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283287 Los(e)/Seite
Los 7
Max Schneider (Austrian, early 20th century Portrait of John Huban, later Colonel, as a young man, pencil, signed, inscribed "Wien" and dated "1930" lower left, framed 15¾ x 12¾in. (40 x 32.4cm.), together with an associated miniature pencil portrait of John Huban in a 19th century ebonised frame 3 x 2½in. (7.6 x 6.3cm.), and a photo album "Souvenir of Col J.P. Huban's visit to Dadar Sanatorium Sept. 1942".
Los 1289
Style of J. Woodington (18th century;) Three quarter length portrait of a lady standing in yellow dress with blue wrap, oil on canvas, bears signature & date 1765, 120cm x 90cm Provenance; Ryedale Auctioneers The David Hall Collection 4th-5th November 2021POA https://www.bradleys.ltd/quotation-request-form
Los 1491
Mercier Freres Paris - early 20th century cream painted and gilt bed, panelled head and footboards with portrait medallion cresting and ribbon tied laurel leaf crossed arrow detail, on cabriole legs with hoof feet, labelled 'Ameublements De Style, Mercier Freres Paris' with York Bed Co. mattress, W160cm D200cm H135cmPOA https://www.bradleys.ltd/quotation-request-form
Los 330
A monochromatic textured oil painting on masonite depicting the portrait of a woman. Artists signature on lower right. Housed in a gilded wooden frame with a beige fabric mat with a gold-colored border. Artist: MarciaDimensions: See DescriptionCondition: Age related wear. Stains on fabric mat.
Los 288
This delightful 10-piece lot of Royal Doulton Series Ware plates includes eight plates from the iconic Dickensware series and two character plates featuring designs inspired by Robert Burns and Charles Dickens. The Dickensware plates depict characters and scenes from the works of Charles Dickens and are marked with the distinctive Royal Doulton backstamp. Each plate features vibrant hand-painted imagery with unique character illustrations that bring to life the beloved literary world of Dickens. The additional plates celebrate the legacies of Robert Burns and Charles Dickens. The Robert Burns plate showcases a central portrait of the poet surrounded by characters and scenes from his poetry, while the Charles Dickens plate includes his portrait encircled by iconic characters from his novels. Largest item measures 10.5" dia. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Los 6067
Continental portrait of Ariadne on porcelain, unsigned, with another similar Georgian portrait on ivory signed 'Reynolds', with stitched monogram in gilt thread verso; together with two framed engravings, 'Mlle De La Vallere' and 'Richelieu' (4) This item has been registered for sale under Section 10 of the APHA Ivory Act
Los 1813
Two Richardson Vitrified Enamel Etruscan style glass vases, mid 19th century, the opaque white bodies decorated in shades of pale brown and ochre with Classical figures and motifs, black printed mark to bases, height 26cm, together with two similar Richardson spill vases, one decorated with Classical figures, the other with a portrait of Sir Walter Raleigh and the House in which Shakspeare [sic] was Born, both 10cm high, a similar jug decorated with a titled scene of Classical figures, height 24cm, a George Bacchus Vitrified Enamels vase with Classical figure decoration, height 25cm, and a small group of other gilt and enamel decorated opaque glassware (some faults). Provenance: from the collection of John and Poppy Stallebrass.
Los 1844
A glass tumbler, probably Baccarat, mid-19th century, inset with a pansy on an enamelled gold foil, height 9cm (cracked), together with four Bohemian glass salts applied with enamelled portrait plaques, a pair of amber pressed glass ashtrays depicting dogs and a small group of other glass, including friggers and a selection of pharmaceutical bottles (faults). Provenance: from the collection of John and Poppy Stallebrass.
Los 62A
A Vintage Shell Cameo Panel Ring, the oval panel carved with the portrait of a lady, within twisted style border, between uniform band stamped "9ct" (finger size N), together with a loose carved shell cameo oval panel, a green hardstone heartshape pendant, with applied "Z" floral decoration, on a decorative engraved surmount. (3)
Los 104A
Roger Kean (British 1949-2023). You Smug Sod!. Portrait of a seated man with a titled book on either side and musical bars above, oil on canvas, 1972, signed, dated and inscribed Rickmansworth lower right. 77 x 56cm, unframed. Lots 3048 3061. A collection of works from the estate of Roger M. Kean (1949-2023) Kean, together with his life and business partner the renowned illustrator Oliver Frey, was the creator and publisher of the computer gaming magazines Crash and Zzap64. He studied Fine Art in the 1960s at Highgate School under the tutorship of Kyffin Williams and Anthony Green and most of these paintings date to that period, many containing references to the music and personalities of the time.
Los 100A
Roger Kean (British 1949-2023). The Feeling I Get, Portrait of John Lennon, looking over a townscape with several other figures including a man watching an episode of TOTP, to the right a palm tree titled below IKOY (1938) LAGOS, oil on board, 1966, Signed, dated and titled lower left,122 x 92cm.Lots 3048 3061. A collection of works from the estate of Roger M. Kean (1949-2023) Kean, together with his life and business partner the renowned illustrator Oliver Frey, was the creator and publisher of the computer gaming magazines Crash and Zzap64. He studied Fine Art in the 1960s at Highgate School under the tutorship of Kyffin Williams and Anthony Green and most of these paintings date to that period, many containing references to the music and personalities of the time.
Los 103A
Roger Kean (British 1949-2023). The Junk Bard and I. Portrait of a man with a golden tie, oil on board, 1966. Signed, inscribed and dated, 61 x 46cm. Lots 3048 3061. A collection of works from the estate of Roger M. Kean (1949-2023) Kean, together with his life and business partner the renowned illustrator Oliver Frey, was the creator and publisher of the computer gaming magazines Crash and Zzap64. He studied Fine Art in the 1960s at Highgate School under the tutorship of Kyffin Williams and Anthony Green and most of these paintings date to that period, many containing references to the music and personalities of the time.
Los 62
A quantity of Victorian black and white portrait photographs contained in a leather and brass bound album, another similar album with gothic brass banding, a family photograph album dated 1893, a framed photograph of the 'Mary Tavy Home Guard 1944' and a small quantity of 19th century prints titled ' The Muffletop family'. (qty)Condition Report: The two albums contain 46 and 33 images.In one album there are some very clear images, but there are also a lot of degraded photographs.
Los 1097
Frederick ROBERTS JOHNSON (1900-1986) Polperro Oil on board, 61cm x 76cm, with portrait study verso.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 1129
Frederick ROBERTS JOHNSON (1900-1986) Six Original Works Two portrait studies, pastel and charcoal, together with a pastel study of a female nude in repose, initialled RJ, 45.5cm x 58.5cm and three further female portrait studies (6)Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 90
(South Pacific Islands) Ten illustrated works Peter McQuarrie. 'Tuvalu. A celebration in photos of 10 years Independence,' signed and inscribed by the author, cloth backed boards, full page colour plates throughout, vg to fine, Published by the Government of Tuvalu, 1988; Tony and Joan Windcup. 'Akekeia! Traditional Dance in Kiribati,' cloth backed boards, colour photographic images throughout, vg, published by the authors, 2001; 'Nareau's Nation. A Portrait of the Gilbert Islands,' clipped dj, vg, Stacey International, London, 1979; Alanna Knight (ed). 'R.L.S. In the South Seas. An Intimate Photographic Record,' unclipped dj, b+w Photographic illustrations throughout, vg, Mainstream Publishing, Edinburgh, 1986; With six other large format illustrated works. (10) From the library of Guy Slatter, whose lifelong passion for island life began in childhood with an interest in Pitcairn. After studying at Oxford and working for the BBC, he spent two years in the 1960s setting up a radio station in the Kiribati Islands. His deep connection to the Pacific led to many return visits, including work for a German museum, where he facilitated the export of an ethnic house for an exhibition. A dedicated scholar of Pacific history and culture, he built his collection of books over many years through a dealer in York and even translated two German works into English: The Material Culture of Kiribati and The Material Culture of Tuvalu.
Los 1193
Frederick ROBERTS JOHNSON (1900-1986) Seven Portrait Studies Mixed media on paper, three signed and dated '24, largest 74cm x 56cm. (7)Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 1212
Frederick ROBERTS JOHNSON (1900-1986) Nine Works, mostly portrait studies A range of media including oils and pastel, one signed, largest 76cm x 61cm.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 1162
Frederick ROBERTS JOHNSON (1900-1986) Four Works Two floral still-life studies, one garden view and a further portrait, each oil on board, portrait measures 35cm x 30cm.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 410
A 17th century Indenture An Exemplification of a common recovery suffered by Henry Carew of land in Dartford, Darenth, Stone and Swanscomb Kent, 12th February 1661 Written in gold gilt ink on vellum, with red ink guides, ornate headline and the striking engraved portrait of Charles II, framed and glazed measuring 60.5cm x 82.5cm, fold marks and light spotting, a remarkable example.
Los 63
(Antarctic Exploration) Leonard Huxley (ed) Scott’s Last Expedition in Two Volumes. Vol I Being Journals of Captain R. F. Scott. Vol II Being Reports of the Journeys & the Scientific Work Undertaken ..... Preface by Sir Clements R. Markham, fifth edition, two volumes, a very nice half red morocco, compartmentalized spine with gilt lettering, glassine wrap, ex libris label Clive Behrens, half title, frontis portrait, plates and fold out maps, a very attractive set, Smith, elder & Co, London, 1914. (2)
Los 1143
Frederick ROBERTS JOHNSON (1900-1986) Female Portrait Mixed media on paper, signed, 45.5cm x 29cm; together with a 'Treasure Map' mixed media and three further works, one signed.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 240
(St Mary's Church and Truro Cathedral) Rare engraving, medallion, and printed materials An early engraving of St Mary's Church, framed and glazed measuring 22cm x 28cm, large tear towards the foot, initialled F. L. with the date 1846 engraved into the church wall, scarce with no references found.Commemorative Medalion inscribed 'The Right Rev. John Gott D.D. 3rd Lord Bishop of Truro. Consecrated at St. Paul's Sep. 29th, Enthroned at Truro Oct. 28th 1891', surrounding a portrait of said bishop, Truro Cathedral to verso, white metal alloy, 42mm diameter, scarce.'The West Briton & Cornwall Advertiser,' special commemorating the visit of the Royal Highnesses The Prince and Princess of Wales, to Turo, Friday Evening, May 21, 1880, vg with folds.The Rev. Phillip E. Browne and Arthur W. Gill. 'Kenwyn Bells 1905,' rebound in a modern full cloth with gilt lettering to spine, original card wrap bound in, frontis and plates, some sporadic spotting spotting, vg, Netherton and Worth, Truro, 1905.F. W. B. Bullock. 'A History of the Parish Church of St. Mary, Truro,' printed card wraps, pp.160. vg, A. W. Jordan, Truro, 1948.With four other works including 'The Bishopric of Truro 1877-1902, 'Bishop Harold Browne', The Creation of a Cathedral' and 'The Cornish See and Cathedral'. (9)
Los 64
(Antarctic Exploration) Ernest Shackleton The Heart of the Antarctic. Being the Story of the British Antarctic Expedition 1907-1909 First editions, original blue cloth with pictorial silver gilt, rebacked with new pastedown and rear pocket (to vol II), half title, frontis portrait, some sporadic spotting in and around plates, profuse with plates with loose folding maps, a good robust set, William Heinemann, London, 1909. (2)
Los 17
(Bindings) Edward Gibbon The History of the Decline and Fall of the Roman Empire Twelve volumes, uniform full diced calf with gilt decorations to spines, some cracked front joints but holding firm, marbled endpapers, tw maps and a portrait, some significant damp staining to text blocks, mostly good, a. Strahan for T. Cadell Jun. and W. Davies, London, 1802. (12)
Los 1101
Frederick ROBERTS JOHNSON (1900-1986) Still Life with Yellow Lemon Oil on board, 40cm x 63.5cm, portrait verso.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 9
John Rocque (1704–1762) Plan de la ville et faubourgs d' Exeter ..., A fine plan adorned with nine large vignettes of buildings and views in Exeter and its rural environs, engraving by R. White, on two sheets conjoined, backed onto linen, light spotting to edges, slight splitting of paper from linen to left edge centre fold, 75cm x 122.5cm scarce, 1744.Published two years before Rocque's monumental plan of London. Vignette views include: Exe Bridge; The Guild-Hall; The West Prospect of the Cathedral of St Peter; The North View of the Castle; The City Hospital; The City and County Hospital; The Prospect of the Custom House; The Work House; and The North Prospect of the Cathedral of St Peter. A small vignette just above the French title cartouche appears a portrait of a surveyor at work, presumably Rocque himself.
Los 1131
Frederick ROBERTS JOHNSON (1900-1986) A portfolio of works Including a mixed media portrait of novelist Stephen McKenna, graphite portrait of soviet politician Leon Trotsky likely produced for 'Everyman' magazine and further works and sketches.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 1164
Arthur WRAGG (1903-1976) A portfolio of loose sketches and preparatory drawings One signed; including a graphite portrait on card, 62.5cm x 51cm.Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 478
(Cornwall) Seven good works George Bown Millett. 'The First Book of the Parish Registers of Madron...,' original pebbled cloth with gilt lettering, some damp staining to fore edge of boards, some sporadic spotting particularly around the three pasted photographic plate mounts, vg, Beare and Son, Penzance, 1877; Horace N. Pyme. 'Memories of Old Friends Being Extracts From The Journals and Letters of Caroline Fox.....from 1835 to 1871,' limited edition of only 750 copies printed, Japanese vellum backed boards, split hinges with loss to head of back strip, frontis portrait, a good text block with light toning to untrimmed edges, good to very good, Smith, Elder, & Co, London, 1882; F. W. L. Stockdale. 'Excursions in the County of Cornwall.....,' original publishers boards, cracked spine with loss, tide marks, toning and spotting, plates appear complete with fold out map, fair to good, Simpkin and Marshall, London, 1824; Douglas Ellory Pett. 'The Parks and Gardens of Cornwall,' first edition, unclipped dj, vg, Alison Hodge, Penzance, 1998; With a good set of Walter H. Tregellas's 'Cornish Worthies' and 'Norman Architecture in Cornwall' by Edmund H. Sedding. (7)
Los 1121
Frederick ROBERTS JOHNSON (1900-1986) Portrait Studies including Cornish Fishermen signed 'Essex' Together with a blockline drawing of the writer Osbert Sitwell, annotated verso, 37cm x 27cm; mixed media works, mostly graphite, pastel or charcoal (13)Frederick Roberts Johnson and Arthur Wragg, two friends who met whilst training to become commercial artists, moved together to Polperro in 1924, staying at 'The House on the Props'. They had somewhat contrasting styles which somehow sometimes overlapped; Wragg's style was likened to David Low and Victor 'Vicky Weisz, sharing within his lifetime the same respect and public interest as the two aforementioned. His work was also regularly compared to that of Aubrey Beardsley, though Wragg's own heroes were Cruickshank, Albrecht Durer and William Blake, the latter being someone he was also compared to within his lifetime. Wragg's first book was hugely successful, having to be reprinted three times in one year and it became Book of The Year in America.Frederick Roberts Johnson was a very succesful commercial artist and was often the one who usually went to London in search of commissions for the pair. He often used the name 'Essex' or 'Sax', drawing funnies for Punch, Everyman magazine and Tribune, as well as advertisements for Lyons Tea Shops and producing dustjacket book illustrations for various authors. His style was more varied and experimental, with impressionism, cubism and abstract examples of his work within the sale.
Los 42
(Nonesuch Press) Andrew Marvell Miscellaneous Poems Limited edition, number 427 of 850 copies on Italian handmade paper with the Nonesuch watermark, small folio, original cream paper covered boards, gilt border and central device to covers, light browning to deckled edge, ex libris label Joan M. Burslem, portrait frontispiece, vg, The Nonesuch Press, London, 1923.
Los 518
Four good works H.G. Wells. 'The Outline of History Two,' two volumes, original embossed red cloth with gilt lettering, ex libris label Frank Reddaway, colour plates and illustrations throughout, vg, George Newnes, London, [c.1925]; Roger Ingpen (ed). 'The Life of Samul Johnson by James Boswell,' two volumes, original green cloth with gilt portrait of Boswell to front boards, light spotting to prelims and edge of text block, plates and illustrations, vg, Sir Isaac Pitman & Sons, London, 1907. (4)
Los 37
(Occult) Francis Barrett The Magus, or Celestial Intelligencer; being a complete system of occult philosophy. Second edition being the 1875 facsimile, original quarter gilt brown leather with demon device, maroon cloth boards, half title, portrait frontispiece, 17 plates, 5 hand-coloured plates of demons, water staining to ege of leave of Book II, some spotting but generally good to very good, Printed for Lackington, Allen and Co., Temple of the Muses, Finsbury Square, London 1801, Knight and Compton (on half title) & W. Blackader (on title for Book II, Part I and on last page), 1875.A virtually exact reprinting, only the number of hand-colour plates of demons (five in this second edition, but four in the first) and a couple of minor textual variants differentiate the two editions. A scarce copy in good condition.
Los 177
John Speed (1551/2–1629) Five copper engraved maps 'The Countie Pallatine of Lancaster Described and Divided Into Hundreds 1610,' uncoloured copper engraved map, featuring an inset map of Lancaster with landmark key in the upper right corner, and eight royal portrait, tears with loss to margins, Roger & Rea, London, Roger Rea, 1610 [1662]; 'Wilshire,' uncoloured copper engraved map, small nibble and repair to margin, centre fold, inset engraving of Stonehenge and Salisbury, English text to verso, Thomas Bassett & Richard Chiswell [1676]; John Speed after Jodocus Hondius. The Lands (sic), i.e. Holy Island and The Farne Islands, Northumberland, and the Channel Islands, Gurnsey and Jersey, double-page map, letter-press to verso, s.l., some toning, centre fold, dated 1610 within the plate; With one other copy; 'Buckingham Both Shyre, and Shire towne described,' partial coloured copper engraved map, inset plan of Redding, condition issue, toned and brittle, small loss to margins, G. Hubell, London, 1610 [?1627]; Largest measures 44cm x 54cm. (5)
Los 646
A Group Of Seven Prints to include a hand-coloured print, titled 'View of the Building for the Great International Exhibition in 1851, published by T.M. Whitton, 21 x 32cm; a 19th century baxter print of the Great International Exhibition, housed in a late Victorian mount and frame, 10 x 14cm; a 19th century stipple engraving of shepherd boy with his flock, housed in a gilt oval frame, 30 x 29.5cm; a 19th century print of a female holding a lamb, housed in a gilt oval frame, 23.5 x 19cm; a print after George Romney, Portrait of 'Mrs Robinson', housed in a reproduction Hogarth frame, 38 x 30cm; a reproduction print of a young Italian girl with a basket of oranges, housed in a modern gilt oval frame, 28.5 x 23cm; and a frame consisting of 4 prints of female medieval royalty, including Isabella Clara Eugenia (7)Largest frame size: 37cm x 79cm
Los 653
After Sir Anthony van Dyck, engraved portrait of King Charles I, engraved by Isaac Beckett, published by I Smith at the Lyon & Crown Russell Street, Covent Garden. Framed in an ebonised and gilded frame.This a period engraving of the mid 18th century, however, there are condition issues. There are multiple holes to the paper, with the largest measurement being 6cm x 2.5cm. The paper has significantly discoloured in all areas, with varying degrees of degredation. There are visible signs of paper abrasian, in particular to the face of the female sitter and partially on King Charles I face. Burn marks from previous mounting is visible to the sheet borders along with tears and rips of varying sizes. A full professional restoration would be recommended. size: 44 x 59cm
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283287 Los(e)/Seite