A FINE RENAISSANCE BERYL INTAGLIO SET IN A GOLD RING. PORTRAIT OF A ROMAN EMPEROR.16th - 17th centuryStone 12x16 mm; int. Diam. 18 mm; 5 grThe emperor has the laureated head in profile to the left with the bust slightly three-quarters seen from behind. The physiognomic features and the hair are typical of the portraits between the Antonine and of the Severian dynasty. The effigy is probably the stylized portrait of Lucius Verus or, for some details, likely Pertinax. The hair is thick, held by a large laurel crown, the beard equally thick, the mouth slightly open, the nose pronounced. The shoulders and the back are covered with an armor. The portrait is deeply engraved. Beryl of beautiful bluish color, characterized by a remarkable brightness. Wear marks. The gem is set in a low gold Victorian ring with hallmarks (to be identified).Provenance: U.K. private collection acquired in the british art market.
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A LARGE SIGNED BLOODSTONE INTAGLIO SET IN A GOLD RING. CAPITA JUGATA PORTRAIT. 18th centuryStone 14x21 mm; int. size 18x19 mm; 10,34 grWith rounded hoop, flatten within expanding in broader shoulders with incised volute patterns and surmounted by a large oval bezel with incised ligns. The intaglio shows a Capita Jugata portrait with a laureated emperor and his emperess, August and Livia. Initials or signature "LH" in the field. Provenance: U.K. private collection
A FINE CARNELIAN INTAGLIO SET IN A GOLD FOB SEAL. MALE PORTRAIT. 18th centuryStone 11x13,5 mm; H max 22 mm; 3,9 gr.Engraved with great finesse, this youthful portrait looks like an idealized private portrait. The effigy faces left. Beautiful vivid color of the stone, set in a Georgian gold seal. Slight wear marks.Provenance: U.K. private collection
A FINE CARNELIAN INTAGLIO SET IN A GOLD RING. BUST OF GALBA. 18th centuryStone 12x16 mm; int. diam 17,5 mm; 5,83 grThe portrait is facing left with beautiful and truly well engraved realistic features of the laureated emperor directly inspired by the ancient coinage production. Mirror polishing. Slight wear marks. Provenance: U.K. private collection
A FINE CARNELIAN INTAGLIO SET IN A GOLD RING. BUST OF MEDUSA. 18th centuryStone 15x16 mm; Int. Size 16,5x19 mm; 8,54 grThe revival mounting is characterized by shoulders with intertwined gold wired and a large rounded grooved box setting with a twisted gold wire; portrait of Medusa facing right. The mythological figure is characterized by elegant long wavy hair made of snakes with open mouths. With young features, long nose, small slightly open mouth and proturding chin. The eye wide open. Wear marks. Provenance: U.K. private collection
A FINE NEOCLASSICAL AGATE CAMEO SET IN A GOLD BROOCH. PORTRAIT OF THE EMPEROR NERO. 18th centuryTotal 24x31 mm; 8,95 gr.The emperor is laureated and is facing right. The portrait shows his typical physiognomy details inspired by classical models (coins or sculptures from the Roman era). The work is expertly done and has a slight cracking that runs across the portrait diagonally. The cameo is set in a gold frame engraved with floral patterns.Provenance: U.K. private collection
A NEOCLASSICAL CHALCEDONY INTAGLIO SET IN A LATER GOLD RING. HOMER. End of 18th centuryStone 18x21 mm; Int Size 16x17 mm; 9 grA fine portrait of the illustrious Greek poet. The effigy faces right and is characterized by a very refined rendering of the anatomical details. Georgian seal converted into a ring.Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.
A FINE GOLD BROOCH SET WITH PEARLS AND AN AGATE CAMEO. FEMALE BUST. Mid 19th centuryStone 23x29 mm; Brooch 30x36 mm; 14,33 grDiademed and partially veiled bust of a woman (the veil covers part of the neck but is knotted on the diadem at the level of the forehead). The effigy is turned to the right. The carved frame around the portrait is slightly damaged with missing. The cameo is mounted in a gold brooch with pearls.Provenance: U.K private collection
A LARGE AGATE CAMEO ATTRIBUTED TO BERINI SET IN A GOLD BROOCH. MALE BUST OF A GREEK RULER. 19th century Stone 23x34 mm; Brooch 36x45 mm; 19,55 gr Beautiful and powerful portrait of a Greek sovereign, with his face turned three-quarters to the right. The man is characterized by thick hair held by a ribbon and a thick beard. The anatomical details are engraved with great art and refined technique, attributable to the engraver Antonio Berini (1770 - 1861). Both for the high style and the model. The nose is damaged and partially missing at the tip. The cameo is mounted in an elegant gold brooch decorated with plant patterns. P. Malgouyeres, Pierres Gravées (Coll. Guy Ladrière), n. 211. L.P.B. Stefanelli, La Collezione Paoletti, p. 288 n. 51 (as "Philosopher"). Provenance: U.K private collection
A NEOCLASSICAL TWO-LAYERED AGATE CAMEO SET IN A GOLD PENDANT. BUST OF ARIADNE.19th century40x55x20 mm; 47,60 grThe female portrait is facing left, the head slightly bent. Finely carved in high relief, each detail is engraved with great skill. Large size.Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.
A NEOCLASSICAL SILVER ENAMELED PENDANT SET WITH A THREE-LAYERED AGATE CAMEO. PORTRAIT OF A BACCHANTE. 18th century Stone 20x29 mm; Brooch 30x40 mm; 10,34 grFacing right with an ivy-leaves crown.Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.
A NEOCLASSICAL AGATE CAMEO SET IN A GOLD RING. HERMES. 18th - 19th century Stone 14x22 mm; Int. Size 16x19 mm; 4,34 grA finely engraved portrait of the young Hermes. The face is turned to the right and is engraved on the white layer; the wing instead is carved in the brown layer. The background is black. The anatomical volumes are modeled with great delicacy and artistic mastery. Small loose on the neck. The portrait is signed under the neck ( DIE SANTI ? - to be identified). Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.
A FINE NEOCLASSICAL CAMEO SET IN A GOLD BROOCH. FEMALE BUST.19th century Stone 30x43 mm; Brooch 44x56 mm; 50,64 gr.A stunning high relief portrait of a young female character, possibly a nymph. She is depicted with the shoulders seen from the back and the face in an elegant torsion is looking upward toward right. She is characterized by very long hair, hold by a band and falling on the back slightly draped. The work is executed with great artistic mastery and technical skill. The gold brooch is finely decorated with a foliated frame with flowers. Provenance: U.K. collection, acquired on the british art market.
A LOT OF 11 ITEMS INCLUDING A MISCELLANEA OF CAMEOS, INTAGLIOS, A MICROMOSAICO AND AN HARDSTONE INTARSIO. VARIOUS SUBJECTS AND VARIOUS MATERIALS. 18th - 19th century Dim max 24 x 29 x 7 mm ; min. 10 x 12 x 3 mm From left to right: bunch of flowers on hardtsones intarsio; a micromosaic showing Piazza San Pietro in Rome; a coral cameo with bust of a woman; lava stone cameo with bust of Bacchante; an agate cameo showing a seated priestress pouring water in a cup; a black hardstone intaglio with bust of a lady facing right; a roman carnelian intaglio showing a standing soldier (Mars ?); an agate intaglio with portrait of a man facing left; an agate intaglio with portrait of an helmeted man facing left; a glass cameo with bust of a Lady facing right; an agate cameo with portrait of a god facing left. Small missing and wear marks.
A CARNELIAN INTAGLIO SET IN A GOLD RING. PORTRAIT OF A GENTLEMAN. 18th centuryStone 13x20 mm; int. size 15x17,5 mm; 5,19 gr.Interesting and unusual private portrait of a young gentleman, probably French, facing left. The effigy is characterized by thick hair. Beautiful bright red color of the stone in the original coeval ring.Provenance: French collection, late 19th ; European collection, acquired on the market, early 2000's.
A NEOCLASSICAL CARNELIAN INTAGLIO BY BERINI SET IN A GOLD RING. MALE PORTRAIT. 18th-19th centuryStone 16x23 mm; int. Size 18x20 mm; 9,86 gr.The effigy is turned to the right, with a tunicated bust, wavy hair held by a band (taenia), a broad forehead, an aquiline nose, a slightly open mouth with a grimace of power, the marked features typical of a ruler or of a general. Possibly a portrait of a noble in the guise of a Hellenistic Greek ruler ("ritratto all'antica"). On the cut of the neck, the signature BER for Antonio Berini (1770-1861). Beautiful execution and attractive vivid red color of the stone.Provenance: U.K. private collection acquired on the art market.
AN AGATE CAMEO SET IN A GOLD PENDANT. BUST OF AN HELMETED WARRIOR. 18th centuryStone 28x35 mm; H max 50 mm; 11,83 grPossibly the portrait of a private person in heroic guise. The helmeted head is in profile to the left, while the bust is almost frontal, partially covered by a cloak, with the strap of the sword sheath visible. The helmet is decorated with a running griffin and a sphinx. The man is characterized by peculiar facial features and long wavy hair. Nice four layered agate work.Provenance: U.K. private collection acquired on the art market.
A FINE NEOCLASSICAL PONIATOWSKI CARNELIAN INTAGLIO SET IN A GOLD PENDANT. PORTRAIT OF POLLA ARGENTARIA. 19th century.Stone 20x23 mm; H max 42 mm; 16,77 grThe portrait is facing left. In the field, the inscription POLLA ARGENTARIA (wife of the roman poet Lucano). The gemstone has slightly signs of wear and is set in an elegant "Hercules knot" motif swivel pendant.Beazley Archive - Poniatowski database: reference no. 1839-2088Provenance: From the S.A. Poniatowski gems collection. Published in the Catalogue des pierres graves antiques de S.A. le Prince Stanislas Poniatowski ([1830?]-1833): IX.3.40Christie's, London: 1839-2088
A NEOCLASSICAL AGATE INTAGLIO SET IN A GOLD STICK PIN. JULIO-CLAUDIAN PORTRAIT. 19th century Stone 10x12 mm; H Max. 64 mm; 3,18This fine engraved portrait of a laureated Julio Claudian emperor can be identified as Augustus. The stone is set in an elegant gold stick pin with intertwined elements in the revival archeological style. Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.
A FINE GRAND TOUR GOLD BANGLE WITH A NEOCLASSICAL AGATE INTAGLIO. ALLEGORICAL SCENE. 19th centuryStone 18x26 mm; int. Size 48x58 mm; 41,95 gr.PIERRET Ernesto (Born in Paris, 1824). A Gold bangle bracelet set with a large agate intaglio. Circa 1860Of archaeological revival design, the oval intaglio, possibly a merchant’s seal, within a rope twist surround, two scrolls to either side, the bangle inscribed ‘SALVE’, translating s the Latin for ‘Hail’. The intaglio shows a Victory riding a quadriga to the left, on top an eagle holding a laurel wreath in its backs and thunderbolts in its paws. Beneath, portrait of a youth facing left, mouse inside a ring and grasshopper on ear of corns. Inscription retrograde ‘M.IVLI’. Ernesto Pierret was one of these jewelers. Born in Paris in 1824, Pierret moved to Rome in the 1840s, where he trained as a goldsmith. Historians speculate that he may have been apprenticed under Castellani, as Pierret's style was very similar to – and often compared to – the more popular Castellani. In 1846, Pierret opened his workshop. It was then that he began to build a reputation. The opening of his studio took place directly after his marriage to Virginia Crespi, the daughter of a wealthy lawyer. These family connections allowed him to move his studio to Rome's illustrious jewelry and artist district, where Pierret began to prosper.Provenance: U.K. private collection acquired on the art market.
A GRAND TOUR CARNELIAN INTAGLIO SET IN A GOLD RING. SEATED MUSE. End of 18th century Stone 13 x 17 mm; internal size 17 mm.7.34 gr.A fully dressed and veiled woman, seated on a chair with turned legs, and holding an ivy leaf up to her face, pensively, contemplates a column on which is seated a boy streatching his arms to her. Footstool and groundline. Behind, a support with an helmet. She is probably a version of a figure of a Muse, after the garnet in hte Cabinet des Medailles (Calpurnie inquiete sur la sort de Cesar, Mariette 1750, pl. 104) which Vollenweider takes to be a portrait of Arsinoe III with an infant Cupid or Bacchus. D. Scarisbrick, C. Wagner, J. Boardman, The Beverly collection of gems at Alnwick Castle, p. 217Provenance: U.K private collection from the british art market.
A RARE GREEK GOLD RING. LATE PTOLEMAIC FEMALE BUST PORTRAIT.3rd - 2nd century B.C.Bezel 15x20 mm; int. Size 16x18 mm; 5,72 gr.Of hollow gold, inside rounded hoop, flatten outside, expanding at the shoulders to the flat oval bezel; engraved with a profile portrait of a bust of a woman facing left, wearng a chiton. Her hair arranged in a chignon at the top of the head. She wears earrings and necklace. The face is charcaterized by the typical late ptolemaic profile; with straight nose, large almond-shaped eye, slighlty open mouth and small chin. The gold surface presents micro-scratches as tools traces and wear marks. The subject can be identified as a high private portrait, probably a princess with idealized features. For a very similar ring: J. Boardman, C. Wagner, Masteroieces in Miniature. Engraved gems from Prehistory to the present, p. 265 n. 249. 'Said to be from Egypt. Bust of a woman. Her hair dressed in a lock from the front to the topknot, long over the shoulders, wearing pointed earrings and a floreal necklet. The hairstyle is seen on Republican Roman coins of around 100 BC for Victoria or Diana. Probably intended for a goddess. Hellenistic. 3rd/2nd BC. ".Provenance: Formerly Pr. Timmers collection, 1948-1977; U.K. private collection acquired on the art market in the early 2000s.
A GREEK HELLENISTIC GARNET INTAGLIO SET IN A GOLD NECKLACE ELEMENT. PORTRAIT OF ALEXANDER THE GREAT.2nd century B.C.Stone 11x12 mm; 2.58 grThe gold ornament is round and adorned with two series of gold spherical beads divided in platted gold. Presence of a suspension hoop, (missing the other one). In the center, a large circular, slightly cabochon garnet intaglio figuring the portrait of Alexander the Great facing left. He is characterized by the typical presence of the Amon's horns and the the long hair. The presence of some globular elements for the anatomical details is referable to a Greek workshop.Wear marks.Provenance: U.K. private, acquired on the art market 1980s-1990s
A GREEK LATE HELLENISTIC GARNET INTAGLIO. FRONTAL FACE OF ZEUS AMMON. 2nd century B.C.13,5x15x6 mmInteresting example of late Hellenistic Greek portrait with a deeply carved, almost frontal head of Zeus Ammon (ram's horns) on the typical slightly convex garnet ( concave in the backside). Small missing on the edge and wear marks.D. Plantzos, Hellenistic Engraved Gems, n. 191 (from Oxford, Ashmolean Museum 1892.1508).Provenance: Formerly in the D.C. collection, London; acquired by an international french collector from the above in the early 2000s.
A BURNT AND CALCIFIED ROMAN CARNELIAN INTAGLIO SET IN A SILVER FRAME. MASK OF A SILENUS.1st century B.C. - 1st century A.D.12x14,5x4 mmAlmost frontal mask of Silenus, characterized by a long beard and a crown of grape leaves. Powerful and expressive portrait, deeply engraved. The stone is partially burnt and calcified. Wear marks.Provenance: From a private collection, France, acquired on the London art market 1990s-early 2000s
19th Century British School Portrait of a Civil Engineer, William Morton Oil on canvas Inscribed William Morton at 50 1882 upper left Framed Picture size 34 x 29cm Overall size 43 x 38cm NB: William Morton was a civil engineer and was involved with the construction of the Metropolitan Underground Line
Cosmonaut Alexandra Ivanchenkov signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran cosmonaut. Soviet cosmonaut who flew as Flight Engineer on Soyuz 29 and Soyuz T-6, he spent 147 days, 12 hours and 37 minutes in space. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Pavel Vinogradov signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Space missions: Expedition 13, Soyuz TMA-8, Expedition 36, Expedition 35, Soyuz TMA-08M, Mir EO-24, Soyuz TM-26. Pavel Vladimirovich Vinogradov is a former cosmonaut and commander of the International Space Station. As of January 2023, he has flown into space three times, aboard Mir and the International Space Station, and was one of the top 10 astronauts in terms of total time in space after his third spaceflight. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Salizhan Sharipov signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Space missions: Expedition 10, Soyuz TMA-5, STS-89. Salizhan Shakirovich Sharipov is a Kyrgyzstani cosmonaut of Uzbek descent. Sharipov is a co-author and investigator for the Advanced Diagnostic Ultrasound in Microgravity project. He has been to space twice and has conducted two space walks. Sharipov retired on 18 July 2008. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Yuri Gidzenko signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Leonid Popov signed b/w portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Vladimir Titov signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Yuri Romanenko signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Aleksandr Viktorenko signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Vladimir Lyakhov signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cosmonaut Georgi Grechko signed colour portrait photo 8 x 6 inches. Nice pose in white space suit of the veteran astronaut. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Soyuz TMA-10 Crew Portrait signed colour portrait photo 6 x 4 inches.. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
‡ LUIS CARLOS BARRIOS (Columbian-Mexican, 1953-2011) watercolour - Bull, signed and dated, 58 x 77cms, JOAQUIN BARRIOS (Columbian, b. 1956) oil on card - Bird, 16 x 29cms; a portrait and etching by the same hand, all three signed and dated and GLEN SUJO (b. 1952) pastel and charcoal - First study for the Tempietto, 1986, signed and dated 87, titled on Contemporary Arts Soc. label verso, 42 x 42cms (5)
An 18th century engraving depicting the bust portraits of the Earl of Tyrconnell and the Countess of Tyrconnell; together with a similar coloured engraving depicting a bust portrait of the Earl of Radnor and the Countess of Radnor, both framed and glazed in marbleised mounts, each 19.5 by 12.5cms (2).Condition ReportBoth of the engravings have age related browning of the paper and some light staining and general wear, both of the mounts and frames are in good condition.
A 17th century style portrait of Blanche Somerset, wife of Lord Arundell, died 1649 aged 66, oil on canvas, framed, 68 by 96cms. Provenance: Belonged to the late Jennifer Morland (1941-2018), the only child of the Hon. Blanche Hanbury-Tracy (1908-1993), whose father was Gerald Arthur Arundell, 15th Baron Arundell of Wardour (1861-1939).Condition ReportThe painting is probably a 19th century copy which has been heavily cleaned and re-lined, the frame is in good condition.
Attributed to James Reeve (b1939) - Portrait of The Ambassador Standing in Front of a Temple - oil on canvas, framed, 35 by 35cms.Condition ReportIn general good condition, there's no paint lose or cracking to the surface. There is a dent and some creasing to the surface in the sky area near the ambassador's head. The painting was attributed to James Reeve and advised by a James Reeve collector.
17th century English school - Portrait of Philip Howard, 13th Earl of Arundel and Surrey (1557-1595) - the sitter portrayed wearing ruff and armour, oil on oak panel, 29.5 by 29.5cm. Only son of Thomas, Duke of Norfolk and Lady Mary Fitzalan. Philip was Canonized by Pope Paul VI in 1970, as one of the 'Forty Martyrs of England and Wales'. He was named after his godfather, Philip II of Spain. He married Anne Dacre at the age of 14 and graduated from Cambridge in 1574. He led a frivolous life at Cambridge and at Court, where he was a favourite of Queen Elizabeth I. His father Thomas, Duke of Norfolk, was arrested in 1569 for intriguing against the Queen. He was attainted and executed in 1572. Philip succeeded to his mother's inheritance, becoming Earl of Arundel in 1580. In 1581, Philip experienced a conversion and renounced his previous frivolous life. Subsequently, he tried to leave England without Royal permission and was arrested and committed to the Tower of London. Charges of treason were never proven but he spent 10 years in the Tower. He refused clemency from the Queen that required he attend a Protestant service. He died in the Tower in October 1595, never having been allowed to see his wife or son. He was acclaimed a Catholic Martyr at his death. A portrait 'Lord Arundel, aged 18' by George Gower bears a close resemblance to this portrait, although the subject here is clearly older than 18. Provenance: the vendors mother has a direct connection to the Arundell family.
19th century continental school - Portrait of Nostradamus Seated at a Desk - oil on panel, framed, 36cm by 44cm. Condition ReportThe surface has craquelure in several areas, there is a visible crack in the panel approximately 8cms long which runs from below Nostradamus' beard into his hand. The painting has been cleaned, the reverse side of the panel has a crack approximately 7cms long and the frame has a couple of small areas of gesso missing.
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