A quantity of Prints and Etchings to include 'Middle Spotted Woodpecker' engraving from the work of E. Donovan, watercolour of Knightsford Bridged by B.M. Jarran (?), print of Market Town, Kington, Herefordshire by Roy Lapidge, oriental portrait on cloth of Gentleman, Ronald Swanwick, a pencil sketch of Trees, etc.
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283287 Los(e)/Seite
Dutch School a full length portrait of a boy oil on panel 79 x 53cm Sitter Adriaen Vekins 1626Provenance Christies 1970s and by descentFurther details: see extra photographschips and losses to paint at the following areas: above inscription upper left section, at "I" with AETATIS, shoulder height 2" from left of panel, knuckle of boy's right hand, upper right arm sleeve and cape at waist level left section, under flower on table and various points vertical mid table cloth, craquelure particularly to left side of panel and face, overpainting seen under UV to face and along apron to front, also at table cloth and brush strokes evident under date to right numerous chips and losses to the frame***Please note item to be collected from Etwall, Derbyshire,DE65 6LS***
Six Elizabeth II "Golden Jubilee Collection" silver proof commemorative coins, with the Queens portrait highlighted in 22ct. gold, in capsules; 2002 Alderney five pounds, rev. coronation procession; 2003 East Caribbean States $10, rev. royal maundy; 2002 Guernsey five pounds, rev.gold state coach; 2002 Alderney five pounds, rev. Head of State; 2002 Jersey five pounds, rev. Vivat Regina Elizabetha; 2003 Australia 1 dollar, rev. St.Edwards Crown, (all 28.28g, 38.61mm, .925 silver). (6)
Sir Jacob Epstein (British 1880 - 1959) A cast bronze bust of Ivan Maisky, having verdigris patination, on a terraced variegated green marble base, 20 x 21 x 36 cm [Conceived in 1938. Variously patinated, some recorded in gilt bronze. Examples exhibited London, Leicester Galleries, "Jacob and the Angel and new Bronzes by Jacob Epstein", February 1942; Edinburgh, Waverley Market, "Epstein: Edinburgh Festival Society Memorial Exhibition", 19 August - 18 September 1961. See Richard Buckle, "Jacob Epstein: Sculptor", Faber and Faber, London, 1963, pl.375, p.242 and Evelyn Silber, "The Sculpture of Epstein", Phaidon, Oxford, 1986, cat.no.298, p.186. The subject was Soviet Ambassador to London between 1932 and 1943, and was first introduced to Epstein by the publisher of The Left Book Club, Victor Gollancz. Visiting the artist's studio to in Hyde Park Gate, Maisky was taken by Epstein's alabaster "Madonna and Child". He subsequently agreed to sit for the artist, resulting in a 'lively portrait bust' of the 'shrewd but genial' Ambassador (Buckle, 1963, p.242).]
A watercolour portrait miniature of Albert Ball, VC, DSO and two bars, MC (1896 - 1917), in presentation case with Royal Flying Corps sweetheart brooch, 14 cm x 11.5 cm overall. (Animal and Plant Health Agency (APHA) registered. Not available for export) [At the time of his death Ball was the United Kingdom's leading Royal Flying Corps ace, with 44 victories, and held the fourth highest British tally of the War. His Victoria Cross award citation reads "For most conspicuous and consistent bravery from the 25th of April to the 6th of May, 1917, during which period Capt. Ball took part in twenty-six combats in the air and destroyed eleven hostile aeroplanes, drove down two out of control, and forced several others to land. In these combats Capt. Ball, flying alone, on one occasion fought six hostile machines, twice he fought five and once four. When leading two other British aeroplanes he attacked an enemy formation of eight. On each of these occasions he brought down at least one enemy. Several times his aeroplane was badly damaged, once so seriously that but for the most delicate handling his machine would have collapsed, as nearly all the control wires had been shot away. On returning with a damaged machine he had always to be restrained from immediately going out on another. In all, Capt. Ball has destroyed forty-three German aeroplanes and one balloon, and has always displayed most exceptional courage, determination and skill."]
[ Victoria Cross ] A portrait postcard depicting Corporal James Upton. [Awarded the Victoria Cross for actions during the First World War, Rouges Bancs, France, in which he rescued the wounded whilst exposed to enemy rifle and artillery fire. He was 27 years old and a corporal in the 1st Battalion, The Sherwood Foresters.]
[ Victoria Cross ] A portrait postcard depicting Corporal George Sanders. [Awarded the Victoria Cross for actions during the First World War, Battle of the Somme, in which he and a party of 30 men survived in isolation in enemy trenches, holding off attacks from the Germans until they were relieved back to the British lines.]
[ Victoria Cross ] A portrait postcard portraying Sergeant Thomas Caldwell. [Awarded the Victoria Cross for actions during the First World War, Audenarde, Belgium, in which he engaged in clearing a farmhouse in Belgium. When his section came under heavy fire he rushed towards the farm, capturing the enemy's position and 18 prisoners.]
Sir Oswald Mosley (1896 - 1980), a quarter length black and white portrait photograph of Mosely in black shirt of the British Union of Fascists, stamped verso 'A BUFPA Copyright Photograph', together with an associated hand written verse 'March Chorus' on headed hotel notepaper, former 21.5 x 16.5 cm
[ Victoria Cross ] A portrait postcard portraying Sergeant Norman Finch. [Awarded the Victoria Cross for actions during the First World War, Zeebrugge, Belgium, in which he was second in command of the Lewis gun in the foretop of HMS Vindictive. Whilst under heavy resistance Finch kept up continuous fire, even after being wounded and his party killed.]
[ Victoria Cross ] A portrait postcard portraying Lance Corporal William Coltman. [Awarded the Victoria Cross for actions during the First World War, Mannequin Hill, France, in which he, hearing that wounded had been left behind during a retirement, went alone in the face of heavy fire, dressed the casualties and carried them to safety.]
[ Victoria Cross ] A portrait postcard of Private Edward Dwyer. [Awarded the Victoria Cross for actions during the First World War, Hill 60, Belgium, in which he, although subject to a hail of bombs at close quarters, dispersed the enemy using his hand grenades and dressed wounded comrades under heavy fire.]
[ Victoria Cross ] A portrait postcard portraying Lieutenant William David Kenny. [Awarded the Victoria Cross for actions during the Waziristan Campaign in which he maintained his position, repulsing three attacks and engaging in hand to hand combat. He then sacrificed himself in combat, with a handful of his men, in order to create a diversion to allow the withdrawal of his company.]
[ Victoria Cross ] Two portrait postcards portraying Private Arthur Hutt. [Awarded the Victoria Cross for actions during the First World War, Terrier Farm, Belgium, in which he bravely took command of his platoon when all the officers has become casualties. Further, upon withdrawal, he covered his party by sniping the enemy and carried a wounded man to shelter.]
[ Victoria Cross ] A portrait postcard portraying Sergeant Charles Harry Coverdale. [Awarded the Victoria Cross for actions during the First World War, Poelle Capelle, Belgium, in which he disposed of three snipers, rushed two machine guns and reorganised his platoon in order to capture another position.]
[ Victoria Cross ] A portrait postcard portraying Private James Smith. [Awarded the Victoria Cross for actions during the First World War, Rouges Bans, France, in which he voluntarily left he shelter of the trenches to rescue a wounded man who had been lying exposed against the enemy's trenches for 15 hours.]
[ Victoria Cross ] A portrait postcard portraying Private Michael Heaviside. [Awarded the Victoria Cross for actions during the First World War, Fontaine Les Croiselles, France, in which he scrambled over the barricade during daylight to help a wounded soldier stuck in no mans land. He immediately came under heavy fire and crawled 60 yards to reach to soldier to dress his wounds and give him water. He returned under the cover of darkness with two other soldiers and carried the wounded man to safety, saving his life.]
[ Victoria Cross ] A portrait postcard of Rifleman Robert Quigg. [Awarded the Victoria Cross for actions during the First World War, Battle of the Somme, in which he advanced to assault with his platoon three times during the Battle of the Somme. He also went out seven times to retrieve the wounded.]
A 19th Century portrait miniature of a young lady, wearing a ruffled dress, her hair tied back with a ribbon, glancing sideways, watercolour on ivory, under glass in a gilt metal frame having a suspension loop verso, 10.5 x 9 cm overall (Animal and Plant Health Agency (APHA) registered. Not available for export)
A pair of late 18th Century portrait miniatures of Dr William Mackesy and Mrs Mackesy of Waterford, Ireland, watercolour on ivory, each having a woven lock of hair verso with further plaided hair within the yellow metal pendant frames (tested as gold), set on plush fabric under glass, in gilt slips and parcel gilt ebonised frames, bearing inscribed biographical details verso, circa 1780, 16 cm x 17 cm overall [The couple married in 1764 and had 6 children.] (Animal and Plant Health Agency (APHA) registered. Not available for export)
William John Newton (British, 1785 - 1869) A portrait miniature of a young gentleman, watercolour on ivory, old label verso inscribed "By Sir W J Newton 1813, miniature painter to Queen Adelaide, from Lord Torpichen, probably the portrait of some one of his family", in gilt slip and ebonised frame under glass, 15 cm x 19 cm overall, (Animal and Plant Health Agency (APHA) registered. Not available for export)
[ Horse Racing ] After Claire Eva Burton (British, b. 1955) "Red Rum", a dynamic portrait of jockey and the famous thoroughbred landing from a jump, Chelsea Green Edition print, 209 / 850, signed, certificate of authenticity verso, in pen lined card mount and moulded frame under glass, 68 cm x 81 cm overall [Burton is a highly regarded specialist painter of equestrian art. At the age of 26 she was commissioned to paint a series of pictures for the Queen Mother's Royal Box at Cheltenham.]
Arabella Dorman (British, Contemporary) "Dry Docking, Zakynthos", a vibrant study of a small Greek fishing boat propped on a sandy beach, oil on panel, signed, titled and dated on label verso, in moulded frame, 55 cm x 46 cm overall [Dorman is an award winning war artist and one of Britain's leading portrait painters. She has been listed as one of the BBC's Top 100 Women and Salt Magazine's 100 Most Inspiring Women, and is an Ambassador for Afghanaid and Beyond Conflict. https://www.arabelladorman.com/]
Jacqueline Osborn (contemporary, British) "To the Table on Time", artist's proof giclee print, pencil-signed, in card mount and black frame under glass, 49 cm x 64 cm overall ["Jacqueline studied at the South End School of Art in England where she graduated with honors. She started her career on the design team as a fashion illustrator for Windsmoor of London. After moving to the United States she ... was soon represented as a portrait and figurative illustrator and painter in New York by Irmeli Holmberg and in Los Angeles and San Francisco by Kathy Braun. Her work has been commissioned or acquired by an extensive list of prominent corporations and individuals including Oprah Winfrey, Visa, Apple, Time Life, ... Cosmopolitan Magazine...". jacci-osborn.squarespace.com]
Jane Glasson nee Dommett (1894 - 1959) A portrait miniature of Master John Nicholson, watercolour on ivory, monogrammed, label bearing artist and subject verso, in gilt metal frame with a suspension loop under glass, 9.5 cm x 12 cm overall, (Animal and Plant Health Agency (APHA) registered. Not available for export)

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283287 Los(e)/Seite