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283284 Los(e)/Seite
Los 1050
South African Reserve Bank, obverse and reverse archival photograph showing a proposed design for an unknown £1, Pretoria, 1 January 1922, serial number 0000000, obverse portrait of General Lois Botha at top centre, reverse view of Cape Town, mounted on board, manuscript date 2/6/21, unique and important £400-£500 --- Lois Botha was a General in the Boer War and considered a Boer war hero, taking command of all Boer forces in 1900. He was appointed the first prime minister of the Union of South Africa in 1907, the forerunner of the modern South African state. One can assume Lois Botha’s portrait wouldn’t have been the most popular choice politically.
Los 645
Central Bank of Ceylon, a initial engravers workings on transparent acetate showing the outlines of plate designs for a proposed 2 Rupees, c.1980, outline of the portrait W. R. D. Bandaranaike, design similar to the 50 and 100 Rupees of 1970, each of these is unique and they are remarkable survivors, as most were simply treated as printers waste Pick 77 for design £100-£150 --- This item is photographed on a white background to show it properly, but is an etching on transparent acetate (plastic). No returns will be accepted on grounds of failing to read or understand the description.
Los 930
Banco Nacional Ultramarino, Mozambique, black and white die proof 1 Escudo, 23 May 1944, also a die proof 2 1/2 Escudos, same series, both with place of issue and portrait of Ennes excised, also Cape Verde, black and white die proofs for a 20, 50 and 100 Escudos, ND (1945), all with portrait of Dias and place of issue excised, and Portuguese Guinea, obverse and reverse partial die proofs for 500 Escudos, 1947, all are Bradbury Wilkinson engravings, but likely printed by the ABNC, difficult to grade, generally very fine (7 notes) Pick 92, 93, 43, 44, 45, 32, BNU MZ95, 96, CV57, 58, 59, PG46 for types £200-£300
Los 212
* Oliver Cromwell. Mazot (F. publisher), Olivarius Cromwell Exercituum Angliae Reipublicae Dux Generalis..., circa 1650, uncoloured engraving, laid on linen and mounted on a wooden stretcher, Cromwell's coat of arms below the image, very slight abrasion to the image, slight worming to the lower right corner of the title, 565 x 425 mmQTY: (1)NOTE:The British Musem holds another state of this print with an additional eight lines of verse in Latin below the title. The print is a full-length equestrian portrait of Oliver Cromwell, slightly turned to the right, one hand at his hip holding his riding crop and the other holding the reins of his black stallion, very much in the manner of a Roman emperor. He is dressed in a doublet with high boots over his breeches, a plain collar over his gorget and a chain of office about his neck, a plumed hat on his head with his pistol in a holster at his side. In the distance is a view of London from the south bank of the Thames, clearly showing St Pauls with its square spire which would be destroyed in the Great Fire of London in 1666.
Los 216
* Prussia. Military Uniforms, circa 1790, large watercolour broadside on laid, surmounted by a silhouette portrait of Friedrich Wilhelm II (1744 - 97) supported by a martial cartouche and the Prussian eagle, with 130 panels, each with a pair of soldiers (one officer and one non-commissioned officer), each with a manuscript tile below the image, floriate border, some marginal fraying and repaired closed tears, slight dust soiling, 750 x 520 mmQTY: (1)NOTE:A very striking military painting, possibly made by a military cadet or training officer.
Los 22
Roby (John). Traditions of Lancashire, 4 volumes, 1st & 2nd series, London: Longman, Rees, Orme, Brown, and Green, 1829-31, Large Paper copy, additional etched titles on india paper to volumes 1 & 2, 22 engraved and etched plates, together with 22 duplicate proof state plates on india paper, wood engraved vignettes to text, occasional spotting and light offsetting, bookplates of William Blinkhorn and Egerton Parker to front endpapers, all edges gilt, late 19th-century gilt panelled maroon morocco by Henderson & Bisset, gilt decorated spines (lightly faded), 8vo, together with:Gregson (Matthew), Portfolio of Fragments, relative to the History & Antiquities of the County Palatine and Duchy of Lancaster, Liverpool: Printed by G.F. Harris's Widow and Brothers, 1817, half-title, lithograph portrait frontispiece, folding lithograph map, engraved and lithograph plates, folding pedigree partly hand-coloured, few printed armorials to text neatly hand-coloured, armorial bookplate of Charles George Milnes Gaskell to upper pastedown, all edges gilt, mid 19th-century light brown morocco by F. Bedford, gilt decorated spine, some fading to covers, folio,Lancaster, Pictorial History of the county of Lancaster, London: George Routledge, 1844, folding engraved map, wood engraved vignette illustrations, bookplate of Egerton Parker to front free endpaper, contemporary half calf, large 8voQTY: (6)
Los 23
Ross-of-Bladensburg (Sir John). The Coldstream Guards, 3 volumes, including maps volume, OUP, 1928, photogravure portrait frontispiece to volume I, folding maps in maps volume, a little minor spotting, original cloth, dust jackets, spines a little toned, one or two small chips, 8vo, together with Headlam (Cuthbert). History of the Guards Division in the Great War 1915-1918, 2 volumes, 1st edition, London: John Murray, 1924, colour frontispieces, folding maps, a few light spots, original cloth gilt, spines a little faded, 8vo, plus other regimental histories including The History of the Eighth Battalion the Queen's Own Royal West Kent Regiment 1914-1919, 1921, Captain P.L. Wright's The First Buckinghamshire Battalion 1914-1919, 1920, The 42nd (East Lancashire) Division 1914-1918, by Frederick P. Gibbon, 1920, The War History of the 4th Battalion the London Regiment (Roal Fusiliers) 1914-1919, by Captain F. Clive Grimwade, 1922, The Regimental Roll of Honour and War Record of the Artist's Rifles, 3rd edition, 1922, and The Scots Guards in the Great War 1914-1918, by F. Loraine Petre, Wilfred Ewart and Major-General Sir Cecil Lowther, 1925, QTY: (19)
Los 245
* German playing cards. Hamburg playing cards, Hamburg: Hanchen Rübcke, circa 1860, a complete deck of 52 stencil coloured lithographed playing cards (French suits), each heart pip sign with a central Hansiatic cross, all cards with illustrations depicting the history, topography and folklore of Hamburg, most captioned, double-ended courts (kings with additional decorative border) with stencil colouring, pip card illustrations printed in sepia, each ace with two views, except ace of hearts with one view & with maker's details and tax stamp, generally toned, occasional minor marks, versos red dotted branching pattern, gilt edges, square corners, each card 93 x 62 mm, together with: Fynste Java Speelkarten no.117, Stralsund: VSS, circa 1885, a complete deck of 52 colour lithographed playing cards (French suits), double-ended courts and aces, kings depicting Dutch rulers, captioned queens and jacks portraying local inhabitants, each ace showing two views in the Indonesian Dutch colonies, ace of hearts with tax stamp, maker's trademark on king of spades, no condition points to note, versos green coats of arms with two lions, printed above: Van Duym & Co, Soerabaja, rounded gilt corners, each card 93 x 64 mm, with original pictorial box, plus: Portrait No.11 (Whist Superfine de portraits), Goslar: F.A. Lattmann, circa 1861, a complete deck of 52 stencil coloured engraved playing cards (French suits), double-ended courts depicting named monarchs, queens and lieutenants, double-ended aces with views of palaces, tax stamp on ace of hearts, two aces (hearts & clubs) with some staining to one end, versos red dotted hexagons, silver-gilt edges, square corners, each card 89 x 60 mm, with 4 other complete decks of 52 cards with scenic aces: unknown maker, circa 1860, aces with two scenes mainly around Baden-Baden (French captions); unknown maker, circa 1860, aces showing Heidelberg & river Necker; unknown maker, circa 1870, see IPCS pattern sheet 75, aces show German views; Wüst, circa 1925, House pattern courts (repeated in each suit), aces showing two named Dutch paintings from the Dutch National Gallery (pictured on versos), a quantity of cards from each deck corner mounted onto 7 display boards, encapsulated in clear plastic (not examined out of boards), the remainder contained in plastic bags, the boards 55 x 41 cm and smallerQTY: (7)NOTE:First item: Hamburgische Spielkarten (1984) no.11; Schreiber collection, Sheets German 44 & 50.Second item: an unusual variant of the Dondorf design (see Braun (Schriftenreihe 'Spielkarten' band 4) BD 1874/1 (pp.66-68), with the borders on the aces corresponding to variants 1 & 2. Third item: Berry (The Waddington Playing-card Collection, part 2) W537.
Los 261
James II. A Proclamation of the Kings Majestys most Gracious and General Pardon, London, printed by Charles Bill, Henry Hills, and Thomas Newcomb, 1685, broadside on 3 sheets, largely printed in black letter, woodcut royal arms at head and large woodcut at start of text, a little spotting, overall 102 x 42 cm, together with The Life, Reign, & Lamented Death of his majesty King George the Fourth, [London:] printed by J. Catnach, 2, Monmouth-Court, 7 Dials, [1830], printed broadside in 4 columns with 2 wood-engravings, decorative border, some spotting, tipped on to modern card, 48 x 35 cm, plus The Funeral of Her Late Majesty Queen Charlotte, London: G. Thompson, 15 December 1818, hand-coloured wood-engraving showing 2 scenes of the procession and the interment, one closed tear to left margin, guard tipped on to card mount, 38 x 46 cm, plus Opening of London Bridge, 30 July 1831, printed letterpress broadside on laid paper, a little spotting and soiling, 41.5 x 33 cm, plus At the Council-Chamber, Whitehall, the Twenty Second Day of March, 1750 ... Whereas in the Act of Uniformity... , London: Thomas Baskett, and by the Assigns of Robert Baskett, 1750, printed broadside, some heavy spotting and staining from tape repairs to verso, some loss to woodcut of royal crest, some marginal chips and tears, 37 x 30 cm, plus Coronation of King William IV and Queen Adelaide, from London Spy, [1818], wood-engraved and letterpress poster within ornamental typographic border, a little soiling and some chips with loss to upper blank margin, laid on a modern paper mount, 44 x 54 cm, plus Monody to the memory of his Sacred Majesty King George III, London: S. & J. Fuller, [1820], printed broadside in 2 columns with verses by John Wolcot and a stipple-engraved portrait of George III after William Beechey at head, all within thick black rule border, some soiling and marginal fraying, 56 x 43 cm, plus Address to His Majesty William the Fourth, Devonport: W. Colman, [1830], printed letterpress broadside on silk from the people of Devonport, Devon, sending condolences on the death of George IV and congratulation on William IV's accession to the throne, some general spotting and age soiling, two brown stains to lower right just affecting text, but without loss of legibility, 50 x 29 cmQTY: (8)
![George IV. Ceremonial of the Coronation of King George the Fourth, [being plate 20 from the work by George Naylor, 1823-27],](https://cdn.globalauctionplatform.com/14d4f542-a179-4b38-b79b-afa100a4c073/81ac01d4-eabb-4ab4-8334-afb00122bf5e/468x382.jpg)
Los 263
George IV. Ceremonial of the Coronation of King George the Fourth, [being plate 20 from the work by George Naylor, 1823-27], embossed decorative letterpress in gilt on thin card with hand-coloured aquatints of Lord Howard of Effingham and the keeper of the privy purse beneath, 68 x 49 cm, together with Speech of His Royal Highness the Duke of York in the House of Lords, April 25, 1825 / The Answer delivered by His Majesty King William the Fourth to the Address of Condolence and Congratulation presented to him by the Dean and Canons of St George's Chapel, in his castle of Windsor, on the 16th Day of July 1830, both printed by John Whittaker, Westminster, 2 broadsides with embossed letterpress in gilt within decorative borders on thin card, the first with a hand-coloured medallion portrait and decoration at head, both slightly spotted and toned, sheet sizes 55 x 42 cm and slightly smaller, plus Address of His Majesty to the Prelates of England & Ireland, on the 28th of May, 1834, printed by Howlett & Brimmer, Soho, printed in gilt on thin card within gilt decorative border, initial in blue and gilt, 44 x 31 cmQTY: (4)
Los 280
* Prince Andrew. Secret of Andy's New Girl. News of the World. Royal Exclusive, 1983/84, original newspaper billboard poster, printed in red and black with an inset portrait of a smiling Prince Andrew from a photograph, a few minor marks and some light creasing, 76 x 50 cm, together with 15 other British newspaper billboard posters relating to Prince Andrew and Sarah Ferguson, including News of the World: Truth About Andy and Koo, Daily Mirror: Topless Fergie Stolen Kisses, etc.QTY: (16)NOTE:This retrospectively unfortunate headline may be referring to Koo Stark or Katie Rabett, both of whom Prince Andrew was romantically involved with briefly in 1983 and 1984.
Los 289
James I (King of England). The Narrative history of King James for the first fourteen years, in four parts. I. The State of England at his Majesties entrance..., II. The Proceedings touching the Divorce betwixt the Lady Frances Howard, and Robert Earl of Essex..., III. A Declaration of his Majesties Revenue with Assignations and Defalcations upon the same..., IV. The Commissions and Warrants for the Burning of two Hereticks..., 1st edition, London: Printed for Michael Sparke, 1651, additional engraved allegorical title with facing letterpress explanatory leaf (engraved title remargined), engraved portrait plate of Sir Thomas Overbury, engraved portrait plate of Robert Earl of Somerset and Lady Frances Howard (trimmed to ruled border and remargined), without blank V4, "A compleat table of the several chapters of this historical narration ... which may serve in stead of an index" bound at the beginning (following "The stationer to the impartial reader", the complete table is sometimes bound at the rear of the volume), repairs to outer blank corners of last two leaves, occasional light dust-soiling, later endpapers with bookplates of the Russell family (bearing motto 'che sara sara'), C.A.O. Fox and Egerton Parker, early 19th-century calf, rebacked, 4to, together with: Prideaux (Mathias), An Easy and Compendious Introduction for Reading all sorts of Histories: contrived, in a more facile way then heretofore hath been published, out of the papers of Mathias Prideaux Mr of Arts and sometime fellow of Exeter Colledge in Oxford, Oxford: Leonard Lichfield, and are to be sold by Thomas Robinson, 1650, title in red and black with early marginalia (modern bookplate of Egerton Parker to verso), small hole to final leaf of index, light damp staining, contemporary calf, joints split, rubbed, 4to, plus a defective copy of Howell (James), Epistolae Ho-Elianae. Familiar Letters Domestic and Forren. Divided into sundry Sections, Partly Historicall, Politicall, Philosophicall, 3rd edition, with a fourth volume of new letters, never published before, London: Humphrey Moseley, 1655, title in red & black, without folding engraved frontispiece, index incomplete at rear (lacking final 8 pages), sewing weak, contemporary calf, covers near detached, 8vo, and two others, The True Secret History of the Lives and Reigns of all the Kings and Queens of England... by a Person of Honour, 1702, and [Mandeville, Bernard], The Fable of the Bees: or, Private Vices, Publick Benefits. With an Essay on Charity and Charity-Schools, 5th edition, London: J. Tonson, 1728, and A Rod for the Eaton School-Master's Back: or, A Letter from a Country School-Boy to Dr. Snape, occasion'd by one from him to the Bishop of Bangor..., London: J. Roberts, 1717QTY: (6)NOTE:James I - Wing S4818; Goldsmiths 1238.Prideaux - Wing P3440.
Los 290
Charles I. Reliquiae Sacrae Carolinae. The Workes of that Great Monarch and Glorius Martyr King Charles the Ist. both Civil and Sacred. With a short view of the Life and Reign of that most blessed Prince from Birth to his Buriall, Hague [London]: Printed by Sam: Browne, [1658], engraved portrait and double-page engraved frontispiece by William Marshall, title page ruled in red, separate titles to Eikon Basilike (imprint dated 1648) and Reliquiae Sacrae Carolinae, modern bookplate of Egerton Parker to upper pastedown, contemporary calf, rebacked, 8voQTY: (1)NOTE:Wing C2070.
Los 322
Miniature almanack. Schloss's English Bijou Almanack for 1841, Poetically Illustrated by the Hon. Mrs Norton, London: A. Schloss, [1840], five engraved portraits and one engraved view, close trimmed at head (cropping most page numbers), one portrait close trimmed at foredge (partly cropping the name Taglioni), all edges gilt, original gilt-tooled wrappers, lightly rubbed in places, front cover lghtly marked, spine worn (the worn areas sometime painted green), 20 x 14 mm, within original gilt-tooled paper slipcase, worn with losses and sometime lined with green painted paper, with tortoishell magnifying glass, contained together in original buff velvet fitted case, covered in dark brown straight-grained morocco, some wear to sides, the re-hinged lid with gilt lettering and decoration, brass clasp, 37 x 45 x 15 mm, together with, two Miniature Books with hall-marked silver front covers, both circa 1900: A blank notepad, all edges gilt, amber watered silk pocket inside front cover, brown leather cover with pencil in holder, front cover with art-deco design in German silver, 60 x 42 mm; The Book of Common Prayer, Oxford: University Press & London: Henry Frowde, early ink ownership inscription to front free endpaper verso, black morocco with silver front cover showing 5 angels' heads surrounded by clouds, 54 x 45 mm, plus a part-used miniature notebook in maroon velvet binding, front cover with silver-coloured metal horseshoe and decorative corner pieces, 61 x 42 mm, and a 19th century miniature treen wooden box with sliding lid, carved to look like a book, 57 x 37 mmQTY: (5)NOTE:First item: Bondy, pp.42-44: 'They are true miracles of engraving, illustration, binding and presentation'. See also p.165. Welsh 2660.
Los 328
Illuminated Prayer Book. Prières du Matin et du soir, c.1874, illuminated manuscript title and 35 pages of illuminated prayers for morning and evening on 19 vellum leaves (foot of final page with name in gilt N. Iarry), illuminated and gilt decorative initials, single-line gilt borders to each page, marbled free endpapers, green morocco doublures with gilt foliate decoration with only flowers, all edges gilt, contemporary red morocco by Marius Michel Doreur, dated Duru 1874, contained in original red morocco covered slipcase with sliding lid, 16mo (11.3 x 7.8 cm), together with:Book of Hours, Heures Romaines, avec figures par A. Queyroy gravées par A. Gusman, Tours: Alfred Mame et Fils, [1884], title within wood engraved border, wood engraved illustrations and border decoration throughout, moire silk free endpapers and blue doublures with geometric gilt decoration, all edges gilt with gauffered edges, contemporary dark brown morocco by Auguste Petit, onlaid monogram initials J.H. to recto (Jeanne Haverna?) and J.L.(?) to verso, half morocco chemise, slipcase, 12mo (15.2 x 11.5 cm),Morizot (Editor), Paroissien romain contenant les offices de tous les dimanches et des principales fetes de l'année, en latin et en francais ...aprouvé par Monseigneur l'Archevéque de Paris, Paris: Morizot, [1856?], engraved frontispiece, additional chromolithograph title, engraved plates and wood engraved illustrations, decorative borders, illuminated vellum presentation leaf in gold and colours inserted at front 'Ludivic Haverna et Marie Rose Jean Fontaine ont recu la Benediction Nuptiale al' Eglise Notre Dame des Victoires le 11 Mai 1869, front blank with related inscription Marie Fontaine dated 1879, moire silk endpapers, front free endpaper bearing initials M. I. F. and date 27 Juin 1861 in gilt, gilt dentelles, contemporary dark blue morocco by Capé, with elaborate gilt decoration, boards bearing monogram M. A. to corners, contained in original morocco covered presentation box with hinged lid, small 8vo, plus one other related volume, and related portrait photograph of Jeanne Fevallet neé HavernaQTY: (5)
Los 332
Isherwood (Christopher). Lions and Shadows, 1st edition, London: Hogarth Press, 1938, half title, portrait frontispiece, light spotting and toning to endpapers, all edges gilt, recent fine russet morocco by James Brockman, Oxford, upper cover lettered 'Lions' in gilt within gilt bands, repeated in blind beneath, contained in a cloth solander box, 8voQTY: (1)NOTE:Presentation copy, inscribed to front endpaper "For Madame Cheuret from secretary, with all my love - March 1947", with a note of provenance tipped-in. From the library of Olive Mangeot, her pencil signature 'Olive' to front endpaper.In the book Isherwood substituted the Mangeots for the 'Cheurets'.
Los 335
Whatman (James). Specimen book of James Whatman handmade paper, W. & R. Balston Ltd., Springfield Mills, Maidstone, Kent, 1931, printed in red and black, one tipped-in plate heightened with gold, 4 signed etchings, original printed boards in torn glassine dust jacket, small folio, together with:Balston (Thomas), William Balston, Paper Maker, 1759-1849, 1st edition, 1954, black & white plates, original cloth in dust jacket, a little spotted and toned, 8vo, plus Balston (Thomas, editor), The Housekeeping Book of Susanna Whatman, 1776-1800, 1st edition, 1956, portrait frontispiece, wood engravings by Frank Martin, some spotting, original parchment boards lettered in blue and gilt, glassine dust jacket, small 8voQTY: (3)
Los 342
Hogarth (William). The Works, from the Original Plates restored by James Heath. With the Addition of Many Subjects not before collected: to which are prefixed, a Biographical Essay on the Genius and Productions of Hogarth, and Explanations of the Subjects of the Plates, by John Nichols, London: for Baldwin and Cradock by G. Woodfall, circa 1835, portrait frontispiece, engraved title, frontispiece offset on to title page, 116 (complete) uncoloured engraved plates, many plates with multiple images, occasional marginal closed handling tears, "Company of Undertakers" with long closed tear and another repaired closed tear, "Night" and "The Politician" with long closed repaired tears and "England plate 2" with long closed tear, some spotting throughout, front endpapers creased, hinges and joints weak with the upper board near detached, upper hinge crudely repaired, contemporary half calf with gilt decorated spine, lower board and marbled sidings torn with loss, heavily frayed, large folio (685 x 530 mm)QTY: (1)
Los 364
Bindings. The Book of British Ballads, 1st & 2nd series in one, London: Jeremiah How, 1847 & 1844, wood engraved decorative titles and illustrations, light scattered spotting, all edges gilt, contemporary gilt decorated red morocco by Hayday, large 8vo, together with A Chronicle of England B.C. 55 - A.D. 1485, written and illustrated by James E. Doyle, London: Longman, Green, Longman, Roberts, & Green, 1864, hand-coloured wood engraved illustrations, all edges gilt, contemporary gilt decorated red morocco, 4to, and Prince Charles Edward by Andrew Lang, London: Goupil & Co., 1900, hand-coloured photogravure portrait frontispiece and numerous photogravure plates, top edge gilt, remainder untrimmed, contemporary brown half calf by J. & E. Bumpus, large 4to (limited edition 414/1500), and Portraits of Illustrious Personages of Great Britain..., by Edmund Lodge, 12 volumes, London: Harding and Lepard, 1835, numerous engraved plates, all edges gilt, contemporary half morocco, gilt decorated spines (faded), large 8vo, plus other mostly 19th century decorative leather bindings etc.QTY: (3 shelves)
Los 365
Humphreys (Henry Noel). A Record of the Black Prince, London: Longman, Brown, Green, and Longmans, 1849, title in red and black, six chromolithograph illustrations (4 full-page), decorative initials, text in red and black, gutta-percha perished and contents detached, all edges gilt, original papier-mâché boards illustrating the Black Prince's coat of arms, rebacked, board corners chipped and worn, 8vo, together with:Barber (John Thomas), A Tour throughout South Wales and Monmouthshire. Comprehending a General Survey..., 1st edition, London: T. Cadell & W. Davies, 1803, twenty sepia aquatint plates (including frontispiece), folding hand-coloured engraved map, some offsetting to text, contemporary gilt decorated diced calf, slight wear to upper joint, spine faded, 8vo,M'Leod (John), Voyage of His Majesty's ship Alceste, to China, Corea and the Island of Lewchew: with an account of her shipwreck, 3rd edition, London: John Murray, 1819, engraved portrait frontispiece, five hand-coloured aquatint plates and folding engraved map, occasional spotting, edges untrimmed, modern navy half morocco, 8vo, plus other 18th & 19th-century antiquarian etc., including The North Briton, from No.I to No. XLVI..., [with appendix], London: W. Bingley, 1769, contemporary half calf, joints cracked, folioQTY: (3 shelves)
Los 371
Drewitt (C. M.). Lord Lilford, Thomas Littleton, Fourth Baron, F.Z.S. President of the British Ornithologists' Union, a memoir by his sister, 1st edition, London: Smith, Elder, & Co., 1900, 18 monochrome plates including a portrait frontispiece, some minor marginal toning, original green cloth, minor rubbing to the head & foot of the spine, 8vo, together with:Audubon (Maria R.), Audubon and His Journals, 2 volumes, 1st U.K. edition, London: John C. Nimmo, 1898, monochrome illustrations, some marginal toning throughout, original uniform embossed green cloth, top edges gilt, spines toned & rubbed with some cracking & loss, 8vo, plusPalmer (A. H.), The Life of Joseph Wolf, animal painter, 1st edition, London: Longmans, Green, & Co., 1895, monochrome plates, bookplate to the front pastedown, previous owner inscription to the half-title, some marginal toning, top edge gilt, original green cloth, spine & hinges lightly rubbed, 8vo, and other late 19th & early 20th-century natural history reference & related, mostly original cloth, some in dust jackets, G/VG, 8voQTY: (3 shelves)
Los 373
Norman (Philip). London, Vanished & Vanishing, London: Adam & Chalres Black, 1905, 75 colour illustrations, endpapers toned, some marginal toning throughout, top edge gilt, original whit cloth, boards & spine toned & slightly rubbed to head & foot, large 8vo, limited de luxe edition 216/250, together with:Cunningham (Peter, editor), The Letters of Horace Walpole, Fourth Earl of Orford, 9 volumes, Edinburgh: John Grant, 1906, monochrome plates, some light toning, top edges gilt, original uniform gilt decorated blue cloth, boards & spines very lightly rubbed to head & foot, 8vo, plusLord Macaulay, The Life and Works of Lord Macaulay, 10 volumes, Edinburgh Edition, London: Longmans, Green, and Co., 1896, monochrome portrait frontispiece to volume 1, some light marginal marginal toning, original uniform brown cloth, boards & spines lightly rubbed to head & foot, 8vo, and other late 19th-century & modern literary reference & biography, all original cloth, some in dust jackets, G/VG, 8voQTY: (6 shelves)
Los 38
Buffon (Georges Louis Leclerc, comte de). Oeuvres complètes de Buffon. Par M. Le Comte de Lacepède, nouvelle edition, 12 volumes plus 5 volume supplement, Paris: Rapet et Ce, 1817-19, half-titles (verso of half-title to first volume with publisher's manuscript note 'R & Cie, No. 1001'), 333 engraved plates and maps (including two engraved portrait frontispieces, and 4 folding maps, lacking one plate), occasional scattered spotting, armorial bookplate of William Fullarton Lindsay Carnegie of Spynie & Boysack to upper pastedowns, uniform contemporary calf, gilt decorated spines with dark green morocco labels, few joints lightly cracked, 8voQTY: (17)
Los 390
Jay (Leonard). Letters of the Famous 18th Century Printer John Baskerville of Birmingham together with a bibliography of works printed by him at Birmingham, Birmingham: School of Printing, 1932, black & white portrait frontispiece, top edge gilt, later gilt decorated brown morocco bound by Hugh D. G. Burkitt, 8vo, together with:Rummonds (Richard-Gabriel), Nineteenth-Century Printing Practices and the Iron Handpress, 2 volumes, 1st edition, Delaware: Oak Knoll Press, 2004, monochrome illustrations, original uniform cloth in dust jackets, some minor rubbing to the head & foot of the covers, large 8vo, plusRhodes (Barbara & William Wells Streeter), Before Photocopying, the art & history of mechanical copying 1780-1938, 1st edition, Delaware: Oak Knoll Press, 1999, monochrome illustrations, original cloth in dust jacket, covers lightly rubbed to head & foot, folio, and other modern bookbinding reference & related, mostly original cloth, many in dust jackets, G/VG, 8vo/folioQTY: (3 shelves)
Los 43
Gätke (Heinrich). Heligoland as an Ornithological Observatory, the result of fifty years' experience, 1st edition, Edinburgh: David Douglas, 1895, portrait frontispiece, vignette title, publisher's advertisements to rear, bookplate of Howard H. Davis to front pastedown, lightly spotted, original pictorial green cloth gilt, top edge gilt, rubbed, 8vo, together with:Lodge (R.B). Bird-Hunting Through Wild Europe, 1st edition, London: Robert Culley, [1908], colour frontispiece, black & white illustrations throughout, contemporary gift inscription to front blank verso, original pictorial blue cloth gilt, top edge gilt, lightly rubbed, 8vo, withDanford (C.G). Notes on Sport and Ornithology, 1st edition, London: Gurney and Jackson, 1889, frontispiece, lightly toned, some lightly spotting to preliminaries, original blue pictorial cloth gilt, rubbed, 8vo, with approximately 55 others related to European ornithology QTY: (approx 60)
Los 46
Hills (John Waller). River Keeper, The Life of William James Lunn, 1st edition, London: Geoffrey Bles, 1934, portrait frontispiece, one leaf of black & white illustrations, lightly spotted, modern blue half morocco gilt, together with:Skues (G.E.M). Side-Lines, Side-Lights & Reflections, fugitive papers of a chalk-stream angler, London: Seeley, Service & Co, [1932], black & white frontispiece & illustrations throughout, spotted, modern half brown morocco gilt, 8vo, withSheringham (Hugh & John C. Moore). The Book of the Fly-Rod, London: Eyre & Spottis, 1936, colour frontispiece, full-page black & white illustrations throughout (with tissue-guards), a few spots, modern green half morocco gilt, 4to, with 33 others related to anglingQTY: (36)
Los 49
Lilford (Thomas Littleton Powys). Coloured Figures of the Birds of the British Islands, 7 volumes, 1st edition, London: R. H. Porter, 1885-97, photogravure portrait frontispiece, 421 chromolithographic plates after Foster, Lodge, Keulemans and Thorburn, all leaves and plates mounted on linen guards, spotting to preliminaries and to text-leaves adjacent to plates, light to moderate spotting to a small number of plates (largely restricted to margins), bookplates of Richard Heywood Thompson, top edges gilt, others untrimmed, original maroon half morocco (ink-stamp, 'Bound by R. H. Porter', to front free endpapers), marbled sides, large 8voQTY: (7)NOTE:Anker 308 (second edition); Freeman 2244; Mullens & Swann p. 354; Nissen IVB 563; Sitwell p. 119; Wood p. 436; Zimmer pp. 399-400 (second edition). A handsome set of 'this truly magnificent work' (Wood).
Los 53
Meinertzhagen (Richard). Nicoll's Birds of Egypt, 2 volumes, 1st edition, London: Hugh Rees, 1930, portrait frontispiece to volume I, 3 folding colour maps, 37 colour and photogravure plates, endpapers a little toned, bookplates of Oswald James Finney original green cloth gilt, a few small marks, folioQTY: (2)NOTE:Anker 363; Nissen IVB 675.
Los 54
Meinertzhagen (Richard). Nicoll's Birds of Egypt, 2 volumes, 1st edition, London: Hugh Rees, 1930, portrait frontispiece to volume I, 38 plates including 31 colour, 3 colour maps, light spotting front and rear, original green cloth gilt, a few light spots to volume I spine, 4toQTY: (2)NOTE:Anker 363; Nissen IVB 675. Provenance: Richard Meinertzhagen, his bookplate to volume I and a cut presentation inscription pasted to front endpaper.
Los 405
N. ROTHWELL (British, 20th century); oil on paper, head and shoulders side portrait of a gentleman, signed and dated '54, together with a Victorian watercolour portrait, head and shoulders of a lady, signed EK Johnson 1863, a watercolour initialled NR and dated '87, Chinese machine embroidery of a garden scene and one other framed Edwardian 'True Love' print mounted on a satin cushion within a frame, all framed and glazed (5).
Los 411
Five various engravings and mezzotints including a pair of putti riding dolphins, various portraits including 'The Duchess of Grafton', 'The Odalisque' and 'The Three Children of Charles I', together with a pastel half-length portrait of a 19th century gentleman, 'The Right Honourable Charles James [...]', in an oval frame, various sizes, all framed and glazed.
Los 887
Four various jewellery boxes comprising one in the form of a small Chinese cabinet, a satin quilted box, a leather look box and a white wooden box, containing a quantity of vintage and contemporary costume jewellery, to include pearl-effect necklaces, a quantity of ladies' wristwatches, a small quantity of butterscotch amber beads, a c.1950s brush, mirror and trinket pot set with white cloisonné and rose tops and a Limoges powder bowl hand painted with roses and central female figure portrait.
Los 12
A Corsi Lalli (1849 - 1937) - A late 19th Century gold and seed pearl portrait brooch pendant. The brooch featuring a central panel featuring a copy of a self portrait of French Artist Elisabeth-Louise Vigée LeBrun with a halo of seed pearls set to the mount and bale and detachable brooch clasp to verso. Portrait panel signed A C Lalli. Panel possibly painted on ivory but the panel is inaccessible from the brooch, registration reference no. BWBQNHGX. Measures 3cm diameter. Weight 10.0g.
Los 133
A hallmarked 9ct yellow gold cameo ring. The ring having a bezel set oval carved cameo depicting a profile portrait of a young lady to split shoulders & tapering shank. Hallmarked for Birmingham 1921, makers marks for A.G. Cameo measures approx 17 x 12mm. Total weight approx 3.5g. Approx size O.5.
Los 153
An assorted collection of pocket watches & chains together with pocket compasses. The lot to include; a silver tone moon phase pocket watch on curb link chain, a Smiths gold tone pocket watch, a full hunter Napoleon portrait pocket watch on chain, two gold tone chains, silver tone chain, full hunter duck design with snake chain, an America sports hunting interest design two tone full hunter on snake chain, two eagle design full hunters one in gold tone & the other in silver both on chains together with two pocket compass. Largest measures approx 9x7cm. Total weight approx 708g.
Los 225
An assorted collection of Victorian stone set fob pendants. The first antique pendant set with a red stone intaglio depicting the portrait of a man, the second a swivel locket fob with foliate & branch like gilt detailing to the red & green stone hinged locket, lastly a swivel fob set with bloodstone & red stone & having a horse to the bale. Total weight approx 41.8g. Largest measures approx 5x3.5cm.
Los 326
An assorted collection of vintage & later brooch pins. The lot to include; Limoges ceramic portrait, gold & silver tone metal, various coloured stones, aurora borealis, button pins, the Beatles, Snoopy & Woodstock, enamel, millefiori, simulated pearls, dragonfly, poppy, white stones, stick pins, owl, leopard & more. Various sizes. Largest measures approx 14cm. Total weight approx 324g.
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283284 Los(e)/Seite