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283284 Los(e)/Seite
Los 448
A Regency provincial minitaure portrait of a young ladyCondition report: Framed size: 19x16.8cm, portrait: 11.5x9.3cm, it is glazed.See new photos now online, there is wear to the frame comensurate with age but overall, it is in good solid, condition. The picture has not been examined out of the frame but colours are bright and without paint loss.
Los 1022
An Ella Naper (1886-1972) enamelled silver and mother of pearl oval frame, the broad border has six panels each is pierced with leaves and each centered by a blue enamel flowerhead, these panels are separated by rectangular blister shell sections. The frame holds a sepia portrait of Emily Houghton Birch (1869-1944) nee Vivian, commonly known as Mouse, artist and wife of Lamorna Birch. The portrait is beneath a bevelled glass 10 x 8.6cm 69gmProvenanceBy descent from the sitterCondition report: This charming frame has been much loved and polished over the years. It has lost its stand, and just two parts of the hinge remain. There is a lot of polish residue on the reverse and we can see no makers mark, although as it has no hallmark either, it may have been marked on the missing stand or if it was a gift from Naper to the Birches, it may not have had any marks originally. The enamel flowers have some cracks but no obvious losses of enamel, the shell is good. No splits or damage to the silver other than the missing stand.See extra photos now online.
Los 235
A group of four pictures, to include a 19th century oil study of the ruins at Berry Pomeroy Castle, 29.5 x 24.5cm; a gouache copy of a 14th century Italian frieze, signed and dated 'Harry Jackson, 1901', 12 x 36.5cm; an overpainted print of a portrait of a 19th century gentleman, 38.5 x 28.5cm; and a framed RAF escaping society document, signed by four members of the Dutch Resistance, with certificate of authenticity (4)
Los 293
Hubert Arthur Finney (British 1905-1991), a folio of four pastels and charcoals, to include a view of spain, pastel and ink, 44.5 x 30cm, a sanguine drawing of a sleeping man, dated 1941, 31 x 46cm, a portrait study of a seated military man in brown pastel, dated 1940, 55 x 37cm and a portrait in charcoal of a man leaning on a table, dated 1942, 39 x 55cm (4)
Los 444
Vinyl - Collection of 4 folk LP's to include Joni Mitchell Blue (K 44128), portrait of Joan Baez (TFL 6077) insert included also an early 'an evening with Joan Baez' concert programme, and from Donovan Catch The Wind (MMA 200), Self Titled (World Record Club ST 951). Sleeves & Vinyl VG overall
Los 705
Memorabilia ? Pete Doherty / Peter Doherty - A leather-bound book containing lyrics, thoughts, concepts and doodles from the iconic frontman of The Libertines. Written during the recording of The Libertine?s debut album Up The Bracket and during their summer World Tour in 2002 This important piece of pop culture history includes early lyrics for 7 tracks on Up The Bracket, the Libertines second album ?The Libertines? and other EP releases, with over 60 pages written by Doherty and 20+ pages by fellow band members and friends, including one page signed and inscribed by Up The Bracket producer, Mick Jones ?To Pete, Carl, Gary & John (The Libertines)...I feel lucky to have met you all and get to make what I know is going to be an amazing debut album with you...love Mick? also a page signed and inscribed by Alan McGee ?The Libertines "What A waster, what a two bob c**t", The story of Glaswegian youth, Alan McGee? underneath McGhees entry Pete Doherty has written, ?This being Mr. Alan McGee's contribution to the book of Albion. He turned up unannounced at Whitfield St (Sony) when we were mixing Up The Bracket...I suppose he was there to see Mick Jones really...? one page also has a poem by Peter 'Wolfman' Wolfe, signed Wolfman and dated 2002. The book includes two track listings for Up The Bracket, and also a preliminary drawing for the album cover artwork by Pete Doherty, inscribed in Doherty's hand ?Album cover? . Throughout the book are various drawings/doodles by Doherty which are mainly self-portraits and a portrait of the band. There are also backstage passes stuck into the book
Los 160
A cased set of the KBE insignas, Knight Commander of the Most Excellent Order of the British Empire, military division 1st type, comprising neck badge, silver-gilt and enamels, and breast star, 75mm, in original Garrard & Co. case, together with paperwork bestowing the knighthood to Sir Bignell George Elliott with signature by King George V, dated January 1918, and a hand painted congratulatory piece made by Devonian Lodge No. 2834 Masonic community, and a photographic portrait of Sir Bignell George Elliott himself
Los 452
An autograph book with autographs by June Montana, Youth and Jimmy Cauty (probably) of 'Brilliant', with further inscription 'Love from "Brilliant"', Mike Rutherford with further inscription 'All the best from Genesis & Mike & The Mechanics', A.C.H. Kurosawa with further inscription 'May the force be in your pyjamas', Howard Jones with further inscription 'Love + best wishes', Simply Red, Chris Joyce of Simply Red, Mick Jones with further inscription 'Best wishes Foreigner', Christopher Cross with further inscription '4/3/86 love & thanks', A-Ha with doodles and Alan Tarney to corner with further inscription to page 'This is A=Ha's page! (exept [sic] the little bit in the corner which we sold (leased) to Alan Tarney)', Dwight Yoakam with further inscription 'Best always', Paul Simon with further inscription '8/27/86', Chrissie Hynde with further inscription 'All the best' and arrow through heart doodle, Little Richard with further inscription 'To you my dear friend [...]', Mark Rogers of Hollywood Beyond with further inscription 'Best wishes and Happy Xmas', Madonna with further inscription 'Best wishes', a signed photograph of ZZ Top, Keith Emerson, Andrew Eldritch of Sisters of Mercy, Agnetha Fältskog, Nick Kamen, George Benson, Vickly Pickly (AKA Vix, Vickie Perks) Tina O'Neill, Jo Dunne and Magz of Fuzzbox with further inscriptions and doodles, John Otway, Chris Isaak with Roy Lichtenstein-style doodle, Randy Newman with further inscription 'Time is precious and so am I' (possibly printed), Earl Klugh with further inscription, Robin Gibb with further inscription and doodle, Cher, Errol Brown, Debbie Gibson with further inscription 'Dreams come true if you believe, all the best!', Angus Young of AC/DC with further inscription 'Best wishes' and doodle self portrait, Kylie Minogue with further inscription 'Best wishes' and doodle, Dave Stewart with further inscription, Fish with further inscription 'Best wishes' and doodle, Aswad, Stock Aitken Waterman, David Jensen, Annie Lennox with further inscription 'Eurythmics', Phil Collins with further inscription 'Thanks for all [...] help! Cheers' with self portrait doodle and further unidentified autographs, a small number being signed promotional cards applied to pages.Provenance: Christie's South Kensington, lot 425 in sale 3735 'Pop, Film and Entertainment' 27/04/1990. This album was kept in the reception of the WEA record label and was signed by artists visiting label headquarters. CONDITION REPORT Light general wear to album, a small number of these signatures are done on promotional cards, or separate pieces of paper which have been applied to the album. There appear to be no double signed pages, so all are on single leaves.
Los 87
Apollo 13 James Lovell. Signature mounted with portrait in space suit. Professionally mounted to 14 x 11 inch. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Los 110
§ BENJAMIN CREME (SCOTTISH 1922-2016) PORTRAIT OF A LADY, 1945 Signed and dated '45 upper right, coloured chalks(42cm x 30cm (16.5in x 12in))Footnote: Note: Bears note verso, 'An artist, author and esotericist, Creme began painting at an early age and held his first exhibition in Glasgow, his birthplace, in 1940. It was here that Josef Herman saw Creme's work, returning with the artist Jankel Adler, who likewise introduced Creme to the renowned Scottish Colourist J. D. Fergusson. In 1945, the date of the present picture, Creme moved to London with his first wife Peggy, the possible subject of the portrait, and set up his studio in Battersea. Through his association with Adler, Creme continued to be a part of the emerging artistic scene. His circle of friends included the artists Robert Colquhoun, Prunella Clough, Francis Bacon, Keith Vaughan and John Minton.'
Los 209
NAN GOLDIN (AMERICAN B.1953) SELF-PORTRAIT IN BLUE DRESS, NEW YORK CITY - 1985 Archival pigment print, 2020, signed verso, and the accompanying issue #239 of Aperture magazine which is dedicated to Nan Goldin's seminal work 'The Ballad of Sexual Dependency'(12.5cm x 17.5cm (5in x 7in), unframed)
Los 222
§ DOUGLAS GORDON (SCOTTISH 1966-) MASKED PORTRAIT OF AN ETTRICK SHEPHERD (DESIGN FOR CANONGATE) Lithograph, 33/100, signed, numbered and dated 2001 in ink to margin(the sheet 50cm x 40cm (19.75in x 15.75in), unframed)Footnote: Note: This print was one of a series commissioned by Canongate publishers to be used as book cover designs for their Scottish Classics series in 2001. This image by Gordon was used as the cover for ‘Four Tales’ by James Hogg.
Los 106
Pagan (Blaise Francois de, Comte de Merveilles). La Theorie des Planetes du Comte de Pagan. Ou tous les Orbes Celestes sont Geometriquement ordonnez; contre le sentiment des Astronomes, 1st edition, Paris, Cardin Besongne, 1657, [8], 124 pp., without portrait (as often), numerous woodcut illustrations to text, some soiling to title and final leaf of text, title restrengthened with marbled paper to inner margin, old marbled paper wrappers, rubbed and some marks, 4toQty: (1)
Los 111
Pearson (John). An Exposition of the Creed. By John Lord Bishop of Chester, 4th edition, revised and enlarged, London: printed by J.M. for John Williams, 1676, engraved portrait frontispiece and woodcut crown device to title, border ruled in red to both, upper blank margin of title with scribbled out signature, front blank with early signature of Edward Denham, lacking marbled free endpapers, upper pastedown with armorial bookplate of Thomas Wodehouse Legh, 2nd Baron Newton (1857-1942) of Lyme Park, Cheshire, all edges gilt, contemporary black morocco, gilt panelled decoration to boards and elaborate gilt decorated spine, light wear to extremities, small area of damage to fore-edge of upper board, folioQty: (1)NOTESWing P998; ESTC R23232.
Los 112
Bindings. Burnet (Gilbert). The History of the Reformation of the Church of England, first part, London: printed by T.H. for Richard Chiswell, 1679, imprimatur leaf, additional engraved title, letterpress title in red & black, seven engraved portrait plates, borders red ruled throughout, marbled endpapers (without rear free endpaper), hinges crudely repaired, armorial bookplate of Joseph Wren to upper pastedown, all edges gilt, contemporary red morocco, with gilt decorated spine and gilt panelled and decorated boards incorporating armorial of William Sancroft, Archbishop of Canterbury (1617 -1693), joints and head & foot of spine repaired, corners repaired, some light rubbing, folio, together with: ibid, The History of the Reformation of the Church of England, third part. Being a Supplement to the two volumes formerly publish'd, London: J. Churchill, 1715, title in red & black, four engraved portrait plates, marbled endpapers (without rear free endpaper), hinges crudely repaired, armorial bookplate of Joseph Wren to upper pastedown, all edges gilt, contemporary red morocco, elaborately gilt decorated spine, gilt panelled and decorated boards, joints and head & tail of spine repaired, corners repaired, folioQty: (2)NOTESWilliam Sancroft (1617-1693) was the second son of Francis Sandcroft or Sancroft, of Fressingfield in Suffolk, and Margaret, daughter and coheir of Thomas Butcher. The family were of yeoman stock. William was educated at Bury St Edmunds Grammar School and was admitted to Emmanuel College, Cambridge 10 September 1633 where his uncle was Master. He graduated B.A. in 1637, M.A. in 1641, and B.D. in 1648. In 1642 he was elected Fellow and, because of his exemplary character was not ejected until 1651. When he was ejected, he at first lived with his brother, and then, in 1657, went abroad. At the Restoration, he was restored to his fellowship and in 1662 he was elected Master of Emmanuel, where he turned the chapel into a library, and procured plans for a new chapel. In 1664 he was made Dean of York on the 8 January, and Dean of St Paul's on the 10 December. In the latter office he was instrumental, with Sir Christopher Wren, in the rebuilding of St Paul's after the Great Fire of London. He was appointed Archbishop of Canterbury 27 January 1678, but opposed James II who sent him to the Tower. Despite this, at the Glorious Revolution he remained faithful to his oath of allegiance to James II. As a result he was suspended and returned to Fressingfield, where he built himself a modest house. He had intended to leave his library to Lambeth Palace, but changed his mind, sending his books remaining at Lambeth to Emmanuel College as a gift. He intended his manuscripts and the larger part of his printed books at Fressingfield, to go to the college after his death, reserving for his nephews such books as would suit a gentleman's library. As he took no formal steps to arrange this, his heirs made no attempt to carry out his wishes, and are said to have sold his manuscripts to the bookseller Bateman for eighty guineas, of whom they were bought by Bishop Tanner who presented them to the Bodleian Library in Oxford.
![[Wharton, Henry]. A Treatise of the Celibacy of the Clergy, wherein its Rise and Progress are Historically Considered, London](https://cdn.globalauctionplatform.com/49cd8dcc-816e-4e6b-977b-aced00ea14de/38ca0b2e-cce7-4907-a84a-acef00fcd54b/468x382.jpg)
Los 118
[Wharton, Henry]. A Treatise of the Celibacy of the Clergy, wherein its Rise and Progress are Historically Considered, London: printed by H. Clark, for James Adamson, 1688, manuscript annotation to title, without imprimatur leaf (A1), modern marbled boards, 4to (Wing W1570), together with: Johnstone (James), An Historical Dissertation concerning the Malignant Epidemical Fever of 1756. With some account of the Malignant Diseases prevailing since the Year 1752, in Kidderminster, London: W. Johnston, 1758, title page with adhesive tape to gutter and manuscript number at foot, some light dust-soiling, 20th century blue calf gilt, spine slightly faded, slim 8vo, More (Hannah), Christian Morals, 2 volumes, London: T. Cadell & W. Davies, 1813, contemporary signature S. Sharland to upper margin of title, occasional light scattered spotting, contemporary half calf, black morocco spine labels, 8vo, Shaw (Joseph), Parish Law: or, a Guide to Justices of the Peace, Ministers, Church-wardens, Overseers of the Poor, Constables, Surveyors of the Highways, Vestry-Clerks, and all others concerned in Parish Business..., 3rd edition, In the Savoy [London]: printed by E. & R. Nutt and R. Gosling for F. Cogan & J. Nourse, 1786, some toning and light marginal browning, contemporary calf, rebacked, red morocco title label, 8vo, Inwood (Jethro), Sermons; in which are explained and enforced the Religious, Moral, and Political Virtues of Freemasonry..., Deptford Bridge: Printed for the Author by J. Delahoy, [1799], engraved portrait frontispiece (offset to title), light spotting, contemporary tree calf, rebacked, preserving red morocco title label, 8vo, plus other 18th & 19th century antiquarianQty: (16)
Los 152
Burns (Robert). Poems, chiefly in the Scottish Dialect, 1st Edinburgh edition, Edinburgh, printed for the Author, and sold by William Creech, 1787, half-title, aquatint portrait frontispiece by J. Beugo after Alexander Nasmyth, list of subscribers, small paper repairs or closed tears repaired to U2-6, not affecting text, all edges gilt, marbled endpapers, inside gilt dentelles, late 19th/early 20th century full polished calf by Morrell, with gilt decorated spine and red morocco title and date label, minor worm track to extreme foot of rear joint (overall a very attractive copy), 8voQty: (1)NOTESESTC T125274. The first Edinburgh edition (second edition overall) of Burns' Poems, a first issue, with 'Duke of Boxburgh' instead of 'Duke of Roxburgh' in the list of subscribers, and 'skinking' instead of 'stinking' on page 263. The first edition of Burns' Poems had sold out within a month, but despite this the publisher John Wilson was unwilling to issue a second edition unless the author advanced £27 to purchase the paper needed for a larger run of 1000 copies. This second edition, which includes 22 new poems, received a large number of subscriptions, requiring the printer to reset and reprint 34 of the 51 half-sheet quires to meet the revised print run of 3000 copies.
Los 155
Bindings. An Index to the Remarkable Passages and Words made use of by Shakespeare ... By the Rev. Samuel Ayscough, 1st edition, London: John Stockdale, 1790, spotting to title-page and rear, bookplate of R. A. Butler (1902-1982), Conservative politician, all edges gilt, contemporary straight-grain purple morocco gilt, rubbed, 8vo (23.8 x 14.6 cm), together with: Memoirs of Denzil, Lord Holles, Baron of Ifield in Sussex, from the Year 1641, to 1648, 1st edition, London: Tim. Goodwin, 1699, engraved portrait frontispiece (with half-title recto), frontispiece slightly spotted and offset, all edges gilt, 19th-century red roan gilt by J. Larkins, rubbed, 8vo (18.9 x 11.3 cm), Marci Hieronymi Vidae, Cremonensis, Albae episcopi, Hymni de rebus divinis, Oxford: e Typographeo Clarendoniano, 1733, title-page in red and black with engraved vignette, engraved head- and tailpieces and initials, occasional light spotting, bookplate of Viscount Birkenhead, all edges gilt, 19th-century red roan gilt by J. Larkins, wear to tips, 8vo (22 x 13 cm), and 9 others, 18th and early-19th century literature, finely bound (not collated), including: Sophie Ristaud Cottin, Malvina, 4 volumes, 1st edition, Paris, 1800 (bookplates of Sir Edmund Antrobus, contemporary ?English sprinkled calf); Thomas James Mathias, The Pursuits of Literature, 6th edition, 1798 (bookplate and ownership inscriptions of the Marquess of Conyngham, contemporary citron half roan); George Colman, The Connoisseur, 4 volumes, 4th edition, 1761 (bookplates of the Earl of Clanricarde, contemporary calf gilt); and similarQty: (22)
Los 164
Bindings. Poems by the Lady Flora Hastings. Edited by her Sister, 1st edition, Edinburgh: WIlliam Blackwood & Sons, 1841, engraved portrait frontispiece (offset), occasional spotting, bookplate of Frances Mary Richardson Currer (1785-1861), England's earliest female bibliophile and the inspiration for Charlotte Brontë's pseudonym Currer Bell, contemporary blue calf by White of Pall Mall, spine richly gilt, repair to rear board, 8vo (19.8 x 12.7 cm), together with: Kate Coventry. An Autobiography. Edited by G. J. Whyte Melville, 1st edition in book-form, London: John W. Parker and Son, 1856, spotting, contemporary ownership inscription (Mary Hobson) to title-page, contemporary half calf, 8vo (18.2 x 11.1 cm), The History of Rasselas, Prince of Abyssinia. A Tale by Samuel Johnson, London: for John Sharpe, by C. Whittingham, Chiswick, 1818, engraved additional title-page and 3 plates by Westall (spotted), contemporary green calf, gilt spine with twin morocco labels, concentric blind rules to covers enclosing diced central panels, 12mo (16.6 x 9.6 cm), Chronicles of the Canongate; by the Author of "Waverley," etc. [Walter Scott], 2 volumes, 2nd edition, Edinburgh: Cadell and Co., 1827, without half-titles, contemporary purple half calf, gilt spines (slightly faded), 8vo (18.2 x 10.6 cm), and 20 others, similar 19th-century literature, finely bound, 8vo and 12mo, the lot sold as a collection of fine bindingsQty: (29)
Los 176
Leybourn (William). Cursus Mathematicus. Mathematical Sciences, in Nine Books. Comprehending Arithmetics... Geometry... Cosmography... Astronomy... Navigation... Trigonometry... With the Description, Construction, and use of Geometrical and Nautical Instruments: And the Doctrine of Triangles applied to Practice in Mensurations of all kinds..., 1st edition, London: Printed for Thomas Basset, Benjamin Tooke, Thomas Sawbridge, Awnsham and John Churchill, 1690, engraved portrait frontispiece by R. White (detached with frayed margins), title printed in red and black, 44 engraved plates (35 folding), illustrations, title and dedication detached, leaf 2E2 (i.e. Book II sectional title bound after 2E3), engraved plate of the moon (between pp. 446-447) bound upside down, occasional early annotations, a few closed tears some browning and damp stains, early ownership signature of R. Grove?, contemporary calf, covers detached, some wear, folioQty: (1)NOTESESTC R2239; Wing L1911. Provenance: Christopher Hussey (1899-1970), British architecture authority, presentation inscription to George Barnes, 1959, and small label 'Scotney Castle, Lamberhurst' (Hussey's family home) to front pastedown. William Leybourn (1626-c.1700) was a mathematician and land surveyor, published this encyclopaedic work in 1690, 'This is a folio volume of over nine hundred pages and includes the substance of his former publications.' (DNB).
Los 206
* Elizabeth II (1926- ). Queen of the United Kingdom 1952- . Autograph Letter Signed, 'Elizabeth' as Princess, Sandringham, Norfolk, 28 December 1951, to the portrait painter Frank O. Salisbury (1874-1962), in response to his offer of a portrait of her grandfather King George V, '... I cannot begin to say how very touched I am by your extremely kind gesture, and you can be certain that the picture will be a very treasured possession. I only hope that I did not give the impression the other day that I was begging for it! ...', written in blue ink on Sandringham letterhead, slight adhesion remains to blank upper margin of second page, two pages, 8vo, together with Salisbury's autograph draft letter signed to the Princess Elizabeth, Sarum Chase, Hampstead, 15 December 1951, explaining the background to the picture, '... I feel that it is destined to be yours, especially as your beloved grandfather so graciously gave me helpful sittings for it, to enable me to paint the larger portrait that is now in the Washington National Gallery commemorating the fact that in the Great War our two nations fought together for Justice & Peace...', slight adhesion remains to blank inner margin of second page, two pages, 4toQty: (2)NOTESThe portrait referred to is probably the one now in the Royal Collection Trust (RCIN 405939), painted by Salisbury circa 1928 and showing King George V at half-length facing three-quarters to the left, wearing the mantel, collar and star of the Order of the Bath.
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283284 Los(e)/Seite