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* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952),RED RIBBON DAYoil on canvas, signed, titled and dated 1999 label versoimage size 38cm x 27cm, overall size 58cm x 48cm Framed and under glass.Handwritten label verso.Note: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). The most recent example of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist. Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues.
* GERARD BURNS (SCOTTISH b. 1961),UNTITLEDoil on canvas, signedimage size 120cm x 88cm, overall size 148cm x 117cmFramed.Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow. Portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* GRAEME WILCOX (SCOTTISH b. 1967),FAITH HEALERoil on canvas, signed and titled versoimage size 102cm x 112cm, overall size 116cm x 126cmFramed. Note: Painted in the early 2000s this work was completed during a time of self-reflection and meditation for the artist, and a desire to "fix ourselves". The painting represents the same figure as both patient and healer in an attempt to represent this process of human reflection. After graduating from Glasgow School of Art in 1993, Wilcox continues to prosper as a painter based in Glasgow. He exhibits regularly in solo shows and group exhibitions throughout the UK and Europe. Recent work depicts people and events experienced in public spaces around the city. These paintings show figures engaged in ambiguous actions in half-remembered spaces. These situations and scenes have lodged in the memory due to some resonance or poignancy that can't quite be dismissed. The resulting paintings are partly an attempt to balance a sense of stillness with a sense of movement; a tension that hopefully generates a heightened feeling of the strangeness of everyday life and those around us. Graeme has collaborated on a number of multimedia projects with Mischief-la-bas-performance group and with other artists, culminating in projects at the Arches and Tramway in Glasgow and the Albany Theatre in London. He has also organised two large scale mural projects in collaboration with the East End Community Arts for Glasgow Health Board and devised and ran "Face to Face" photography project in Glasgow. This Arts Council funded project culminated in a temporary public artwork at the East End Festival in Glasgow. In 2011 he completed a prestigious portrait commission for the newly opened Conway Hall in London. Graeme's work is held in private collections in Europe, the USA and Canada and in public collections in Petrezovodsk, Russia and the Gulf State of Qatar. He is also held in the Corporate Collection of the Royal Bank of Scotland, Edinburgh. The most recent example of Graeme Wilcox's work we have offered was "On the Same Page" (a 112 x 102 cm oil on canvas) which was sold in The Scottish Contemporary Art Auction of 28th March 2021, lot 722 for £5000 (hammer).
* HELEN F WILSON RSW RGI PAI (SCOTTISH b. 1954),RIGOLETTO IVetching on paper, signed, titled and numbered 1/5image size 15cm x 10cm, sheet size 31cm x 24cm, overall size 41cm x 33cm Mounted, framed and under glass.Note: Helen Wilson was born in Paisley in 1954 and trained at Glasgow School of Art, graduating in 1976. Her paintings of ballerinas, musicians, performers and behind the scenes views from her residencies with the Royal Ballet and Scottish Opera have won her critical acclaim. She has exhibited widely in London, USA and Scotland and is the recipient of several art awards including the 2017 Scottish Portrait Award (SPA) in Fine Art, the David Cargill Award from the Royal Glasgow Institute of Fine Arts, the Diploma of the Paisley Art Institute in 2005, the Garrick/Milne Competition Commissioning Prize: Portrait of David Suchet in 2003 and Regional Prize: The Discerning Eye Exhibition, London in the same year. She was elected member of Royal Glasgow Institute of Fine Arts 1984, Royal Scottish Watercolour Society in 1997 and Paisley Arts Institute in 2005. Wilson’s paintings are in numerous private and public art collections including the Glasgow Art Gallery, Kelvingrove, Paisley Museum & Art Gallery, the Royal College of Ophthalmologists and the Royal College of Physicians.
* ANTHONY BAYNES (BRITISH 1921 - 2003),PORTRAIT OF A LADYoil on board, titled and attributed label versoimage size 41cm x 36cm, overall size 47cm x 41cm Framed. Note: Anthony Baynes was born in New Zealand. Came to England and studied art at the Slade School of Art. War evacuation meant that the school moved to the Ashmolean in Oxford where Baynes studied under the professorship of Randolphe Schwabe. Fellow students included Kyffin Williams and Bernard Dunstan. Lifelong friends were Allan Gwynne-Jones, then tutor at the school, his wife Rosemary, Eldred Bartlett and Nancy Carline. In 1946 his painting 'The Betrayal' (now in the collection of the UCL Art Museum) won the Mary Richgitz Prize. During the war served in the Royal Navy. After the war taught art at the Badminton School. In 1949 travelled to Greece, became the first art student at the British School of Archaeology. In the fifties lived in Crete. Held one-man show in Athens in 1955 and in London in 1958. An accomplished painter in gouache and oils, producing a number of notably fine portraits. Also a designer of both murals, theatrical sets (briefly for Sadler's Wells in the 1940s). Baynes was a notable designer of dust jackets from the 1950s to the 1970s, working for publishers including John Murray, Capes and Eyre and Spottiswoode. He painted murals at the London Stock Exchange and the Guildhall in Portsmouth in 1959. In the late 1980s and 90s mainly exhibited locally particularly in Oxfordshire and the Cotswolds specialising in portraiture.
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),IN THE STUDIOmixed media on paper, signedimage size 64cm x 49cm, overall size 82cm x 66cm Mounted, framed and under glass.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world. In The Scottish Contemporary Art Auction of 24th October 2021 "The Baptism" a 40 x 50cm gouache by Goudie sold for £2600 (hammer).
Jules DUFOUR (1812 - 1871). Portrait eines Herren.73cm x 59,5 cm. Gemälde. Öl auf Leinwand. Signiert und datiert 1851. Zustand siehe Fotos.Objekt kann versendet werden.Jules DUFOUR (1812 - 1871). Portrait of a gentleman.73 com x 59,5 cm. Painting. Oil on canvas. Signed and dated 1851. Condition see photos.Object can be shipped.
UNSIGNIERT (XIX - XX). Portrait eines Mädchens um 1900.44 cm x 34 cm. Oval. Gemälde. Öl auf Leinwand. Keine Signatur gefunden. Nicht ausgerahmt.Objekt kann versendet werden.UNSIGNED (XIX - XX). Portrait of a girl around 1900.44 cm x 34 cm. Oval. Painting. Oil on canvas. No signature found. Framed. Object can be shipped.
Katalin HINDI SZABÓ (1889 - 1929). Portrait einer Dame / Selbstportrait?50 cm x 45 cm. Gemälde. Öl (?) auf Holz. Signiert und datiert 1929 (?) unten links. Bezeichnet unten rechts "L'idole". Zustand siehe Fotos.Objekt kann versendet werden.Katalin HINDI SZABÓ (1889 - 1929). Portrait of a lady / Self-portrait?50 cm x 45 cm. Painting. Oil (?) on wood. Signed and dated 1929 (?) lower left. Inscribed lower right "L'idole". Condition see photos.Object can be shipped.
UNSIGNIERT (XVII - XVIII). Herr mit Schal.100 cm x 75 cm. Gemälde, Öl auf Leinwand. Wohl dubliert. Rückseitig bezeichnet "Joseph A. Harzath" (18. Jahrhundert). Möglicherweise Portrait von Gottfried Wilhelm Leibniz. Zustand siehe Fotos.Objekt kann versendet werden.UNSIGNED (XVII - XVIII). Gentleman with scarf.100 cm x 75 cm. Painting, oil on canvas. Probably laid down on canvas. Verso inscribed "Joseph A. Harzath" (18th century). Possibly portrait of Gottfried Wilhelm Leibniz. Condition see photos.Object can be shipped.
Marshall Wane, British (1833-1903), Portrait of an Edinburgh Professor, signed lower left, oil on canvas, unframed, note: Marshall Wane was best known as a photographic portraitist who had studios in George Street, Edinburgh, provenance, from the Estate of Sir William McTaggart PPRSA., RA., FRSE., Hon. RSW., LLD (Scottish 1903-1981) and by descent
Two 19thc engravings of Members of the Napier Family, one, William John, Lord Napier after a portrait by Raeburn and sold with an autographed letter from Lord Napier dated 1829 and addressed to John Borthwick, Advocate 28 Queen Street, Edinburgh, regarding the General Assembly of the Church of Scotland, the other, General Sir Charles Napier, after a daguerreotype of 1849 (frame a/f) (3)
John Arlott, Derek Shackleton, an Appreciation. Southampton, Hampshire CCC, 1958, 8vo, portrait plate enscribed by the author 'for "Shack" himself, with admiration of all he has done for Hampshire cricket and my best wishes, John', original green cloth gilt. No1 of 50 copies, numbered and signed, published in the 1958 Handbook, Padwick 8028, together with a single page type written letter to Shackleton from the author signed 'Yours John'. A rather special lot
Trophy - 'The Brylcreem Cricket Cup', enscribed on the base 'awarded to Derek Shackleton, Hampshire, for his bowling performances throughout the 1958 season', the twin handed urn and lid By Garrard and Company, London, 1958, weight 10oz, height 23.5cm, on a turned ebony plinth, with photograph showing Derek and the other winners and a portrait photograph (3)
Trophy - 'The Brylcreem Cup', inscribed on the base '1960 Bowling D Shackleton Hampshire v Warwickshire at Portsmouth 9 wickets for 30 runs 13th May', the twin handled urn and lid by Garrard and Company, London, 1960, weight 10oz, height 23.5cm, on a turned ebony plinth, with an invitation to Derek to attend the award ceremony and receive the trophy from Miss Anna Neagle, together with a press photo of him receiving the trophy and a case pair of inscribed yellow metal cufflinks, marked 9ct (included with the lot) from Jimmy Hill, Colin Ingleby-Mackenzie and Colin Cowdrey, and a portrait photograph (6)
2550 first class wickets for Derek Shackleton, the match ball presented to Derek by Gloucestershire County Cricket Club, after taken 4 for 36 on 30/8/1967, on an ebonised plinth and press photographs of him receiving a match ball on a similar stand from a cricket committee, plus portrait photo
First World War British casualty trio medal group comprising 1914-15 Star, 1914-18 War medal and 1914-19 Victory medal. Impressed to 69565 Shoeing smith, P. W. Howes, Royal Field Artillery, also together with a memorial plaque and certificate and small portrait (Shoeing Smith P.W. Howes, 69596) of 113th Battalion, 26th Brigade, Royal Field Artillery, who died on 2nd October 1918, is remembered with honours at Brie British Cemetary.
19th century framed oil on canvas portrait of Sir David Erskine of Dryburgh, born 1772, died 22 October 1837, in Captains uniform of 31st Regt of Foot. Sir David Erskine, 11th Earl of Buchan. On the reduction of the 31st Foot he was appointed Professor at Sandhurst where, under him, taught the Earl of Munster, as well as William IV's children, who then, at their request, received the Honour of Knighthood on 11th September 1830. Painting a/f, canvas slightly torn, repainted over, 39cm x 46cm
Mariette Lydiso.T. (Portrait eines Mädchen). 1940. Graphit und Aquarell auf Bütten. 26 x 34 cm. Signiert, datiert und ortsbezeichnet. Punktuell unter Passepartout montiert. - Blatt insgesamt gleichmäßig gebräunt und technikbedingt etwas wellig. Isngesamt in gutem Zustand. Feinmalerische, aparte Zeichnung. Graphite and watercolour on handmade paper. Signed, dated and locally inscribed. Mounted in spots under passepartout. - Sheet is evenly browned and somewhat wavy due to the technique. In good overall condition. Fine, distinctive drawing.
A late-19th century French mantle clock in a gilt spelter case surmounted with a hand painted porcelain urn decorated with garlands of flowers, two corresponding porcelain panels to the case and a central cameo portrait of a lady, conforming decorated porcelain dial with Roman numerals and gilt spade hands, with an eight-day countwheel movement striking the hours and half hours on a bell, case stamped �Brunfaut�, with pendulum, no key. H33cm W27cm D13cm
Austrian School (19th century): Bust Length Portrait of Baroness Hanna von Ettingshausen Countess Latour', oil on canvas unsigned, titled on mount, housed in ornate oval gilt carved frame 73cm x 59cmNotes: Hanna was the second wife of Norman Macleod of Macleod, she was also a prominent archaeologist on the Isle of Skye, she later married Vincenz Baillet de LatourProvenance: purchased from Christies 2006

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