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283287 Los(e)/Seite
Los 36
18ct yellow gold Lapis Lazuli and citrine Ring Head carved from a solid block of gemstone in a portrait fashion with a gold inlay forming a rub-over setting for checkerboard cut Citrine. The carved block sits upon a pierced back rail that leads on to a one third plain polished back shank. Weight of ring 18.89 grms. CONDITION REPORT: The only mark is '750' on the ring.Citrine is 11mm x 17mm.Ring size is N/O
Los 24
18ct Rose and white gold tourmaline, pink sapphire and diamond set dress ring. A centrally raised 18ct Rose gold rub-over and portrait mounted dark peach checkerboard cut tourmaline. A black Rhodium halo of grain set rose cut diamonds. The shoulders centrally channel set, each with 3 'Montana' cut pink sapphires bordered on either side with black rhodium rose cut diamond set halo. The back shank with strap and buckle feature with applied triangular motif and cheniers. Weight of ring 10.46g.
Los 31
18ct yellow and white gold opal and diamond set cluster ring. large oval opal secured and portrait mounted in a double gallery collet mounted between multi-scroll shoulders centrally rub-over set with a small round brilliant cut diamond. plain polished concave shank. Weight of ring 8.79 grams. CONDITION REPORT: Opal is synthetic and the size of the ring is P.
Los 107
15ct rose gold moonstone and cats-eye chatoyant opal pendant scrolled open work lozenge shaped outline with a long wire bail. A large almost black Moonstone portrait mounted centrally in fine serrated rope like edge. Similarly mounted, above and below, are the pair of cats-eye opals. CONDITION REPORT: Age unknown. Appears clean, no damage or repair, box is clean, stones have surface scratches.Pendant 6cm long.
Los 30
9ct yellow and white gold opal and diamond set cluster ring. C1910 long rub-over set portrait mounted 'Jelly Bean' Opal Cabochon set in 9ct white gold, wire edge scalloped setting, pair of old mine cut diamonds and at the 6 and 12 o'clock positions, a single rub-over set old mine cut diamond. The split shoulders are 9ct yellow gold, plain polished ring shank. Weight of ring 5.55grms. CONDITION REPORT: Diamond weight unknown. Colour and clarity unknown.Chips to back of opal, surface scratches and ware to faces of diamond.Ring size O
Los 39
18ct yellow and white gold opal, ruby and diamond set cluster ring. long cabochon cut Australian opal. Portrait mounted and set within sixteen 18ct white gold claws, alternate set round mixed cut rubies and round brilliant cut diamonds. The 18ct yellow gold split shoulder lead on to a plain polished ring shank.. 6.40grms.
Los 50
G.B. Medieval silver hammered coinage - to include Henry III Long Cross Pennies, circa 1250 - 1272 Henri on LV Class 5b2 - London. GF, circa 1272 - 1279 Ion on santed Class VI - Bury St. Edmunds. GF (N.B. ex-Colchester hoard) and Henry V Half Groat circa 1413 - 1422 London Class C, broken annulet to left of crown, m/m pierced cross with pellet in centre (N.B. slight clipping to coin and King's portrait weakly struck), otherwise F (3 coins)
Los 80
Confederate States America - banknote 100 Dollars Sept. 27 1862 no. 15919 - portrait - Calhoun at lower left, Blacks Hoeing Cotton at top centre, Columbia at right, black print on white paper, overprint, red-orange 'Hundred' overprint, reverse of note with three Interest Paid markings. Generally F-GF (1 banknote)
![EARLY 19TH CENTURY FOLLOWER OF JOHN BARROW AND HUET VILLIERS WINDSOR CASTLE [PORTRAIT OF ELIZABETH MARCHIONESS OF HUNTLY]; MR](https://cdn.globalauctionplatform.com/fcad74b5-d830-40eb-9424-a99800e9f823/3c2278c3-33e8-4654-9032-a99800ec35a2/468x382.jpg)
Los 373
EARLY 19TH CENTURY FOLLOWER OF JOHN BARROW AND HUET VILLIERS WINDSOR CASTLE [PORTRAIT OF ELIZABETH MARCHIONESS OF HUNTLY]; MRS Q [HARRIET QUENTIN] WITH ETON COLLEGE IN THE DISTANCE a pair, pencil and watercolour, 27 x 21cm (2) After the stipple engravings by John Barrow (fl late 18th-early 19th c) and William Blake (1757-1827) respectively, published in 1820 William Blake's engraving of Harriet Quentin, one of the mistresses of George IV when Prince Regent is thought to be that described by Jane Austen in a letter of 24 May 1813 as resembling Jane Bennet in Pride and Prejudice "[she] is exactly herself, size, shaped face, features & sweetness; there never was a greater likeness" ++Both in apparently very good condition in washline mounts and gilt frames, unexamined out of the frames
Los 515
AN UNUSUAL VICTORIAN BRASS SOFT FOCUS PORTRAIT CAMERA LENS, DOLLOND LONDON, "MONOCLE" NO 5976, C1870 approx 5cm diam, for use with Waterhouse stops and focusing by rackwork with four interchangeable lenses and stops, leather lens caps, maker's original plush lined leather covered case lettered in gilt DOLLOND'S MONOCLE LENS++Retaining most of the lacquer, the rackwork operative with a little 'encouragement' lenses with several tiny chips/scratches, case worn
Los 512
A BRASS PETZVAL PORTRAIT CAMERA LENS, J H DALLMEYER, LONDON, 4D PATENT, NO 50316, LATE 19TH C 2 7/8 inches diam, for use with Waterhouse stops and a contemporary set of six brass stops in morocco wallet (2)++Lacquer original but heavily worn, glass not cracked or chipped nor heavily scratched
Los 349
HENRY WRIGHT KERR, RSA, RSW (1857-1936) PORTRAIT OF AN ELDERLY GENTLEMAN IN A TAM-O-SHANTER; PORTRAIT OF A LADY two, both head and shoulders, both signed, watercolour, 34 x 24cm (2)++Both in entirely original unrestored condition with some foxing evident, undisturbed in the original ornate Victorian giltwood and composition frames with loss
Los 521
A BRASS PETZVAL PORTRAIT CAMERA LENS A ROSS, LONDON, NO 5554 C1855-60 2 ¼ inches diam and of probablY 6 inches focal length, for use with Waterhouse stops, focusing by rackwork, the flange with three holes for mounting++Retaining a good proportion of the original lacquer, threaded ring around inner lens dented, glass not chipped/cracked or noticeably scratched, rackwork operating well
Los 575
AN OCTAGONAL SHELL WORK SAILOR'S VALENTINE, BARBADOS, POSSIBLY FOR THE NORTH AMERICAN MARKET, LATE 19TH C each half with contemporary cabinet portrait photograph and inscribed FOR MY SISTER/AND BROTHER in stained wood folding case, 33cm wThe figures are posed in what appears to be a North American photographer's studio since the chair is much in the style of those of, for example, Herter Brothers of New York++A good example in fine condition with only a few shells dislodged, one of the mouldings around the glass on one half missing and made up with old composition, the case in two halves as it lacks the hinges
Los 524
A BRASS PETZVAL PORTRAIT CAMERA LENS, J H DALLMEYER LONDON NO 9322, 1863-5 2inches diam for use with Waterhouse stops, focusing by rackwork, the flange with four chamferred holes for mounting++Retaining some of the original lacquer but obvious signs of wear, glass not cracked or chipped nor noticeably scratched, threaded ring around inner element slightly dented, rackwork working but loose in operation
Los 522
THREE BRASS PETZVAL PORTRAIT CAMERA LENSES, WATSON & SON 313 HIGH HOLBORN LONDON, NO 1849 OR UNSIGNED, C1870 3 or 3 ½ inches diam for use with Waterhouse stops, focusing by rackwork++Watson & Sons lens with all of the original lacquer but lacking focusing knob and attachment, the two other larger lenses with only traces of the lacquer remaining, rackwork working well on one but not engaging on the other and the barrel sliding freely
Los 523
A BRASS PETZVAL PORTRAIT CAMERA LENS, J H DALLMEYER LONDON, 2A PATENT NO 52711, C1890 3 ½ inches diam for use with Waterhouse stops, focusing by rackwork, flange with five holes, mounted++Lacquer rubbed with only part remaining, glass not cracked or chipped or noticeably scratched, rackwork operating with slight 'give' only
Los 511
AN EARLY BRASS PETZVAL PORTRAIT CAMERA LENS, A ROSS, LONDON NO 2641, C1850 4 ½ inches diam and of probably 15 inches focal length with slot for use with Waterhouse stops, focusing by rackwork, the flange with six holes for mounting ++Retaining most of the original lacquer, glass not chipped or noticeably scratched, rackwork requires attention
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283287 Los(e)/Seite