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Hindman Auctions
Los 154

[FORD, Henry]. GRAVES, Ralph H. Triumph of an Idea: The Story of Henry Ford. Garden City, NY: Doubleday, Doran & Company, 1935.  8vo. Photographic portrait frontispiece, numerous illustrations from photographs. Original blue silver-stamped cloth; in unrestored dust jacket (a few small losses to lower edge of front panel, some chipping and rubbing).  FIRST EDITION, SIGNED BY HENRY FORD on the half-title, of Graves' work describing highlights from the 50-year period during which Henry Ford rose to industrial prominence, and telling the story of Ford's Dearborn plant.  

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Hindman Auctions
Los 167

GIBBON, Edward (1737-1794). History of the Decline and Fall of the Roman Empire, Volume the First [-Sixth]. London: W. Strahan & T. Cadell, 1776-1788.  6 volumes, 4to (272 x 215 mm). Vol. I: Half-title;   3pp. contents, X4 and a4 are cancels, errata leaf; Vol. II: Half-title; engraved portrait frontispiece by Hall after Joshua Reynolds dated 18 February 1780 [usually bound in vol.I]; full-sheet folding map of the Eastern Roman Empire by Thomas Kitchin dated 1 January 1781 bound before p.1 (some minor offsetting), half-sheet map of Constantinople and environs by Thomas Kitchin dated 1 January 1781 bound before p.23, G1 and Ll1 are cancels, errata leaf; Vol. III: Half-title; full-sheet folding map of the Western Roman Empire by Thomas Kitchin dated 1 January 1781 before p.1, p.177 correctly numbered, p.179 line 18 reading "Honorious," errata leaf; Vol. IV: Half-title; H3 and L2 are cancels; Vol. V: Half-title; Vol. VI: Half-title; errata for volumes IV-VI on 4Uv. (A few leaves with light to moderate spotting, a few marginal tears.) Contemporary mottled calf gilt by Burnham of Northampton with their ticket (old rebacking preserving original spines and endleaves, a few neat repairs, light wear to a few spine ends, a few joints starting). FIRST EDITIONS, FIRST STATE of volume I with cancels x4 and a4 (so signed) and with the balance of the errata uncorrected. While the first volume was on the press, Strahan decided to increase the print run from 500 to 1000 copies; the second 500 or so copies, constituting the second state, have the errata corrected through p.183 (here uncorrected). The portrait frontispiece and 12pp. of contents, issued with volume II, are bound in to volume I. "The Decline and Fall of the Roman Empire is the only historical narrative prior to Macauley which continues to be reprinted and actually read" (PMM). Grolier English 58; Norton 20, 23, 29; PMM 222.

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Hindman Auctions
Los 195

JAMES, Henry (1843-1916). The Portrait of a Lady. Boston: Houghton, Mifflin and Company, 1882.  8vo. Original decorated brown cloth (upper hinge starting, some staining, slight bubbling to cloth lower board). Provenance: Julia D. Minzesheimer (signature on front blank leaf); Miss magdeline (signature rear flyleaf); Louise Northam (signature rear flyleaf); sold Brentano's with their ticket. FIRST AMERICAN EDITION of James' novel, which has been adapted several times for stage and film. The Portrait of a Lady, first published serially in The Atlantic Monthly and Macmillan's Magazine in 1880-1881, received immediate critical acclaim.  

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Hindman Auctions
Los 241

MILLER, Henry (1891-1980). A group of 9 works, comprising:Obscenity and the Law of Reflection. Yonkers, NY, 1945. -- Le Sourire au pied de l'echelle. The Smile at the Foot of the Ladder. Paris, 1953.   FIRST BILINGUIAL EDITION. PRESENTATION COPY, INSCRIBED BY MILLER to Richard Du Brau, with a photograph of both tipped in. -- Nights of Love and Laughter. Signet Book, 1955. FIRST ISSUE. -- The Waters Reglitterized. 1973. Number 157 of 285 copies. SIGNED BY MILLER. -- Mother, China, and the World Beyond. 1977. Number 169 of 250 copies. SIGNED BY MILLER. -- My Bike & other Friends. 1978.   SIGNED BY MILLER. -- Joey a Loving Portrait of Alfred Perles together with some Bizarre Episodes Relating to the other Sex. 1979. Number 26 of 250 copies. SIGNED BY MILLER. -- The World of Lawrence a Passionate Appreciation. 1980.   Number 240 of 250 copies. SIGNED BY MILLER. -- Crazy Cock. NY, 1991. UNCORRECTED PROOF. -- Together, 9 works in 9 volumes, most published in Santa Barbara by Capra Press, various 8vo and 12mo sizes, many illustrated, all in original bindings, most FIRST OR LIMITED EDITIONS, most SIGNED BY MILLER, condition generally fine.  

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Hindman Auctions
Los 267

SARTRE, Jean Paul (1905-1980). A group of 11 works, including:L'Imagination. 1936. -- Le Mur. 1939. Contemporary black boards. LIMITED EDITION, 910 of 1000. -- Morts Sans Sepulture. Lausanne, 1946. -- La Putain Respectueuse. 1946. LIMITED EDITION, 403 of 500. -- L'Existentialisme est un Humanism. 1946. In unrestored and unclipped dust jacket. LIMITED EDITION, 364 of 500. -- Reflexions sur la Question Juive. 1946. LIMITED EDITION, one of 3000. -- Portrait of the Anti-Semite. NY, 1946. FIRST AMERICAN EDITION. -- Les Jeux Sont Faits. 1947. LIMITED EDITION, 150 of 500. -- L'Engrenage. 1948. LIMITED EDITION, 32 of 500. -- Sketch for a Theory of the Emotions. London, 1962. Original cloth; in unrestored and unclipped dust jacket. FIRST EDITION IN ENGLISH. -- LAUROT, Edmar de. Typed document. Np., 1952. 215 pages, 4to, bound by 2-holes in commercial binding, some toning. Unpublished English translation of Sartre's The Devil and God Almighty. -- Together, 11 works in 11 volumes, most published in Paris, various 4to and 8vo sizes, most in original printed wrappers, many in glassines, ALL FIRST EDITION, many LIMITED EDITIONS, condition generally good.  

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Hindman Auctions
Los 3

[AESOP (ca 620-560 B. C.)]. L'ESTRANGE, Roger, Sir (1616-1704).  Fables of Aesop and Other Eminent Mythologists. London: for R. Sare and others, 1704.  Folio (316 x 198 mm). Engraved portrait frontispiece, engraved plate; title printed within double-rule border. (Some light spotting and soiling.) 20th-century calf-backed boards, spine gilt.  Fourth edition, first published in 1692, corrected and amended, and including "The Life of Aesop" in addition to fables of Poggius, Anianus, Abstemius, and Barlandus. ESTC N8014.  

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Hindman Auctions
Los 312

THOMPSON, Hunter S. (1937-2005). Mistah Leary, He Dead. New Orleans & San Francisco: X-Ray Book Co., 1996.  16mo chapbook. 2 pages of letterpress text. Original hand-made and hand-sewn light blue-gray wrappers hand-printed in black and gold, front flap hand-printed "Woody Creek, Colorado June 9, 1996," and rear flap with blind embossed Gonzo emblem, inner front cover hand-printed "Timothy Leary 1920-1996," inner rear cover with hand-printed colophon,   translucent rice paper endleaves.LIMITED EDITION, number 190 of 300 copies of a total edition of 326 of Thompson's obituary for LSD advocate and hippy guru, Timothy Leary. Tipped to the verso of the rear flap is a perforated simulated acid blotter sheet, with an overall repeating portrait of Timothy Leary, captioned at foot: "Caution: Do Not Drop." Printed at the New Orleans School of GlassWorks and Printmaking Studio.

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Hindman Auctions
Los 32

[AVIATION]. BYRD, Richard Evelyn (1888-1957).   Two works, comprising:  Little America: Aerial Exploration in the Antarctic.... New York & London, G. P. Putnam's Sons, 1930. 8vo. Numerous photographic illustrations maps. Original half parchment gilt. LIMITED EDITION, number 240 of 1,000 copies SIGNED BY BYRD AND THE PUBLISHER of the "Author's Autograph Edition." Discovery: The Story of the Second Byrd Antarctic Expedition. New York: G. P. Putnam's Sons, 1935. 8vo. Illustrated plates. Original cloth; in unrestored unclipped dust jacket. FIRST EDITION, INSCRIBED ON PORTRAIT FRONTISPIECE BY BYRD. [With:] BYRD. Signature on a newspaper photograph.  

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Hindman Auctions
Los 328

WARREN, Robert Penn (1905-1989). John Brown: The Making of a Martyr. New York: Payson & Clarke Ltd., 1929.  8vo. Frontispiece portrait and plates. Original maroon cloth (touch of wear to spine ends); unrestored unclipped dust jacket (chipping, minor losses to front panel and spine ends, some soiling).  FIRST EDITION OF WARREN'S FIRST BOOK, SIGNED BY WARREN on the title-page. One of approximately 500 copies printed.  

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Hindman Auctions
Los 366

BEN-GURION, David (1886-1973). Israel: a Personal History. New York and Tel Aviv: Funk & Wagnalls and Sabra Books, 1971.4to. Photographic plates. Original publishers blue morocco gilt; blue cloth slipcase.FIRST EDITION. LIMITED EDITION, numbered 1713 of 2000 copies. SIGNED BY BEN-GURION beneath frontispiece portrait. A history of Israel's establishment by its first Prime Minister.

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Hindman Auctions
Los 378

[CIVIL WAR]. GRANT, Ulysses S. (1822-1885). Personal Memoirs of U.S. Grant. New York: Charles L. Webster & Company, 1885-1886.  2 volumes, 8vo. Engraved portrait frontispieces, folding facsimile letter in vol. 1; folding map and facsimile document in vol. 2; numerous maps and wood engravings throughout. Original illustrated dark green cloth gilt (minor wear to extremities). Provenance: R.B. Fast, Bairdstown, Ohio, 30 June 1894 (ownership inscriptions). FIRST EDITION of Grant's classic memoirs written on his death bed. [With:] FOOTE, Shelby (1916-2005). The Civil War: A Narrative. New York: Random House, 1956-1974. 3 volumes, 8vo. Maps. Original grey cloth; pictorial dust jackets (minor toning). FIRST EDITION of Foote's seminal history of the American Civil War.  

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Hindman Auctions
Los 385

FORD, Gerald (1913-2006). A group of 7 signed books, including:  FORD, Gerald R. and John R. Stiles. Portrait of the Assassin. New York: Simon & Schuster, 1965. -- A Time to Heal: The Autobiography of Gerald R. Ford. [New York]: Harper & Row and The Reader's Digest Association, Inc., 1979. -- A Vision for America. Northridge, CA: Lord John Press, 1980. LIMITED EDITION, numbered 247 of 500 copies. -- Churchill Lecture: An Address by Gerald R. Ford at the English-Speaking Union London, England. Northridge, CA: Lord John Press, 1984. -- The Tenth Convention: A Speech by Gerald R. Ford to the Republican National Convention at New Orleans, Louisiana on August 16, 1988. Northridge, CA: Lord John Press, 1988. 64mo (66 x 51 mm). -- And 2 others. Together, 7 works in 7 volumes, various 4to and 8vo sizes, all FIRST EDITION, all SIGNED BY GERALD FORD, several with FORD'S SIGNATURE on a slip additionally laid in, condition generally fine. Complete list available upon request.  

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Hindman Auctions
Los 387

JOHNSON, Lyndon Baines (1908-1973). A group of 3 books, comprising:  HILLMAN, William. Mr. President. New York: Farrar, Straus and Young, 1952. -- WHITE, William S. The Professional: Lyndon B. Johnson. Boston and Cambridge: Houghton Mifflin Company and The Riverside Press, 1964. -- JOHNSON, Lyndon B. This America. New York: Random House, 1966. -- Together, 3 works in 3 volumes, various 4to and 8vo sizes, all in original bindings, ALL FIRST EDITION, all SIGNED BY LYNDON B. JOHNSON, condition generally fine.      [With:] Portrait of Lyndon B. Johnson. 8 x 10 black and white photograph. SIGNED BY LYNDON BY JOHNSON in lower margin.  

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Hindman Auctions
Los 403

[PRESIDENTS]. A group of presidentially-signed letters and photographs, comprising:WILSON, Woodrow (1856-1924). Three-quarter length portrait signed ("Woodrow Wilson"). New York: Pach Brothers, n.d. -- ROOSEVELT, Franklin Delano (1882-1945). Document signed ("Franklin D. Roosevelt"), as Assistant Secretary of the Navy. US.S. Rhode Island, 1916. -- TRUMAN, Harry S. (1884-1972). Typed letter signed ("Harry S. Truman") to F. Ryan Duffy. Kansas City, MO, 10 December 1955. Framed with stipple engraving of Truman. -- JOHNSON, Lyndon Baines (1908-1973) and Claudia Alta Taylor "Lady Bird" JOHNSON. Black and white photograph signed ("Lyndon B. Johnson," "Lady Bird Johnson"), framed with Bess ABELL. Typed letter signed ("Bess Abell"), as the Johnson's social secretary. Washington, D.C., 10 October 1968. 1 page, 8vo, on White House letterhead. -- CLINTON, William Jefferson (b. 1946). The 1992 Presidential Debate program signed ("Bill Clinton"), framed with ticket for the Third Presidential Debate. [Lansing, MI], 19 October 1992. -- Together, 5 signed items, all framed, not examined out of frames, all in very fine condition.  

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Hindman Auctions
Los 417

TRUMAN, Harry S. (1884-1972). A group of signed books, letters, and a photograph, comprising:  Typed letter signed ("Harry Truman") to Floyd Clymer. Independence, MO, 13 May 1964. 1 page, 4to, on Harry S. Truman letterhead, with free franked envelope with facsimile signature. -- Typed letter signed ("Harry Truman") to Earl H. "Shack" Shackleford. Independence, MO, 2 June 1965. 1 page, 4to, on Harry S. Truman letterhead, with free franked envelope with facsimile signature. -- Candid portrait of Harry and Bess Truman. 181 x 239 mm photograph. INSCRIBED BY TRUMAN. -- Autograph note signed ("Harry Truman") to Jas. E. Jones. U.S.S. Missouri, n.d. 1 page, 133 x 83 mm, clipped, minor staining. -- Together, 4 items signed by Truman, all in very fine condition except as noted.  [With:] Memoirs. Garden City, NY: Doubleday & Company, Inc., 1955-1956. 2 volumes. FIRST EDITION, SIGNED BY TRUMAN to half-title of Volume I. -- Mr. Citizen. New York: Bernard Geis Associates, 1960. LIMITED EDITION, numbered 280 of 1000. SIGNED BY TRUMAN. -- Together, 2 works in 3 volumes, 8vo, all in publisher's bindings, condition generally fine.  

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Hindman Auctions
Los 72

CATHER, Willa (1873-1947). [The Prairie Trilogy:] O Pioneers! 1913. -- The Song of the Lark. 1915. -- My Antonia. 1918. All  Boston and New York: Houghton Mifflin Company.  3 works in 3 volumes, 8vo. Portrait frontispiece in The Song of the Lark; illustrated plates after W. T. Benda in My Antonia. All in original cloth bindings (slight rubbing to corners, My Antonia with a few small stains to the spine and lower joint). ALL FIRST EDITIONS, FIRST ISSUE: O Pioneers! bound in vertically-grained cloth with the period touching the "O" in the imprint on the spine; The Song of the Lark with ads on copyright page printed in a box, and with "moment" (lacking the "s") on p.8); My Antonia with the plates printed on glazed paper. Cather's Prairie Trilogy, published in relatively rapid succession, immediately experienced critical and mainstream success, and Cather was praised for her use of American vernacular to tell the story of regular American characters during the era of the new frontier.   The works explore the themes of coming of age, isolation, rural versus city life, exploration and discovery. The final installment, My Antonia, considered Cather's masterpiece, received on overwhelmingly positive critical response. Crane A6.a.i [binding a]; A8.a.i [binding a]; A9.  

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Hindman Auctions
Los 80

CLEMENS, Samuel Langhorne ("Mark Twain") (1835-1910). Adventures of Huckleberry Finn. New York: Charles L. Webster and Company, 1885.  Square 8vo. Lithographic frontispiece by E. W. Kemble, photographic portrait frontispiece of the bust of Mark Twain by Karl Gerhardt (BAL state 1), illustrations in text. (Spotting to a few leaves.) Original green gilt-decorated pictorial cloth (slight rubbing to corners and spine ends, otherwise bright); quarter morocco folding case. Provenance: Perry Molstad (bookplate designed by Rockwell Kent); Sold Sotheby's New York, 27 April 1984, Sale 5184, Lot 419.  FIRST AMERICAN EDITION, early state, with the following issue points: the title leaf in the second state; the frontispiece in the first state;  first state of p. 13 with "Him and Another Man" plate listed as being on p. 88; first state of p. 57 with "was" for "saw"; first state of pagination on p. 155 (without the final "5"); third state of p. 283; with final blank 23/8. BAL 3415; Johnson, p.43-50.

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Setdart Subastas S.L
Los 35

RENÉ PORTOCARRERO (El Cerro, Cuba, 1912 - Havana, Cuba, 1985)."Portrait of a woman", 1963.Ink on Arches paper.Signed and dated in the lower left corner.Size: 50 x 33 cm; 60 x 43 cm (frame).René Portocarrero is known for his colourful abstract paintings, although he was also a sculptor, ceramist, scenic designer, muralist and book illustrator. He began painting at a very young age, and at the age of fourteen he entered the San Alejandro Academy of Fine Arts. However, he soon dropped out of his studies, as his strong temperament did not fit in with the rules of the institution. His training thereafter was self-taught. He exhibited his work for the first time at the Salón de Bellas Artes in Havana, and in 1934 he held his first personal exhibition at the Lyceum in the same city. The success of this exhibition was a great boost to his career, which enabled him to work at the Estudio Libre para Pintores y Escultores de La Habana (Free Studio for Painters and Sculptors of Havana), together with Mariano Rodríguez. Linked to the generation of poets of the so-called "Grupo de Orígenes", he published drawings in several literary magazines of the time, as well as two books. In 1943 he became a teacher of free drawing at the Havana Prison, and during these years he began several cycles of paintings. The following year he exhibited his work in New York at the Julian Levy Gallery and the Museum of Modern Art. He also began several trips that took him to paint in Haiti, Europe and the United States. Around 1950 he began to work on the decoration of ceramic pieces at the Taller Experimental de Santiago de Las Vegas, alongside other artists such as Wifredo Lam, Amelia Peláez and Mariano Martínez. In 1951 he received the National Painting Prize for the first of his so-called "Havana Landscapes". He participated in the São Paulo Biennial in 1957 and 1963, and in the Venice Biennial in 1952 and 1966. Throughout his career, Portocarrero received numerous prizes and distinctions, including the Sambra International Prize (São Paulo Biennial, 1963), etc. In 1985, the year of his death, he held a travelling exhibition with a large part of his work, which toured several European countries and definitively consolidated his already internationally recognised artistic legacy. René Portocarrero is currently represented in major centres of artistic relevance, including the MoMA in New York, the National Museums of Fine Arts in Havana, Santiago de Chile and Argentina, the Spanish Museum of Contemporary Art, the Museum of Modern Art in São Paulo, the Museum of Contemporary Art in Santiago de Chile and many others, as well as in important private collections.

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Thomas N. Miller
Los 754

Continental school : portrait of a child wearing a hat, oil on canvas 38cm x 59cm

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Brettells Auctioneers & Valuers
Los 305

A Gilt Framed Oil on Board, Portrait of a Young Boy, 35x48cm

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Piers Motley Auctions
Los 165

A 19th Century Indian Suite of Ten Indian Temple and Portrait Miniatures on Ivory, largest panel 15 x 11.5 cm, framed & glazed, 38.5 x 33.5 cm ***CONTAINS IVORY***UK SHIPPING ONLY***

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Piers Motley Auctions
Los 201

United Kingdom Victoria (2nd portrait) 1887 Gold £2 Double Sovereign, 28.4mm, References KM# 768 and Sp# 3865

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Piers Motley Auctions
Los 206

United Kingdom George I (4th portrait) 1716 Gold Guinea, 25mm, Fine, Reference KM# 546 and Sp# 3631/2

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Piers Motley Auctions
Los 208

United Kingdom Victoria (second portrait) 1887 Gold £5 Coin, VF, Reference KM# 769 and Sp# 3864

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Piers Motley Auctions
Los 238

An Early 19th Century Portrait Miniature of a Lady in an easel back gilt metal frame, 12 x 9.5 cm

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Piers Motley Auctions
Los 240

A Daguerreotype Portrait of a Gentleman and ambrotypes etc.

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Piers Motley Auctions
Los 248

David Goode, b.1966, trained at Sir Henry Doulton School of Sculpture and a previous Portrait Sculptor at Madame Tussauds, 'Comfort Food' 2006. A 12" high limited edition (bronze 34 /175) of an Elf asleep in a bowl of marshmallows, signed to the foot and impressed AWF. Goode is inspired by Myths and Folklore in his work and uses the 'lost wax' process when casting his Bronzes.All art lots of art over €1000 subject to ARR

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Thomas Watson
Los 158

Embroidered military silk postcards (Souvenir D'Ypres, R.F.A.), Coronation? street scene cabinet portrait photos, Darlington v Crewe Alexandra 1949 football ticket, Tony St Clair / Big Daddy wresting autographs and others, maps, car mascot badges, motoring handbooks, etc.

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Thomas Watson
Los 419

Oval portrait oil on canvas of a lady in heavy gilt frame, 81cm by 71cm.

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Thomas Watson
Los 516

Pair rectangular gilt framed portrait bevelled wall mirrors with ornate swag and floral crests, 179cm by 53cm.

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Cato Crane Auctioneers
Los 212

UNSIGNED WATERCOLOUR - PORTRAIT OF A YOUNG WOMAN, 1800. APPROX. 19.5 X 12CM

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Cato Crane Auctioneers
Los 215

1850 FULL LENGTH WATERCOLOUR PORTRAIT. APPROX. 32 X 19CM

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Cato Crane Auctioneers
Los 216

WATERCOLOUR SELF PORTRAIT BY WATKYN WAITE. APPROX. 28 X 17.5CM

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Cato Crane Auctioneers
Los 219

OVAL FRAMED PORTRAIT OF AN UNKNOWN SUBJECT. APPROX. 23 X 15.5CM

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Cato Crane Auctioneers
Los 380

UNSIGNED OIL ON PANEL- 'PORTRAIT OF A YOUNG GIRL', CIRCA 1930(?), FRAMED AND GLAZED, APPROXIMATELY 23 x 15cm

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Cato Crane Auctioneers
Los 383

PORTRAIT CONSTRUCTED FROM DATE STAMPS, APPROXIMATELY 76 x 57cm

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Cato Crane Auctioneers
Los 393

OIL ON CANVAS PORTRAIT OF GENT, UNSIGNED, APPROXIMATELY 76 x 61cm

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Cato Crane Auctioneers
Los 399

ISLA FORD, OIL ON CANVAS PORTRAIT AND BIRDS- 'BY THE SEA', APPROXIMATELY 79 x 60cm

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Cato Crane Auctioneers
Los 400

YAROSLAF SOBOL, OIL ON CANVAS PORTRAIT- 'WIND IN HER HAIR', APPROXIMATELY 80 x 80cm

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Cato Crane Auctioneers
Los 402

A. YOUNG OIL ON CANVAS PORTRAIT "LONG BLONDE HAIR" APPROX 78 X 58CM

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Cato Crane Auctioneers
Los 407

OIL ON BOARD PORTRAIT DEPICTING A FEMALE. APPROX. 50 X 40CM

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Halls Fine Art Timed
Los 154

Zsuzsi Roboz (Hungarian 1929-2012), Vigil, Nude portrait of a woman wearing a pink hat, signed lower left, mixed media on paper, 2008, measurements 61 x 45.7 cm (SH), frame 77 x 62 cm Exhibition label verso for Messums Fine Art entry number 22 Zsuzi Roboz was a London based Hungarian painter who was especially known for her portraiture. She has works in many large public collections including the Tate Britain and National Portrait Gallery

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Halls Fine Art Timed
Los 167

British School (20th Century) Portrait of a Bearded Man holding a Skull, oil on board, measurements 71 x 61 cm, frame 85 x 77 cm

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Halls Fine Art Timed
Los 207

Angel Salamanca Ortega (Spanish 20th Century) Portrait Lady Kneeling, signed and dated 1969 lower right, oil on canvas, measurements 97 x 76 cm, frame 115 x 95 cm

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Halls Fine Art Timed
Los 59

Sir Matthew Smith (British,1879-1959), 'Seated Girl', portrait of a young woman holding a bunch of flowers, Crane Kalman Gallery label verso, titled verso, purchasers entered on gallery label 'Mr and Mrs Sydney Gilliat', oil on canvas, 65 x 54cm, frame 87cm x 75.5cm Provenance: Purchased from Crane Kalman Gallery (178 Brompton Road, London, SW3) by Mr and Mrs Sydney Gilliat in January 1969. Thence by descent Condition report: The painting is an oil on canvas, framed without glazing. The canvas is in good condition and the tension is sound, no obvious rips or holes. The paint surface has some flaking with loss down the left edge measuring 7.5 cm vertical, there is also a chip to the paint upper right- above the hand and near the ear. The frame has some general wear and tear, the joints are solid.

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Halls Fine Art Timed
Los 9

Augustus John (British 1878-1961) Portrait of a Woman, pen and ink, measurements 32 x 24.5 cm, frame 47.5 x 39 cm Provenance: private local collection, purchased at Bonhams 27/11/2019 lot 102, previous the artist and thence descent

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Southgate Auction Rooms
Los 177

GILT FRAMED WATERCOLOUR PORTRAIT OF A LADY 74CMS (H) X 62CMS INNER FRAME

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Lots Road Auctions
Los 69

19th CENTURY SCHOOL 'Portrait of a Jack Russell', oil on canvas, 40cm x 30cm, framed.

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Lots Road Auctions
Los 70

19th CENTURY SCHOOL 'Portrait of a Jack Russell', oil on board, 15.5cm x 15.5cm, framed.

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Lots Road Auctions
Los 74

19th CENTURY SCHOOL 'Portrait of Grimaldi', oil on canvas, 18cm x 30cm, framed.

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Lyme Bay Auctions
Los 92

Hand Painted Miniature in Oval wooden frame Portrait of a Student in a Mortarboard signed in red to lower right frame size 8.5 x 9.5

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Clarke and Simpson Auctions
Los 919

Two boxes containing various magazines, cigarette cards and a pencil portrait study

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McTear's Timed
Los 118

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), A CLEAR VIEW oil on canvas, signed image size 52cm x 64cm, overall size 60.5cm x 71.5cm Framed. Provenance: We are grateful to Lachlan Goudie, artist, writer, broadcaster and the leading authority on the work of his father, for authenticating this painting and confirming that "A ClearView" is likely to date to 1957 "when Dad first went there (Toledo, Spain) and spent a prolonged period staying with friends and painting." Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.

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McTear's Timed
Los 120

* GRAEME WILCOX (SCOTTISH b. 1967), BLURRY HEAD oil on canvas, signed and titled verso image size 37.5cm x 28.5cm, overall size 52cm x 43cm Framed. Provenance: McTear's, November 2017. Note: After graduating from Glasgow School of Art in 1993, Wilcox continues to prosper as a painter based in Glasgow. He exhibits regularly in solo shows and group exhibitions throughout the UK and Europe. Recent work depicts people and events experienced in public spaces around the city. These paintings show figures engaged in ambiguous actions in half-remembered spaces. These situations and scenes have lodged in the memory due to some resonance or poignancy that can't quite be dismissed. The resulting paintings are partly an attempt to balance a sense of stillness with a sense of movement; a tension that hopefully generates a heightened feeling of the strangeness of everyday life and those around us. Graeme has collaborated on a number of multimedia projects with Mischief-la-bas-performance group and with other artists, culminating in projects at the Arches and Tramway in Glasgow and the Albany Theatre in London. He has also organised two large scale mural projects in collaboration with the East End Community Arts for Glasgow Health Board and devised and ran "Face to Face" photography project in Glasgow. This Arts Council funded project culminated in a temporary public artwork at the East End Festival in Glasgow. In 2011 he completed a prestigious portrait commission for the newly opened Conway Hall in London. Graeme's work is held in private collections in Europe, the USA and Canada and in public collections in Petrezovodsk, Russia and the Gulf State of Qatar. He is also held in the Corporate Collection of the Royal Bank of Scotland, Edinburgh. The most recent example of Graeme Wilcox's work we have offered was "On the Same Page" (a 112 x 102 cm oil on canvas) which was sold in The Scottish Contemporary Art Auction of 28th March 2021, lot 722 for £5000 (hammer).

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McTear's Timed
Los 137

* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), IN THE STUDIO mixed media on paper, signed image size 64cm x 49cm, overall size 82cm x 66cm Mounted, framed and under glass. Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world. In The Scottish Contemporary Art Auction of 24th October 2021 "The Baptism" a 40 x 50cm gouache by Goudie sold for £2600 (hammer).

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C & T Auctioneers and Valuers Ltd
Los 676

WW2 German Photograph Group, consisting of black and white portrait and snapshot photographs, one mounted into a wooden glazed period frame. Accompanied by a piece of china plate which is marked “Furstenberg – Offizierheim Fallingbostel”, vendor states this piece was found on the site of Stalag X-1B Prisoner of War camp.

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