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283284 Los(e)/Seite
Los 1
Porcelain portrait plaque of a young woman in a black hat and mauve dress, signed Leslie Johnson, 13 x 9cm, and a Sevres plate, the centre painted with a battle scene and the blue border with panels of arms and armour and flowers, with gilt edges, blue painted mark to base, 25.5cm diameter, (2), a/f
Los 1
Katherine Stewart exh 1887-1917- Portrait miniatures of Emma Cecilia Bell, and Margaret Bell both head and shoulders, both ovals, both inscribed verso, gilt metal oval pendant frames, 7.5x6cm., ea., (2). Note: Inscriptions on the reverse reads 'Emma Cecilia Bell, born 24th Feb 1958, painted by Katharine Stewart, 1905' and 'Margaret Bell, daughter of Emma Cecelia Bell'
Los 1
A Portrait Miniature, British School 18/19th Century, of a Nobleman half-length wearing a ruff and sash, 10x8cm. Note: bears inscription James II to the reverse : Manner of Stephen Elmer 1717-1796- Spaniel hunting in a woodland; oil on canvas laid on panel, 8x10cm: British School early 19th century- Carpenter and child making model yachts; oil on panel, 10x8cm., (3)
Los 1
A Portrait Miniature, British Early 19th century, of an officer head and shoulders facing left, in a scarlet coat with gold epaulettes, white shoulder belt, oval, 7x6cm: A Portrait Miniature, English 18/19th century, of a gentleman turned to the left wearing a blue coat, traditionally held to be John Ashley 1720-1787 according to inscription verso, 7x6cm: together with a companion portrait miniature of a woman, head and shoulders facing right in a white dress and gold necklace, oval, 7x6cm., (a pair), (3)
Los 1
*A Portrait Miniature, European School Late 19th Century, of a young lady head and shoulders facing left wearing a white dress and pearls, in a black lacquer frame with thistle surmount, 9x7cm: together with a portrait miniature of a young gentleman, head and shoulders in profile, wearing a black coat, in a black lacquer frame with foliate surmount, 9x8cm., (2)
Los 1
The following lots offered are from the estate of Ivor Roberts-Jones CBE RA 1913-1996, artist and sculptor. The artist worked mainly in the field of portraiture, the monumental Winston Churchill statue in parliament square is one of eight National monuments Ivor Roberts-Jones created along with over twenty portraits for the Welsh National Portrait gallery and further private commissions and exhibitions throughout his career. "Abstraction and reality have an uneasy relationship in my sculpture, all things vividly seen are, as I believe, abstractions and starting work is the beginning of a move back to reality" Ivor Roberts-Jones. Ivor Roberts-Jones was a member of the the Society of Portrait Sculptors and exhibited in the founding exhibition of 1953 and is included in the society's 43rd annual exhibition in 2006. Source: President Nigel Boonham FRBS After Francisco Goya y Lucientes 1746-1828- 'Ne Se Peude Mirar', 2nd edition of the 'Disasters of War'; etching with aquatint, signed within the plate, 14x20.5cm: together with one other etching after the same hand titled 'The Blind Singer'; etching with aquatint, 20x12cm: J Pass fl. Late 18th/Early 19th century- 'The Clotho', or 'The Deadly Viper', after Albertus Seba 1665-1736, publ London as the act directs Oct 3 1801 by J Wilkins; plate 1, from the 'Locupletissimi rerum naturalium thesauri' ; hand-coloured engraving, 24x19cm: together with a further nine etchings, engravings and woodblock prints by and after different hands to include: Dirk Stoop 1618-1681, Cornelias Bega 1620-1664 and others, (12), (unframed)
Los 1
Frederick Hollyer 1837-1933- Study for the 'Masque of Cupid'- Disiderium, after Sir Edward Coley Burne-Jones BT ARA; platinotype, 21x19cm: European school circa 1900- Portrait of a gentleman seated full-length; lithograph, bears stamped monogram on the reverse, 32x20cm: Paul Drury, American 1903-1987- Portrait of a young woman, head and shoulders turned to the left; etching, signed in pencil and inscribed '3rd state, final proof', 16x12cm., (3), (unframed) Note:This platinotype is the only record of the drawing before the right side was cut off, presumably by a member of the artist's family, before it was gifted to the Tate Gallery by the artist son in 1910., source: Victorian etching, p.18, Maas Gallery 1999
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283284 Los(e)/Seite