 1837-1897. The cup featuring a portrait of Queen Victoria along with small sporting scenes including yachting, cycling, gold, cricket and football, all transfer printed with colour added by hand with gilt rims. RD no. 294252. Cup measures 7cm high. 

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Adams
Los 130

Leo Whelan RHA (1892-1956)Portrait of Harry Boland T.D.Oil on canvas on board, 46 x 35cm (18 x 13¾'')Signed; also signed and inscribed versoProvenance: Stephen O'Mara, thence by descent to the current ownersStephen Mary O'Mara was born in January 1884 in Limerick, and educated by the Christian Brothers, and later at Clongowes Wood College. After the Easter Rising of 1916 he joined Sinn Fein. He married Nancy O'Brien on the 5 February 1918, at which time he was listed as a bacon merchant, living at Strand House in the city. He was appointed a member of the Sinn Fein Standing Committee (or Ard Chomhairle) for the December 1918 general election. Elected Mayor of Limerick in 1921 after the murder of Mayor George Clancy, he was re-elected in 1922 and 1923 but resigned before his term of office had expired. As the underground government's Special Envoy to the United States, he raised funds for the Republican Loans alongside Harry Boland and was honoured by being made a Trustee of Dail Eireann Funds. Stephen opposed the Treaty, taking a stand against his own brother Jim and, according to family history, was the only O'Mara to go ‘anti-Treaty’. During the Civil War he was arrested at Roscrea and imprisoned by the Free State. In later years he was appointed a member of the Commission of Vocational Organisations and before his death in 1959, was appointed by President de Valera to the Council of State.He developed the bacon processing company, O’Mara’s Ltd, which his grandfather had founded and under his guidance the firm opened up bacon curing factories in Claremorris and Letterkenny.

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Adams
Los 63

Michael Farrell (1940-2000)The Third Very Real Irish Political Picture - Miss O'Murphy, d'apres BoucherOil on canvas, 104 x 118cm (41 x 46½'')Signed verso, dated 1978 and inscribed 'en Ardêche'A key element in Farrell’s Madonna Irlanda series, ‘The Third very real Irish Political Picture’ was completed in 1978, part of a larger body of works all focused around the reassurance in violence in Northern Ireland in the 1970s. This series has become synonymous with the artist’s oeuvre, in which he produced a number of paintings and lithographs based around a very similar composition. He is not the first artist of his generation to use his work to comment directly on the political and social issues of his country of birth. Farrell was deeply affected by the bombings in both Dublin and Monaghan in May 1974 and this manifested itself in his Pressé Series. The later Madonna Irlanda series, focused on a larger theme of modern Ireland and the country’s long and protracted history of colonisation and sectarian violence. As Farrell remarked on the work, ‘I thought, here we go; this is the right way to do it. You’d have Ireland as a whore, ridden by everybody, mixed up with religion and the whole business, and as Ireland was a woman…that seemed to be a better political way of doing the thing than the other paintings I’d done before….Ireland is a feminine country and constantly referred to as she' (Michael Farrell quoted in David Farrell, Michael Farrell, The Life and Work of an Irish Artist, The Liffey Press, 2006, p.81).He found an allegorical model for the country in François Boucher’s 18th-century erotic painting of Louise O’Murphy (1737 - 1814), the youngest daughter of an Irish soldier turned shoemaker who had settled in Rouen. Following her father’s death, Marie-Louise’s mother moved the family to Paris where she traded old clothes and put her daughters to work as actresses, dancers and models. In 1752, at the young age of 15, Marie - Louise posed nude for Francois Boucher’s provocative portrait of her, now in the Alte Pinakothek, Munich. O’Murphy was for a period of time a mistress of Louis XI. She remained in France until her death in 1814.In Farrell’s reworking of Boucher’s study, she becomes a profane “Madonna Irlanda”, the personification of Ireland, one scandalously at odds with pious stereotypes. While he is clearly equating Ireland with the courtesan, he’s also implying that she is exploited and abused. Her body stretched out on the chaise longue, her exposed pearly white skin and halo above her head. His inclusion of printed lettering for the title, is reminiscent of political posters of the period. It is a work that Farrell has repeatedly included himself, either in profile with lit cigarette hanging from his lip, as in the painting in the Hugh Lane collection, or standing nude on top of an open book, or as in this present example submerged in a tumbler of water. The figure in every expression, is diminutive in comparison to the reclining body of Marie-Louise, and she is entirely oblivious to his presence. Although she is sexually submissive in the pose, it is immediately clear to us that he is not the dominant masculine presence in the work. In the same way that she has been exploited, he has been emasculated, rendered to an ineffectual presence, barely keeping his head above water. Niamh Corcoran, BA 2018

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Adams
Los 71

STYLE OF SAMUEL SPODE (19TH CENTURY)Portrait of 'Cloister', Winner of the 1893 Grand NationalOil on canvas, 70 x 92cm

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Thomas Del Mar Ltd
Los 196

ELEMENTS OF A RARE HORSE CAPARISON, FIRST HALF OF THE 18TH CENTURY, PROBABLY ENGLISH of velvet-covered leather (extensive wear, perished), retaining eight gilt-brass plaques decorated in an openwork design with the owner's arms within an oval foliate frame, six with his crest framed en suite, numerous gilt brass rectangular bosses, flowers, small foliate panels and buckles, and the brass elements remaining in generally good condition Provenance Sotheby's, 9th February 1970, lot 110. The arms are those of Sir John Parsons (1613-1717) and his son, Humphrey Parsons (circa 1676-1741). Sir John Parsons was from a prosperous London brewing family. He was proprietor of the Red Lion brewery in East Smithfield and his operations included export and naval contracting. He was knighted by James II and became a prominent figure in Civic London, being alderman (from 1689), lord mayor (1703-4), and a member of parliament for Reigate in 1685 and from 1689 almost continuously to his death in 1717. He was a pronounced Tory with Jacobite leanings. His third and only surviving son Humphrey inherited the brewery and followed his father, becoming alderman (1721), sheriff (1722-3), and twice lord mayor of London (1730, 1740), as well as master of the Grocers' Company (1726-31) and president of the Bethlem and the Bridewell hospitals. He was a member of parliament for Harwich (1722-7) and London (from 1727 until his death in 1741). His great personal popularity in London added significantly to his political importance as its member of parliament. Humphrey was a keen horseman and is described as being passionately addicted to the hunt as well as keeping a 'brilliant stable', which is borne out by the sumptuous nature of the present caparison. Humphrey continued his father's success at the Red Lion Brewery and it became one of the four largest breweries in the capital in the second quarter of the eighteenth century. He handled the principle export trade in beer to France, its success no doubt driven largely by his goods being exempted from import duty. This exemption was a privilege bestowed on him by Louis XV, when he came to the king's notice during a hunt in France. Parsons's spirited English courser outstripped the rest, and, in contravention of the usual etiquette, brought him in at the death. In response to the king's enquiries, Parsons was maliciously described to him as 'un chevalier de Malte.' At an interview which followed, Parsons offered his horse, which had attracted the king's admiration, for his majesty's acceptance. The horse was accepted, and the king, who showed him every mark of favour, presented him with his portrait set in diamonds on 16 Feb. 1731. A broadside of 1741 entitled 'A Hymn to Alderman Parsons, our Lord Mayor,' describes him as a churchman, an incorruptible tory, and continues: in France he is respected / The French King does agree / That he should bring his beer / Over there duty free. Humphrey was a frequent visitor to France before this time and became one of the Pretender's most valued correspondents in London, though it is not clear precisely what services he was able to render beyond acting as a conduit for the introduction of Jacobite tracts. He died on 21 March 1741 during his second term as lord mayor, and was buried at Reigate. His popularity is suggested by a number of engravings published around the time of his death.

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Thomas Del Mar Ltd
Los 346

A RARE PAIR OF 20 BORE FLINTLOCK HOLSTER PISTOLS WITH SILVER-MOUNTED BRASS POMMELS BY JAMES SPENCER, CIRCA 1690 with swamped barrels formed in three stages, engraved with a spray of strawberry foliage in place of the fore-sights, the breeches signed and engraved with a symmetrical panel of strawberry foliage beneath, stamped on the left with London view and proof and the barrelsmtihs marks, signed locks engraved with strawberry foliage, cocks engraved en suite, rootwood full stocks carved with mouldings about the rear ramrod-pipes and the tangs (one fore-end replaced ahead of the rear ramrod-pipe, the other with a small repair), iron openwork side-plates formed as scrolling foliage with monsterhead terminals, engraved moulded trigger-guards with foliate terminals, engraved escutcheons decorated with strawberry foliage, and brass pommels encased in silver chased with an alternating arrangement of reclining figures and portrait masks beneath a frieze of putti heads (the engraving and pommels rubbed),and later ramrods, each with red painted inventory number '439' 28.2 cm; 11 1/8 in barrels (2) Provenance The John A. Williams Collection of English Pistols, sold Sotheby's, 22nd May 1979, lot 80 James Spencer apprenticed to Thomas Towle, turned over to John Tarles in 1678 and became free of the Gunmakers Company on 15th April 1686. After two years as a journeyman he opened his business in the parish of St Botolph in 1689. He was gunmaker to the Ordnance 1689-98, dying the following year in 1699. See Neal & Back 1984, pp. 204-5. The treatment of the pommels is notably unusual. A pistol by Godfrey Taylor with a pommel involving a similar decorative scheme is discussed by Weaver and Godwin 2018, pp. 114-125.

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Loddon Auctions Ltd
Los 51

Gold Coin, GB, QE2, 1996, Royal Mint, proof half sovereign, new portrait, UNC (1)

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Loddon Auctions Ltd
Los 130

Cricket press photographs, a collection of approx 120, 7" x 5", portrait photographs from the 1990's inc. Gough, Thorpe, Giles, Gower, Randall. P. May, A. Hollioake, Miandad, Gifford, Ramprakash etc (vg/ex)

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Loddon Auctions Ltd
Los 134

Boxing, a collection of 58 sepia prints of Boxers each approx 13" x 10" published by The Pugilist Publishing Company London/Philadelphia 1894, scarce portraits of Boxers from England, America & Australia inc. bare knuckle fighters from the 1850's to 1900's, many World Champion's included. The collection is known as The Portrait Gallery of Pugilists, each image with biographical details to reverse plus records of their victories, defeats, purse's etc (gen vg)

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Loddon Auctions Ltd
Los 646

Books, 4 books - Portraits of Illustrious Characters circa 1815 'Portraits of Illustrious Characters in British History from the beginning of the reign of Henry the Eighth to the end of the reign of James the Second engraved in Mezzotinto by Richard Earlom and Charles Turner from original pictures, miniatures &c. Published by S Woodburn 112 St Martin's Lane' (fair). The Cabinet Portrait Gallery Series One and Two 1890 and 1891, leather bound with embossed gilt A.H, to the front of each (spines missing). The Scarlet Letter by Nathaniel Hawthorne and illustrated by Hugh Thomson, 1920, gilt embossed blue cloth with inscription dated April 12th 1926 'Presented to the Lady Mayoress of Cardiff' 31 tipped in colour plates (gd) (4).

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Thomson Roddick Auctioneers & Valuers
Los 267

LUCY KEMP-WELCH (British 1869-1958)Portrait study of a horse.Pencil.17.5cm x 24cm, unframed.Signed and dated August 12,1907, sketches of stag, sheep and horses verso.Also a small pencil sketch of a dog "Fusokin" by A E Curwen. July (1909). 11cm x 17cm (2) Condition Report. Lucy Kemp-Welch - Damage to paper down left hand side and top right corner, as images.A.E Curwen - Not foxed, just dirty glass, as images.

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Thomson Roddick Auctioneers & Valuers
Los 266

EUGENE RIBOULET (French 1883 - 1972)"1918 - 11 Novembre Au matin"Profile portrait of a soldier.Black ink on buff paper.48cm x 34cm.Signed, inscribed with title,Studio Sale label verso.

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Thomson Roddick Auctioneers & Valuers
Los 269

ISABEL NAFTEL (British, 1832-1912)Portrait of a girl.Watercolour heightened with gouache.25cm x 18cm, unframed.Inscribed verso "Painted for a bazaar December 13th (18)82... Mrs Naftel for me ...Lagard".

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Thomson Roddick Auctioneers & Valuers
Los 143

Rare glass intaglio portrait possibly Cromwell indistinctly signed probably by Warner, c1800, 22mm x 17mm.

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Thomson Roddick Auctioneers & Valuers
Los 339

Monochrome profile portrait photograph of the actor Marlon Brando 27.5cm x 36.5cm, with label 'Taken with the Compass Camera' and contact photo to mount. Framed.

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Thomson Roddick Auctioneers & Valuers
Los 347

Pair of 19th century overpainted portrait photographs of European magnates in Indo-Chinese dress, possibly Indonesian. Blind stamp for 'Clarkington Photographer, Sponsalia, 246 Regent Street'. Each 25cm x 20cm in gilt frames. (2).

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Thomson Roddick Auctioneers & Valuers
Los 270

ISABEL NAFTEL (British, 1832-1912)Portrait of a young woman.Watercolour and gouache.44cm x 35cm. unframed.Signed, dated 1869.

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Bamfords Auctioneers & Valuers
Los 1521

Jewellery and Watches - a yellow metal oval portrait pendant necklace, stamped AL380 750; a Janet Reger bracelet and earring suite; Orquidea Mallorcan pearl necklace and earrings, assorted brooches, earrings, beads, enamelled and other pin badges, dress watches, etc, part boxed

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Bamfords Auctioneers & Valuers
Los 3233

A pair of 19th century plaster portrait plaques, of Renaissance gentlemen, bust length in profile, 14cm diam, moulded frames

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Bamfords Auctioneers & Valuers
Los 3873

Theology - le Courayer (The Rev. Father Peter Francis), A Defence of the Validity of the Englifh (sic) Ordinations [...], first English edition, Tranflated (sic) [...] by Dan. Williams, Presbyter of the Church of England, W. and J. Innys (sic), J. Osborne, and C. Rivington, London 1725, contemporary Restoration calf, blind tooled, Pictorial bookplate to pastedown: Franciscan Central Library, Canterbury, small 8vo; Anon, [Hornyold (Bishop John Joseph)], The Real Principles of Catholicks (sic): or, A Catechism for the Adult, Explaining the Principal Points of the Doctrine Ceremonies of the Catholick (sic) Church, Thomas Meighan, London 1749, contemporary calf (disbound), small 8vo; Provincial Imprint, Anon, [Orton (Job)], A Summary of Doctrinal and Practical Religion [...], sixth edition, J. Eddowes [...], Shrewsbury 1776, contemporary calf, 18mo; Parsons (Robert), A Christian Directory [...], J. Marmaduke, London 1769, contemporary calf boards, later spine, 8vo; Cruden's Complete Concordance to the Holy Scriptures of the Old and New Testament, fourth edition, J. Buckland [...], London 1785, portrait frontispiece of the author by Thomas Trotter (1750 - 1803) after Thomas Frye (c. 1710 - 1762), contemporary speckled calf binding, gilt lettered red morocco title label, 4to; Local Association, Fleetwood's Life of Jesus Christ, C. Cooke [...], London [n.d., c. 1800], engraved frontispiece, further engraved full-page plates, fold-out plan of Jerusalem, contemporary reverse calf, ink MS ownership inscription: Ashton Jerroms Book, Mickleover, [Derby], Oct 1803, 4to; Barclay (Robert), An Apology for the True Chriftian (sic) Divinity: Being an Explanation and Vindication of the Principles and Doctrines of the People called Quakers, eighth edition, J. Phillips, London 1780, contemporary speckled calf, gilt lettered red morocco title label to spine, 8vo; Harmer (Rev. Thomas), Observations on Various Passages of Scripture [...], fifth edition, five-volume set, With Many Important Additions and Corrections, Lackington and Co., London 1816, contemporary speckled calf, gilt lettered title label to spine within raised bands, 8vo; Jones (The Rev. Jeremiah), A New and Full Method of Settling the Canonical Authority of the New Testament, volumes II & III only, Clarendon Press, Oxford 1798, contemporary polished calf gilt, 8vo; Scottish Imprint, Gerard's Institutes, second edition, Archibald Constable & Co., Edinburgh 1808, contemporary calf, 8vo; Irish Imprint, O'Leary (The Rev. Arthur), Miscellaneous Tracts, second edition, John Chambers, Dublin 1781, contemporary calf, 8vo; bindings; etc

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Bamfords Auctioneers & Valuers
Los 3073

A 19th century gilt bronze oval portrait plaque, of a bearded elder, bust length, oval, 13cm x 10cm, fruitwood frame

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Bamfords Auctioneers & Valuers
Los 3404

Railwayana - Local Interest - a printed certificate made to mark the retirement from service of the Midland Raiwlay art Derby of the locomotive superintendent, Samuel Waite Johnson, company arms at top, early 2-2-2 locomotive in cartouche at foot, on left side a portrait of Johnson superimposed over a view of his compound 4-4- 0 locomotive no. 1000 also in cartouche below, with text expressing esteem and with names of colleagues below in four columns: R. M. Deeley, W. H. Adams, L. Archbull, J. Bunting/W. Chatterton, F. Eveleigh, H. Fowler, F. Horton/C. H. Jones, W. J. Newbould, C. W. Paget, G. F. Pratt/R. G. Rosevere, J. W. Smith, A. Whitaker, W. Marriott, 11 by 13in (28 by 33cm) in plain oak frame. Samuel Waite Johnson (1831-1912) was the son of James johnsopn, later loco superintendent on the Nortgh Staffordshire railway, and was born at Bramley Yorks and educated at Leeds Grammar School vbefore going to work with E B Wilson & Co. He was locomotive superintendent of the Manchester, Sheffield & Lincolnshire Railway to 1864, then to the Edinburgh and Glasgow to 1866, then to the Great Eastern to 1873, when he was appointed to the Midland Railway at Derby, retiring in 1903 and being succeeded by his assistant R M Deeley. He is famous for his successful Class 4 compound 4-4-0 express engines of which the rebuilt protoype No. 1000 is preserved. He died at Nottingham in 1912.

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Bamfords Auctioneers & Valuers
Los 3347

Cricket - a late Victorian cast iron circular tavern table, probably by Gaskell & Chambers, cast with portrait masks of W.G. Grace (1848 - 1915), outswept legs terminating in lotus feet, 75.5cm high, 60cm diam, c. 1880

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Bamfords Auctioneers & Valuers
Los 3034

A 19th century brass portrait plaque, of William Shakespear, bust length in profile, 7cm diam, turned oak frame

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Bamfords Auctioneers & Valuers
Los 3826

Continental - [Marchantius (Jacobus)], Hortus Pastorum Sacræ Doctrinæ Floribus Polymitus [...], Joannis Molin [...], Jacobi Canier [...], Florii Martin, Lugduni [Lyon] 1668, title-page with woodblock vignette: De forti dulcedo, Judges 14:14, the lion and bees of Samson's enigma, contemporary full speckled calf, the spine with gilt tooled compartments within raised bands, crown folio; Arndt (Johann), Paradiesgärtlein aller christlichen Tugenden, Amsterdam 1666, engraved title-piece, vignette to title-page, contemporary calf (worn), thick 32mo; Carpzov (Johann Gottlob), Critica Sacra Veteris Testamenti [...], Jo. Christiani Martini, Lipsiæ [Leipzig] 1729, contemporary calf boards (upper detached), thick 8vo; Bottens (F. Fulgentium), Œconomia Sacra: Sapientiæ Increatæ Sive, Dei cum Hominibus commercium, Mediante Scriptura Sacra [...], volume II only, Michaelis Masii, Gandavi [Ghent] 1691, engraved title-page by Michael Heylbroeck (1635 - 1733), rubbed calf spine only, 16mo; Bocquillot (Lazare-André), Traité Historique de la Liturgie Sacrée ou de la Messe, Anisson, Paris 1701, contemporary panelled vellum over boards, each cover centred by a blind tooled foliate cartouche, 19th century black morocco gilt lettered labels to spine, bookplate to pastedown with ink MS accession numbers: Bath Public Reference Library, The Gift of M. Oppenheim, Esq., M.R.C.S., 1919, 12mo; Witsius (Hermann), Exercitationes Sacræ In Symbolum Quod Apostolorum Dicitur, Johannem Gyselaar, Franequeræ [Franeker] 1681, panelled vellum over boards, small 8vo; Lettres de Pline le Jeune, Claude Barbin, Paris 1699, contemporary calf gilt, 12mo; le Placette (Jean), Traité de l'Autorité des Sens, G. Gallet, Amsterdam 1700, engraved frontispiece, contemporary calf, ink MS ownership inscription: Edwd. Tottenham 1832 Edinburgh, library plate to front cover: Bath Guildhall Library: Tottenham Collection, no. 637, 16mo; Oeuvres de Valentin Jamerai Duval, Précédées des Mémoires sur Savie, volume I only, J.G. Treuttel, St. Petersberg and Strasbourg, 1784, engraved portrait frontispiece of the author by Christoph Wilhelm Bock (1755 - 1830), contemporary calf (disbound), 8vo; etc

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Bamfords Auctioneers & Valuers
Los 3322

An Edwardian hunting portrait, Presented to Mr E. Brooker, Huntsman for Seventeen Years to the Eastbourne Foxhounds, by the Members on His Retirement, 1908, coloured photographic print, the oak frame hung with his copper hunting horn, 94.5cm high overall

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Bamfords Auctioneers & Valuers
Los 3798

Legal History - a George III legal court of chancery recovery dated 12 George III (1771) concerning a recovery of land at Monk's Eleigh, Baberg, Suffolk by John Moxon Gent. against Thomas Brograve, Gent. before attorney general Sir William de Grey 56 x 78cm, engraved first letter portrait of george III and royal arms to heading, engraved decoration to sides scrivened in black highlighted in red, examiner's stamp and 11.5cm great seal attachedSir William de Grey MP (1716-1781) served as attorney general 1766-1771, being knighted in January 1771 (just prior to the sitting recorded here) and raised to the peerage as 1st Lord Walsingham in Oct. 1780. Thomas Brograve was a kinsman of Sir Berney Brograve, a Norfolk baronet. Condition Report: Slightly direty, pinholes at the upper corners, seal an indisctinct impression, cracked with missing elements both sides., otherwise complwete and untorn.

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Bamfords Auctioneers & Valuers
Los 3470

W. Charles (early 19th century), a portrait silhouette, Colonel Herbert Lloyd H.E.I.C.S. [The Honourable East India Company], bust-length, in profile and fully turned to dexter, wearing his colonel's uniform and tricorn hat above a ribbon-tied periwig, signed, oval, watercolour, 8cm x 7cm, inscribed to verso [...D]rawn in 1800, died in 1818. Drawn by W. Charles, opposite the Lyceum, Stand, London, gilt-metal mounted ebonised papier-mâché frame

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Bamfords Auctioneers & Valuers
Los 3878

Voltaire, [Arouet (François-Marie)], Collection Complete des Oeuvres de Mr. de Voltaire Œuvres, twenty-six volume set, 1757 - 1763, volume I with engraved portrait frontispiece of the author by Jean-Joseph Balechou (1715 - 1765) after Jean Michel Liotard (1702 - 1796), contemporary calf gilt, a few crimson morocco gilt lettered title labels present, marbled endpapers, volume I with two Spade Shield Armorial bookplates with an unusual sequence of presentation: James Watson and then inscribed in ink MS A Token of Respect from [...] to Peter Acklom Reaston, each pasted horizontally, volumes II - XXVI with the bookplates of Peter Acklom Reaston only, small 8vo Provenance: The Reverend Peter Acklom Reaston (1780 - 1827), of St. John's College, Cambridge, BA 1780, MA 1784, later presented with the living and was Rector of Balborough, near Chesterfield, Derbyshire, by C.H. Rodes, from 1792 until his death.

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Bamfords Auctioneers & Valuers
Los 3227

A pair of 19th century French gilt metal oval portrait plaques, of Henri IV of France and his premier minister Maximilien de Béthune, Duke of Sully, bust length in profile, brass mounts, 9.5cm x 8cm

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Bamfords Auctioneers & Valuers
Los 3848

Medical Interest - Provincial Welsh Imprint, Solomon (Dr Samuel), A Guide to Health; or Advice to Both Sexes, in Nervous and Consumptive Complaints: with an Essay on the Scurvy, Leprosy, and Scrofula; also on a Certain Disease, Seminal Weakness, and a Destructive Habit of a Private Nature, to which is added An Address [...] with Observations on The Use and Abuse of Cold Bathing, fifty-third edition, Printed by J. Painter, for the Author, Wrexham [n.d., c. 1810], stipple engraved portrait frontispiece of the author by Edward Orme (1775 - 1848) after Thomas Hargreaves (1774 - 1847), full-page architectural elevation: Solomon's Place, Brownlow Street, Liverpool, contemporary speckled calf, gilt lettered red morocco title label, large 16mo; Morley (John), An Essay, On the Nature and Cure of Scrophulous Disorders, Commonly called the King's Evil [...], sixteenth edition, James Buckland, London 1777, pp: 89, facsimile frontispiece and repaired loss to half of page 89, later early 19th century buckram boards with contemporaneous ink MS ownership inscription, small 8vo; Anon, A New Collection of Medical Prefcriptions (sic), Distributed into Twelve Classes, And accompanied with Pharmaceutical and Practical Remarks [...], By a Member of the London College of Physicians, R. Baldwin, Jun., London 1791, contemporary mottled dark calf spine, upper cover present but detached, 12mo; Bodington (George), An Essay on the Treatment and Cure of Pulmonary Consumption, Reprinted, with a Preface by Dr Arthur E. Bodington, Lomax's Successors, Lichfield 1906, original printed boards, 12mo, [4]

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Bamfords Auctioneers & Valuers
Los 3868

Stratford's Authentic Edition, Of the Investigation of the Charges Brought against His Royal Highness the Duke of York, by Gwyllym Lloyd Wardle, Esq., Member for Oakhampton, Containing the Whole of the Evidence, Printed from the Minutes of the House of Commons, With the Official Papers and the Debates at Large, volume I only, J. Stratford, London 1809, aquatint portrait frontispiece of Lloyd Wardle engraved by James Hopwood the Elder (d. 1819), illustrated throughout with further monochrome engravings of the protagonists at the proceedings by Hopwood after Thomas Rowlandson (1756 - 1827), contemporary quarter-calf and marbled boards, gilt-lettered title label to spine and bands, contemporaneous ink MS ownership inscription to recto endpaper: Howard Jeffreyes, pastedown with later Golden Age Armorial bookplate by William Phillips Barrett and dated 1923: Oliver Nowell Chadwyck-Healey, 12mo

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Bamfords Auctioneers & Valuers
Los 3230

A pair of 19th century Grand Tour bois durci portrait medallions, after the antique, depicting Zeus and Hera, 6.5cm diam, c.1860

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Bamfords Auctioneers & Valuers
Los 3799A

Local Interest - Cammell of Brookfield Manor, Hathersage, Derbyshire - a collection of 19th century and first half of the 20th century ephemera, including photograph albums, some postcard and manuscripts, including a late Victorian embossed leather photograph album of the house, garden, estate and the family at leisure and country pursuits, many taken by F. Arkwright and some dated 1887, each annotated in ink MS with scene and sitters; a late Victorian/Edwardian buckram album, Sunny Memories, similar to the former but with some additional interiors and Derbyshire topography; a holiday album, Relating how G.H. Cammell Esqr and Family went to Jersey and back in 1902, compiled, inscribed by Iris Cammell (presumed daughter), signed and titled, applied with b/w photographs and heavily annotated and inscribed throughout in ink manuscript, b/w photographs include fellow Derbyshire neighbour the Strutts who holidayed alongside, ships sailed, hotels, local characters and topography; accompanied by an ink manuscript on paper poem regarding the holiday, with references to travelling, scenes and attending Sherlock Holmes the play; a folio of watercolours, by I.G. Cammell (Iris?), including cowboys and fanciful scenes of the American West, Windsor Castle and presumed Derbyshire topography; late Victorian portrait silhouette of a lady; cabinet card and carte de visite portraits; later photograp albums; postcards; (archive)

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Bamfords Auctioneers & Valuers
Los 3469

R. Titley (late 19th/early 20th century)After Lemuel Francis Abbott, Portrait of Vice-Admiral Horatio Lord Nelson, half-length, in naval uniform with decorationssigned, dated 190*, oil on canvas, 35.5cm x 25.5cm

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Bamfords Auctioneers & Valuers
Los 3425A

Advertising - an early 20th century Huntley & Palmers Biscuits card poster, with an inset chromolithographed half-length portrait of H.R.H. The Prince of Wales [later Edward VIII], crested By Appointment and the Prince of Wales feathers, 65.5cm x 45cm, 1920 - 1936

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Bamfords Auctioneers & Valuers
Los 3461

Captain Henry 'Harry' Lawrence Oakley (1882 - 1960), a double-portrait silhouette, of two brothers, full-length, each child stands in profile looking to sinister and dexter, their hair combed, wearing shorts and brogues, signed and dated 1935 in pencil, watercolour on paper, 25cm x 17cm, ebonised easel frame

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Bamfords Auctioneers & Valuers
Los 3059

A 19th century electrotype portrait medallion, of a gentleman in profile, initialled G.W.V., framed, 9cm x 7.5cm overall

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Bamfords Auctioneers & Valuers
Los 3871

Theology - Baxter (Richard), The Saints Everlafting (sic) Rest, four parts contemporaneously bound as one: first part, lacking title-page; second part, F. Tyton, 1676; third part, W.R., 1677; fourth part, F. Tyton and R. Boutler, 1677, contemporary diced calf, raised bands to spine, traces of ink MS title to spine, 8vo; The Holy Bible, Containing the Old Teftament (sic) and the New, Newly tranflated (sic) out of the Original Tongues, and with the former Tranflations (sic) diligently Compared and Revifed (sic), With Marginal notes, fhewing (sic) Scripture to be the beft (sic) Interpreter of Scripture, [London], engraved architectural title-page dated 1682 with no further printing details, address To the Reader by John Canne, bound with A Small Cambridge Concordance to the Holy Bible [...] To which is Annexed Supplement [...], Printed to be bound up with Bible, Printed by John Hayes, Cambridge 1695, late 18th century black straight-grain morocco gilt (lacking upper cover), lettered spine, marbled endpapers, recto with late 18th/early 19th century ink MS annotations in mainly Greek but some English, ownership inscription: S.P. Hodgkins 1808, 16mo; Spencerus [Spencer] (Gulielmus [William]), Origenes Kata Kelsou, en tomois 8 ; tou autou: Origenis Contra Celsum, Libri Octo, ejusdem Philocalia, Joan. Field, Cantabrigiae [Cambridge] 1658, contemporary panelled calf upper board only (detached), square 8vo; Pearson's Exposition of the Creed, fourth revised and enlarged edition, J.M. for John Williams [...], London 1676, engraved portrait frontispiece of the author by Frederick Hendrik Van Hove (1628 - 1698) after Willem Sonmans (fl. 1670 - 1708), contemporary speckled calf with losses and repairs, small folio; [Newman (Samuel)], A Concordance to the Holy Scriptures: With the Various Readings both of Text and Margin, In A more Exact Method than hath hitherto been Extant, third edition, John Hayes, Printer to the Univerfity (sic): For Hannah Sawbridge at the Bible on Ludgate Hill in London, Cambridge 1682, contemporary speckled calf, gilt tooled spine, blind lettering, 4to [5]

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Bamfords Auctioneers & Valuers
Los 3183

A Grand Tour type plaster roundel, in relief with the head of a horse, after the antique, 8.5cm diam; an arrangement of portrait miniature prints, of aristocratic sitters, after Richard Cosway, John Smart and other notable limners, 17cm x 23cm (2)

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