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Preisdatenbank abonnierenA '17th century' oak duodarn, oversailing top with a frieze of stylised leaves above a pair of leaf-capped baluster pillars and a central panelled doors carved with portrait boss within a dogtooth border, the base with two fielded and panelled doors carved with figures kneeling, enclosing a shelf, stile feet, 129cm high, 125cm wide, parts 17th century
English/Scottish School (19th century)Portrait of Ida, Wife of Gilbert Farquhar Mathison of the Royal Mintinscribed to verso, watercolour, 35cm x 26cmGilbert Farquhar Graeme Mathison (1803 - 1854) matriculated Oriel College Oxford in 1819 and was later Secretary of the Royal Mint. His family's colonial interests and connection to slavery saw him awarded compensation for 25 enslaved people in St Catherine, Jamaica as owner-in-fee.
Bernard Baron (1696-1762), after Sir Anthony van Dyck, Philip Herbert, 4th Earl of Pembroke and His Family, London: 1740, line engraving, mounted, 55cm x 76cm, (1); John Dixon (Irish, 1740??1811), after Sir Joshua Reynolds PRA (1723-1793), portrait, Lady Mary O'Brien, Countess of Orkney, London: Published September 29 1774, by W. Wynne Ryland, mezzotint, 52cm x 38cm, (1); Giuseppe dall' Acqua (fl. 1765-1795), after Angelica Kauffman RA (1741-1807), a pair, Winter and Pomona, 1786, engravings, 47cm x 39cm, (2); John Fisher (English, 18th century), after Francesco Bartolozzi RA (1727-1815), Sir George Saville Bart., York: 1790, engraving, mounted, 71cm x 41cm, (1); Charles Wilkin (1750-1814), after Benjamin West PRA (1738-1820), Epponina, London: May 1794, engraving, 48cm x 34.5cm, (1); Richard Wilson; Jacobus Houbraken; William Alfred Delamotte; Rembrandt; Art Union (8); Old Masters from Houghton Hall; Thomas Smith of Derby, A View of Anchor Church, 1745, (1); etc
A Worcester King of Prussia bulbous jug, printed in monochrome with an engraving after Robert Hancock, with half-length portrait of the King of Prussia, above Cupid with laurel wreath, trophy of arms, of drums, pikes, muskets, cannon and Fame, blowing a trumpet and three flags, inscribed with the Kings nine battle victories, marked R .H. Worcester and Josiah Holdship Anchor Rebus, 14cm high, c.1760
Julia Hills; a collection of seven handmade collectors' dolls, each of different posing, to include 'Rose Jester' depicting an old jester in rags seated holding a large pink rose head, exhibited 1980 and purchased at Sotheby's in December 1980, 'Self Portrait', purchased from the exhibit of Carlisle Museum, March 1980, a doll figural group depicting two ladies sat on a cushion, the old lady with bag stating 'If only the old could', the other a young lady with a bag stating 'If only they young knew', height 25cm, 'Geordie Workmen' depicting a seated gentleman with boiler suit, work boots, flat cap, blazer and rucksack, dated 1979, 'Fool' dated 1984, colourful young jester and a princess, most signed under foot (7). CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit
A hand-painted illustration of Bruce Lee by acclaimed artist Chris Achilleos. This illustration is of Lee from his iconic martial arts film Enter The Dragon, during his climactic fight with Han (Shih Kien). The portrait was originally created by Achilleos for the cover of Lee's book My Martial Arts Training Guide 'Jeet Kune-Do' and later used for a Warner Bros VHS release of Enter the Dragon. Achilleos also worked as a concept artist on the movies Heavy Metal and Willow, and his artwork appeared on the cover of Whitesnake's album LovehunterThe portrait is drawn in pencil and finished using Achilleos' signature airbrushing technique. Achilleos has signed it alongside Lee's right hip. The artwork is presented under UV protective glass with a black wooden frame, with a steel cable on the reverse for displaying. The artwork is sold with copyright. The frame has some wear from use. Dimensions: 75.5 cm x 60 cm x 2.5 cm (29 3/4" x 23 1/2" x 1")Estimate: £6,000 - 8,000 M
The painting of Jeremy Grey (Vince Vaughn) from David Dobkin's comedy Wedding Crashers. Todd (Keir O'Donnell) painted a picture of a nude Jeremy, entitled "Celebration", and presented it to him in the middle of the night after tying him up. Jeremy later took the painting with him when he and John (Owen Wilson) were ejected from the house. The hand-painted portrait features a nude Jeremy covered only by a leaf as he picks apples in an orchard. Jeremy's head was painted separately and applied, and there is a very slight change in texture between the painting and application. The painting has slightly faded with age. Dimensions: 122 cm x 91.5 cm x 4 cm (48" x 35 3/4" x 1 1/2")Estimate: £500 - 700 †Δ
An Egyptian black granite head of a Queen Ptolemaic Period, circa 2nd-1st Century B.C.Depicted wearing the vulture headdress, a fringe visible across the brow, the youthful face carved with full lips and plump cheeks, the eyes recessed for inlay, 10.2cm highFootnotes:Provenance:Private collection, France, acquired circa 1940.French art market.Anonymous sale; Bonhams, London, 28 April 2010, lot 46.Mr A. collection, Paris.Cf. a similar Royal portrait head in granite depicting Arsinoe II from the Greco-Roman Museum in Alexandria, acc. no. 18370 (S. Walker & P. Higgs, Cleopatra of Egypt, London, 2001, p. 166, no. 165). The Alexandrian head is identifiable as Arsinoe II due to her distinctive double uraeus. The above head also shares commonalities with a steatite statue of Cleopatra VII, including recessed eyes, plump cheeks, flared nose and full lips, ibid. p.163, no. 162. Another example of a Ptolemaic Queen portrayed with vulture headdress can be seen in a sculptor's model in the Walters Art Museum, Baltimore, acc. no. 22.275.For further information on this lot please visit Bonhams.com
A Roman marble male portrait head Circa late 2nd Century A.D.With drilled thick curly hair covering the tops of the ears, the full beard and moustache neatly trimmed, with large expressive lidded eyes below arched brows, the back roughly carved, 29cm highFootnotes:Provenance: Ernest Brummer (1891-1964) collection, acquired in 1914. The Ernest Brummer Collection, Vol. II; Spink & Son and Galerie Koller, Zurich, 16-19 October 1979, lot 650. Private collection, London.For similar, see Roman Portraits II, Ny Carlsberg Glyptotek, 1995, p. 144, no. 56; the bulging eyes, heavy upper lids and treatment of the beard are particularly alike, and it is noted that a close resemblance to the Emperor Hadrian was sought in the rendering.For further information on this lot please visit Bonhams.com
A gold ruby and diamond set miniature portrait brooch, a circular portrait miniature with glazed panel, to frame of graduated cushion cut rubies claw set at each side, with a spray of old European cut and rose cut diamonds grain set to silver faced collets to the bottom, surmounted with silver faced scrolls grain set with rose cut diamonds, to pin and 'C' catch, tested as approximately silver and 18ct gold, 29 x 38mm, 12.68gCondition report: Minor abrasions to some of the rubies.Surface marks/scratches to metal, some tarnish to the silver.An unidentified mark to the pin.
A quantity of cameo brooches, to include a shell cameo carved with a portrait, with gold mount tested as approximately 9ct gold, a shell cameo in gilt metal frame, possibly depicting Hebe and Zeus in the form of an eagle, and a silver mounted shell cameo carved with a pastoral scene, together with a metal agate locket (4)
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