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283287 Los(e)/Seite
Los 1
English school, circa 1620, portrait of Edward Trelawny, 'The Honest Lawyer,' half length, in black, oil on canvas, 68 x 59cm (Attributed to William Larkin) Footnote: Edward Trelawny (1565-1570) of Bake Farm, a little to the west of Pelynt, Cornwall, the seat of Trelawny. He belonged to the younger branch of the Trelawny family, and inherited lands in Pelynt and around St. Germans. Both his uncle John and his brother Robert were mayors of Plymouth. He died on 7th June 1630, trusting that his soul 'may without spot fly to the place of perpetual rest prepared from all eternity for God's elect.' His elaborate memorial in Pelynt Church carries the quotation 'Here lyes the honest lawyer, wot you what, A thing for all the world to wonder at.' For this reason the painting has always been known as the 'Honest Lawyer.' However, in The West Country Magazine, R. Glynn Grylls is keen to state that this reputation "gained by having never practiced, except on one occasion when he defended gratuitously someone wrongly bought to trial" p. 214.
Los 2
Attributed to Sir Peter Lely (1618 - 1680) Portrait of two children, probably of the Trelawny family, one as Mercury holding a Caduceus, the other with a club, an armorial drapery and a statue in the background, oil on canvas, 71cm x 57cm. Footnote: Sir Peter Lely was a painter of Dutch origin, whose career was predominantly spent in England. He is best known as a dominant portrait painter of the court. Lely arrived in London around 1641, where his paintings were well received. He became a freeman of the Painter-Stainers' Company in 1647, and became portrait artist to Charles I. Following the Restoration in 1660, Lely was appointed Charles II's principal painter, and thus, his large workshop became prolific. Lely painted many portraits of British aristocracy, such as the 'Windsor Beauties' completed in the 1660s. Lely was knighted in 1680, and died shortly after, although the prestige and skill of his work remains and the majority of his works are housed in National Galleries. Interestingly, Bray notes this picture as depicting "a couple of dwarfs...they were excellent likenesses of a pair of those diminutive beings who in old times were kept as a piece of state in the families of the great." Bray, Trelawny of Trelawne: A Romance of the West, p. 15.
Los 3
Gwynne-Jones, Portrait of the Right Reverend Sir Jonathan Trelawny, Bishop of Bristol, Exeter and Winchester, 3rd Baronet (1650-1721), oil on canvas, 57cm x 82cm; together with an engraving of the acquittal of the Seven Bishops in 1688; and a separate detail engraving of the important members of the court (3).ESTIMATE £150-£200. Footnote: The Right Reverend Sir Jonathan Trelawny BART D.D Bishop of Bristol 1685 - 1688; Bishop of Exeter 1688 - 1707; Bishop of Winchester 1707 - 1721. Prelate of the Order of the Garter. Bishop Sir Jonathan Trelawny is best known for his participation in the Trial of the Seven Bishops, in which King James II is reputed to have called him 'the most saucy' in his rejection of the controversial Declaration of Indulgence in 1688. This work is based on an original by Kneller, and this is kept in Christ Church College, Oxford.
Los 95
Attributed to Edmund Thomas Parris (1793 - 1873) Portrait of Maria Julia Trelawny (b 1814), daughter of Edward Trelawny (1792 - 1881) half length, in a white dress and blue sash, oil on canvas, 76 x 63cm. Footnote: Edmund Thomas Parris was a fashionable portrait painter in the early 19th century, his sitters included Queen Adelaide, Queen Victoria, of whom he drew a sketch in 1837 - the first year of her reign. This portrait of Maria Julia Trelawny was probably completed in 1835. Maria was born in 1814, and was the eldest daughter of Edward John Trelawny (1792 - 1881).
Los 104
Field Talfourd (1815-1874), after Hans Holbein the Younger Portrait of William Reskimer (d.1552), half length signed, inscribed 'For Sir John Trelawny (9th Bart, 1816-1885)' oil on panel, 45.5cm x 32.5cm; together with a print of the accompanying drawing 'Reskemeer a Cornish Gent' (2) William Reskymer (also spelt Reskimer), whose family lived at Merthen above the Helford River, was Gentleman to the Chamber to Henry VIII. His daughter Anne married John Trelawny in 1562. The original by Hans Holbein resides in Hampton Court.
Los 625
A Miniature Reverse Painted Portrait on Glass, depicting a young Queen Victoria standing half-length turned to the left, tondo, in an ebonised moulding frame , 6.5cm., dia: A Portrait Miniature, British School, early 19th century, depicting a gentleman quarter-length turned to the left, oval, in an ebonised rectangular pendant frame with oval aperture and brass mounts, 7x5.5cm: A Pair of Portrait Miniatures, European, late 19th/early 20th century, depicting a noblewoman quarter-length in ceremonial robes and a lady quarter-length in a blue dress and white scarf, ovals, mounted in matching diamond shaped pierced filigree metal frames, 8x6cm., ea: together with a collection of fifteen further miniatures, mostly late 20th century reproductions, variously framed, (19) (in one box)
Los 647
William H Gilby, British, mid 20th century- Barge by a quayside; pen and black ink and watercolour, signed and dated 1956, 32x45cm: Lt Col D Morgan MC, British, late 20th/early 21st century- The Top of the Hill"; watercolour, signed, 28x38.5cm: Ronald Hobling, British fl from 1930s- Portrait of a woman, head and shoulders; black chalk on green paper, signed, 39x29cm: Alice Newman, British 1907-1992- Seated female nude; pencil and watercolour, signed and dated 1957, 29.5x22cm: Alfred Richard Blundell, British 1883-1968- Seated male nude; red crayon, signed, 33x21cm: together with three further watercolours of figure and landscape studies by different hands, British Provincial School, 20th century, various sizes, (8) (may be subject to Droit de Suite)
Los 659
A French 19th century albumen print of large ruined columns at Karnak, Egypt, with figures amongst the ruins, laid down on card, with French inscription beneath reading `Karnak Grand Colonnes..`, 26cm high x 20cm wide; with nine further French 19th century albumen prints laid on card, back to back, showing further Egyptian scenes to include mosque views, Cairo scenes and an obelisk in Karnak, with inscriptions; together with a Bourne & Shephard card photograph case containing a portrait of a bearded gentleman bearing signature, (12).
Los 355
Elsa Fraenkel, German 1892-1975- Portrait of Lazarus Goldschmidt, 1946; plaster bust on integral plinth, signed, inscribed and dated 1946, height 45cm: Alfred Hüttenbach, German/British 1897-1960- Portrait of a man, traditionally held to Josef Paul Hodin; plaster bust, signed, dated 1936 and inscribed `London`, height 30cm, (2), (may be subject to Droit de Suite) Provenance: The Estate of Siegfried Oppenheimer. Note: Lazarus Goldschmidt 1871-1956 was the first to translate the entire Babylonian Talmud, begun in Leipzig in 1897 and completed in 1935. Josef Paul Hodin was the well known art critic and historian born in Prague 1905 and died in London in 1995. (may be subject to Droit de Suite)
Los 365
Mrs Carpenter, British, early-mid 20th century- Portrait of Arthur Wellesley, 1st Duke of Wellington, after Sir Thomas Lawrence PRA FRS; oil on metal panel, in a 19th century gilt composition swept frame, bears labels inscribed Lady Whitby, Arthur Wellesley 1st Duke of Wellington, Painted by Mrs Carpenter attached to the reverse, 29.5x24cm
Los 366
Sir Leslie Ward, (Spy), British 1851-1922- "Alfred", Alfred Cooper, 1838-1908, for Vanity Fair, Publ. Vincent Brooks Day & Son, December 30th 1897; chroma lithograph, 32.5x18.5cm: Jan, European school, late 20th century- Bouquet: acrylic on canvas, 59x49cm: After Barbara Shaw, British b.1924- Still life of flowers- reproduction print, in a glazed gilt composition frame, 50x39cm, (3) Note: The first issue of Vanity Fair was published in London on November 7, 1868. Founded and edited by Thomas Gibson Bowles, the purpose of this weekly was to display current vanities and those responsible for them. Each issue contained a full page colour lithographic portrait of a well known sovereign, statesman or man of the day, caricatured in a uniquely good-natured manner which became famous as the `Vanity Fair Style`. Working under the pseudonyms of `Spy` (Sir Leslie Ward, born, 1851 - Died, 1922)became well known for their caricatures.
Los 390
A Portrait Miniature, English School, mid 19th century, traditionally held to be the wife of John Opie as Jane Shore, in a 19th century glazed gilt composition frame, 11.2x9cm: A Portrait Miniature, English School, mid 19th century, depicting a gentleman seated half-length in a black coat, in a 19th century glazed gilt composition frame, 12.5x9.5cm: A Portrait Miniature, English School, mid 19th century, depicting a gentleman traditionally held to be Daniel Beale, half-length turned to the right in a blue coat, in a 19th century glazed gilt composition frame, 9.8x8.5cm: A Portrait Miniature, mid 19th century, Beatrice Cenci, after Guido Reni, in a 19th century glazed gilt composition frame, 11.7x8.9cm., (4)
Los 425
Austrian School early 20th century- The Exhibition; watercolour and black ink, signed, 21x32cm: British Surrealist School, mid 20th century- Mythological figures in an imagined landscape; pen and black ink and watercolour heightened with white on buff paper, 34.5x24.5cm: Arzola, late 20th century- Abstract; pen and brush and black ink, signed in pencil on the mount, 39x29cm: Surrealist School, mid 20th century- Untitled; black and coloured crayon and watercolour on buff coloured paper, signed and dated 1959, 29x38.5cm: British School, mid 20th century- Fish; watercolour and gouache, signed with initials `AW`, 12x22.5cm: Mid 20th century- Double portrait; watercolour, bears label for Eric Shirley No 4 Victoria Bldgs Niarobi, 16x15cm., (6) (part unframed)
Los 461
Karoly Josza, Hungarian, 1872-1929- Three female nudes; pencil on buff, inscribed and dated 1913, 22.5x28cm: together with three other works by the same artist, Portrait of a clown; pencil and coloured crayon on buff paper of irregular shape, inscribed `Major`, 12x12cm, Woman reading a book; pen and ink on buff, inscribed `Budapest` and dated 1908, 23.5x19cm, Double portrait; pen and ink on buff, signed, 13x12.5cm: European Provincial School, early 20th century- Flower study; gouache on green, 19x14.5cm, (5)
Los 505
George Frederic Watts OM RA, British 1817-1904- Portrait of the Viscountess of Hereford; pencil, signed, inscribed label to the reverse of the frame reading `A Portrait of Frances Elizabeth Viscountess of Hereford. She was born on the 26th May 1783. The third daughter of Sir George Cornwall, Bt. of Moccas Court, Herefordshire. Married Henry Fleming Lee, Viscount Hereford in December 1806. She died in her 81st year on the 19th July 1864 at Hampton Court Palace. This drawing of her was executed by G. F. Watts in 1848.`, 22x16cm
Los 515
French School, circa 1900- "Marthe Brandès, dans Catherine (Comédie Française)"; lithograph printed in colours, 32x16cm19th Century- Calamity in a rocky mountain pass; hand-coloured aquatint, 18x24cm: British School, early 19th century- "The Continuation of the Road from London to Barwick beginning at Tuxford & extending to York"; hand-coloured engraved strip road map, 34x44cm: After James Abbott McNeill Whistler PRBA RP HRSA RSW, American 1834-1903- "St James`s Street June 1878", publ by Vanity Fair 2 July 1878; lithographic transfer print, 39x27cm: Hobakoba, Eastern European School, late 20th century- Surrealistic self-portrait of the artist and view of a church and woodland; etching, signed with monogram `HE` and dated 1989-1990 within the plate, signed, inscribed and dated 1989 in pencil, 33x24cm: European School, late 19th/early 20th century- An old man reading; lithograph in black, red and white on olive brown paper, signed within the plate, 27x27cm., (6) (part unframed)
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283287 Los(e)/Seite