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Preisdatenbank abonnierenIndia – miniature portrait – Maharajah Karak Indian ivory miniature portrait watercolour of Maharajah Kharak (1802-40)^ son and successor of Maharajah Ranjit Singh of Punjab. India School^ finely painted. Kharak Singh came to the throne of the Punjab in 1839 and died in 1841^ hence paintings of him are extremely rare. Measurers 60 x 45mm.
India – miniature portrait – Gulab Singh Indian ivory miniature portrait watercolour of Maharajah Gulab Singh of Jammu & Kashmir. India School^ finely painted. Gulab Singh^ a Dogra Sikh became ruler of Kashmir after purchasing the territory after it had been ceded by the Lahore Durbar to the British as a consequence of the First Anglo Sikh War of 1845-6. Measurers 60 x 45mm.
India – miniature portrait – Fakir Nuruddin Indian ivory miniature portrait watercolour of Fakir Nuruddin^ a Muslim minister in the Court of Ranjit Singh. Ranjit Singh being a secular ruler employed several Hindu and Muslims in his Durbar including the much favoured Fakir brothers. India School^ finely painted. Measurers 60 x 45mm.
Ephemera – Playbill – Sir John Franklin playbill for the Royal Circus & Surrey Theatre dated June 17th 1818^ contemporary with Franklin’s expedition^ with one of the items featuring : ‘A cavern in Iceland with an animated portrait of the vessels on the Arctic Expedition on their way to discover the North Pole’. Franklin’s expedition ranks only with Scott’s as one of the most tragic in Polar history
Original Art a fine postcard sized portrait of a young man in Victorian highland dress set in a highland landscape^ showing him seated^ looking sternly to his right and with his rifle to his side. It has been suggested that this is a portrait of John Brown^ the faithful highland servant to Queen Victoria^ and is possibly an over painting of a photograph. It has also been suggested that this is an early portrait of the Prince of Wales (later Edward VII) though it appears to us to resemble Brown. It is in any event exquisitely executed and the colours are bright. It is framed and bears the label of C E Clifford^ artists’ colourman. Charles Edward Clifford (1823-?95) began life as an artists’ colourman^ but later branched into photography and picture restoration – see National Portrait Gallery archives.
A framed oil painting by Robbie Wraith depicting the Piazza della Rotonda in Rome (a small square near the Panthenon). The painting is signed Wraith - 2000 in the bottom left hand corner and measures approx. 24 x 19cm (excluding the frame). About the artist : Robbie Wraith was born in London and left Stowe at the age of 16 and went to Florence to study painting, drawing, and the traditional technique of Fresco at the invitation of Pietro Annigoni. In 1995 Wraith was elected to the Royal society of portrait painters and his list of distinguished portrait sitters include her majesty the Queen, the Duke and Duchess of Devonshire, the Archbishop of Canterbury and Nelson Mandela who he drew whilst he was accompanying HRH Prince of Wales on his official visit to South Africa. View on staceyauction.com
A collection of early & first edition reference books to include `tales of the wars to which is prefixed a memoir of the duke of wellington with an authentic portrait` pub. william mark clark. `armies of the 19th century, the americas, the paraguayan war` terry d. hooker. `history of the war between france & germany` cassell 2 volumes, early editions. `the life and times of wellington` by lieut. col. williams, 4 volumes in 2 editions. `englands battles, the history of the war with russia` volumes 3 & 4. (8) View on staceyauction.com
19TH CENTURY ENGLISH SCHOOL "Portrait study of a young woman wearing a hat", head and shoulders, watercolour, unsigned, together with two Pears prints "Bubbles" and "Impertinent Hussies", AFTER JOHN M. AIKEN "Coastal maritime scene with lighthouse" limited edition black and white etching No`d 29/50, signed in pencil in margin, a modern print, and a Continental pottery plaque depicting two lovers
AFTER JOSHUA REYNOLDS "The Rt Hon George Lord Anson, Baron of Soberton", a black and white mezzotint by J McArdell, a pair of coloured engravings "Archimede" and "Galilei", AFTER JOSHUA REYNOLDS "The Fortune Teller", and 19th CENTURY SCHOOL "Portrait study of a gentleman", head and shoulders, black and white engraving, indistinctly inscribed (5)
A Bohemian garnet set brooch designed as a starburst, cased, a silver curblink bracelet, on a boltring clasp, with a padlock shaped pendant detailed `Silver`, a gilt metal mounted oval cameo bangle designed as the portrait of a lady, cased, a red gem set stick pin, another stick pin, a 9ct gold oval brooch detailed `Baby`, and two pairs of earrings.
A papier-mâché circular snuff box and cover, early 19th Century, the printed cover with a scene of a flower seller with a lady and gentleman and inscribed `La Marchande de Bouquets de Paris`, together with a similar box and cover, a head and shoulders silhouette portrait of a gentleman, a porcelain plaque decorated with a maiden, and a Japanese carved ivory shoe horn with a rat terminal.
A Cantagalli maiolica circular charger, late 19th Century, painted with a central head and shoulders portrait of a soldier against an inscribed ribbon banner within a border rim of grotesques, the base underside with a central fleur-de-lys within a floral border, painted cockerel mark to base (broken in half and riveted).
A pair of `Vienna` porcelain candlesticks, late 19th Century, each decorated with a head and shoulders portrait of a young lady, signed Vettori, within gilt framing, to each reverse a gilt vignette landscape view, the magenta ground bodies overlaid in gilt with scattered flowerheads, blue painted shield type mark to each base, height approx 13cm.
A circular sterling mounted glazed butterfly wing brooch decorated with sailing boats and two figures in the foreground, a rectangular blue butterfly wing brooch, an oval blue butterfly wing pendant, with a ballet dance motif, a ring, and a costume brooch decorated with a portrait of a lady.
A miniature brooch, the silver coloured and stone set frame housing a portrait of a female, 4cm long; a Victorian tiger`s claw brooch; two pieces of Chinese coral and feather jewels, distressed; a silver thimble; a bracelet for converting a fob watch to a wrist watch; and a large oval citrine coloured paste stone
Percy Horton, British, 1897-1970- Portrait of a woman sewing (recto), figure study of a male nude (verso); oil on canvas, 76.5x50.5cm Note: Percy Horton`s work has been well exhibited, during WWII he was asked to produce a series of scenes from war factories, the collection of which is now in the Imperial War Museum, he has also been part of group shows at the RA, NEAC, RSBA and Ashmolean, and is on permanent display at the Tate, National Portrait Gallery and Arts Council.
William J Hardy, British fl. 1854-1856- Drovers with cattle in a landscape; watercolour, 12x22.5cm: William J Hardy, British fl. 1854-1856- Figures on a country lane; watercolour heightened with gum arabic, signed, 11.5x21cm: Albert Houghton AMC FRSA, British, late 20th century- "The Tide Mill, Woodbridge"; watercolour, signed, 35x50cmBritish School, early 20th century- View from beneath a bridge; watercolour, mounted in a hand-gilded carved frame, 30.5x22.5cm: British School, a silhouette portrait of two figures, mounted in a gilt gesso oval frame, 24x18.5cm: European School, early 20th century- Coastal view with a fortified town and mountains; watercolour, 14.5x19.5cm: British School, late 20th century, early 21st century- Landscape with a castle; pen and black ink and watercolour, 13.5x20cm: Don Miklethwaite, British, late 20th century- "Fishing Boats at Scunthorpe"; oil on canvas board, signed, 24.3x29cm: together with a framed design in gouache for a heraldic crest, 20x15cm., (9) (may be subject to Droit de Suite)
British School, mid 19th century- Portrait of a lady with flowers in her hair; pencil and watercolour on buff, 23x18cm: British School, mid/late 19th century- "Fire Proof Sugar Refinery erected for Messrs Charles & John Frederick Bowman by C.Dyson Esq Architects, 1851", publ Vincent Brooks lithographer, 421 Oxford Street, London; hand coloured lithograph, 63x85cm, (2)
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