283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenA mixed lot, to include a small canvas fishing bag containing a William Robertson "Ascog" reel, cased flies etc.; a portrait miniature print in ebonised frame; a Victorian "Picture Letter" by Catherine Sinclair, dated Edinburgh 1861; a plated cigarette box, the lid with a depiction of an 18th century music lesson etc. Condition Report:Available upon request
A GEORGE III MOURNING PORTRAIT MINIATURE Painted on ivory, with plaited hair verso, housed in a yellow metal pendant mount engraved 'Mary Waring 1802, obt. 3d. Feby. 1803 at 28', measuring approx. 6.3cm in height exclusive of suspension loop Ivory Declaration reference - NKB3TK4K Condition Report:Available upon request
Collection of miscellaneous jewellery and watches, including 9ct curb link bracelet, Tudor watch, pocket watch and pearl screw back earrings tested as 9ct, 59.49 grams, Edwardian portrait pendant with seed pearl outline, tagged "15ct", along with a bar brooch and pearl ring, both tested as 14ct, 7.09 grams, ladies pocket watch stamped "18k", tested as 18ct.
A pair of contemporary neoclassical style giltwood oval portrait miniature frames, moulded and carved, each with ribbon tied crests, containing printed portraits of gentlemen, 24cm high; A reproduction pair of white framed oval miniatures, a gentleman and lady, each 13.5cm high, 10.3cm wide (4)
Wand- und SammeltellerKPM, Berlin, nach 1945 und Rosenthal, 1972, Porzellan, glasiert, mit schwarz-grauem bzw. grauem Druckdekor versehen, 1x Wandteller (E: Ole Jensen), im Spiegel Portrait von Sepp Herberger, der Teller von runder leicht gemuldeter Form, goldgerändert, mit Künstlersign., verso unterglasurblaue Zeptermarke und mintfarbene Reichsapfelmarke, D: 24,5 cm und 1x Jahresteller (E: Natale Sapone), limitierte Auflage, Exemplar Nr. 872/3000, ovaler Teller mit geschwungenem, wellenartigem Reliefdekor, verso Wandaufhängung, unterglasurgrüne Marke, sign., bez. und nun., LxB: 35,5/30,5 cm. 1x min. Altersspuren. Je in Originalkarton, 1x mit Zertifikat anbei.
Fuchs, ErnstWien 1930 - 2015, war ein österreichischer Maler, Grafiker, Bildhauer, Bühnenbildner. "Flora erwacht", Portrait einer jungen Frau mit blumenverziertem Haar und geschlossenen Augen, unten rechts sign., links num. "95/300", Farbrad./Papier, HxB: 33,5/34 cm. Leicht gewellt, kleine Stockflecken. Hinter Glas gerahmt.
Gold, AntonSchwäbisch Gmünd 1914 - 1970 Stuttgart, deutscher Maler. "Zwillinge", Portrait zweier Jungen mit blondem Haar, unten links sign. und dat., Öl/Papier, HxB: 59/44 cm. Altersspuren, gewellt, fleckig. Hinter Glas gerahmt. Der Erlös der Stuttgarter Anton Gold-Sammlung geht an die Olgäle-Stiftung für das kranke Kind e.V..
An Order of St John, WW1 / WW2 Merchant navy group, awarded to Leopold Horace Fudge. To include: a cased post 1936 Officer of the Order of St John insignia, in silver and white enamel, the British War Medal, Mercantile Marine Medal, Victory Medal, 1939-45 Star, 1939-45 War Medal, and a corresponding set of miniatures (these mounted on a pin back bar for wear). There is also a large photographic portrait of Leopold wearing his set of miniature medals, and a 1938 dated certificate, signed by Arthur, Duke of Connaught, granting Leopold the dignity of Officer of the Order of the Hospital of St John of Jerusalem Notes: The BWM, and Mercantile Marine Medal are both named to ‘Leopold H.Fudge. The Victory Medal is original, but would appear to have been neatly erased some time ago. The WW2 medals are unnamed as issued. The award of the St John insignia appears in the London Gazette on June 24th 1938, using his full name of Leopold Horace Emlyn Jones Fudge. The WW1 BMW medal and MM medal is confirmed on the roll, as are the WW2 medals, but it cannot be certain if the Victory Medal should have been awarded. Interestingly the miniature group has had an Atlantic star added to it, but there is no full size Atlantic Star included, and it is not mentioned on the roll (only the 39-45 Star and 39-45 War Medal are noted), and perhaps this may be case of the miniature Atlantic medal being self awarded. Condition: generally good. The Order of St John is in very good condition, with unblemished enamels and just normal toning to the silver. The WW1 and WW2 medals show normal toning and only light contact marks and wear. The miniature medals are also in good order, with normal age related wear. The photograph and certificate are both framed and glazed, and aside from a few contact marks to the frames, they both remain in good condition.
An interesting WW1 German group, relating to Gefreiter Peter Noll of the 3rd Landwehr Infantry Regiment Nr 86. To include: his original Soldbuch, named to Peter Noll on the cover. The document states he was born on March 23rd 1880, in Niederhoffheim, and that he was awarded the Iron Cross 2nd class July 7th 1917. By April 1918, his Soldbuch states his rank as being Unteroffizer Also included is the original printed provisional certificate for the award of the EKII, with the date matching that of the soldbuch, and his typed name, rank and regiment. Plus, a regimental group photograph, and studio portrait of Noll and comrade, and his unbroken ID tag in its original leather pouch with neck cord. Condition: generally good. Some service wear to the Soldbuch, with some pages at the back that relate to the drawing of pay from his regiment neatly cut away (pieces were cut or torn away when the paymaster issued payment). The ID tag is complete, but has surface oxidisation in places, and its leather pouch has some light scuffs and contact marks. The EKII certificate has fold lines, all 4 corners are folded over, and there is a small tear to the top margin.
A remarkable, emotive, and rare WW1 nurses’ album, compiled by Voluntary Aid Detachment Nurse, Maude Alice Lineham (1883-1967). The album was carried by Maude during her time serving as a nurse at Spondon House Hospital, Derby, Derby Royal Infirmary, and the Leicester Royal Infirmary. Published records confirm that she served as a Red Cross Volunteer from November 1st 1914, through to October 1st 1917. During her time on the hospital wards, caring for wounded servicemen, it’s assumed that Maude would have passed around her book, allowing the injured men to write poems, give accounts of their service, and also profusely illustrate on the pages. Many regiments from the British Army are represented, with one Scottish solider, John J. Ferguson from the Seaforth Highlanders giving a written first hand eight page account of the famous Christmas truce, writing on Christmas Eve that ‘We started singing carols, they applauded us, they sang and we replied’. He later added that ‘We gave them three cheers (British ones) when they sang ‘God save the King’ in English. John Ferguson goes one to talk about the general mood, and famous football match played on Christmas Day, adding ‘It was like living in a different world - here we were Christmas Day in the trenches, and able to walk about with our ‘heads up, some of our men even left the trench to play football - a party from B company went over and were photographed with the Germans’. Another page, written by Sgt Richard Jones of the 1/5th Kings Liverpool Regiment has a small piece of coarse white fabric stitched to the page, and states that it is ‘A piece of a German white flag. The flag was taken from a prisoner who surrendered with 120 more, at Festubert on May 17’ 15 to the British (this would have been from the Battle of Festubert, fought between May 15th and May 25th, in the Artois region of France). Some of poems within the album clearly are odes to Maude, praising her ability as a nurse as the men were rehabilitated. The illustrations are in pencil, pen and ink, and watercolours, with the subject matter ranging from caricatures to landscapes and still life. Some of the illustrations are of high quality, clearly made by some talented artists. One charcoal head and shoulders portrait of a young lady is believed to be Maude, sketched by one of the soldiers under her care, and signed to the bottom left. A number of the illustrations and entries date to the pre-WW1 era, with these likely having been made during Maude’s teaching career. Notes: Maude Alice Lineham was born in Derby in 1883, the daughter of John Wood Lineham and Hannah Hobson. The first page of the book is written in Maude own hand, stating her name as Maude Alison Lineham, with a date of Jan 1903, and the address if Mount Pleasant, 260 Burton Road, Derby. The 1911 census clearly records her middle name as ‘Alice’ and it’s unknown as to why she records it as Alison. By the time of the 1911 census, Maude was 28 years old and still living with her parents and two siblings at the Mount Pleasant address. Her occupation in 1911 was recorded as ‘School Teacher, Private’. By November 1914 she’d volunteered as a nurse within the Voluntary Aid Detachment, under the umbrella of the Red Cross. It’s believed that Maude never married, and she passed away in Bromley, London in 1967.
A late 19thC Continental porcelain miniature of Theodora, after Sichel, signed Löchner, head and shoulders portrait of a Roman lady, in side profile, with roses in her hair, in an oval brass strut frame, plaque 8.5cm x 6.5cm. On initial inspection the plaque does not appear to have been reglazed, and is in good condition.
Nehrlich, GustavKarlsruhe 1807 - 1840 München15,4 x 13,2 cm, R.Portrait der Prinzessin Amalie von Sachsen, geb. Prinzessin von Bayern (1801-1877). Die Pinzessin trägt ein hellblaues Kleid mit Goldschmuck und Gürtelschließe. Feine Gouachemalerei auf Elfenbein, seitlich rechts in Gold signiert G. Nehrlich. Leicht berieben Dekorativer Rahmen aus Holz mit Wurzelmaser und Messingapplikationen, rückseitig bez. "Princesse Amélie" und alte Inventar-Etiketten, leichte Altersschäden und min. rest. Mit EU Cites für Elfenbein DE-K 240822-383 - KEIN EXPORT MÖGLICHSüddeutsche Privatsammlung.Lit. Karin Henninger-Tavcar, Miniatur-Portraits, Verlag Kurt Götz, 1995, Titelbild und S. 239.Amalie war die Tochter von König Maximilan I Joseph von Bayern und seiner Frau Caroline, geb. Prinzessin von Baden. Sie heiratete 1822 den späteren König Johann I von Sachsen. Gustav Nehrlich lernte u.a. in Paris bei Jean-Baptiste Isabey, später studierte er an der Kunstakademie in München. Zurück in Karlsruhe arbeitete er vor allem für die badischen Großherzöge sowie auch gelegentlich für den bayerischen König Ludwig I - er fertigte Portraitzeichnungen und Miniaturen.
Emaille-Tabatiere mit LandschaftsmalereiEllwangen, Andreas Bechdolff, um 1765/704,5 x 9,7 x 5 cmKupfer, blaue emailliert, vergoldete Kupfermontierung. In Rocaille-Kartuschen Landschaftsmalerei mit Architektur, auf dem Deckel ein galantes Paar, die Dame mit Muff, im Deckelinneren Portrait einer Dame im roten Kleid mit Schönheitsflecken. Streublümchen in Bechdolff-Manier. An den Seiten restauriert.Alte fränkische PrivatsammlungLit. Gert Nagel, Spurensuche zu den Tabatieren der Früstpropstei Ellwangen, 48 Dosen & Tabatieren, 2022, Kat.Nr. 17 (identische Motive Deckel und Innendeckel) sowie 21 (Blumen)
Porzellan-Tabatiere mit WatteauszenenFürstenberg oder Berlin, um 1765/703,7 x 6,7 x 4,3 cmOval, auf dem Deckel, dem Boden und den Seiten feine Watteau-Malerei in floral konturierten, pastellfarbenen Rocaillen. Im Deckel das Portrait eines Edelmannes im Harnish mit blauer Schärpe. Vergoldete Metallmontierung. Min. ber.Alte fränkische Privatsammlung
Guaranteed to be authentic signatures autographs. Actors and musicians of the early 20th century. Sir Harry Lauder (1870-1950) famous Scottish Comedian the signature incorporating a self portrait. Actor Barnsby Williams. Sir John Forbes Robertson Edward O Henry Mathesson Lang Mark Hambourg famous Pianist female actress including Dame Madge Kendel Sybil Thorndike Richard Tauber Three signitures from George Robey. Postage category A
Arthur Fellig "Weegee" (American, 1899-1968). Ferrotyped silver print photograph titled "Distortion (Self-Portrait with Camera)" depicting a self-portrait of the artist with his Graflex camera and a mirrored image of himself extending upwards from his forehead, ca. 1950s. Ink stamp along the verso of the print reading "Please Credit Weegee from Photo-Representatives."Sight; height: 7 3/4 in x width: 7 1/2 in. Frame; height: 21 1/2 in x width: 17 1/4 in x depth: 1/2 in.Condition: There are no tears, losses, or restorations. There is a crease along the upper right corner. Light handling marks and creases throughout. Along the lower edge, there are impressions, possibly from writing. Housed under a nonacidic mat. Framed under glass; light wear to the frame.
Chinese ancestor or genealogy portrait of a male member of the Zhu family, likely late Ming Dynasty. Ink and gold on silk. This type of portrait is known as a pu xiang, or a genealogy portrait. The sitter is rendered in the appropriate costume of their rank. The clothing as well as the sumptuous brocade chair indicates a person of both high-rank and wealth.(Folded) height: 28 in x width: 19 in. (Unfolded) height: 28 in x width: 38 in.Condition: There are no large tears or losses. The sheet is toned. Areas of foxing and discoloration throughout. There is some skimming to the image. There are some small chips and tears along the edges. A few creases throughout.
Signature of 18th President Ulysses S. Grant framed with an etching portrait of the President. The etching with "B.W. Smith N.Y." in print below bust. The ink signature on a sheet of paper with the heading "Head-Quarters Armies of the United States...186."(Signature, sight) height: 2 in x width: 4 in. (Etching, sight) height: 4 in x width: 3 1/2 in. (Framed) height: 9 1/2 in x width: 6 1/4 in x depth: 1/2 in.Condition: Thee are no visible tears, creases, losses, or repairs. Both sheets are housed under an acidic mat. Mat burn and toning to both. Framed under glass; light wear to the frame. Not inspected out of frame.
Group of 16 early British protectorate and colonial stamps including Australia, New Zealand, North Borneo and Labuan, Basutoland, and Bechuanaland.From New Zealand: one ca. 1900 red- or pale-rose 6-pence kiwi stamp; one ca. 1935 green 1/2d fantail stamp.From Basutoland: one green ca. 1933-34 1/2d stamp with an alligator and a profile design of King George V.From Bechuanaland: one green ca. 1932 1/2d stamp with a heard of cows and a portrait of King George V.From North Borneo: one green two-cent deer stamp with "Labuan" overprint; one red ca. 1901 4-cent stamp with a monkey and "British Protectorate" in green overprint.From Australia: one 1940 red armed forces 2d stamp; one claret brown ca. 1934 6d kookaburra stamp; one 1941 green one-shilling male lyrebird stamp; one 1913 red 1d kangaroo stamp; one 1913 pale green one-shilling kangaroo stamp; one ca. 1890s green one-shilling Western Australia swan stamp; one ca. 1910 green half-penny Western Australia swan stamp; one red three-halfpence King George stamp; one red two-pence King George stamp; one green one-penny King George stamp.Height ranges from 1 in to 1 1/2 in; width ranges from 7/8 in to 1 in.Condition: Most of the stamps appear to have been posted. All in overall good condition with signs of light wear.
Frank Albert Rinehart (American, 1861-1928) and Adolph F. Muhr (American, 1860-1913). Platinum print photograph titled "Chief Goes to War (Sioux)," depicting a portrait of a man in fine dress, 1898. Signed and dated in negative along the lower left; titled in negative along the lower center. The work was likely numbered "762" along the now missing lower right corner.Sheet; height: 9 1/4 in x width: 7 1/4 in. Matted; height: 18 in x width: 14 in.Condition: There are no creases or restorations. There is a loss to the bottom right corner. There is faint discoloration to the left side of the face. The sheet is toned. There are no signs of restoration. The work is not framed.
Frank Albert Rinehart (American, 1861-1928) and Adolph F. Muhr (American, 1860-1913). Platinum print photograph titled "Chief Wolf Robe - Cheyenne," depicting a full length portrait of a man, 1899. Signed and dated in negative along the lower left; titled in negative along the lower center; inscribed "No. 1393" in negative along the lower right.Sheet; height: 9 1/4 in x width: 7 1/4 in. Matted; height: 18 in x width: 14 in.Condition: There are no tears, creases, or losses. The sheet is toned. There are no signs of restoration. Not in frame.
SPLENDID CEREMONIES -- (BIDLOO, G.). Komste van zyne majesteit Willem III. Koning van Groot Britanje, enz. in Holland; ofte omstandelyke beschryving van alles, het welke op des zelfs komste en geduurende zyn verblyf, in 's Graavenhaage en elders, ten teeken van vreugde en eere, is opgerecht en voorgevallen. The Hague, A. Leers, 1691. (10), 127 pp. W. engr. front. & 14 fine engr. plates (of which 11 double-p.) by R. de Hooghe. Fol. Cont. cf. w. raised bands. (Spine ends & upper corners dam., joints split, new endpapers, upper margin repaired at the beginning, without portrait of William III, a few small wormholes in upper margin, sev. other marg. rep., plates also repaired in places (margins and in places on v°), small piece of blank margin of 1 plate torn off). NOTE: First & only edition of an attractively illustrated work, documenting the visit of stadholder-king William III at The Hague and all the festivities there. - Landwehr, Splendid Ceremonies, 146; Id., RdH, 79; Kat. Ornamentstichsamml. 2952.
FUCHS, L. Den Nieuwen Herbarius, dat is, dboeck vanden cruyden, (…). Basel, M. Isingrin, n.d. (±1545). xviii, (276 (of 278) lvs. W. portrait on v° ti.-p. and 517 plain woodcuts in text. Fol. Cont. blind tooled vellum, spine raised in compartments. (Mediocre copy, lacking 2 lvs., rather severe staining (but no moulding!) throughout, ti.-p. and few following lvs. defected). NOTE: Rather scarce herbal in the Dutch language with an extensive index preceding the text. Ex library 'Etmundus Bigniard' (see signature at end), who entered the service of the VOC on 21st August of 1778. - Nissen 662.
VALENTYN, F. Verhandeling der zee-horenkens en zee-gewassen in en omtrent Amboina en de nabygelegene Eilanden (…). Met zeer nette Prentverbeeldingen verrykt (…) dienende tot een vervolg van de Amboinsche Rariteitenkamer (…). Amst., J. van Keulen, 1754. (4), 70 pp. W. 16 of 18 plates. Fol. Later h. mor. (Dam. to spine ends, sides w. some wear at extremities, title-p. smudged & yellowing, textblock & prints w. some marginal dust stains but otherwise quite clean & well-preserved, lacks the portrait of the author & the two fold. prints). NOTE: Only separate ed. of the continuation of Rumphius' "Amboinsche Rariteitkamer", a major work on tropical marine life of the Moluccan Islands, by the Dutch traveller and historian Valentyn (1666-1727), dedicated to Joannes Esgers. - Landwehr, VOC, 622; Nissen ZBI, 415. - Sold as a collection of prints.
DEYSSEL, L. v. Gedenkschriften. Amst., 1924. First blank, (6), 290 pp., last blank. Blind stamped or. brown mor. bind., spine and front side gilt, uncut, t.e.g. (Somewhat chafed on extremities in places, portrait of the author added w. 'photo corners' on v° first blank w. some resultant stencilling on opposite page). De luxe copy, signed by the author and # 44 (of 75), printed on handmade paper. -- And 3 o. (4).
REVE -- COLLECTION OF 17 POSTERS/BROADSIDES for venues/publications/exhibitions, etc., all relating to Gerard Reve. Last decades 20th c. Diff. sizes. 1 framed and under glass. (Some occasional pin holes in places, but in good condition). -- Added: 1 large photo portrait of R. (later print). -- (18).
REVE -- WOLDHEK, Siegfried (1951). (Four satirical portraits of Reve at several ages). 1980 (dated in plate). B&w print. 135 x 243 mm. Signed in pencil, edition of 55 copies. Framed, glazed and under passepartout. -- Added: Peter DONKERSLOOT. (Portrait of Reve). N.d. Paint-printed portrait of Reve in colour on canvas. 600 x 500 mm. Framed. Signed in right lower corner by the artist. Edition "30/100" (written in felt pen at v°). -- And: Marcel RONCKEN. (Portrait of Reve, aged 22). 2010. Drawing in black ink and pencil on handmade paper from India. 230 x 168 mm. -- And 2 o. portraits of R. (5).
BALZAC, H. de. La Comedie Humaine. Lond., Smithers, 1897-99. 22 vols. W. illustr. Ocl. w. image of mask & stylized portrait of Balzac by A. Beardsley, t.e.g. (Spines discold., most vols. some edgewear, some vols. affected by silverfish, some vols. w. delicate hinges). NOTE: Consists of 2 sets of 11: Scenes of Parisian Life & Scenes of Private Life.
(BONNEFOY, Y.). Henri Cartier Bresson, photographer. (1986). Square-4°. Ocl. w. dust-j. -- M. PAQUET, (ed.). Photographies de Magritte. (1982). 4°. Ocl. w. dust-j. -- J. CORKIN. André Kertész, a lifetime of perception. 1993. 4°. Ocl. w. dust-j. -- A. KERTÉSZ. Kertész on Kertész, a self-portrait. (1985). 4°. Ocl. w. dust-j. -- O. BEER. Lucien Hervé. (2002). 4°. Owrps. -- And 7 o. (12).
DANTE ALIGHIERI. The new life. Transl. by D.G. Rosetti. N.d. (c. 1900). W. 8 cold. plates, 8 mounted cold. plates & num. ill./dec. by E. Paul. 4°. Or. 'renaissance like' leather bind. w. relief print portrait of Dante on front side in colour. -- Added: A. FRANCE. Thais. Paris, Libr. de la Collection des Dix, 1900. W. etchings in text by L. Boisson. Lge-8°. Fine cont. blue h. mor. bind. w. marbled paper sides, spine gilt w. 'Egyptian style' ornaments, owrps. bound up, marbled endpapers, t.e.g. Printed in 300 copies. -- And 2 o. illustrated literary works in French (Flaubert & Zola). (4).
GRAPHIC NOVELS -- SPIEGELMAN, A. In the shadow of no towers. Lond., 2004. 10, (2), VII pp. 4°. Obrds. -- Id. Breakdowns. Portrait of the artist as a young %@§*!. Lond., 2008. C. 50 pp. 4°. Obrds. -- Id. Metamaus. Amst., 2011. 293 pp. Ohcl. (Includes CD-ROM). -- G. REVE & D. MATENA. De avonden. Een beeldverhaal. Vols. 1-3. Amst., 2003-04. 3 (of 4) vols. 4°. Obrds. -- And 3 o. (8).
Loading...
