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Preisdatenbank abonnierenCollection of Victorian and later brooches and pendants including silver paste stone portrait pendant, gold-plated pendants, hair bow brooch and one other 9ct gold hair mourning broochCondition Report:9ct mourning brooch approx 13.2gm (glazed back and front), paste stone locket length = 63mm
Early 20th century gold portrait of a boy painted on porcelain, gold blue paste stone brooch and one other garnet brooch, all 9ctCondition Report:Portrait brooch approx 6.7gm, dimensions = 36mm x 30mm, some light marks to portrait, other two approx 4.05gm, all tested 9ct, back pins not gold
TWO CONTINENTAL PORCELAIN PORTRAIT PLAQUES, LATE 19TH / EARLY 20TH CENTURY each hand painted, of oval form and in the manner of KPM, the larger depicting a young man in a hat, with impressed marks K2 to verso, the smaller depicting a young lady playing a mandolin, with impressed marks K12 to versothe largest 18cm x 14cmQty: 2
JAMES TASSIE (SCOTTISH, 1735-1799), WHITE PASTE PORTRAIT OF ADAM ROLLAND, CIRCA 1794 shoulder length, signed, titled and dated Tassie F AD. ROLLAND 1794, mounted, framed and under glassNote: 'Adam Rolland of Gask FRSE (1734–1819) was a Scottish judge and philanthropist. He was co-founder of the Royal Society of Edinburgh, personal friend of Lord Melbourne and the basis of the character of Paul Pleydell in the novel Guy Mannering by Sir Walter Scott.' the frame 14cm high and 11.4cm wide
MICHAEL WEIRS (ENGLISH), SET OF THREE WHITE FAMILY PORTRAIT MINIATURES, CIRCA 1917 depicting a shoulder length portrait of a girl (Molly White at Culquaich), a three-quarter length portrait of an older gentleman (Rev. William White), and a full-length portrait of an older lady picking flowers (June White) each signed Weir's Min's, in gilt metal frame and tooled blue Morocco case, these with easel supports, titled and dated stickers versothe two larger 22.5cm x 17cmOverall good condition, with no clear signs of damge. Additional images show inside of cases.
19TH CENTURY FRENCH SCHOOL, PORTRAIT MINIATURE OF A YOUNG LADY, half-length, on ivory, framed and under glass, easel backedThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference Y46B7AGS. 10.5 cm high There does not appear to be any restoration or repairs done to this lot, but further infromation on formal repairs has not been provided.
19TH CENTURY FRENCH SCHOOL, PORTRAIT MINIATURE OF NAPOLEON, half-length, signed Felix, on ivory framed and under glass, easel backedThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 5352JQA8. 15cm high overall Overall, this lot is in good conditon, with no signs of repairs. There is no damage or age to the portrait, and the frame and backing is secure and functional.
Portrait of Field Marshal Herbert Charles Onslow Plumer, 1st Viscount Plumer GCB GCMG GCVO GBE KStJ, 1857-1932, oil on canvas, English School Early XX Century, signed indistinctly, 89cm x 74cm, together with book 'Plumer' by Geoffrey Powell.Plumer was commissioned into 65th Regiment of Foot (later 1st Battalion York & Lancaster Regiment) in 1876. He served with distinction in The Mahdist War at El Teb & Tamai (mentioned in dispatches) and in The Second Boer War at The Relief of Mafeking. By the outbreak of WWI he had achieved a senior rank and he is best remembered for his stunning attack on Messines Ridge in 1917.Provenance - From The Regimental Headquarters of Army Reserve Unit, Endcliffe Hall, Sheffield. MINOR CRACKING TO MOULDING ON FRAME, CANVAS AND PAINT FINISH VERY GOOD.
Portrait of Captain H Cockburn, oil on canvas, signed by artist E. W Andrews (XIX Century) and dated 1861, bears plaque 'Capt H Cockburn The Kings Royal Rifle Corps 2nd Adjutant of The Hallamshires 1860-1865', 90cm x 70cm.Provenance - From the Regimental Headquarters of Army Reserve Unit, Endcliffe Hall, Sheffield. Loss of small piece of moulding and minor cracking – three patch repairs to canvas, paint finish has surface eggshell cracking.
British Medals on Bar Brooch, including Distinguished Conduct Medal, Military Medal, British War Medal, Victory Medal and India General Service Medal wth Afganistan NWF 1919 clasp all to 83234 SGT F. W Abbott West Yorks Regt; plus Transfer to Reserve Certificate, portrait photograph of soldier and West Yorkshire Regiment cap badge. Please note we have been unable to identify a 83234 Sergeant F. W Abbot from any of the available specialist publications and media resources. There is evidence on the medal rims that they have been altered and renamed to the above alleged recipient. Certain details on the certificate have also been amended. We consider that the medals themselves are genuine; however, we advise any potential purchaser to carry out their own enquires and assessment of authenticity before placing any bid.NAMING AS PER DESCRIPTION ON EVERY MEDAL - SEE IMAGES.
Portrait of Colonel Sir Charles Allen VD JP, a famous captain of industry in Sheffield as Chairman of Bessemer & Co Ltd. Bears plaque 'Presented to Colonel Sir Charles Allen VD JP by Past and Present Officers of the 3rd West Riding Bde, RFA on the occasion of his retirement from command, Gazettted 1880 Retired 1909'. Oil on canvas unsigned 212 x 116cm. Provenance - Originally hung by 271 (Sheffield Artillery Volunteers) Regt RA (TA) in Norfolk Barracks, Edmund Road, Sheffield then transferred to Endcliife Hall, Sheffield before disbandment.
Raymond Kanelba (Polish, 1897-1960) A portrait of a young girl holding a small black dog on her knee, watercolour and gouache on canvas, signed to lower left, 64 x 52.5 xm, framed and glazed. Note: Raymond Kanelba, also known as Rajmund Kanelba, was a 20th-century Polish painter. He was born in Warsaw and educated there as well as in Vienna and Paris. He was strongly influenced by the école de Paris but with rather realistic and anti-impressionist style
A large collection of various artworks, including a framed antique magazine print, 'The Ault & Wiborg Co.' by Henri de Toulouse-Lautrec 1986 framed print, a framed miniature watercolour of forget-me-nots dated 1905, a watercolour paointing of roses by 'K. Haquthey', a 19th century oil painting of a lady in a bonnet, a framed print of 'Sea Dreams' by Marie Lucas-Robiquet, a watercolour painting of a young girl titled 'Portrait of a Spirit Child', together with two watercolour and pencil portraits of 18th century ladies, both unsigned, largest painting 50 x 32 cm. (8)
A rare 1918 Persian / Iran 1000 dinar coin sample coin, the obverse with portrait of Shah Ahmad Shah Qajar (1909 - 1925) above a wreath, the reverse stamped 'Persia 1918'.Provenance: gifted to 'Rachel', an old acquaintance of the vendor by Mr Lavachery, a Belgium gentleman in Casablanca who was formerly in charge of the Persian Mint. Contained in a Casablanca jewellers box, with handwritten envelope dated 1st March 1929.The coin has a diameter of 3.5 cm, weighs 23.2 grams, and features a plain edge finish.
A 19th Century French figural gilt spelter and alabaster mantel clock emblematic of art, modelled as a late 17th / early 18th Century artist, sat beside the drumhead clock with surmount modelled as a framed classical profile portrait with and an artist's easels and paints box amongst fruiting oak, on a Baroque style architectural base, 36 cm x 27 cm high, (a/f)
Frank Vernon Martin (1921 - 2005)"Constance Bennett in 1924", a striking portrait of the actress dressed in glamourous attire with rouged cheeks and lips, looking coyly off to one side, drypoint, signed by artist in graphite, 3/40, in double card mount and contemporary ebonised frame under glass, 67 cm x 54 cm overall[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]
Frank Vernon Martin (1921 - 2005)"Greta Garbo", a chiaroscuro portrait of the Hollywood star richly dressed in fur and a cloche hat, gazing nonchalantly, aquatint and drypoint, signed by artist in graphite, 47/50, in double card mount and contemporary ebonised frame under glass, 71 cm x 54 cm overall[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]
Frank Vernon Martin (1921 - 2005)"Louise", a wistful portrait of the American actress Louise Brooks enveloped in fur, drypoint, artist's proof, signed by artist in graphite, in double card mount and contemporary ebonised frame under glass, 64 cm x 51 cm overall, together with Louise Brooks, "Lulu in Hollywood", Alfred A Knopf, New York, 1982, first edition in dust jacket, Tom Graves, "My afternoon with Louise Brooks", Devault Graves Books, Memphis, 2011, signed by the author, and two other biographical works[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]
Frank Vernon Martin (1921 - 2005)"Louise Brooks", a sultry portrait of the American actress set against an abstract cubist background, watercolour tinted drypoint, signed by artist in graphite, 44/100, in double card mount and contemporary ebonised frame under glass, 64 cm x 51 cm overall[Martin was born in Dulwich, South London in 1921 and grew up attending the theatre alongside his mother, who worked as an actress in the 1920s-1930s. This sparked a lifelong fascination with the acting profession and reinforced his love of the movies, making him an avid filmgoer and inspiring numerous works later in life.The artist began studying history at Oxford, but decided to pursue an artistic career after being commissioned into the Royal Artillery in 1941. Upon his return, he enrolled in the printing department of Saint Martin's School of Art, London where he was taught by prominent etchers and wood engravers; Clifford Webb and Gertrude Hermes.He began his professional career as a freelance illustrator, wood engraver and commercial artist; illustrating fashion for The Sunday Times. He also produced works for other books, magazines and private clients; receiving eight major Folio Society commissions, designing a letterhead for British author/journalist Evelyn Waugh and creating cover illustrations for the Oxford Standard Authors series. One such Folio Society rendering, for Stendhal's Scarlet and Black, was praised as "the best series of post-war English illustrations". He taught his craft at the Camberwell School of Art, becoming Senior Lecturer and later Head of Department. He retired in 1980, devoting the last 25 years of his life to his art and producing limited-edition prints. His favourite and most renowned works, those of Hollywood actresses of the silent movie era, ooze nostalgia and present an adoration of women, their intelligence and beauty. No doubt inspired by a childhood immersed in his mother's aura and the glamour of her profession.His work is held in public and private collections worldwide. These include Tate and Victoria and Albert Museum, London and in the private collections of actor Sir Michael Caine and musician Sir Elton John.Numerous solo exhibitions include locations such as Folio Society, National Film Theatre, Lyric Theatre Hammersmith, Editions Graphiques Gallery, Atrium Gallery and the Leeds International Film Festival. ]
After Alfred Gerritt Vandersyde (1898 - 1970)[ A Clockwork Orange ] "Nina", a kitsch portrait of a seductive woman set against tropical leaves, her face painted in bold mid-century style makeup, print, mid 20th Century, label bearing title verso, in moulded frame under glass, 64 cm x 53 cm overall[Vandersyde was born in London and raised in Enfield where he enlisted in the British Army Service Corps at the outbreak of the First World War; lying about his age in order to join up, he was drafted to the Medical Corps and drove carriages for the medics. After the war, he worked in advertising and produced popular images for Boots, Woolworths and Ovaltine, his illustrations also frequently appeared in the Illustrated London News. One of his most prominent pieces was "Nina", which became a commercial success after briefly appearing in the background of Stanley Kubrick's "A Clockwork Orange".Gerritt Vandersyde: Artist – Historical articles and illustrations]
Andrew Ratcliffe (Lancashire, contemporary)"Head", a grey-scale portrait of a woman looking on in thought, a string of pearls tucked under the neckline of her hoodie, graphite, titled and dated 1994 on label verso, with purchase receipt and Tullie House exhibition certificate, in card mount and ebonised wooden frame under glass, 33 cm x 27 cm overall[Born in Lancashire in 1947, Ratcliffe studied at Burnley and Canterbury Colleges of Art and later taught at The Manchester Grammar School. He started working as a painter full-time in 1980 and has completed artist residences in schools, colleges, galleries and libraries. Ratcliffe has exhibited extensively in Britain and abroad, showing work several times in The John Moores, The National Portrait Gallery and The Irwin Gallery, Sydney, Australia.]
The Rolling Stones / Related - 11 LP Records: Keith Richards - Crosseyed Heart 2xLP 2015, Big Hits Vol 1 Stereo Unboxed Logo 3W/4W, Big Hits vol 2 Stereo Octagonal sleeve -1W/-1W, Bill Wyman - Monkey Grip & Stone Alone, Still Life, Emotional Rescue, Portrait of The Rolling Stones - Mike Batt Orch. etc.
A vintage 9ct stamped double-sided glazed portrait locket pendant, a stone set pendant unhallmarked, assessed as 14ct gold, a stick pin, two pairs of beaded earrings, the beads only assessed as 18ct gold, two antique closed-back setting brooches, a heart pendant, and two pairs of drop earrings.
Various - A Tudor gilt dress fastener of triform, a similar mount and four plate mounts possibly Saxon or later, one with gilt chip carved design, a part Saxon bridle or cheek piece, terminals missing, a later Georgian amber intaglio carved with a three masted sailing ship, three similar intaglios each with a portrait, a masonic pale blue glass intaglio, a seal fob, two finger rings and a small Roman brooch. (qty)
Five large commemorative coins, comprising 2014 D-Day limited edition gold-plated £5, a 2007 Diamond Wedding gold-plated Cook Island $5, a 2013 HRH Prince George gold-plated Cook Island $5, a 2012 Sixty Years Portrait, gold-plated Cook Islands $5, and a 2012 Diamond Jubilee, gold-plated Jersey 50p (5).
LATE 18TH/EARLY 19TH CENTURY ENGLISH SCHOOL; oil on canvas, head and shoulders portrait of a bearded gentleman, unsigned, 42 x 35.5cm, unframed.Condition Report: Heavily worn and largely detached from stretcher, heavy sagging and crazing visible throughout, with some losses visible, thumbtacks to the stretcher from the front edge.
A quantity of plated ware, to include a rose bowl, an Art Nouveau crumb tray, a teapot, a pair of slender candlesticks, height of each 28.36cm, a leaf-shaped dish, a small swing-handled basket, etc, also a Beldray Arts & Crafts crumb tray and brush, a Two's Company horn beaker with silver plated rim, a Trade + Aid miniature cloisonné teapot with Modigliani-style portrait, and vintage clocks including a Swiza brass pear-shaped alarm clock, a Staiger plastic anniversary clock, a barometer, etc.
A late 19th / early 20th century Russian travel icon, with an oval painted porcelain portrait of an Orthodox priest, with Cyrillic script above, mounted in an ornate base metal frame with winged cherub design and ribbed edging, approx. 4cm wide x 4.7cm long. Further details: tarnished; wear and slight dent to metal mounted frame; reverse with fabric back and filler behind, some loss to areas of the back; hanging loop broken. ***Selling on behalf of The Wildlife Trusts Charity***
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