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Los 3003
MINIATUR-PORTRAIT 19.Jh., Gouache auf Papier/Karton, Brustporträt der Comtesse de Grignan nach Pierre Mignard sign. "Garinel", im vergoldeten Messingrahmen mit umlaufendem Schnurdekor und runder Hängeöse, an der Rückseite abgeschlossen durch Schildpatt. Abdeckung mit eingelegte Wappenschild und Perlmutt-Bourdure, HxB: 8/6,5 cm. Min. Altersspuren.Dieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. | MINIATURE PORTRAIT 19th century, gouache on paper/cardboard, bust portrait of the Comtesse de Grignan after Pierre Mignard sign. "Garinel", in a gilded brass frame with surrounding cord decoration and round suspension eyelet, finished at the back with tortoiseshell. Cover with inlaid escutcheon and mother-of-pearl bourdure, HxW: 8/6,5 cm. Min. signs of age.This object was made using materials for which a CITES permit is required for export to countries outside the EU.
Los 102
2 Reisekameras, um 19001) Vojta, Prag. Reisekamera 13 x 18 cm, Edelholz mit vernickelten Beschlägen, rotbrauner Balgen, doppelter Auszug, Front- und Rückstandarte schwenkbar, mit eingebautem Verschluß, Tücher und Teile fehlen, Messingoptik Busch Portrait Aplanat No. 2 F:6 mit Irisblende, mit Mattscheibenrückteil. - Und: 2) Butcher, England. "The National Camera" für Platten von 82 x 107 mm, Edelholz mit Messingbeschlägen, doppelter Auszug, Aldis Uno Anastigmat 7,7/7 ½ in., Stativkranz am Kameraboden fehlt, mit Mattscheibenrückteil und 2 Doppelkassetten. - Dabei: Kameratasche, Plattenbock, 3 Kopierrahmen und ein Stativ ohne Stativplatte. Start Price: EUR 160 Zustand: (4/4)2 Field Cameras, c. 19001) Vojta, Prague. 13 x 18 cm plates, wood with nickel-plated fittings, russet bellows, double extension, swiveling front and back, built-in shutter, brass-bound Busch Portrait Aplanat No. 2 F:6 lens with iris diaphragm and focusing screen back, missing shutter curtains and other components. - And: 2) Butcher, England. "The National Camera" for 82 x 107 mm plates, wood with brass fittings, double extension, Aldis Uno Anastigmat 7.7/7 ½ in. lens, focusing screen back and two double cassettes, tripod collar on the camera base missing. - In addition: Camera case, negative plate holder, three copy frames and a tripod without a tripod plate. Start Price: EUR 160 Condition: (4/4)
Los 110
J.F. Michiels "Album von Köln"Die ersten Architektur-Photographien Deutschlands wurden ab 1853 von J.F. Michiels (1823-1887) gemacht und gelten bei Photohistorikern als außerordentlich bedeutende Meisterwerke der Photogeschichte. Der Ruhm von J.F. Michiels gründet sich auf seine frühen Photographien von Kölner Baudenkmälern. Kein Photograph hat ein eindrucksvolleres Portrait des im Bau befindlichen Doms geliefert als Michiels mit seiner ersten Aufnahme vom 29. Juni 1853. Nur acht dieser seltenen Original-Photographien sind in einzelnen Sammlungen erhalten geblieben. Konservatorische Gründe gestatten es jedoch nicht, diese frühen Photographien auszustellen, da fortwährender Tageslichteinfluß die Bilder zerstören würde. Um sie dennoch einem breiteren Kreis von Interessenten zugänglich zu machen, wurden zum 750-jährigen Dom-Jubiläum (1983) originalgetreue Reproduktionen (Format 29,5 x 38,5 cm) in einem patentierten Schweizer Spezialverfahren hergestellt. Das Großformat der Originale (50 x 40 cm) macht deutlich, welche charaktervollen Beispiele mittelalterlicher Architektur die Stadt Köln beherbergt. Das Gesamtwerk wurde künstlerisch hervorragend gestaltet und in einem neuen aufwendigen rasterlosen Farbdruckverfahren in der Schweiz produziert. Für Wissenschaftler, Sammler und Kenner photo- und kunstgeschichtlicher Literatur ist es ein begehrtes Sammlerobjekt und ein unersetzlicher Schatz in ihrer Bibliothek! Jedes Einzelblatt eignet sich hervorragend als dekorativer Wandschmuck! Als erst- und einmalige Ausgabe wurden nur 750 numerierte Exemplare hergestellt. Start Price: EUR 60 Zustand: (1-2/-)Reproduction of J.F. Michiels "Album von Köln"29.5 x 38.5 cm, faithful reproduction of J.F. Michiels’ celebrated images of Cologne cathedral, from a limited edition of 750 numbered copies for the 750th anniversary of the cathedral in 1983, produced using a patented Swiss screenless color printing process. - Note: The first architectural photographs in Germany were taken in 1853 by J.F. Michiels (1823-1887) and are regarded by historians as important masterpieces of photographic history. No photographer provided a more impressive portrait of the cathedral under construction than Michiels did with his first photograph taken on 29 June 1853. Only eight of these rare original photographs are thought to have survived in individual collections and these are rarely exhibited as continuous exposure to light would damage them. Start Price: EUR 60 Condition: (1-2/-)
Los 115
Petzval-Portraitoptik, um 1864Unbezeichnet, aber sicherlich von Darlot. Messingoptik, Höhe mit Sonnenblende 21 cm, Glas der Frontlinse Ø 80,6 mm, Brennweite ca. 3/32 cm, Rückglied am Linsenrand original beschriftet mit Darlot, etliche weitere Beschriftungen stark verwischt, Glas unter Punktlicht sauber, mit Steckblende Ø 7,5 mm (etwa Blende 32). Am Frontglied weist der Haltering innen nach 1 cm Abstand original eine öffnungsmindernde Größe von Ø 68 mm auf. Die effektive Blende ist anstatt 1:3 dann 1:4,7. Alle Elemente schraubbar, für einen Anschraub-Durchmesser von 102 mm. - Hervorragende Anwender-Optik und gut erhalten. Start Price: EUR 350 Zustand: (3/3)Petzval Portrait Lens, c. 1864Unsigned but almost certainly by Darlot, brass-bound, height with sunshade 21 cm, glass of the front lens Ø 80.6 mm, focal length approx. 3/32 cm, the edge of the rear element originally labeled "Darlot", with several other heavily abraded inscriptions, with Waterhouse stop Ø 7.5 mm (approx. aperture 32), all elements can be screwed on, for a screw-on of 102 mm, glass clean under point light. - Note: The front part of the retaining ring originally had after one 1 cm distance a lens speed reducing size of Ø 68 mm, creating an effective aperture of 1:4.7 instead of 1:3. - Excellent user lens, in good condition. Start Price: EUR 350 Condition: (3/3)
Los 116
Portraitoptik Kranz No. 1131, um 1860L.W. Kranz, Braunschweig. Messingobjektiv (Petzval-Typ), Höhe des Objektivs mit Sonnenblende: 13,8 cm, Glas der Frontlinse Ø 51,5 mm, ca. 3,3/18 cm Brennweite, niedrige Serien-Nr. 1131. Glas unter Punktlicht sauber, alle Linsen schraubbar. Auffällig ist die sehr präzise Fassung der Rücklinsen, sie weisen keinerlei Spiel oder Toleranz auf. Triebfassung fehlt, mit nachträglichem Steckblendenhalter, der als größte Öffnung Ø 41 mm zuläßt, mit einer Steckblende von Ø 11,5 mm, mit Original-Anschlußring. Sehr seltene Optik. - Kranz war bei Voigtländer beschäftigt, ehe er 1858-76 selbständig war. Start Price: EUR 400 Zustand: (3/2-)Kranz Portrait Lens No. 1131, c. 1860L.W. Kranz, Braunschweig, Germany. Brass-bound Petzval-type lens, low serial no. 1131, ht. with hood 13.8 cm, glass of front lens Ø 51.5 mm, focal length approx. 3.3/18 cm, glass clean under point light, all elements can be screwed on, rack-and-pinion drive missing, with later Waterhouse holder for maximum opening of Ø 41 mm, Waterhouse stop of Ø 11.5 mm and original connection ring. - Note: A very rare lens. The highly precise setting of the rear elements, without room for play, is striking. Kranz was employed by Voigtländer before he became self-employed from 1858-76. Start Price: EUR 400 Condition: (3/2-)
Los 118
Voigtländer "Portrait-Objektiv 5B", 1893Voigtländer, Braunschweig. Nr. 45319, Messing, Höhe mit Sonnenblende 19 cm, Glas der Frontlinse Ø 78,4 mm, Brennweite ca. 3/22 cm, Linsenaufbau entspricht dem Petzval Typ, bezeichnet: "Portrait-Objektiv 5B". Mit einer Steckblende Ø 57 mm sowie einer ergänzten Steckblende mit Ø 37 mm, Glas unter Punktlicht sauber, mit Deckel und Anschraubring. - Für den Anwender weist diese Optik bei offener Blende einen gefälligen weicher modulierten Tonverlauf auf. Gesuchte und seltene Anwenderoptik. Start Price: EUR 700 Zustand: (3/2)Voigtländer Portrait-Objektiv 5B, 1893Voigtländer, Brunswick. No. 45319, brass-bound, height with sunshade 19 cm, glass of the front lens Ø 78.4 mm, focal length approx. 3/22 cm, lens structure corresponds to the Petzval type, marked: "Portrait-Objektiv 5B", with Waterhouse stop Ø 57 mm, an additional stop with Ø 37 mm, cap and screw-ring, glass clean under point light. - Note: For the user, this lens has a pleasing, softer modulated tone curve when the aperture is fully open. A sought-after and desirable user lens. Start Price: EUR 700 Condition: (3/2)
Los 119
Voigtländer-Portraitoptik, um 1880Voigtländer, Braunschweig. Nr. 21423, Messing, Höhe mit Sonnenblende 23,5 cm, Glas der Frontlinse Ø 94,5 mm, Brennweite ca 3,4/32 cm, Petzval-Typ, mit einer Steckblende Ø 56 mm, Glas unter Punktlicht sauber, alle Elemente beweglich, für einen Anschraub-Durchmesser von 125,5 mm. Gut erhalten, eindrucksvolle Optik. Start Price: EUR 900 Zustand: (3/2)Voigtländer Portrait Lens c. 1880Voigtländer, Brunswick, Germany. No. 21423, brass-bound Petzval-type, height with sunshade 23.5 cm, diam. of front element 94.5 mm, focal length approx. 3.4/32 cm, with a Waterhouse stop Ø 56 mm, for a screw-on diameter of 125.5 mm, glass clean under point light, all lens parts moveable, in good condition, an impressive lens. Start Price: EUR 900 Condition: (3/2)
Los 120
Portraitoptik "Kunst-Objektiv ‘Plasticca‘" 4/60 cm, um 1920Plasticca Industrie Oscar Zwierzina, Dresden-Blasewitz. Nr. 1708, D.R.G.M. D.R.P.a. graviert, Portraitoptik in Messingfassung, Glas sauber, vorderes Original-Gelbfilterelement gut erhalten. Höhe der Optik 51 mm, Fassungsdurchmesser 12,9 cm. - Seltene und gesuchte Portraitoptik - nur in kleiner Stückzahl gefertigt. Start Price: EUR 400 Zustand: (2-/2)Rare Brass-Bound "Plasticca" 4/60 cm Art Portrait Lens, c. 1920Plasticca Industrie Oscar Zwierzina, Dresden-Blasewitz. No. 1708, engraved "D.R.G.M. D.R.P.a.", ht. of the lens 51 mm x dia. 12.9 cm, original yellow element in good condition, glass clean. - Rare and sought-after lens produced in small numbers. Start Price: EUR 400 Condition: (2-/2)
Los 126
Perscheid-Objektiv 5,6/60 cm, um 1930Busch, Rathenow. Nr. 269739, "Nicola-Perscheid"- Portrait-Objektiv F = 5,6 F = 60 cm D.R.P. a.", frühes Objektiv noch ohne die Patent-Nummer. Glas sauber unter Punktlicht, Irisblende bis 25. Mit dem original dazugehörigen Gelbfilter (der Filter hat am Rand unbedeutende Kittfehler, für die Praxis ohne Bedeutung), Deckel und Anschraubring. - Extrem seltene und gesuchte Portraitoptik mit Weichzeichnereffekt (Nicola Perscheid, 1864-1930) in sehr guter Erhaltung. Start Price: EUR 1.800 Zustand: (2/2)Perscheid Lens 5.6/600 cm, c. 1930Busch, Rathenow, Germany. No. 269739, marked "Nicola-Perscheid" - Portrait-Objektiv F = 5,6 F = 60 cm D.R.P. a.", early lens without the patent number engraving, aperture up to 25, with the original yellow filter (with putty defects at the edge, of no importance in practice), cap and connection ring, glass clean under point light. An extremely rare and sought-after soft-focus portrait lens by Nicola Perscheid (1864-1930), in excellent condition. Start Price: EUR 1.800 Condition: (2/2)
Los 128
Portraitoptiken Trioplan und Dallmeyer1) Meyer, Görlitz. Trioplan 4,5/300 mm Nr. 1102414, Glas unter Punktlicht sauber, Irisblende bis 32, Rücklinse beweglich, leichte Alu-Fassung, Anschraub-Durchmesser 89 mm. (3-/2) - Und: 2) Dallmeyer, London. Portrait Anastigmat 4,5/10 in., Nr. 345424, Irisblende bis 32, Glas unter Punktlicht zeigt auf Rücklinse Putzspuren in der Vergütung auf. Alle Linsenelemente beweglich, mit eingeschraubter Original-Sonnenblende, schwere, verchromte Messingfassung, Anschraub-Durchmesser 63,5 mm. (2-/3) - Beides beliebte und bewährte Anwenderoptiken für Portraits. Start Price: EUR 220 Zustand: (-/-)Trioplan and Dallmeyer Portrait Lenses1) Meyer, Görlitz Germany. Trioplan 4.5/300 mm, no. 1102414, iris diaphragm up to 32, moveable rear lens, lightweight aluminum mount, screw-on Ø 89 mm, glass clean under point light. (3-/2) - And: 2) Dallmeyer, London. Portrait Anastigmat 4.5/10 in., no. 345424, iris diaphragm up to 32, with original screwed-in sunshade, heavy chrome-plated brass mount, screw-on Ø 63.5 mm, glass under point light shows traces of cleaning in coating on back element, all lens elements moveable, (2-/3) - Both popular and proven user lenses for portraits. Start Price: EUR 220 Condition: (-/-)
Los 64
Elmarit-M 2,8/90 mm, um 1990Leica, Solms. Nr. 3462307, beliebtes "Portrait"-Objektiv in unbenutztem Zustand, unter stark schrägem Punktlicht in vorderer Gruppe ein schwacher Belag erkennbar. Ausziehbare Gegenlichtblende, Filteranschluß für 46 mm, mit beiden Deckeln und Schachtel 11807. Start Price: EUR 300 Zustand: (2/2-)Elmarit-M 2.8/90 mm, c. 1990Leica, Solms. No. 3462307, popular "portrait" lens, with extendable lens hood, 46 mm filter connection, both caps and box 11807, in apparently unused condition, a faint film visible on front lens group under a strong oblique point light. Start Price: EUR 300 Condition: (2/2-)
Los 82
13 bunte Rollfilm-Kameras1) Ensign Camera No. E29, blau, mit Teil des Original-Karton. - 2-3) No. 2 Beau Brownie in Hellbraun-Beige und Schwarz-Dunkelrot. - 4-5) No. 2a Beau Brownie in Blau-Hellblau und Schwarz-Dunkelrot. - 6) Rainbow Hawk-Eye Special No. 2A Folding, blau. - 7-8) No. 2 Brownie Model F in Oliv und Braun. - 9) Portrait Brownie No. 2 in Blau. - 10-11) Vredebox in Grün und Rot. - 12) Agfa Ansco Box, ähnlich Cadet, in Braun. - Und: 13) Six-20 Brownie Senior, schwarz-chromfarben. Start Price: EUR 120 Zustand: (3-3-/3)Group of Colorful Rollfilm Cameras1) Ensign Camera No. E29, blue, with part of original box. - 2-3) No. 2 Beau Brownie, brown-beige and black-dark-red. - 4-5) No. 2a Beau Brownie, dark and light-blue and black and dark-red. - 6) Rainbow Hawk-Eye Special No. 2A Folding, blue. - 7-8) No. 2 Brownie Model F in olive and brown. - 9) Portrait Brownie No. 2 in blue. - 10-11) Vredebox in green and red. - 12) Agfa Ansco Box, similar to Cadet, in brown - And: 13) Six-20 Brownie Senior, black-chrome. Start Price: EUR 120 Condition: (3-3-/3)
Los 139
A group of three Elizabeth II gold sovereigns, 2012, sealed in conjoined plastic Royal Mint pouches, commissioned to celebrate the diamond jubilee of Queen Elizabeth II, obverse with the fourth portrait of Queen Elizabeth II designed by Ian Rank-Broadley, reverse with one-off design of St George and the Dragon designed by Paul Day.
Los 51
Cites ASSORTED JEWELLERY & COLLECTABLES comprising Mughal School portrait miniature in gold plated copper frame with bar brooch mount, portrait mourning brooches and four Victorian daguerreotypes, pair of portrait earrings (7)GOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference AJWQUGF1Provenance: private collection PembrokeshireComments: worn overall particularly cases of daguerreotypes
Los 356
A VERY RARE SOLID GOLD OJIME PORTRAYING DARUMAUnsigned Japan, late 19th century Bodhidharma, known as Daruma in Japan, is depicted here in a portrait-like manner, grasping his robe around himself, the characterful face sculpted with an extraordinary amount of detail. HEIGHT 2.1 cm WEIGHT 7.06 g Condition: Excellent condition, minor wear. Provenance: British private collection purchased from Christie's, London, 4 July 1984, lot 567. Zacke, Fine Netsuke & Sagemono, 29 October 2021, Vienna, lot 315 (sold for EUR 10,112). A noted private collector, acquired from the above.13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.
Los 198
A Bohemian Ruby Glass Vase, 19th century, painted with the portrait of a girl on an overlay panel over a gilt foliate ground, 31cm high; together with a pair of Venetian glass candlesticks, an overlay lamp base, an amethyst glass claret jug, a pair of ruby glass table lusters and a silver vase (qty)Lustres with numerous chips, losses and breaks
Los 1095
British School (17th Century) Portrait of a clergyman, bust length, in a skull cap and gownOil on canvas, 74.5cm by 61.5cmStiff reline of some age, cleaned and revarnished. Now with a layer of dirt and thoroughly discoloured varnish. Paint surface has been flattened and abraded by the restoration process. The canvas weave is apparent. Fairly pronounced stretcher shadow. Frame rubbing to edges. Relatively finely spaced stable craquelure throughout. Canvas is uneven and appears to bulge and the four corners. An area of repaired damage is visible towards the upper right hand corner. Small square wax patch repair to reverse, just below central stretcher. The thick varnish has occluded most signs of restoration under UV, however a later course of restoration is visible. There is a notable patch of restoration just above the sitters head as well as several smaller patches of restoration through the sitters face and clothing. Overall in a fairly rough state of preservation.
Los 1097
British School (18th Century)Portrait of a Gentleman, bust length, wearing a dark suit and white neck tie Oil on canvas, 67cm by 57cmIn fully restored condition. Very stiffly relined, cleaned and revarnished. Now with general surface dirt and discoloured varnish in evidence. Restoration process has flattened and slightly abraded the surface. Sporadic patches of finely spaced stable craquelure in evidence. Areas of thin paint and areas where canvas weave is apparent. Incongruous dark shadow along right side of sitter's face, possible retouching? Not examined under UV light.
Los 220
PALE CELADON JADE 'MOTH AND SPANISH COIN' PAPERWEIGHT QING DYNASTY, 18TH-19TH CENTURY 清 青白玉雕飛蛾及西班牙銀元圖鎮紙 of near square form, the dome top carved in relief with a large moth spreading its wings, the flat reverse carved with one side of a Spanish coin, including a laureate and armoured bust of King Charles III of Spain, encircled by characters reading 'CAROLUS·III·DEI·GRATIA·1786', the stone of even pale celadon colour Dimensions:4.3cm wide Note: Note: It is extremely unusual to have Chinese jade carved with foreign currency, in this case a Spanish currency with a portrait of King Charles III of Spain (r. 1759-1788), which reflects the wide spread of Spanish coins in Qing China. During most of the Qing dynasty, period silver circulated in China in two forms, that of silver sycees and foreign silver dollars, primarily Spanish dollars from Spanish Philippines. Silver was used more in interregional trade and was more often used to pay for large transactions, furthermore it wasn't counted by denomination but by weight.Under the reign of King Charles III, the design was changed as the Spanish coat-of-arms were superseded by his portrait. The Chinese referred to the Latin numeral "I" as "工" causing the silver coins of Charles III to be known as Sangong (三工). Additionally, the depiction of the reigning Spanish monarch inspired the Chinese people to refer to these Carolus dollars as Fotou Yang (佛頭洋, "Buddha-head dollar").
Los 13
Karel Appel, Informel, signierte Farblithographie von 1954 & Ausstellungsplakat MourlotKarel Appel, 1921 Amsterdam - 2006 Zürich, Informelle Komposition, Farblithographie, 23,5 x 41,5 cm, signiert, datiert (19)54, nummeriert 114/250, gerahmt sowie Ausstellungsplakat "Seeing Eyes", "An American Portrait 1776 - 1976", Farblithographie, 76 x 53,5 cm, herausgegeben von Transworld Art, New York, Druck Mourlot 1975
Los 187
Horst Janssen, "Theodor Fontane", "...Rinaldo Rinaldini" und zwei Selbstbildnisse, 4 signierte Lithographien/Radierungen von 1967-1980 Horst Janssen, 1929 - Hamburg - 1995, Portrait von Theodor Fontane, im Stein sign., dat., bez. u. gewidmet, handsigniert, 22 x 16,5 cm; "Christoph August Vulpius sei Dank für seinen Rinaldo Rinaldini. Buchhandlung Hermann Laatzen", Lithographie, 24 x 17,5 cm, im Stein sign., dat. u. bez., handsigniert; Selbstbildnis, Radierung, 22,5 x 16,2 cm, in der Platte dat, 27.9.75, handsigniert, dat. u. num. 52/100 und Selbstbildnis, Radierung, 20 x 19 cm, in der Platte dat. 10.2.80, handsigniert, num. 76/80Zum Künstler: Mit seinen Zeichnungen, Aquarellen, Gouachen, Radierungen, Holzschnitten und Lithographien gilt Horst Janssen als einer der herausragendsten und produktivsten Zeichner und Grafiker des 20. Jahrhunderts („Keiner konnte zeichnen wie Janssen“, Die Zeit). Besonders durch die Teilnahme an der XXXIV Biennale Venedig (1968) und der Documenta 6 in Kassel (1977), erhielt die Wirkung von Janssens Werk internationale Ausweitung. 1968 wurde er mit dem Graphikpreis der Biennale in Venedig ausgezeichnet, 2000 wurde das ihm und seinem Werk gewidmete „Horst-Janssen-Museum“ in Oldenburg eröffnet.
Los 25
Joseph Beuys, 2 Folien aus der 3-Tonnen Edition, Ausstellungsplakat 1981 & Andy Warhol, Beuys-PlakatJoseph Beuys, Folie 9 und Folie 22 aus der 3-Tonnen Edition, 1973-1985, Serigraphie auf PVC-Folie, Edition Staeck, Heidelberg, je 46,3 x 45,5 cm, je mit Stern-Ausstanzung an der rechten unteren Ecke; Plakat für die Joseph Beuys-Ausstellung in der Galerie Kammer in Hamburg 1981, Serigraphie, 84 x 59,5 cm; dazu Andy Warhol, Portrait Joseph Beuys, Plakat, 80 x 60 cm
Los 292
Paul Paede, Portrait einer jungen Frau, Ölgemälde, im GoldstuckrahmenPaul Paede, 1868 Berlin - 1929 München, Brustbild einer jungen Frau mit buntem Schal, Öl/Lw., l. o signiert, 42 x 31 cm, im GoldstuckrahmenPaede wurde 1898 Schüler von Ludwig von Löfftz an der Akademie der bildenden Künste in München. Häufiges Motiv Paedes waren Frauenakte, gelegentlich wird er als „Rubens des Impressionismus“ bezeichnet.
Los 424
Fred Anselm, Künstlernachlass von 13 Portrait- und Landschaftsmalereien, Ölgemälde, ab 1954Fred Anselm, 25. März 1922 Oberdielbach im Neckar-Odenwald-Kreis - 22. März 2005 Heidelberg, deutscher Maler und Grafiker, Familie des Künstlers am Montmartre vor Sacré-Cœur in Paris, Öl/Lw, 80 x 70 cm, sign.; Haus im Garten, Öl/Lw, 50 x 60 cm, sign.; Haus in idyllischer Landschaft mit Bergen, Öl/Lw, 50 x 60 cm, sign.; gelbes Haus in Landschaft mit Blumen und Bäumen, Öl/Lw, 50 x 60 cm, sign.; Blumenstillleben mit gelben Blumen, Öl/Lw, 60 x 50 cm, sign.; Dorfkirche in idyllischer Landschaft, Öl/Lw, 50 x 60 cm, sign.; Dorf mit Dorfbrunnen und geometrischen Bäumen, Öl/Lw, 60 x 80 cm, sign.; Stillleben mit Sessel und Blumenstrauß, Öl/Lw, 70 x 50 cm, sign.; Frau im Sessel sitzend, Öl/Lw, 80 x 60 cm, sign. u. dat. (19)75; Frauenakt mit grünen Konturen, Öl/Lw, 80 x 70 cm, sign.; Selbstportrait des Künstlers vor Farbflächen, Öl/Lw, 60 x 50 cm, sign. u. dat. (19)74; "Die Nachbarin", 60,5 x 50 cm, sign. u. verso bez.; 2x gerahmt, 6x in Rahmenleiste, Selbstbesichtigung empfohlen; rauchende Frau im pinken Kleid, Öl/Papier, ca. 40 x 31 cm im Passepartout, sign. u. dat. (19)54Zum Künstler: Anselm arbeitete nach 1945 in Paris bei Dietz Edzard, bevor er bei Emil Nolde studierte. Er war Gastschüler bei Albert Johannsen und Karl Peter Röhl und studierte Bildhauerei bei Heinrich Kirchner in München.Ein Hauptwerk ist die Gemäldeserie ‚Prinzipien‘ (Acryl, 1968-72) bestehend aus konstruktivistisch-formalen Bildern nach dem Yin-Yang-Prinzip. Später malte er phantastische Kompositionen mit Köpfen. Neben der Malerei publizierte Anselm philosophischen Abhandlungen über Malerei sowie Kurzprosa.
Los 830
Sechs sammelwürdige russische Armband- und Taschenuhren von Poljot, Vostok u.a., mit Literatur und PreisführerPoljot Chronograph mit 23 Steinen; Vostok Komandirskie mit 17 Steinen; Poljot Tonneau Chronograph mit 17 Steinen, limitiert auf 421/999; weitere Vostok Komandierskie mit Panzer; eine Uhr für den chinesischen Markt mit umlaufenden Datumsanzeigen, auf blauem Zifferblatt das Portrait des Mao Tse Tung sowie eine Sprungdeckel-Taschenuhr mit Hammer und Sichel, rückseitig die Aufschrift "Großer vaterländischer Krieg 1941-1945", alle Uhren laufen, dazu vier Bücher von Juri Levenberg und Michael Ceyp zu russischen Sammleruhren
Los 994
Antiquarisches zur Kirchengeschichte von 1736/ 1782-1787Histoire du Concile de Trente, ecrite en Italien par Fra-Paolo Sarpi,... avec des notes...par Pierre-François Le Courayer , 1. Band, Kupfer von George Vertue u.a. Titelkupfer des Autors und Portrait von Caroline of Brandenburg-Ansbach J. Wetstein u. G. Smith, Amsterdam, 1736, im Ganzleder; Clementis Becker Presbyteri, Iur. Canon. Et Theol. Moral. In Academia Monasteriensi Professoris Historia, Ecclesiastica Practica, 7 Bände, Aschendorf, 1782-1787, im Karton
Los 48
Stanisław Ignacy Witkiewicz (Polish, 1885-1939)Portrait of Stanisław Witkiewicz, the Artist's Father signed indistinctly (upper right)pastel on paper/board35.0 x 49.0 cm (13 3/4 x 19 5/16 in).framed 37.5 x 52.0 x 3.0 cm (14 3/4 x 20 1/2 x 1 1/4 in).Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
Los 19
Jan Matejko (Polish, 1838-1893)A Portrait of a Regal Man indistinctly inscribed 'wariant / portetu Dietle [?]...' (Variant of a Portrait of Dietle) (along the lower edge)pencil on paper19.5 x 12.4 cm (7 11/16 x 4 7/8 in).unframed.Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
Los 49
Jan Wacław Zawadowski (Polish, 1891-1982)Interior View with Figures and Self-Portrait signed 'Zawado.' (lower right)oil on canvas65.0 x 81.0 cm (25 9/16 x 31 7/8 in).unframed.Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
Los 55
Stanisław Ignacy Witkiewicz (Polish, 1885-1939)Portrait of a Boy, 1945indistinctly inscribed &/or signed and dated '...1945...' (lower edge)pastel on papersight size 59.5 x 46.5 cm (23 7/16 x 18 5/16 in).framed 65.0 x 51.7 x 3.5 cm (25 1/2 x 20 1/4 x 1 in).Footnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
Los 52
Jacek Malczewski (Polish, 1854-1929)Self Portrait Sketch signed and dated 'J. Malczewski / 1923' (lower left)oil on canvas43.2 x 49.5 cm (17 x 19 1/2 in).unframedFootnotes:ProvenanceAlfred and Maria Tarski, Berkeley, California; then by family descent to the Estate of Eva Kristina Ehrenfeucht.N.B.A painter and illustrator, Jacek Malczewski was born in Radom in 1854 and was educated at the Krakow School of Fine Arts as well as the Paris École des Beaux Arts from 1876-1877. Malczewski is credited for the rise in popularity of symbolism in late 19th- and early 20th-century Poland. Through his use of symbolic motifs and allegories, Malczewski provided a lens to the political turmoil that he experienced leading up to and following Poland's 1863 uprising. This event became a persistent theme in his works, in which he expressed ideas of independence and nationalism. Malczewski was fond of self-portraits and often used his own likeness as reference for allegorical figures. This is especially true in his later works such as in his series My Life (1914-1920).Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com
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