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Los 419

English School. Portrait of a girl with a doll, circa 1820, watercolour on paper, full-length portrait of a young girl with dark curled hair, wearing a white puffed-sleeve gown trimmed with lace and a blue sash, yellow shoes, gold earrings, and a coral necklace, cradling a doll attired in pink dress and shoes in her arms, against a landscape of hills, trees, and river, faint central horizontal crease, and closed tear to right hand side, 24.5 x 16.5 cm (9.75 x 6.5 ins), framed and glazed (Qty: 1)

Los 42

Tanner (John). The Hidden Treasures of the Art of Physick; fully discovered, 3rd edition, with additions, printed by John Streater, 1672, some light spotting and soiling, contemporary calf, a little rubbed with small repairs, 8vo, together with: Willis (Thomas). A Plain and Easie Method for Preserving [by God's Blessing] those that are well from Infection of the Plague, or any Contagious Distemper, in City, Camp, Fleet, &c. and for curing such as are infected with it. Written in the Year 1666. Never before printed, W. Crook, 1691, 74 pp., imprimatur leaf at front, lacking portrait frontispiece, a few leaves close-trimmed shaving a few letters, a few tiny marginal wormholes, a little light spotting and toning, modern morocco, 8vo (Qty: 2)ESTC R222390 & R186618; Wing T137 & W2852; Heirs of Hippocrates 601 for Tanner. 'Tanner, a licentiate of the College of Physicians, was a London practitioner. Tanner first published this compendium of the medical arts in 1659 and intended it for the medical student, layperson, and housewife who had occasion to tend the sick. Tanner discusses anatomy, a wide variety of diseases and their therapy, surgical problems such as fractures, wounds, tumors, and ulcers, and the nature, operation, and preparation of compound medicines' (Heirs 601: third edition, 1672).

Los 420

Naive School. A Regency family group seated at a table, circa 1820s, watercolour, interior scene with a young lady in a high-waisted grey gown holding a small bonneted child on her lap, a gentleman with one hand resting on a book beside a pack of playing cards and their box atop a circular table, and a woman wearing a purple gown and a white turban-style cap, against a backdrop of full length windows dressed with crimson drapes, a landscape oil painting, and a bookcase full of leather bound volumes, some minor craquelure, 34.5 x 41 cm (13.5 x 16 ins), framed and glazed (Qty: 1)Note: Believed to be a portrait of Jane Marsack, her infant child, and her parents, Mr. and Mrs. William Blackall Simonds of Caversham Rectory, Caversham, near Reading. Jane (born 1798) married George Hartwell Marsack (1792-1856) in 1819. William Blackall Simonds (1761-1834) was a brewer and banker. Martin Orskey purchased the painting from Jane Marsack's great great grandson in 1993 (see accompanying letter).

Los 421

Naive School. Regency portrait of a young boy beside a stile with a dog, circa 1820, oil on canvas, showing a fair-haired boy in a landscape, dressed in a brown suit and white frilled collar, with his left hand and foot resting on a stile, and holding a black hat in his right hand, with a terrier at his feet looking up at him, professionally cleaned and re-lined, 44.5 x 35 cm (17.5 x 13.75 ins), framed (Qty: 1)

Los 422

Company School. Two portraits of British gentlemen, India, circa 1820, gouache with pen and ink on wove paper, heightened with gold, each figure seated on a European-style chair, one facing left, the other right, both within decorative frames, Persian caption to head, left-facing portrait with moderate damp-staining visible in background of Persian caption and of image, right-facing portrait faintly damp-stained in margin, 23.9 x 15.2 cm (Qty: 2)

Los 423

Naive School. Portrait of a black dog, early 19th century, oil on canvas, depicting a large husky-type dog with shaggy fur, standing in a landscape with rolling hills and trees, some craquelure, professionally cleaned and re-lined, 91.5 x 99 cm (36 x 39 ins) (Qty: 1)

Los 424

Portrait Miniatures. A framed set of four oval miniature paintings of children, 1821, watercolour on ivory, oval head and shoulder portraits of four siblings, comprising a curly-haired boy in a buttoned brown suit with frilled collar, two girls, each attired in a blue and red tartan dress with bows to shoulders, the elder girl also wearing a necklace, and an infant dressed in a white dress with lace yoke and matching bonnet, each with gilt plaited border and bow to upper edge, 5 x 4 cm (2 x 1.5 ins) and slightly smaller, mounted together as two pairs on a dark blue ground, in period gilt frame, glazed, verso with contemporary printed cutting of mourning verse and partially indistinct manuscript notes pertaining to the sitters (mentioning the surname 'Bates') and artist, including the inscription 'Painted by [...?] Smith of London, September 1821' (Qty: 1)A charming set of Regency portrait miniatures, intact in original frame.

Los 430

English School. Portrait of Kirwan Joseph Fernie, mid 19th century, oil on canvas, depicting a young gentleman wearing white breeches, boots with spurs, dark jacket and waistcoat, and a blue necktie, with a cigar in his left hand, leaning his right elbow on a secretary desk, with a blotter, ink pot and quill, and theodolite in front of him on drop down desk top, a trumpet on top of the desk, a telescope directed at the landscape vista seen through a window, and a large dog at his feet, professionally cleaned and re-lined, manuscript name of sitter in large ink lettering on verso, 47 x 34.5 cm (18.5 x 13.5 ins), framed (Qty: 1)Kirwan Joseph Fernie (1820-1906) was the son of Ebenezer and May Fernie, and brother of Ebenezer Waugh Fernie who was a pioneer of the oil industry in North Wales and Scotland. Kirwan married Anne Caney Stanton (1818-1909) in 1868, and when he died they were living at Chase Lodge, Mill Hill, Middlesex.

Los 435

Prints and Watercolours. 19th & 20th century, including an untitled naive watercolour still life of fruit and flowers, 8.5 x 16 cm, framed and glazed, together with an unattributed German woodblock portrait with sparse contemporary hand colouring of a dog circa 1850, with the title 'Deze Hond bijt niet' (This dog does not bite), and below are four lines of verse which commences "Dear ones! Let the dog serve you as an example ....", some creasing and folding, 38 x 27 cm, framed and glazed, with a modern watercolour of a fuchsia signed M. A. D., 1991, 33.5 x 25.5 cm, mounted, framed and glazed, plus Legrand H. Pomme Josephine, circa 1840, mixed method engraving after Poiteau with contemporary hand colouring, 33 x 25 cm, mounted, framed and glazed, and an uncoloured late 19th century wood engraving of a dog collar salesman, a copy of a satirical broadside advertising prostitutes and a copy of a lithograph of the 'Late noted Tommy Osborne, second hand book seller and M. P. for the antient & loyal borough of Ide in 1812', 33 x 23 cm, all framed and glazed (Qty: 7)

Los 438

Portrait Study. A gentleman seated by a desk, circa 1920, oil on canvas, depicting a mustachioed gentleman in a dark suit holding an open book and sitting in a revolving wooden chair, with several books on a large desk behind, art nouveau style wallpaper, and a large plant in a pot beside, 36 x 25.5 cm (14.25 x 10 ins), framed, with old framer's label on stretcher 'S.L. Nielsen, Art Repository, 98 York Road, West Hartlepool' (Qty: 1)

Los 46

Sermon (William). A Friend to the Sick: or, the Honest English Mans Preservation. Shewing the causes, symptoms, and cures of most occult and dangerous diseases which afflict the body of man. With a particular discourse of the dropsie, scurvy, and yellow jaundice. And the most absolute way of cure, 1st edition, W. Downing for Edward Thomas, 1673, engraved portrait frontispiece, title printed in red and black, last leaf with small marginal tear and loss and closed marginal tear, occasional light water stains and some soiling, manuscript recipes in early hands front and rear, contemporary calf, spine repaired, a little rubbed, 8vo (Qty: 1)ESTC R1171; Wing 2627 Rare. An unashamed piece of self-advertisement by one of the most colourful characters in 17th-century medicine, combining 'rambling reminiscences' (ODNB) with an account of the cures achieved by his various pills. Sermon established his reputation with a spate of alleged cures of Bristol plague sufferers in 1666 and by treating former parliamentary general George Monck for dropsy, after which the University of Cambridge awarded him a doctorate in medicine at the request of Charles II.

Los 66

Mynsicht (Adrian von). Thesaurus & Armamentarium Medico-Chymicum: or A Treasury of Physick. With the most secret way of preparing remedies against all diseases. Obtained by Labour, confirmed by Practice, and published out of goodwill to Mankind..., faithfully Rendred into English by John Partridge Physician to His Majesty, printed by J.M. for Awnsham Churchill, 1682, engraved portrait frontispiece of John Partridge by R. White, publisher's advertisement to verso of final leaf, 18th century panelled calf, modern anitque-style reback with gilt morocco title label to spine, 8vo, together with: Boulton (Richard). Physico-Chyrurgical Treatises of the Gout, the King's-Evil and the Lues Venerea, printed for W. Brand and J. Kent, 1714, 4 titles (the last 3 all dated 1713), first title with some spotting and light overall browning, contemporary ownership signature to front endpaper of Thomas Holden, contemporary blind-panelled full calf, a little rubbed and slight wear to joints, 8vo (Qty: 2)Wing M3177 for Mynsicht.

Los 70

Ercker (Lazarus, & John Pettus ). Fleta minor. The Laws of Art and Nature, in Knowing, Judging, Assaying, Fining, Refining and Inlarging the Bodies of Confin'd Metals. In Two Parts. The First contains Assays of Lazarus Erckern ... now translated into English. The Second contains Essays on Metallick Words, alphabetically composed, as a Dictionary, by Sir John Pettus, printed for the author by Thomas Dawks, 1683, 2 parts in one volume, engraved frontispiece portrait by R. White, and 43 copper-engraved illustrations, numerous ornate opening initials, minor marginal fraying to frontispiece and title, a very good copy with wide margins, early ownership inscription 'James Hamilton' to title-page (see note), some spotting and browning, G1 with small piece torn from margin, H1v and H2r soiled, signature Z in duplicate, [C]2 holed and slightly torn at lower margin, without final blank in each vol.) Contemporary blind-panelled mottled full calf, some marks, discreet restoration to head and foot of spine, folio (35.5 x 22.4 cm) (Qty: 1)Provenance: possibly James Hamilton, 4th Duke of Hamilton (1658-1712), famously killed in a duel on the 15 th November 1712 over the inheritance of the Macclesfield estate, or James Hamilton, 5th Duke of Hamilton (1703-1743), early governor of the Foundling Hospital, London, and a fellow of the Royal Society. ESTC R5570; Hoover 633; Wing P1906; Wellcome II, 527. The first part is a translation of Ercken's Beschreibung aller fürnemisten mineralishcen Ertzt- und Berckwercksarten . The author of the second part, Sir John Pettus (1613-1690), was appointed deputy governor of the royal mines by Cromwell in 1655, a position he held until his death 35 years later. Having spent more than £20,000 on the royalist cause during the Civil War, he appears to have been imprisoned for debt several times in later life, and it has been suggested that Fleta Minor was composed in Fleet Prison.

Los 71

[Woolley, Hannah]. The Accomplish'd Ladies Delight in Preserving, Physick, Beautifying, and Cookery. Containing, I. The Art of Preserving, and Candying Fruits and Flowers, and the making of all sorts of Conserves, Syrups, and Jellies. II. The Physical Cabinet, or, Excellent Receipts in Physick and Chirurgery, Together with some Rare Beautifying Waters, to adorn and add Loveliness to the Face and Body: and also some New and Excellent Secrets and Experiments in the Art of Angling. III. The Compleat Cooks Guide, or, directions for dressing all sorts of Flesh, Fowl, and Fish, both in the English and French Mode, with all Sauces and Sallets; and the making Pyes, Pasties, Tarts, and Custards, with the Forms and Shapes of many of them, 3rd edition (enlarged), London: Benjamin Harris, 1683, [4], 208, [4], 208 [i.e. 209]-289, [1]pp., engraved portrait frontispiece with early armorial bookplate adhered to verso with motto 'Veritas et Libertas', additional engraved title, woodcut frontispiece facing part title of Secrets in the Art of Angling, three woodcut plates, ink date 1798 to fore-edge margin of portrait frontispiece and ink markings to fore-edge blank margin of additional engraved title, ink inscriptions to verso of additional title and letterpress title, few other leaves with early manuscript notes, markings & additions (including E11, F2, F12 & verso of final leaf N6), some browning and spotting throughout, slight close trimming at foot touching few catchwords, modern full sheep, green morocco title label to spine, 12mo (Qty: 1)Provenance: early ownership inscriptions 'Mary Clarke her Booke in the year of our Lord 1798' (repeated) and 'Mary Parsons my book' verso of additional engraved title; verso of letterpress title inscribed 'Mary Clarke her Booke given her by John Singar in the yeare of ower Lord may 19 1798. Though there have been many Books extant of this kind yet I think some thinge hath been deficient in theme all Mary'. Oxford pp. 37-8; Wing W3270; Cagle 1058 for the second edition.

Los 123

AN ENGLISH SILVER PAIR CASED VERGE WATCH R WILLIAMS LIVERPOOL, 5041 the polychrome enamel dial with scene of the sailor's farewell, blued steel hands, intricately pierced and engraved balance cock and foot with portrait of George III (?), flat steel balance, cylindrical pillars and plain case, casemaker WB incuse, Birmingham 1818, 5.4cm++In apparently good working order dial in good condition with possible professional restoration, cases with slight wear consistent with age but complete. Push piece dented but not holed, little play in hinges. Hands probably replacements

Los 200

A FRENCH ENAMEL BONBONNIERE WITH PORTRAIT OF GEORGE WASHINGTON AND AN ENAMEL PATCH BOX PAINTED WITH DOVES AND ANCHOR, C1900 5.5 and 4cm l++Washington box in good condition. Patch box with minor old single hairline crack on lid

Los 208

A RARE SCOTTISH GEORGE III SILVER SNUFF BOX, C1800 with moulded lid and base, engraved with an oval allegorical portrait of Liberty inscribed TREMBLEZ TYRANS flanked by thistles, the sides with lyre, the underside with initials borne on a shield and martial trophy, 8cm l, maker IR, Edinburgh, no date letter, 2ozs 13dwts++Engraving not worn, not split or repaired, no play in hinge

Los 222

A FRENCH BURR MAPLE SNUFF BOX AND COVER, EARLY 19TH C the cover pressed with Telemachus, tortoiseshell lined, 8.5cm diam and a smaller pressed treen snuff box, the cover inset with a giltmetal cliché portrait of WILLIAM the fourth, tortoiseshell lined (2) ++Telemachus box undamaged but detail slightly rubbed. The second box in good condition, neither cracked or chipped

Los 229

A VICTORIAN MOTHER OF PEARL INLAID AND GILT PAPIER MÂCHÉ CIGAR CASE, C1870 12cm h and various Victorian and later silver plated, horn, brass or papier mâché snuff and other boxes(16)++Mostly in good condition, the lot including three modern reproduction boxes with portrait medals to the lid

Los 240

A REGENCY COMMEMORATIVE PRESSED HORN SNUFF BOX AND COVER with portrait of queen Caroline, c1820 inscribed WILSON SC SHEFFIELD, the underside of the base with a trophy and thistles, 8.5cm diam Another example, presented to HRH The Princess Mary, Princess Royal, Countess of Harewood (1897-1965) on her 22nd birthday was sold (with a second box of a hunting scene also by 'WILSON') Christie's South Kensington, Harewood The Attic Sale, 9 December 2012, lot 1020 (£1750).++Small crack to the thin turned stand in the base, the pressed decoration crisp, neither part warped

Los 250

AN ENGLISH SILVER HEART SHAPED MEMORIAL LOCKET OF CHARLES I, SECOND HALF 17TH C containing an embossed portrait of Charles I, the back engraved with weeping eye and inscribed I Mourne for Monarchy, 2.5cm l, unmarked, 1.2dwts++Lacking the cover, otherwise good condition

Los 252

WILLIAM PITT. A COMMEMORATIVE GILT BRASS MEDALLIC SNUFF BOX AND COVER, C1823 the cover inset with bronze cliché portrait of WILLIAM PITT, the underside with allegorical figure of Britannia at Pitt's tomb, 5.3cm diam++Gilding worn and relief decoration slightly rubbed. Polish residue to reading on sides

Los 490

A PAIR OF ROYAL CROWN DERBY VASES AND COVERS, 1896 finely painted en grisaille, possibly by P Taillandier, with a portrait medallion of a young woman and festooned with roses, the reverse with trailing passion flowers, 18cm h, printed mark ++Good condition

Los 594

A CHINESE FINELY CARVED SOAPSTONE FIGURE OF LI TIEGUAI, 17TH/18TH C seated half length, his left hand holding his iron crutch, 17cm h and a portrait miniature of the collector Claude Calthrop with the figure, pained by Horace Taylor in Geneva in 1918, gouache on card (2)Provenance: Claude David Usticke Calthrop (1893-1921) First Secretary General of the Rhineland High Commission, Coblenz, by whom possibly acquired in Switzerland or Germany; thence by descent to the present owner++Figure - old restoration to neck, losses as evident from illustration; old accretion of dirt and grime, entirely unrestored other than the repair to the neck. Miniature in good condition

Los 616

JOHN RUSKIN (1819-1900) TWO PHOTOGRAPHS SIGNED BY RUSKIN The Madonna of the Cherries by Titian and Portrait of Prince Philip Prospero by Velázquez, mounted albumen prints, both signed in ink on the original limp card mount, 29 x 22cm and 22.5 x 29cm overallProvenance: The local Antique Dealer Miss Elizabeth Tyson (1878-1970) of Busk House, Ambleside by whom acquired in person at the Sale of the remaining contents of Brantwood, Coniston, July 1931 or else shortly thereafter; thence by descent to the present vendor++Both in good conditioin

Los 648

TOM BROWNE, RBA, RI (1872-1910) PORTRAIT OF ANNIE PARES signed (in red) watercolour, oval, 13 x 9cm Exhibited: Newcastle upon Tyne, Laing Art Gallery and Museum, Special Loan Collection of Works by the late Tom Browne, RI, 1910.++In good condition, the exhibition label verso

Los 674

ALMA CLAUDE BURLTON CULL (1880-1931) PORTRAIT OF HMS "DURBAN" AND ANOTHER BATTLESHIP two, both signed and dated 1920 or 1928, watercolour, 10 x 19cm and c, a set of four similar portraits of Royal Naval vessels by St John Horne, three signed, dated 1913 and inscribed and two other, earlier British watercolour ship portraits (8)++Several of the St John Horne watercolours foxed, the others in good condition. Frames/glass dusty

Los 709

THOMAS CHARLES WAGEMAN (1787-1863) PORTRAIT OF AN OFFICER wearing the Sutlej Medal with three clasps, signed and dated 1847, watercolour on coloured paper, 46.5 x 34cm++Dark brown marginal stains in several places and general age toning/fading, close mounted in c mid 20th century narrow wood frame

Los 728

JOHN MILNER (1876-1945) PORTRAIT OF A HORSE signed and dated 1907, oil on canvas, 28.5 x 39cm++Varnish requires a clean, unlined on the original stretchers in early 20th c gilt cavetto frame

Los 731

GERALD EDWARD WELLESLEY (1846-1915) PORTRAIT OF A LADY half length in a blue coat and furs, oil on canvas, 74.5 x 54cmProvenance: The artist; thence by descent to the present vendor.++Good original condition beneath glass in narrow gilt frame, varnish requiring a clean, unlined and on the original stretchers

Los 736

ATTRIBUTED TO EDWARD BOWER (1629-1667) PORTRAIT OF A LADY half length in a green dress and pearls, her right arm resting on a chair, oil on canvas, 100 x 85cmProvenance: Lane Fine Art, London.++In the same restored, ready to hang condition a when purchased by the late owner from the London dealer in the early/mid 1990s, Restored with evident overpainting and retouching, approx 1cm loss of medium upper left (midway between the sitter's head and drapery) the chalked and stencilled numbers on the stretcher include a sale date 15.11.91 and a No 3, together with two stencilled numbers: LTS 32 and 776 MC

Los 740

ENGLISH SCHOOL, LATE 18TH CENTURY PORTRAIT OF A GENTLEMAN full length in a blue coat holding his hat and cane, standing by a rock on a hill, oil on canvas, 73 x 57cmProvenance: (possibly) Lane Fine Art, London.++Restored, lined and placed onto the present stretchers prior to 1985 with evidence of overpainting and medium thin in places. Several chalked numbers including Lot 552 and a sale date 17.7.85 on the stretcher and reverse of the 18th c style gilt frame. In the present private ownership for over 30 years.

Los 749

CHRISTINE MCGREGOR (EXH 1921-25) PORTRAIT OF A TERRIER signed, oil on canvas, 39.5 x 49.5cm++Small horizontal patch on reverse of support upper centre, varnish requiring a light clean, on the original stretchers

Los 759

BRITISH NAIVE ARTIST, 19TH CENTURY PORTRAIT OF A DAPPLED STALLION BY LAKE oil on board, 32 x 51 cm++Several old blackened small surface abrasions and scratches, the varnish dirty, in 19th c ebonised pearwood or similar frame

Los 767

FREDERICK RICHARD PICKERSGILL, RA (1820-1900) OLIVER CROMWELL SITTING FOR HIS PORTRAIT signed with monogram and dated 1865, oil on canvas, 85 x 110cm++Restored condition, lined with on the original stretchers the conservator's label of Hamish Dewar and an old stencilled auctioneer's stock number 10SNK together with chalked lot number 78, the varnish requiring a light clean, in 18th c style gilt frame

Los 768

ATTRIBUTED TO JOHN GRAHAM-GILBERT, RSA (1794-1866) PORTRAIT OF ISABELLA EWING THE WIFE OF ARCHIBALD SMITH ESQ OF JORDANHILL bust length in a blue dress, feigned oval, oil on canvas, 76 x 63cmProvenance: The Right Honorable J Parker-Smith; A Parker-Smith Esq. Exhibited: Edinburgh, Scottish National Exhibition 1908, Stone Collection: Royal Academy of Arts Exhibition of Scottish Art, 1939++Old restoration and overpainting, in high quality and particularly elaborate Victorian giltwood and composition frame with old damage, that is possibly the original

Los 771

BRITISH SCHOOL, 18TH/19TH CENTURY PORTRAIT OF SIR FRANCIS DRAKE oil on panel, 26 x 21.5cm++Dirty, paint shrinkage and medium somewhat unstable as a consequence of the thick oak board having slightly warped. Medium thin in places and with old retouching. On the reverse of the panel an old stencilled auctioneer's number, in 19th c sanded gilt frame with loss

Los 790

ENGLISH SCHOOL, LATE 19TH C PORTRAIT OF A YOUNG WOMAN IN A STRAW BONNET signed (in red) with a monogram, oil on canvas, 30 x 25cm, unframed++Unlined, varnish with much dirt, several small scratches, unrestored

Los 795

JOHN WRAY SNOW (1801-1854) PORTRAIT OF A HUNTER IN A STABLE signed, dated 1840 and inscribed with initials M P, oil on canvas, 69.5 x 89.5cm++Lined and cleaned c1975. The varnish now possibly in need of a light clean, no evidence of extensive overpainting, etc, not examined under UV, in 18th c style gilt frame

Los 800

†ATTRIBUTED TO RAOUL MILLAIS (1901-1999) PORTRAIT OF "BUNTY", MRS FRANCES MARY TEMPLAR'S SEALYHAM TERRIER IN A BASKET 45 x 35cm, oil on canvas, unframed++In good original condition with only one or two minor scratches and requiring a light clean, unlined on the original stretchers

Los 801

ATTRIBUTED TO JAMES SANT, RA (1820-1916) STUDY FOR A PORTRAIT with monogram, oil on canvas, 39.5 x 33cm++Restored, lined and clean in ready to hang gallery condition in gilt cavetto frame

Los 913

WORLD WAR I 'TUNNELLERS' MC GROUP OF FIVE Military Cross, reverse engraved CAPT JOHN W JACK RE LOOS 1916, case of issue, 1914-15 Star, British War Medal, Victory Medal and Africa Service Medal with bronze commendation emblem 2 LIEUT J W JACK RE [CAPT J W JACK on pair, NN(ACF) J W JACK on last], two bronze medals of Middlesex County Amateur Football Association 1910 and 1911, both cased and extensive photocopied service records and biographical information, a portrait drawing of the recipient 1941, Lord Chamberlain's telegram requesting his attendance at Buckingham Palace for investiture with MC, February 1919, etc Military Cross: London Gazette, 1 January 1917. Captain John William Jack, MC (1891-1969), 173 Tunnelling Company RE; commanding "A" company of 2 and[Emergency] Battalion.

Los 922

QUEEN VICTORIA. A DIAMOND JUBILEE COMMEMORATIVE 18CT GOLD AND ENAMEL BADGE the crown with red guilloche enamel cushion above portrait medallion framed by bays, the reverse of the leaves realistically engraved, the back inscribed VICTORIA RI 1837-1897, 7cm h excluding ring, Birmingham 1896, 68g++Of superb quality and in fine condition with one or two very light surface scratches to the enamel portrait

Los 24

A large 19th century French wax seal, in relief with portrait profile bust of Marianne, symbol of The Republic, 21cm x 17cm

Los 245

19th century colour engraving "A Portrait of the Miller's Mare", framed and glazed 35cm x 45cm

Los 577

Stained Glass Portrait of 15th Century Poet - Dante

Los 800

Continental school, a portrait of two children, oil on canvas, initialled and indistinctly dated, 37.5 x 26 cm

Los 327

US original painted Concept Artwork for the comedy "Meet The Fockers" (2004), starring Ben Stiller, Robert De Niro, Dustin Hoffman and Barbara Streisand. Robert Tanenbaum was commissioned to create this Artwork with the idea that it would be framed as a family portrait and be the key component in the final poster design (Tannenbaum is believed to have been paid a fee of $25,000). Ultimately, this design was unused, the main US One-Sheet just presenting a small photograph of the key cast members.24" x 30" (59.5 x 76 cm)Condition: ExcellentOils on stretched canvas with wooden frame to the reverse. The artist has signed the painting to the lower left, "R.Tanenbaum".AR - This lot may be subject to any applicable Artists Resale Rights. Please see our Terms and Conditions for further information.Artist: Robert TanenbaumVAT Status: M£500 - 600Please note this lot is sold without copyright, reproduction rights, licensing agreements or any other type of legal release.

Los 239

An antique wooden box containing British Railway buttons, eastern brass cup, three portrait pictures etc.

Los 397

A quantity of continental signed prints - portrait studies

Los 2

A LATE 19TH CENTURY OVAL PORTRAIT MINIATURE OF COUNTESS POTZKA, NIECE OF THE LAST KING OF POLAND, contained in a white metal red paste set mount, as a brooch, 1 1/2" (4cm) high

Los 232

AMERICAN PATENT SPRING DRIVEN SMALL MANTEL CLOCK WITH LANCET SHAPED METAL CASE AND GILT DIAL, the dial embossed with columns and Masonic symbols and having two apertures for the hours and the minutes, black and white printed miniature portrait of George Washington in a disc in the arch, 3 3/4" (9.5cm) high

Los 4

ANDREW PLIMER (1763-1837), A FINE AND INTERESTING OVAL PORTRAIT MINIATURE ON IVORY OF ROBERT COOPER LEE (1735-1794), in profile facing right wearing a powdered wig en queue and blue coat, 3" high, the reverse of the gold coloured metal mount engraved 'Robert Cooper Lee Esq', 1843 (?) Plimer. The sitter embarked for Jamaica in 1749 aged 13 years wuth a parcel of ribbons, later becoming a slave owner, returning to London in 1771. See: Anne M. Powers 'A Parcel of Ribbons - The Lee Family Letters', privately printed, 2012.

Los 5

ATTRIBUTED TO GEORGE ENGLEHEART (1750-1829), A GOOD OVAL PORTRAIT MINIATURE ON IVORY OF A YOUNG GENTLEMAN FACING LEFT, wearing a blue coat and white cravat, 2 7/8" (7.5cm) high, contained in original black papier mache frame with gilt metal mount

Los 57

JOHN PINCHES LTD., 9ct GOLD CHURCHILL COMMEMORATIVE PORTRAIT MEDALLION (1874 - 1965), 1 1/2" (3.8cm) diameter, 36gms, London hallmark 1967, in associated case with original price list

Los 6

JOHN BOGLE (1746-1803), A GOOD OVAL PORTRAIT MINIATURE ON IVORY OF A YOUNG UNIFORMED OFFICER, signed with initials and dated 1775, contained in a gold mount, the reverse with locket of hair centred with gold cursive initials 'MES', swivelling with an outer silver frame set with ninety tiny rose cut diamonds

Los 7

T. WHEELER, A GOOD OVAL PORTRAIT MINIATURE ON IVORY OF A YOUNG GENTLEMAN, inscribed verso 'Painted by T. Wheeler 55 Regent Quadlands, London, June 1839', in original gold mount and wooden frame, the miniature 2 1/2" (6.5cm) high

Los 145

GRIFFITHS well executed oil on board - portrait study of a young girl reading a book, 30 x 24 cms

Los 185

A silver portrait frame and one other and a silver fronted desk clock, 6.5 cms high (modern hallmarks)

Los 126

After Lorenzo Bertolini, (Italian 1777 - 1850), a painted plaster bust of George Gordon Byron, 6th Baron Byron, second quarter 19th century, portrayed with whiskers and hair curling down to the nape of his neck, atop a waisted circular socle 59cm high CATALOGUE NOTES: Bertolini's original of this bust of Byron at age 34, can be seen at London's National Portrait Gallery, (NPG 1367)

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