283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
Ticket stub issued for Lou Gehrig Memorial Day at Yankee Stadium on July 4, 1941. This was the day that the Yankees planned to unveil Lou Gehrig's monument in center field. The date was chosen because it was two years to the date of Lou Gehrig's famous Luckiest Man speech. Includes display case which measures 3.5"L x 0.25"W x 4.5"H. Additionally included is a commemorative baseball with Gehrig's portrait, a copy of his signature, and a summary of his accomplishments. The ball comes in a plexiglass display case which measures 3.25"L x 3.25"W x 3.25"H. Issued: 1941Dimensions: See DescriptionCondition: Age related wear.
This collection includes a commemorative baseball autographed by Mickey Mantle, a commemorative Joe DiMaggio baseball with an Upper Deck card, a commemorative Mickey Mantle New York #7 ball, a commemorative Dave Righetti No-Hitter ball, another Joe DiMaggio NY Yankee ball, and a Don Mattingly portrait ball. All balls are official 9"cir. sized. The largest piece is the DiMaggio display which measures 7"L x 3.5"W x 5"H. Dimensions: See DescriptionCondition: Age related wear.
Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Portrait du père et du fils". Medium: Color pencil drawing on paper. Date: Composed 1972. Dimensions: Overall size: 8 x 5 in. (203 x 127 mm).Pricing: Starting Price: 1,000 Reserve Price: No reserve Auction Sale Price Estimate: $18,000/25,000Lot Note(s): Signed in pencil, upper left; dated in pencil, lower right. Drawn on cream wove paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired directly from Picasso at his studio in Cannes, France, in 1972. A noted Italian art historian, art dealer, and art collector, Urbano Quinto acquired works from classical artists of the 20th Century as well as Jean-Michel Basquiat, Keith Haring, Andy Warhol, and other Pop and Graffiti artists, often directly from the artists themselves during the 1950’s through the 1980’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): The complete title of the work, in English, is “Portrait of Urbano Quinto and Mauro Urbano with the gaze united in unison towards the same future to represent the Roman numeral “Five” that alludes to the name Quinto.” Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Picasso image copyright © Artists Rights Society (ARS), New York. [30557-2-2000-NR]
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Portrait of Urbano Quinto". Medium: Red and black marker drawing on paper. Date: Composed 1984. Dimensions: Overall size: 11 3/8 x 9 1/4 in. (289 x 235 mm).Pricing: Starting Price: $5,000 Reserve Price: No reserve Auction Sale Price Estimate: $25,000/30,000Lot Note(s): Signed and dated in black marker, lower right. Drawn on light cream wove paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired directly from Jean-Michel Basquiat in 1984 during a meeting at Basquiat’s studio located at 57 Great Jones Street, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto met Jean-Michel Basquiat in 1984 at the Andy Warhol Factory at 33 Union Square West in New York City. Quinto acquired drawings from Basquiat, Keith Haring, and Andy Warhol, as well as other Pop and Graffiti artists, directly from their studios in the 1970’s – 80’s. A copy of the Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30269-2-5000-NR]
Artist: James Brown (American, 1951 - 2020). Title: "Composition #1 [a double-sided drawing] [recto: 'Naked Man' verso: 'Portrait']". Medium: Pencil drawings on paper. Date: Composed 1984. Dimensions: Overall size: 9 1/2 x 5 in. (241 x 127 mm).Pricing: Starting Price: $1,000 Reserve Price: No reserve Auction Sale Price Estimate: $1,200/1,400Lot Note(s): Both images are hand-signed, dated, and annotated 'N.Y.C' in pencil, both recto and verso. Drawn on stiff smooth thin light cream wove paper. Recto very good to fine condition - would be fine but for a small pale barely seen smudge in the image, visible mainly in the raking light; verso is fine. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from James Brown in 1984. The noted Italian author, art dealer, and art collector Urbano Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Brown image copyright © The Estate of James Brown. [30624-2-1000-NR]
Artist: Various Artists (American/European, 20th Century). Title: "San Lazzaro et ses amis [15 original lithographs by Calder, Magritte, Picasso et al]". Medium: Original color lithographs. Date: Composed 20th Century. Dimensions: Overall size: 10 1/4 x 14 in. (260 x 356 mm).Pricing: Starting Price: $2,400 Reserve Price: N.A. Auction Sale Price Estimate: $3,500/4,000Lot Note(s): Number 389 of 575. Lithographs printed on light cream high quality Velin d' Arches paper. Full margins. Fine impressions. Printed by Fernand Mourlot. The prints are in fine condition, the clamshell box in very good to fine. Comment(s): With 15 lithographs by Max BILL, Georges BRAQUE, Alexander CALDER, Marc CHAGALL, Max ERNST, Lucio FONTANA, Hans HARTUNG, Alberto MAGNELLI, Rene MAGRITTE, Joan MIRO, Henry MOORE, Pablo PICASSO, Serge POLIAKOFF, Graham SUTHERLAND, and Zao WOU-KI. Published by XXe Siecle, Paris, 1975, as a tribute to Gualtieri di San Lazzaro, the founder of the publication XXe Siecle. In original wrappers and cloth clamshell box with the portrait of San Lazzaro mounted on the inside. Text by Gualtieri di San Lazzaro, Pierre Volboudt, Nina Kandinsky, Marc Chagall, Andre Verdet, Marino Marini et al. [30644-18-2400-NA]
Artist: Tamara de Lempicka (Polish, 1898-1980). Title: "Portrait d'une jeune femme nue". Medium: Pencil drawing on paper. Date: Composed 1926-1928. Dimensions: Overall size: 9 x 7 5/16 in. (229 x 186 mm).Pricing: Starting Price: $6,000 Reserve Price: N.A. Auction Sale Price Estimate: $8,000/10,000Lot Note(s): Signed in pencil, lower left; collector stamps verso; red letter "B" stamp, lower right recto. Drawn on light cream wove paper. Good condition overall. A Letter of Authenticity (LOA) accompanies the work. If you have a bona fide interest in bidding on this lot kindly send an email to: provenance@stanfordauctioneers.com for provenance information and additional image(s). Comment(s): There are several comparable auction sales within the past five years which support pre-sale estimates higher than our $18,000/25,000 for this work (cf. “Portrait d’une jeune femme au chapeau cloche,” sold for $59,250 (€44,700) at Christie’s, Paris, June 26, 2015, lot #38. Christie’s work is similar in composition to our example but, although half-length, in our opinion is not as strong and finished as our object; the size is smaller than ours; and is stamp, not pencil, signed). Lempicka, born Maria Gorska in Warsaw, Poland, was an Art Deco painter and "the first woman artist to be a glamour star." Image copyright © Artists Rights Society (ARS), New York. [29848-1-6000-NA]
Artist: John Lennon (English, 1940-1980). Title: "Self-portrait". Medium: Marker drawing on paper. Date: Composed 1978. Dimensions: Overall size: 4 3/8 x 6 3/8 in. (111 x 162 mm).Pricing: Starting Price: $1,000 Reserve Price: No reserve Auction Sale Price Estimate: $1,500/2,500Lot Note(s): Hand-signed in pencil, lower center. Drawn on light cream wove paper. Very good condition; a few light handling marks in the paper. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from John Lennon during a meeting of the two in 1978. They met at Lennon’s home at The Dakota, 1 West 72nd Street, 7th floor, New York City. The noted Italian author, art dealer, and art collector Urbano Quinto was introduced to Lennon in 1977 by Andy Warhol at Warhol’s “Factory” in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson); Lennon image copyright © The Estate of John Lennon. [30614-2-1000-NR]
⊕ PORTRAIT OF SHEENA MCKENZIE HUNTER signed and dated Stephen Ward, London 1962 lower rightcharcoal and coloured pastels on paper49 x 32.5cm; 19 1/4 x 12 3/4in56.5 x 46.5cm; 22 1/4 x 18 1/4in (framed)Property from a Private Collection, LondonProvenanceSheena McKenzie Hunter Bequeathed from the above to the present ownerSheena McKenzie Hunter was a model at top British modelling agency and finishing school The Lucy Clayton Charm Academy, New Bond Street, London. Other notable alumni included her contemporaries Joanna Lumley and Jean Shrimpton.Qty: 1
PORTRAIT OF A MAN IN A HALF-OPENED DOUBLETbears signature J Isabey lower left oil on canvas40 x 32.5cm; 15 3/4 x 12 3/4in57 x 49.5cm; 22 1/2 x 19 1/2in (framed)Property of a Private Collector The present work is a copy of a painting by Lucas II Franchoys (Belgian 1616-1681) with the same title in the collection of the Musée du Louvre, Paris. offered for sale without reserve
PORTRAIT OF A LADY WEARING FRILLED CAP ON HER POWDERED HAIR, BROWN DRESS WITH LACE FICHU.pastel on paper39.5 x 30.5cm; 15 1/2 x 12in53 x 44.5cm; 21 x 17 1/2in (framed)Property from a Private Collection, KentProvenanceFokko Kortlang, 'Shepway', Ashford (acquired in the 1950s)Thence by descent to the present owneroffered for sale without reserveQty: 1There is a watermark in the lower portion of the drawing across the sitter's neck and decollatage.
APOLLO AND ARTEMIS stamped with collector mark T.H. (Lugt 2432) and the eye cypher (Lugt 2793) lower left pencil, pen and brown ink and wash on paper26 x 46.5cm; 10 1/4 x 18 1/4in 53.5 x 66cm; 21 x 26in (framed) Property from a Private Collection, Kew ProvenanceThomas Hudson, London (Lugt 2432). In his day Hudson (British, 1701-1779) was the leading portrait painter in London. He counted Joshua Reynolds among his students. Nathaniel Hone RA, London (Lugt 2793). Hone (Irish, 1718-1784) was a portraitist and miniature painter and a founding member of the Royal Academy. The Manning Galleries Ltd, LondonEdgar Seaton Hyde, Cheshire (acquired from the above in the 1960s)Thence by descent In the present work Apollo rides through the sky silhouetted against the sun opposite his twin sister Artemis, her head profiled against the moon and in the company of a group of chaste nymphs. Sagittarius in the form of a centaur is to Apollo's right. The subject derives from the top section of the etching by Pietro Testa (1611-1650), of the Allegory of Autumn. Not shown in the present work, but present in the lower part of Testa's etching, a drunken Silenus with the god Pan leads a lustful parade of satyrs and centaurs to honour the return of Bacchus from his travels through India. The sheet is taped along the top edge. There is some slight fading to the sheet consistent with age. There is an old repaired tear to the upper left hand corner. There are some small spots of light foxing. Both the repaired loss and foxing are visible in the calalogue illustration. There is a small piece of tape to each lower corner consistent with the sheet being previously stuck down along the lower edge. There is some slight buckling to the right and left edges of the sheet. The work would benefit from remounting in a conservation mount. Otherwise, the sheet is in good overall condition for a work of its age.
PORTRAIT OF A MAN, PROBABLY THE ARTIST FRANS SNYDERSoil on canvas58.5 x 46cm; 23 x 18in 77 x 64.5cm; 30 1/2 x 25 1/2in (framed)Property from a Private Collector offered for sale without reserveThe canvas appears to be relined. There is what appears to be an old discoloured varnish overall. There is some craquelure, and some slight paint lifting, with paint loss as evident in the online illustration, mainly in the lower left and top right quadrants. There is some old retouching, for example around the face, and around the head. The work would benefit from paint stabilisation and a surface clean.
An original 1964 ‘With The Beatles’ tin of talcum powder. It was manufactured by S-M LTD, London under the brand name 'Margo Of Mayfair'. The oval tin has a picture of The Beatles with a stuffed toy and ski on one side and individual portrait pictures on the other, the main pictures and text are in black and white. It is almost full of powder. The tin measures 17.5cm x 11.5cm (7 inches x 4.5 inches). The condition is very good plus.
Artist: James Ensor. Title: "Têtes Grotesques". Medium: Watercolor, wax crayon, and pencil drawing on paper. Date: Composed 1923-1924. Dimensions: Overall size: 12 x 9 1/2 in. (305 x 241 mm). Image size: 8 1/2 x 6 1/2 in. (216 x 165 mm).Pricing: Starting Price: $16,000 Reserve Price: N.A. Auction Sale Price Estimate: $25,000/30,000Lot Note(s): Signed lower center. Painted on cream laid paper. Good condition; a small paper loss lower left and upper left corners; very minor edge tears left margin; the work is affixed to a gray-blue wove paper backing sheet which is in very good shape save some modest edge fading and minor creasing. Comment(s): Our example of the ‘Grotesque Heads’ is clearly in the tradition of Ensor’s “Self-Portrait with Masks” (1899) and “The Seven Deadly Sins,” the 1904 portfolio of etchings, among other works. Quite possibly a study for a later, more finished work. Ensor was a painter and printmaker who was an early and important influence on expressionism and surrealism. Image copyright © SABAM, Belgian Society of Authors, Composers and Publishers. [29892-2-16000-NA]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Portrait of Andy Warhol [poster]". Medium: Color offset lithograph. Date: Composed 1982. Dimensions: Overall size: 22 x 20 in. (559 x 508 mm).Pricing: Starting Price: $800 Reserve Price: N.A. Auction Sale Price Estimate: $1,200/1,500Lot Note(s): Signed by Warhol in black marker, lower right. Edition size unspecified, presumed small. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Warhol had a joint exhibition with the German-born photographer Hans Namuth (1915-1990) at New York’s Castelli Gallery from January 9th to the 30th, 1982. Namuth specialized in portraits and is most famous for his photographs of Jackson Pollock creating his iconic drip paintings. This portrait of Warhol is part of Namuth’s project to photograph the artists represented by Castelli. It shows Warhol standing in front of Rubens’s painting ‘Reconciliation of the Queen and her Son’, which was part of his Marie de Medici Cycle. Rubens was famous for painting the celebrities of his day, providing them with an image to bolster their power. Warhol did the same with his pop portraits; indeed Robert Rosenblum described him as “an ideal court painter”. Rubens also employed a large studio of assistants which is paralleled in Warhol’s ‘Factory.’ An impression of this work is included in the collection of the National Galleries of Scotland, accession no. AR00437. Image copyright © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / DACS, London; and image copyright © Estate of Hans Namuth. [29234-5-800-NA]
Artist: Norman Rockwell (American, 1894 - 1978). Title: "Triple Self-Portrait [large format]". Medium: Color offset lithograph. Date: Composed 1960. Printed 1972. Dimensions: Overall size: 30 x 24 in. (762 x 610 mm). Image size: 25 x 19 in. (635 x 483 mm).Pricing: Starting Price: $400 Reserve Price: N.A. Auction Sale Price Estimate: $600/800Lot Note(s): Signed in pencil, lower right. Off-white wove paper. The full sheet. Fine impression. Fine condition. Comment(s): Norman Percevel Rockwell was a 20th-century American painter and illustrator. His works enjoy a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life scenarios he created for "The Saturday Evening Post" magazine for more than four decades. Image copyright © The Norman Rockwell Estate / © SEPS: Licensed by Curtis Publishing, Indianapolis, Indiana. [27977-6-400-NA]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Self-Portrait [poster]". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 33 3/4 x 33 3/4 in. (857 x 857 mm). Image size: 33 3/4 x 33 3/4 in. (857 x 857 mm).Pricing: Starting Price: $400 Reserve Price: N.A. Auction Sale Price Estimate: $600/800Lot Note(s): Signed in white/grey marker, lower left. Edition of 300. White wove paper. The full sheet. Fine impression. Good to very good condition. Literature/catalogue raisonne: Paul Marechal, "Andy Warhol: The Complete Commissioned Posters, 1964-1987," #48. Comment(s): For the Williams College Museum of Art. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [27503-7-400-NA]
Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Self-Portrait with Wife and Models, Paris, Vogue Hommes [medium format]". Medium: Original vintage photolithograph. Date: Composed 1980. Printed 1985. Dimensions: Overall size: 10 1/2 x 10 7/16 in. (267 x 265 mm).Pricing: Starting Price: $800 Reserve Price: N.A. Auction Sale Price Estimate: $1,200/1,500Lot Note(s): Signed "Helmut" in black marker, lower left. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Through the photographer Henry Talbot; from an extensive private collection, Sydney, Australia. Comment(s): Image copyright © Helmut Newton Foundation. [30321-2-800-NA]
An early 19th century portrait miniature on ivory. The young lady with hair tied up in a bun, wearing a white dress with frill at the neck and upper arm. 6.5cm x 5.5cm, In a burr walnut frame. This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 96H232PZ
Two 19th century portrait miniatures, a profile portrait of a lady, 6 by 5cm, with locket of hair verso, mounted within a yellow metal pendant, 7.8 by 5.5cm overall, a/f, together with a portrait of a gentleman, 6 by 5cm, mounted within an ebonised frame, 12.5 by 10cm, both painted on card. (2)The pendant is in pieces.
Twelve mid to late 19th century Ambrotype portraits, three mounted within maple frames, largest an oval portrait of a seated gentleman12 by 9cm, mounted, glazed and framed, 28 by 24.5cm, smallest f an eldery seated gentleman, 6.8 by 5.5cm, mounted, glazed and in a walnut frame, 12.5 by 11.2cm. (12)
STIRNBRAND,FRANZ SERAPH (1788-1882) "Porträt einer jungen Frau mit Rose in der Taille" 1827 Öl auf Leinwand, sig. und dat., HxB: 62,5/52,5 cm. Rest. Rahmen, HxB: 78/68 cm. Provenienz: Phillips London, Vereinigtes Königreich, 18.11.1997| STIRNBRAND,FRANZ SERAPH (1788-1882) ‘Portrait of a young woman with a rose at her waist’ 1827 Oil on canvas, signed and dated, hxw: 62.5/52.5 cm. Rest. Frame, hxw: 78/68 cm. Provenance: Phillips London, United Kingdom, 18.11.1997
nach Friedrich ÖLENHAINZ (1745-1804) "Bildnis einer Dame" Öl auf Leinwand, HxB: 75/56 cm. Doubliert. Rahmen, HxB: 90/73 cm.Provenienz: Familie von Türkheim, österr.-ungarisches Adelsgeschlecht.| After Friedrich ÖLENHAINZ (1745-1804) ‘Portrait of a Lady’Oil on canvas, HxW: 75/56 cm. Doubled. Frame, hxw: 90/73 cm.Provenance: Family von Türkheim, Austrian-Hungarian noble family.
Nach Nicolas DE LARGILLIERE (1656-1746) "Porträt einer aristokratischen Dame" Öl auf Leinwand, Verso bez. "Vrouw Constantia Falck geb. Meinertzhagen, Falck Fid:commis" HxB: 47/37 cm. Leicht krakeliert. Régence-Rahmrn mit appliziertem Wappen, HxB: 71/45 cm. | After Nicolas DE LARGILLIERE (1656-1746) ‘Portrait of an aristocratic lady’Oil on canvas, verso inscribed ‘Vrouw Constantia Falck née Meinertzhagen, Falck Fid:commis’ HxW: 47/37 cm. Slightly craquelured. Régence frame with applied coat of arms, HxW: 71/45 cm.
FISCHER, FÜRCHTEGOTT LEBRECHT (1866-1954), RANFTBECHER, „Ein Schubert Abend in Wien“, eingezogene Wandung mit Goldrändern, silbergelb gebeizten Bändern mit Goldblättchen auf Lippe und Reserve, goldgemaltem Bogenfries, Reserve mit farbig gemaltem Gruppenbild, am Klavier Franz Schubert, darunter goldene Bezeichnung und die Namen der Gäste wie Franz Schubert, Architekt von Spaun, Franz von Schober, Eduard von Bauernfeld, Freiherr von Schönstein, Ernst von Feuchtersleben, Franz Grillparzer, Moritz von Schwind, Leopold Kupelwieser, rechts unten goldene Signatur F. L. F. pinx, geschlägelter Ranft, 16-strahliger silbergelber Bodenstern, Höhe 13 cm. Leichte Alters- und Gebrauchsspuren, Goldrand part. berieben. part. bestoßen.| FISCHER, FÜRCHTEGOTT LEBRECHT (1866-1954), RANFTBECHER, ‘Ein Schubert Abend in Wien’ (A Schubert Evening in Vienna), indented wall with gold rims, silver-yellow stained bands with gold leaves on lip and reserve, gold-painted arched frieze, reserve with colour-painted group portrait, Franz Schubert at the piano, below golden inscription and the names of guests such as Franz Schubert, Architect von Spaun, Franz von Schober, Eduard von Bauernfeld, Freiherr von Schönstein, Ernst von Feuchtersleben, Franz Grillparzer, Moritz von Schwind, Leopold Kupelwieser, bottom right golden signature F. L. F. pinx, bevelled rim, 16-ray silver-yellow ground star, height 13 cm. Slight signs of age and wear, gold rim partially rubbed, partially bumped
PORTRÄTIST DES FRÜHEN XIX JAHRHUNDERTS "Halbbildnis eines jungen Mannes" Öl auf Leinwand, unleserlich signiert und datiert, HxB: 60/47 cm. Rest. und doubliert. Rahmen, HxB: 71/57 cm. | PORTRAITIST OF THE EARLY XIX CENTURY "Half-length portrait of a young man"Oil on canvas, illegibly signed and dated, HxW: 60/47 cm. Rest. and relined. Frame, hxw: 71/57 cm.
Kurt Schwitters (1887-1948) German Portrait of John Mackereth Initialled and dated (19)40, oil on board, with 1942-3 newspaper articles to the reverse, 70cm by 54cmProvenance: The vendor is granddaughter of the aritst's companion Wantee.Exhibited: "Kurt Schwitters 2.1.82- 28.2.82", Abbot Hall Art Gallery, KendalThis piece is listed in the artist's cataglouge raisonné. Some light surface dirt. The board is slightly bowing, particularly to the right edge. Areas where the frame has rubbed the outer edges. The odd minor tear to the right edge, one level with the sitter's upper arm approx 1cm and an area below this and one above. Also bowing lower left corner and a small loss to the lower left side near the corner. An area of fine craquelure to the centre of the top edge and one to the right of this. Two small nicks top right corner and a little cracking to the extreme corner. Two losses upper left side. Some extremely fine craquelure in evidence to the dark paint to the inside of his elbow (left side) and to the dark paint to the crease on his sleeve and under his arm (right side) See images.
Sandra Blow RA (1925-2006) "Four Notes" (2005) Signed and dated verso, acrylic and collage, 122cm by 122cm "Four Notes" is depicted in the iconic 2005 photograph of Sandra Blow in her Studio by Eamonn McCabe, this piece is housed in the National Portrait Gallery, NPG x131764 Slight scuffing to the top left corner. The red and blue strips of collage to the outer edges and the four central ones are quite rustic. Each have pin holes, the odd crease/ scuff and tear by design? See images. There are also pin holes to the central sections of the picture within the red shapes. There is scratch approximately 3cm to the centre of the red left hand side edge. Two black marks to the red top centre and a tear approx 3cm to the lower right of this section. A few nicks to the red collage left of centre and to the centre of the red right edge. Glazed. Not examined out of the frame. The signature is to the reverse, obscured by the frame. See additional images.
Pat Maclaurin (1933-2022) “Sailing School under Mont Blanc” Signed, oil on board, 29cm by 38.5cmLots 540 - 560 are from the Estate of Pat Maclaurin (1933-2022)Pat Maclaurin was born in New Zealand and studied at the Canterbury School of Art. For some years her children’s need and those of her husband’s medical practice forced a career break, but in 1973 the family moved to South West London and Pat was able to resume and develop her particular interests in figurative and portrait painting.Initially, she attended Richmond Adult College and was soon exhibiting at the local Richmond Art Society. During the 1980s, with both her daughters dancing in professional companies, Pat developed a real flair for capturing dancing figures and held solo exhibitions at Sadler’s Wells Theatre, Lyric Theatre in Hammersmith, and at Richmond Antiquary.During the 1990s and 2000s Pat regularly exhibited at the following institutions: Royal Academy Summer Exhibitions, Royal Society of Portrait Painters, New English Art Club, Pastel Society, Royal Institute of Oil Painters and Society of Women ArtistsParticipation in these exhibitions led to friendships with artists including Diana Armfield (b.1920), Bernard Dunstan (1920-2017), Mary Jackson (b.1946) and her husband Tom Coates (1941-2023), who became a particular friend and mentor see lots 544-554. During these years Pat attended many short courses, travelling regularly to places like Holt and Devon and working under artists such as Peter Brown (b.1967). She was also inspired by her regular trips to southern France where her daughter Gilly had a house.Her works regularly sold through galleries such as; Llewellyn Alexander Gallery, Wykeham Gallery, Stockbridge, Oliver Swann Gallery, Hyde Park Gallery, Whibley Galley, Worthing, Barnes Gallery and Russell Gallery.

-
283287 Los(e)/Seite