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William J Hardy, British fl. 1854-1856- Drovers with cattle in a landscape; watercolour, 12x22.5cm: William J Hardy, British fl. 1854-1856- Figures on a country lane; watercolour heightened with gum arabic, signed, 11.5x21cm: Albert Houghton AMC FRSA, British, late 20th century- "The Tide Mill, Woodbridge"; watercolour, signed, 35x50cmBritish School, early 20th century- View from beneath a bridge; watercolour, mounted in a hand-gilded carved frame, 30.5x22.5cm: British School, a silhouette portrait of two figures, mounted in a gilt gesso oval frame, 24x18.5cm: European School, early 20th century- Coastal view with a fortified town and mountains; watercolour, 14.5x19.5cm: British School, late 20th century, early 21st century- Landscape with a castle; pen and black ink and watercolour, 13.5x20cm: Don Miklethwaite, British, late 20th century- "Fishing Boats at Scunthorpe"; oil on canvas board, signed, 24.3x29cm: together with a framed design in gouache for a heraldic crest, 20x15cm., (9) (may be subject to Droit de Suite)
British School, mid 19th century- Portrait of a lady with flowers in her hair; pencil and watercolour on buff, 23x18cm: British School, mid/late 19th century- "Fire Proof Sugar Refinery erected for Messrs Charles & John Frederick Bowman by C.Dyson Esq Architects, 1851", publ Vincent Brooks lithographer, 421 Oxford Street, London; hand coloured lithograph, 63x85cm, (2)
* Late 19th/early 20th century- Study of a woman; red pencil, signed and monogram, 18.5x22cm: After Fred Roe 1864-1947- "Ruined"; oleograph, 21x30cm: Russian School, late 20th century- Portrait of a man; oil on canvas laid on board, signed, signed and dated 1992 to verso, 40.5x30.5cm: Continental School, mid 20th century- Town scene by the water; watercolour, 18x19cm, (4) (part unframed)
* Suzanne Beadle, British exh 1935-1940- "Portrait of Anne Redpath ARA RSA"; charcoal, signed, titled and dated 1963, 64x50cm: together with two other pastel portraits by the same hand, one of a woman, signed and dated 1948, the other of `Sir Gerald Beadle`, titled and dated 1958, (3) (unframed) (may be subject to Droit de Suite)
AMENDMENT: Painting signed R. Collin no longer in this lot: John Sinclair, British exh.1881-1923- "New Brighton, Cheshire, on the Wirral"; watercolour, signed, 31.5x21.5cm: A portrait miniature of "Dorothy Percy Sidney, Countess of Leicester 1659", in a verre eglomise mount, 12.5x10cm: Colin Richards, British, late 19th/early 20th century- "Wentworth 1991"; oil on board, signed and dated 1991, 19.5x29.5cm: together with a quantity of paintings and prints by and after various hands, (a lot)
* Fenelon (Francois de Salignac de la Mothe) LES AVANTURES DE TELEMAQUE, Nouvelle Edition, engraved portrait and 25 engraved plates, titled printed in red and black with engraved vignette, engraved vignettes at head and tail of each chapter, lacks folding map, lacuna on P3 affecting signature, spotting, occasional browning, contemporary calf (worn, upper cover detached), provenance: Diana Russell (engraved book plate), 4to, Amsterdam: Wetstein & Smith/Rotterdam: Hofhout, 1734.
An engraving by P. Williamson, 1662 of the Right Honourable Mildmay, Earl of Westmoreland, Baron de le Despencer, and Knight of Bath, etc, 26 by 20cm; a print Henry Fane of Fulbeck, 1739-1802, after the portrait by Sir Joshua Reynolds, with information verso reading `The original of this picture is probably Sir J.Reynolds` study for his portrait group of Henry Fane, C. Blair, and Jamigo James (?) painted in 1761 when Henry Fane was aged 22. The original was at Fulbeck till 1887 when it was bought by Lily and Blanch Fane of 23 Charles St. London for £52.10`, in a Hogath Frame, 45 by 34cm; and an etching of Sir Anthony Mildmay, published 1799 by Harding, 28 by 19cm. (3)
A three quarter length portrait of Colonel Francis A Fane in an overcoat with astrakhan collar and a black potted tie with a gold tiepin, holding a fedora in one hand, and gloves and a cane in his right hand, inscribed verso in pen `Colonel Francis A Fane, fourth son of the Reverend Edward Fane, painted bv J H Lorrimer, 1884`, signed with a monogram and dated lower left, 125 by 100cm.
A Victorian sweetheart`s curio, late 19th century, the circular toleware box with plated elephant and palm tree finial opening to reveal a photographic portrait within a floral painted inner frame, an outer cushion holding a necklace composed of twelve Georgian watch pieces, the base containing a musical movement playing three airs.
A quantity of Victorian Staffordshire figures to include China portrait group `Tam O`Shanter` and `Souter Johnny` (damaged), a reproduction portrait figure of `Britannia`, flat back figure of a woman in an apron, figure of `Highland Lass Dancer`, three small china flat back groups `Sailor and Wife`, `Highlander Lass` and chimney vase `Highlander Lass, Dog and Parrot`.

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