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283287 Los(e)/Seite
Los 249
Edward Luttrell (c.1650-1725) Portrait of a man holding a glass Signed and dated E. Luttrell fe 1710 (lower centre) Pastel and pencil 31 x 24.5cm; 12¼ x 9¾in Unframed Provenance: Sotheby's, London, 14 November, 1996, lot 76; Property of Bill Thomson, Albany Gallery Literature: Neil Jeffares, "Edward Luttrell", Dictionary of pastellists before 1800, online edition, accessed 08/07/2021, no.J.506.306
Los 25
λPhilip Jean (1755-1802) Portrait miniature of a lady, wearing a brown dress and white fichu, and with powdered hair Oval, in a gilt metal frame with blue glass border and back 57 x 46mm Provenance: The Comerford Collection; Ellison Fine Art; Private Collection Literature: The Comerford Collection: Portrait Miniatures (Dublin, 2009), pp.10, 49, no.206 Exhibited: Dublin, Irish Architectural Archive, The Comerford Collection, 2009
Los 250
Attributed to John Greenhill (1642-1676) Portrait of a young lady wearing a pearl necklace and earring; Portrait of a young lady wearing a red shawl, and pearl necklace and earring A pair, both pastel Each 25.3 x 20cm; 10 x 8in (2) Provenance: Sotheby's, London, British paintings 1500-1800, 11 July 1990, lot 34; Property of Bill Thomson, Albany Gallery Literature: Neil Jeffares, "John Greenhill", Dictionary of pastellists before 1800, online edition, nos. J.359.1533 & J.359.1534
Los 27
λHenry Edridge ARA (1768-1821) Portrait miniature of a lady, traditionally identified as Mrs James Grant, wearing a white dress and white bonnet, with powdered hair Signed and dated Painted by/Hen: Edridge/1795 and inscribed by a later hand wife of Gerard/James Grant/commissioned/1796/11th foot (to reverse) Oval, in a gilt metal frame, with a lock of hair to back 75 x 62mm Provenance: Cynthia Walmsley Ltd., where purchased by the present private collector, April 2015
Los 346
English School Late 17th Century Portrait of a gentleman, bust-length, wearing a wig and red cloak; Portrait of a lady, wearing a pink dress and red shawl A pair, both pastel Each 26.3 x 19cm; 10¼ x 7½in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Neil Jeffares, "English, Irish and Scottish Schools", Dictionary of pastellists before 1800, online edition, nos. J.85.230232 & J.85.2302323 These works are comparable to a pair traditionally attributed to Edward Gibson at Syon House, possibly depicting the Duke and Duchess of Somerset (op. cit. nos. J.347.108 and J.347.109).
Los 347
William Faithorne (1616-1691) Portrait of a young man, bust-length, in a painted oval Pastel 23.9 x 19.8cm; 9½ x 7¾in Provenance: J. F. Keane; Sotheby's, 3 June 1947, lot 15; From the collection of Edward Croft-Murray (1907-1980) Literature: John Woodward, Tudor and Stuart Drawings (Faber and Faber, 1951), p.48, pl.25; Neil Jeffares, "William Faithorne", Dictionary of pastellists before 1800, online edition, accessed 24/06/2021, no.J.306.121 Exhibited: London, Royal Academy, British Portraits, 1956, no.570
Los 350
Attributed to Christian Friedrich Zincke (German 1683/4-1767) after Jean-Baptiste van Loo (French 1684-1745) Portrait miniature of John James Heidegger (1666-1749), wearing a brown coat and brown waistcoat with gold brocade Enamel on copper, oval, in a gilt and carved wood frame 45 x 37mm Provenance: Ralp Bernal (1783-1854); His posthumous sale, Christie, Manson & Woods, 14 March 1855, lot 1090, where purchased by T. Butler Esq; Gifted to Edward Croft-Murray and his first wife Giovanna Zaffi on their marriage in 1946; From the collection of Edward Croft-Murray (1907-1980) Literature: H.C. Robbins Landon, Handel and his World (Weidenfeld and Nicolson, 1984), p.76 (illustrated in colour) Heidegger was a central figure in the London theatre world and a popular figure at court for forty years. Manager of the Queen's (subsequently King's) theatre, Haymarket, London, he was known as Handel's impresario and worked very closely with the composer from 1713 to the late 1730s. Heidegger also ran masquerades or balls or ridottoes at the Haymarket theatre on non-opera nights and additionally was a party or events contractor. His biggest job was the coronation of George II in 1727, subsequently becoming friends with the monarch and his 'Master of the Revels'. Heidegger's last years were spent living at No. 4 Maids of Honour Row, Richmond where in 1745 he commissioned Antonio Jolli to decorate the entrance hall. This is the same house where Edward Croft-Murray lived. Jean-Baptiste Van Loo was in England from 1737 to 1742; his portrait of Heidegger was engraved by John Faber Jnr. (c.1695-1756) and first published in 1742. The National Portrait Gallery and British Museum hold copies. The National Portrait Gallery, London has previously proposed an attribution to Nathaniel Hone (1718-1784) for this work.
Los 351
Jonathan Richardson Snr. (1665-1745) Self-portrait Inscribed indistinctly Safe, Antony, Brutus is safe enough/He will be found ****/May (lower centre) Pencil 18.5 x 10.9cm; 7¼ x 4¼in Provenance: From the collection of Edward Croft-Murray (1907-1980) The inscription is taken from Shakespeare's Julius Caesar, act 5, scene 4.
Los 352
George Vertue (1684-1756) Portrait of Jeremiah Clarke (c.1674-1707), bust-length, wearing a wig and cloak Inscribed Jeremy Clark Musick Master (lower centre) Pencil 14.2 x 10.2cm; 5½ x 4in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Thomas F. Taylor, Thematic Catalog of the works of Jeremiah Clarke (Detroit, Studies in Music Bibliography, 1977) (illustrated) Jeremiah Clarke was an English baroque composer and organist of the generation after Henry Purcell (1659-1695). He is best known for the 'Prince of Denmark's March' . He was the organist at St Paul's Cathedral in the churchyard of which he shot himself due to ''a violent and hopeless passion for a lady of a rank superior to his own''. Very few portraits of him are known and according to the National Portrait Gallery in 1982 this was then the only known portrait .
Los 368
After Karel Dujardin A Savoyard boy playing a violin Etching 16.7 x 12.2cm; 6½ x 4¾in (plate) Together with Continental School 19th Century; Study of an ornamental ceiling; pencil; 28.2 x 19.7cm; 11 x 7¾in; Edward Croft-Murray (1907-1980); Duetto for Young Serpent and Gouty Violin; Figures at a ball; two, the former inscribed with title; both pen and ink; each 14 x 8.8cm; 5½ x 3½in; Rowland Emett (1906-1990); Just Like Them to Go and Spoil the Amenities with a Block of Flats; signed and inscribed To Captain & Mrs Whitford Hawkes/with best wishes from/Rowland Emett (lower left); reproduction print; 22.6 x 28.6cm; 9 x 11¼in; Francesco Bartolozzi (Italian 1728-1815) after Henry Edridge (1768-1821); Portrait of Colonel Stanley; stipple with hand-colouring; 15.5 x 11.5cm; 6 x 4½in; and Manner of Thomas Lawrence; Portrait of a lady; reproduction print 27.1 x 20.4cm; 10¾ x 8in (unframed) (7) Provenance: From the collection of Edward Croft-Murray (1907-1980)
Los 382
Sir James Thornhill (1675/76-1734) Dido and Aeneas, a sketch probably for the painted staircase at Canons, Middlesex Oil on canvas 60.6 x 44.7cm; 23¾ x 17½in Provenance: Colnaghi, London, where purchased by Edward Croft-Murray, 1959; From the collection of Edward Croft-Murray (1907-1980) Literature: Edward Croft-Murray, Decorative Painting in England 1537-1837, vol. I (Country Life, 1962), p.266, pl.134; Elizabeth Einberg, Manners & Morals: Hogarth and British Painting 1700-1760 pp.41 (illustrated), 247 Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, May-July 1974, no.46; London, National Portrait Gallery, Hallelujah! Handel, November 1985- February 1986, no.70; London, Tate, Manners & Morals: Hogarth and British Painting 1700-1760, October 1987-January 1988, no. 13
Los 385
Attributed to Joseph Highmore (1692-1780 Study for a family portrait in an architectural setting, with some of the figures in Van Dyck dress, within a painted frame Oil on canvas 46.6 x 57.3cm; 18¼ x 22½in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Samuel Ireland, Graphic Illustrations of Hogarth…, vol II, p.108, (as Hogarth); Ralph Edwards, 'Hogarth into Highmore, or a Wrong Redressed' in Apollo, vol.90, pp.148-151 (fig.1)
Los 386
Circle of Edward Collier Still life with musical instruments, scores and books on a table draped with a rug Oil on canvas 72 x 119.5cm; 28¾ x 47in Provenance: Sotheby's, London, 11 October 1946, lot 35, where purchased by Edward Croft-Murray; From the collection of Edward Croft-Murray (1907-1980) Exhibited: London, Victoria and Albert Museum, William & Mary and their Time, June-August 1950, no. 4 (as Attributed to Collier) The two books shown are Thesaurus Musicus (1696) and A Collection of Ayres by Henry Purcell (1697). The latter shows an engraved portrait of Purcell after John Closterman (1670-1711). A possible attribution to Thomas Warrender (1662-c.1715) has been suggested.
Los 394
English School 1754 The Charming Brute: A Satire on Handel Etching 33.2 x 23.5cm; 13 x 9¼in (sheet) Together with Jean Baptiste Delafosse (French 1721-1806) after Louis Carmontelle (French 1717-1806); Portrait of the Mozart family; etching; 32.6 x 20.4cm; 12¾ x 8in (sheet); James Bretherton (act. 1750-1799) after Loraine Smith (1751-1835); A Sunday Concert; etching and aquatint; 33.5 x 48.8cm; 13.1 x 19¼in (image); Francesco Bartolozzi (Italian 1728-1815) after Giovanni Battista Cipriani (Italian 1727-1785); Ticket for the masqued ball at Ranelagh; etching; 15.6 x 10cm; 6¼ x 4in (sheet); After William Hogarth; Masquerade ticket; etching; 19.7 x 27.9cm; 7¾ x 11in; Herbert Bourne (c.1825-1907) after Thomas Webster (1800-1886); The Village Choir; etching with hand-colouring; 14.6 x 25.4cm; 5¾ x 10in (image) (6) Provenance: 'Mozart family' presented to Angus Greenland by Leopold Mozart, 1764 (according to inscription to verso); 'Ranelagh' presented to Edward Croft-Murray by James and Christine Byam Shaw; All from the collection of Edward Croft-Murray (1907-1980)
Los 395
English School Late 18th Century Portrait of a gentleman, standing full-length on a terrace holding a scroll, within a scroll border Pen and black ink, with grey wash 16 x 12.1cm; 6¼ x 4¾in Provenance: From the collection of Edward Croft-Murray (1907-1980) Inscribed 'Robert, Lord Clive' to backing board.
Los 40
λEnglish School c.1790 Portrait miniature of an officer in uniform Inscribed and dated Wm di Gorma**/1790 (to backing paper) Oval, in a gilt metal frame 62 x 51mm Together with English School 19th Century; Portrait of an officer in uniform; oval, in a rectangular ebonised frame; 70 x 53mm (2)
Los 415
After John Russell (1745-1806) The Favourite Rabbit; Tom and his Pidgeons Two, both stipple engraving in colour, by Charles Knight (1743-1826) Each 30.6 x 37.4cm; 12 x 14¾in Together with Peltro William Tomkins (1759-1840); The Royal Rose; stipple engraving; 31.1 x 21.3cm; 12¼ x 8¼in; and William Henry Mote (1803-1871) after Daniel Maclise (1806-1870); Portrait of Elizabeth, Countess of Charlemont as a child; stipple with hand-colouring; 19.8 x 15.8cm; 7¾ x 6¼in (4) Provenance: From the collection of Edward Croft-Murray (1907-1980)
Los 416
Follower of John Constable Study of clouds Dated 1794 (to verso) Oil on paper 7.4 x 17.5cm; 3 x 6¾in Together with English School 1787; Study of leaves; indistinctly inscribed and dated 1787 (to verso); oil on paper; 9.8 x 14cm; 3¾ x 5½in; Circle of Alfred Edward Chalon; Portrait miniature of a lady seated in a garden with a book, a young girl on a balcony above; oval, on paper, in a rectangular ebonised frame; 74 x 58mm; and Continental School; Portrait miniature of a lady in a red dress; oval, on card, in a painted wooden rectangular frame; 100 x 85mm (4) Provenance: From the collection of Edward Croft-Murray (1907-1980)
Los 418
John Partridge (1789-1872) Portrait of Signor Ambrogetti, in the character of Don Giovanni, and Giuseppe Naldi as Leporello Oil on canvas 76.5 x 63.9cm; 30 x 25in Together with a letter from Ambrogetti to the editor of The Examiner, complaining of a bad review (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Roger Parker, The Oxford Illustrated History of Opera (Oxford University Press, 2001), p.113, pl.viii Exhibited: London, Royal Academy, 1819, no.215; The Wirral, Lady Lever Art Gallery, Theatrical Exhibition, 1949, no.159
Los 42
λEnglish School 19th Century Portrait miniature of Henry Leach of Corston, Pembrokeshire, in uniform Oval, in an ebonised rectangular frame 72 x 57mm Together with an over-painted print of Mrs Henry Leach wearing a black dress, and white bonnet; oval in a rectangular ebonised frame; 70 x 58mm; and a pair of over-painted prints of Major General and Mrs Edmund Leach; each oval in silver gilt George Sumner frames; both 65 x 50mm (4)
Los 43
λEnglish School 18th Century Portrait miniature of Francis Brownsword Bullock, wearing a red coat with blue collar Inscribed Francis Brownsword/Bullock/married to Ann/Collins/died August 8/interred in/Lockinge Church (to old label) Oval, in a rectangular ebonised frame 62 x 52mm Together with English School Late 19th Century; Portrait miniature of an officer wearing the Order of the Medjidiei; oval, possibly over a printed base, in an ornate gilt metal easel frame decorated with paste stones; 58 x 45mm (2)
Los 444
English School c.1830 Portrait of a lady, half-length, dressed in black dress with lace trim and a turban Oil on canvas 91.7 x 71.4cm; 38.5 x 28in Provenance: From the collection of Edward Croft-Murray (1907-1980) A label on the reverse identifies the sitter as Elizabeth Bradridge Shepherd (1788-1876), wife of Dr George Vance 'by Gush'. William Gush (1813-1888) exhibited a portrait of Dr Vance at the Royal Academy in 1837 (no.421), although this sitter would appear younger than Elizabeth Shepherd would have been during this period.
Los 45
λJ. T. Mitchell (act. 1798-1830) Portrait miniature of a gentleman, wearing a black coat, white waistcoat and stock Signed, dated and inscribed J. T. Mitchell/ 442 Strand/1823 (to reverse) Rectangular, in a metal frame with painted foliate decoration 75 x 55mm Provenance: Bonhams, London, Portrait Miniatures & Silhouettes, 28 September 2004, lot 120
Los 470
Charles Jervas (Irish c.1675-1739)Portrait of a young lady in a landscape, probably a member of the Digby family, three-quarter length, wearing a blue dress and holding a straw hat and shepherd's staffOil on canvas127.8 x 102.7cm; 50¼ x 40½inProvenance:William 5th Lord Digby (1661 - 1752);By descent to Lettice Adelaide Digby;By descent to Mrs JDH Bankes;By whom sold, Bonhams, 10th July 2002, lot 315;Property of The Cider House Galleries
Los 471
Thomas Beach (1738-1806) Portrait of Robert Helyar (1748-1781) in uniform Inscribed by a later hand Robert Helyar Aged 20 years/1768 (to verso) Oil on canvas 76.3 x 64.9cm; 30 x 25½in Provenance: Mrs Walker Heneage, 1937; Property of The Cider House Galleries Exhibited: Bristol, Royal West of England Academy, Art Treasures of the West Country, 24 May - 26 June 1937, no. 127
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283287 Los(e)/Seite