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283287 Los(e)/Seite
Los 247
A large 19th century family oil on canvas family portrait of husband, wife and two children housed in a gilt frame, 148cm x 142cm. Possibly sold in an estate sale by the 4th Marquess of Raynham in the 1960s, contents of Vere Lodge, South Raynham, Fakenham and may relate to the Townshend of Kut family and thereby Cahen d'Anvers Morpurgo families, the painting has been restored and relined and frame replaced, colours good, an interesting painting
Los 399
An R101 Airship casualty group, comprising a group of artefacts from a descendant of Arthur W J Norcott, a rigger on the crew of the R 101, including a locket bearing his portrait, a photograph of Norcott in uniform, a postcard photograph of the memorial to the casualties of the disaster at Cardington, an In Memoriam, a postcard photograph of the Cardington memorial, and insignia including an enamelled silver brooch modelled as the airship, and an embroidered overalls badge as worn by the crew of the R101
Los 614
A George III wedding pendant or love token, obverse a portrait miniature of a bewigged gentleman in stock and yellow frock coat, watercolour on ivory, verso a sentimental hairwork vignette of a temple to enduring love in a formal landscape, the temple enclosing interlocked hearts beneath a coronet, its dome inscribed "Hymen" [Greek god of marriage and marriage ceremonies], above the temple a pair of doves carry a scroll with legend "Dignus Amoris" [worthy of love], in a reeded yellow metal mount with suspender, 4 cm x 3.5 cm excluding suspender
Los 659
(19th Century) 'The Top of the Morning to You', three quarter portrait of a young woman in simple dress, with a ribbon crossed at her throat and heart-shaped locket, etching, paper label for Richard Jeffreys, Picture Dealer Liverpool to the back, circa 1860, in oval passe-partout and gilt frame, 66 x 56 cm
Los 114
Attributed to Sir John Watson Gordon (1790-1864) Portrait of Alexander Graham, three quarter length, in riding dress Oil on canvas, 125.5cm by 100cm Provenance: Carbeth Guthrie Estate; Lyon & Turnbull, The International Sale: Old Master Paintings, Drawings and Prints, 3rd October 2012 See illustration Alexander Graham of Capellie was an enthusiast of hare coursing and amongst other awards won the Waterloo Cup, the most prestigious coursing trophy in the UK. For many years he was chairman of the annual Waterloo Dinner.
Los 129
Follower of Sir Thomas Lawrence PRA FRS (1769-1830) Portrait of Lady Bateman, half length, wearing a lace veil and a string of pearls Portrait of Sir Hugh Bateman Bt., half length, seated in a red upholstered chair, wearing a black jacket and white cravat Oil on canvas, 73cm by 60.5cm and 63cm by 60.5cm respectively (2) Provenance: Tennants Auctioneers, Summer Fine Art Sale, 22nd August 2011, Lot 760 See illustration . gentleman is in restored condition, relined, cleaned and re-varnished some time ago. varnish discoloured and deteriorated with opaque quality most evident within the background. varying sized craquelure to surface, minor rubbing/abrasions to some edges. little to discern under a UV light but this does not exclude the possibility of some restoration.. Lady Bateman : broadly in comparable condition to Sir Hugh Bateman excepting deep cracking and crasing within paint and bitchumin mostly within upper 50-60% excluding flesh-tones of the face. evident old infilling to the mentioned areas which has deteriorated. scuffs/abrasions, minor losses mostly in vertical formation between empire line of dress. framed ensuite.
Los 154
Stephen Lewin (fl.1890-1910) The reflective card player - gentleman seated at a table after a nights unsuccessful gaming and gambling Signed and dated (18)85, oil on canvas, 106cm by 79cm Provenance: Christie's, The Cowdray Sale, 14th September 2011 With Christie's stencil FP355 to reverse See illustration . in fully restored condition, slightly stiff reline, cleaned and revarnished. some surface dirt and discouled varnish now in evidence. varnish showing as opaque in craqelure. some general strenghening and retouching to background in addition to repainting and picking out of features of portrait hanging on wall. in addition to approx 50% of left hand side of the tapestry. some of the darker shadows within the carving of the chair the gentleman is seated in has been retouched, as has more of the detailing on the bowl and other ornaments which adorn the table on the left hand side of the picture. similar level of treatment can be found on the gentlemans legs in addition to the lower decoration of the chair, shadow, superficial scratch to gentlemans left arm and elbow
Los 333
Circle of David Martin (1737-1797) Scottish Portrait of Captain Daniel Vere Esq. of Stonebyres, father of John Vere (historically known as), half length, wearing a grey powdered wig with red velvet jacket in a feigned oval Oil on canvas, 74cm by 61.5cm See illustration . relined, cleaned and revarnished. fine stable craquelure throughout. some deterioration to varnish, further surface dirt in evidence.little to discern under a UV light. likely some general strenghtneing to back ground and also to the general definition and shadows through the costume. slight stretcher shadow. minor rubbing to edges, otherwise in stable state of preservation.
Los 334
Follower of John Riley (18th century) Portrait of Sir William Brownlow Bt., father of John, Viscount Tyrconnel, wearing an aquamarine cloak with white lace necktie Bears signature, oil on canvas, 57cm dia. (oval) Provenance: Tennants Auctioneers, Spring Fine Art Sale, 22nd March 2012, Lot 813 . in restored conditon, relined, cleaned and revarnished of some age. some general flattening to the surface and paint is thin in places, most notably throughout the blue of the sitters cloak. varnish now showing discolouration and deterioation . reasonably evident craquelure. old infilling to craquelure, across face which is evident with the naked eye. further infilling to old flaked paint and craquelure throughout, less evident with UV torch. some likely general strenghtening to background.
Los 335
Follower of Sir Nathaniel Dance-Holland RA (1735-1811) Portrait of Robert B Sheridan (according to label verso), half length, wearing a powdered wig, red jacket with white waistcoat and cravat, holding a book in his left hand Oil on canvas, 74cm by 61cm See illustration . label to reverse stating from O Woodcock Collection. in restored condition, relined, cleaned and revarnished. there is an upturned L shaped repair with associated retouching just above his right hand eyebrow approx 3cm on the horizontal. other areas of minor and sporadic, delicate retouching and infilling of old flaked paint within the base and background in general. there is a [patch of infilling to old craquelure around the mans hand and book which is inconsistant and approx 7 x 5cm overall. further larger patch of overpainting to lower part of gentlemans jacket on the viewers left, roughly 25cm on the horizontal by 8cm. some surface dirt and discoloured varnish. retains some original surface impasto following restoration process. areas of isolated stable craquelure. subtle stretcher shadow. minor rubbing to left hand edge.
Los 336
British School (18th century) Portrait of a lady, half length, wearing a white dress with blue overcoat trimmed with ermine and flowers pinned to her hair, standing in a landscape Oil on canvas, 74cm by 61cm See illustration. in fully rtestored condition. stiffly relined, cleaned and high gloss varnish. surface somewhat flattened , slight stretcher shadow. surface dirt and discoloured varnish. minor wear to edges especially the left hand side. reasonably sporadic retouching to the sitters face, notably to her left hand cheek. shadows around her neck, chin etc have also been strengthened and there are two to three patches to her chest area of retouching. the greys to describe the darker parts of her ermine are strengthened. as is a degree of the general definition within her bodice and pink waisttie and also folds within the blue of her wrap on her left hand side. background generally strengthened. areas of stable craquelure.
Los 337
Follower of Sir Godfrey Kneller (1646-1723) Portrait of Mrs James, the only daughter of Sir Thomas Wyndham Bt., head and shoulders wearing a lilac dress with white chemise and red silk shawl, in a feigned oval Oil on canvas, 73cm by 61cm Provenance: Tennants Auctioneers, Summer Fine Art Sale, 13th July 2012, Lot 373 See illustration . in restored condition, relined, cleaned and revarnished of some age. surface slightly flattened from restoration porcess. paint thin in places most notably in costume. slight stretcher shadow. varnish has deteriorated and is discoloured and showing as slightly opaque particularly within the area above the ladies head. small abrasion to canvas approx 1cm from lower edge and 7cm right of centre. odd further superficial scuffs/abrasions. there is lttle to discern under UV light but doesnt rule out the possibility of further restoration. in reasonable and stable condition.
Los 338
British School (early 19th century) Portrait of a young gentleman, head and shoulders, wearing a black overcoat and white cravat Oil on canvas, 60cm dia. (oval) The sitter has been traditionally identified as Robert Fancourt Provenance: Christie's Interiors - Masters and Makers, 8th March 2011, Lot 206 See illustration
Los 339
Circle of Thomas Phillips RA (1770-1845) Portrait of a Royal Naval Officer, half length, in uniform Oil on canvas, 88cm by 73.5cm . relined likely old clean and revarnish now showing significant discolouration and surface dirt including slightly chsalky quality in areas, there are numerous superficial scuffs and abrasions across surface. more pronounced horizontal scratch in upper left corner approx 1cm. areas of pronounced small sized craquelure and crazing especially where paint is thinned such as his left hand shoulder and arm, elbow and paint is thin around necktie and the white paint across his chest. larger sized craquelure to face. large right angled tear or repaired damage running fullmlenth of his right hand arm and across shoulder. further areas of restoration throughout.
Los 341
Follower of Sir Joshua Reynolds PRA (1723-1792) Portrait of a gentleman, traditionally identified as Dr Philip Hayes, half length, wearing a powdered wig, green coat and holding a letter in his right hand Oil on canvas, 74.5cm by 61.5cm Provenance: Christie's Interiors - Masters and Makers, 8th March 2011, Lot 105 See illustration . in fully restored condition, relined, cleaned and revarnished. picture slighlty adrift in frame along top edge. covered in a layer of dirt and discoloured varnish. small white splash of paint to upper left hand corner, and odd other splashed grey coloured paint within background mostly centre left although not exclusively. cluster of varnish abrasions along left hand side left 10cm from upper left hand corner. further small nic to canvas and other tiny surface abrasion along lower edge right of centre. small area of losses within the gentlemans right hand lapel, within upper section approx 0.5cm across. varying sized craquelure through surface which is slightly flattened as a result of restoration. gouge/scratch below left hand side of necktie approx 0.5cm in length. little to descern under a UV light but there are likely areas of restoration and overpainting such as his right hand cheek, hair, garment and strengthening to background etc.
Los 342
Eden Upton Eddis (1812-1901) Portrait of Anthony Wilson Thorold, Bishop of Winchester, seated, three quarter length, wearing official robes Signed and dated 1892, oil on canvas, 125.5cm by 100cm Provenance: Tennants Auctioneers, Spring Fine Art Sale, 24th March 2011 See illustration . in overall good and original condition. has had a aclean and likely re varnish. some discolouration to varnish now evident. some separation to paint/varnish along upper edge and to gentlemans lefthand sideburn and cheek. areas of fine and stable craquelure. not examined with a UV light.
Los 343
After Jacob Huysmans (c.1633-1696) Flemish Portrait of Isaak Walton, half length, wearing a broad white collar and holding a pair of gloves Oil on board, 72cm by 61.5cm Provenance: Originally hung in head office of Isaac Walton Ltd., Ludgate Hill, London. Sold by direction of a descendant of Isaak Walton. . Glazed, covered in a thick layer of dirt and discoloured varnish. surface also has a covering of bloom /chalky quality to varnish. there is a vertical imperfection or damage which runs from top edge through to lower edge just left of the sitters nose. some likely general strengthening and overpainting to background. small sized areas of stable craquelure further possible overpaint through face. some minor rubbing to edges. in overall good country house condition.
Los 35
Peter Rouw (1771-1852): A Marble Portrait Bust of a Lady, a member of the Thorold family, her hair in plaits and ringlets, her head turned slightly to sinister and her shoulders draped in a classical robe, on a waisted socle carved with palmettes, signed P. Rouw Sculpt'r, 1830, 70cm high Provenance: Originally from Syston Hall, near Grantham, the seat of the Thorald family, which was demolished in 1923.
Los 407
John Henry Lorimer RSA, RSW, RWS, RP (1856-1936) Scottish Portrait of Edinburgh antiques dealer, Louis Joseph Butti Oil on canvas, together with a watercolour portrait of his wife Mary Teresa Butti, 124cm by 92cm, 38.5cm dia. (oval) respectively (2) Provenance: Lyon & Turnbull, Fine Furniture and Works of Art, 5th April 2017, Lot 158 See illustration . in a good and original state of preservation. some deterioration to varnish, light surface dirt. glazed. not examined under UV or out of frame. watercolour has general time staining and oxidisation to sheet. some fading to colour depth, small sized fowing spot. not evidence of cockerling. not examined out of frame.
Los 424
Follower of Sir Godfrey Kneller (1646-1723) Portrait of a gentleman, three-quarter length, wearing a powdered wig with armoured breastplate, leaning on a helmet in his left hand standing before a landscape Oil on canvas, 132.5cm by 104.5cm Provenance: Christie's Interiors - Masters and Makers, 8th March 2011, Lot 211 See illustration
Los 425
Peter Rouw (1771-1852): A Marble Portrait Bust of a Lady, a member of the Thorald family, her head turned slightly to dexter, her hair tied up in plaits, her shoulders draped in classical robes, on a plain waisted socle, inscribed to the reverse Peter Rouw, London 1825, 67cm high Provenance: Originally from Syston Hall, near Grantham, the seat of the Thorald family, which was demolished in 1923. Two repairs to the folds of the shawl to the chest area, small chip to the fold of the shawl above the right breast (1cm). Overall showing signs of dirt and grime. Facial features; hair, head, neck all in good condition. Socle good
Los 54
French School (18th century) Portrait of a lady, half length, wearing a blue velvet dress trimmed with lace, a gold embroidered red silk shawl and a jewel encrusted blue ribbon to her hair Oil on canvas, 74cm by 58cm See illustration Provenance: Christies Interiors, Masters and Makers, Lot 256, March 6th, 2012 . old reline clean and re varnishing. two broadly triangular shaped patches of consisitent overpainting and retouching to both upper corners and along upper edge. further general strengthening to background right hand side. the central parting and definition within the hair on both sides displayes signs of retouching and overpaint with some more delicate strands of hair also strenghtneed. the lid and lower part of her left eye has been retouched in addittion to the majority of her chin and left hand side cheek. more delicate and sporadic infilling to minor parts of her chest area. left hand side lapel is mopstly overpaintined, in addition to left hand side shoulder and a good amount of the darker tones and drapery of her costume.lower right hand corner broadly overpainted. craquelure throughout which is more pronounced in places especially across chest area. stretcher shadow. surface abraded. surface dirt and discoloured varnish. damage to frame lower edge just right of centre approx 1cm in length. minor knocks and abrasions to frame. some evidence of old losses can be seen with the naked eye.
Los 63
William Shuter (fl.1771-1779) Portrait of a young lady, half length, wearing a pink silk dress and a green wrap with a feathered and blue ribbon hair decoration Signed and dated 1787, oil on panel, 23.5cm dia. (oval) Provenance: William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Kansas City, Missouri (as John Opie); Wilkins and Wilkins, London; Christie's, The Duarte Pinto Coelho Collection, 20th July 2011, Lot 481 See illustration . cleaned and revarnished. small nic to out edge. varnish slightly deterioating and showing slightly opaque around some of the minor and sporadic retouches and infilling within the background, ladies hair, length of nose, very small amounts of the shadowing in the costume, lower edge centre etc. some minor rubbing to edges, otherwsie in a good state of preservation. stable craquelure throughout. light surface dirt.
Los 74
Circle of John Downman ARA (1750-1824) Portrait of gentleman, half length, in a grey coat with striped lining and white jabot, wearing a powdered wig Portrait of a lady, half length, wearing a white satin dress, trimmed with lace and a powdered wig Oil on canvas, 29cm & 28.5cm dia. (oval) respectively (2) Provenance: The Caroll Gallery, London (as John Opie); The collection of William Rockhill Nelson Gallery of art, Atkins Museum of Fine Arts, Kansas City Missouri (as John Opie); Christie's London, 9th February 1990, Lot 122 (as circle of John Downman); Wilkins and Wilkins, London (as French School); Christie's, The Duarte Pinto Coelho Collection, 20th July 2011, Lot 480 See illustration. Old relining. scattered retouching particularly noticible to edges of canvas and ladys neck and bust area. 3 large scratches and areas of paint los above ladies head. pin spots of paint loss.but in overall good condition. various labels verso. frames in good order.
Los 77
British School (19th/20th century) Portrait of an officer, three quarter length, wearing the rank of a Major, standing, arms folded in a panelled interior Oil on canvas, 90cm by 67cm See illustration . original canvas with two patch repairs to reverse and associated retouching to the front. there is further significant retouching and overpainting throughout the right side of gentlemans moustache, beard, right hand side of face in general and background. approx 15 by 15cm in addition to the majority of his hair and far left hand side of his face outline of ear extending to a degree of the background. further patch of less consistant overpainting in the panelling in the background upper right hand side of figure. some possible lighter strengthening to jacket highly discoloured varnish has also cracked and seperated in a pronounced fashion across surface. other areas of less significant stable craquelerue to face for examle. surface dirt. canvas loose in stretcher and buckling to top corners. minor rubbing to edges.
Los 97
Circle of Arthur Pond (1701-1758) Portrait of a gentleman, half length, wearing a grey velvet waistcoat and jacket decorated with gold buttons and holding a tricorn hat under his left arm Oil on canvas, 71.5cm by 60cm Provenance: Christie's Anonymous sale, 8th March 2012 See illustration. in restored condition, relined, cleaned and revarnished. enclosed to reverse with cardboard protector. majority of gentalmans face, hair and costume overpainted. surface flattened and thin as a result of the restoration process.there is an amount of chalky or white marking along lower edge which are potentially intrinsic or deterioating varnish with a futher vertical line to right side appox 30cm long , 5cm from edge. light surface dirt and discoloured varnish. varying sized stable craquelure throughout. stretcher shadow. frame in good order, modern
Los 138
An Early Commander’s Set: badge of the Order in GOLD, 85x50 mm, with centre medallion made as a cameo with the portrait of the young Queen Victoria facing left; pale blue enameled outer circlet with the Order’s motto “HEAVEN’S GUIDE OUR LIGHT” made of chiselled silver letters, all set with brilliants; GOLD border with baroque ornaments five-pointed star suspension in silver, plain, gilt-silver ribbon ring, with original neck ribbon; breast star, 85 mm, with slightly flamed rays; gilt silver centre medallion with a silver, chiselled five-pointed star within a white bordered, pale blue enameled circlet made as in form of a tied ribbon (tiny chips to the left ribbon’s end) with the Order’s motto in separately made, silver, chiselled letters, all set with diamonds; plainreverse with centre disc engraved with the maker’s mark: “R. & S. Garrard & Co. Goldsmiths and Jewellers to the Crown 25 Haymarket London” and gold pin; in the original, black morocco fitted case of issue with maker’s mark of Garrard on the inner cushion and a further, full-length neck ribbon.A very rare set of the finest quality, very fine condition.The Order of the Star of India was created in 1861 by Queen Victoria, several years after the Indian Mutiny, when Britain’s power and government in India were again solid and well-established. It was destined to reward Indian Princes and Chiefs as well as British Officers and Civil Administrative who saw their service in India and were signaled for their conspicuous merits. Diplomatically, the first award was done to the heads of the Indian Maharajas and Princes and to the highest British authorities in India.After 1948, no further award was granted. Since 2009, with the death of the last Knight, the Maharaja of Alwar, the Order became dormant. With 229 diamonds for a total of 0.491 ct.I/II RR!
Los 139
The Most Exalted Order of the Star of India: Companion’s badge in gold with centre medallion made as a cameo with the portrait of the young Queen Victoria facing left; blue enameled outer circlet with the Order’s motto “HEAVEN’S GUIDE OUR LIGHT” made of chiselled silver letters, all set with brilliants; gold border with baroque ornaments five-pointed star suspension in silver, grooved ribbon ring;- Queen’s India Medal 1900 with cursive engraved naming “Captn. Hopwood. 3.d Bo. Lt. Cavy:”;- The 1914-15 Star, officially impressed “MAJOR H.HOPWOOD 33. LT. CAV.”;- War Medal 1914-1918, officially impressed “MAJ. GEN. H.R. HOPWOOD.”;- Victory Medal 1914-1918, officially impressed “MAJ. GEN. H.R. HOPWOOD.”;- Serbia: Order of the White Eagle with Swords, Knight’s badge in gilt silver and enamels.Court mounted, extremely fine condition. A medal bar belonged to a cavalry officer, with an interesting career; an extensive research about the history and the owner of this group is attached. With 109 diamonds for a total of 0.16 ct. I RR!
Los 142
A Commander’s Group: the badge, 79 mm, in GOLD with red and green enameled “rose”; centre medallion in gold with portrait of Queen Victoria, within blue enameled outer circlet with motto “IMPERATRICIS AUSPICIIS”; crown suspension in gold and enamels; long, blue neck ribbon with gold buckle; breast star, 83 mm, in Silver, with smooth and chiselled rays; crowned centre medallion in gold and blue enamel; reverse with vertical pin in gold; in the original, fitted, black morocco case of issue, with maker’s mark of Garrard & Co., London, printed in gold on the inner cushion.A beautiful, rare set, mint condition.The Order of the Indian Empire was founded by Queen Victoria in 1878 as a further reward for eminent merits and services, not deserving the award of the higher Order of the Star of India. Besides the award to Indian Royals and Princes, the order was destined to Indian and British officers and stare officials. Not awarded since 1947, with the death of the last Knight, the Maharaja of Dhrangadhra, the order became dormant. I RR!
Los 152
A group of miniatures of Grand Cross or Commander of the 1st type: the cross 21x13 mm, in GOLD and enamels, with centre medallions in gold, with King Otto’s portrait (facing left) to the obverse and Bavarian colours to the reverse; hinged crown and ring; miniature star 19x14 mm, in chiselled silver with centre medallion in gilt silver with enameled details; both pieces with the same gold fitting for mounting to a miniature chain and original ribbon.A beautiful and very rare, homogeneous set. Extremely fine condition. I RR!
Los 154
A 1st type Knight’s Cross miniature, 19x11 mm, in GOLD and enamels, with centre medallions in gold, with King Otto’s portrait (facing right) to the obverse and Bavarian colours to the reverse; hinged suspension crown, groovedring (French marks) and original ribbon. A very well-executed piece, rare and extremely fine condition. I- R!
Los 158
A Grand Cross set of the 2nd type: sash badge, 87x57 mm, in GOLD with white enameled cross,flanked by green enameled oak and laurel wreath between the arms; obverse centre medallionin gold with portrait of Christ in finest enamel miniature painting; blue enameled outer circlet withthe Order’s motto; blue enameled reverse medallion, with white cross in the centre, surrounded byGreek inscription in gold lettering; hinged suspension crown with enameled “jewels” and roundsuspension ring; with original, full length sash ribbon; breast star, 91 mm, with diamond-cut andpierced rays; centre medallion like that of the badge’s obverse, enriched with chiseled, gold, innerand outer rings; smooth reverse with concave counter-medallion and maker’s escutcheon of Pomonis,Athens; broad, tapering, vertical pin and two side-hooks; in the original, gold embossed, red caseof issue with black velvet, fitted inner compartment; the lid’s inner cushion, with maker’s mark ofPomonis, Athens, printed in gold; together, the award document and related papers, to CharlesJonnart, from April 1913.A beautiful, excellently made set, dating from the late 19th Century, almost excellent condition.Charles Jonnart (1857-1927) was France’s Minister of Foreign Affairs from 1911 until the outbreakof WW1 ; he was also involved in the politics of France in Algeria. I R!
Los 450
A Grand Cross Star of the Order, 84X68 mm, highly convex breast star inSilver with alternately diamond-cut chiselled/pierced and smooth rays;the centre, with a portrait of Milosh Obrenovic in the nest enamel-miniature;the upper “bow” above the applied “M” monogram; the reverse withoval countermedallion (this, struck with the “KF”, “A” and the Viennesesilver marks); broad, vertical pin, also struck with “KF” and two “A”marks.An outstandingly rare and beautiful star, made in the workshop of theViennese goldsmith Karl Fleischhacker, who also created the definitivedesign of this order.This order was instituted by King Milan Obrenovic in 1898 to commemoratethe 40th anniversary of the return of King Milosh to the Serbian throne. Itsaw very few awards, because after the coup-d’état of May 1903 withthe assassination of King Alexander and his wife, Queen Draga signingthe end of the Obrenovic dynasty, this, and the Order of Takovo werediscontinued and abolished.I RR!
Los 561
A most early Knight’s Cross in GOLD and white enamel to the obverse (the reverse, finely engraved),39x30 mm, flanked by engraved, golden rays; the lower arm, with a wheeled spur pointing down;centre medallion in gold with separately-made portrait of the Saint in gold on blue enamelled groundwithin chiselled outer circlet; reverse centre medallion also in gold and dark-blue enamel; roundsuspension loop and round ribbon-ring, fitted with a hinge-ringlet; with original, silk ribbon.An uncommon, beautiful piece, dating from the institution of the Order in 1841. I RR!
Los 562
An early Knight’s Cross in GOLD and white enamel, 44x32 mm, flanked by smooth, golden rays; the lower arm, with a wheeled spur pointing down; centre medallion in gold with separately-made portrait of the Saint in gold on dark-blue enameled ground, within chiselled outer circlet; reverse centremedallion also in gold and dark-blue enamel; ornamented suspensionloop and plain, round ring; original, silk ribbon; in the original, red morocco case of issue, the lid, with gold embossed Pope Pius IX’s coat-of-arms; the inner cushion, with maker’s mark of E. Pierret, Rome.A piece of excellent jeweller’s quality and condition, dating from 1860 ca. I R!
Los 563
A Grand Cross set: sash badge, 84x57 mm, in GOLD and red enamel on both sides of the cross; chiselled gold portrait of the saint on deep-blue enamel, within red-gold outer circlet; reverse medallion withgolden inscription “PRO DEO ET PRINCI PE” on deep-blue enamel within golden outer circlet withdate of institution of the order in gold lettering; reverse-shaped upper loop with hinged, greenenameled laurel wreath, the reverse with maker’s mark of Tanfani, Rome and grooved/ribbedsuspension ring; original, silk sash ribbon; breast star, 87 mm, with chiselled and pierced rays, centre ingold an enamels as the order’s badge; the reverse, with retaining nuts, maker’s escutcheon ofTanfani, Rome and vertical, flat pin; in the original, red morocco case of issue, with maker’s markof Tanfani, printed in gold on the inner cushion; the lid, embossed with the arms of Pope Leo XIII(1878 – 1903).A beautiful, luxuriously-made set, of the finest manufacture, excellent condition.Provenance: the estate of Emile Loubet, president of the Republic of France in the years 1899 – 1906. I RR!
Los 564
A Grand Cross breast star, 83 mm, with chiselled and pierced rays; the centre in gold and enamels with excellent chiselwork under the translucent, redenamel; separately-made portrait of the saint in gold, two-colour goldouter circlet; the reverse with maker’s escutcheon of Halley, Paris, round pin and two side hooks.A piece in the finest, French quality, excellent condition. I R!
Los 565
A Grand Cross breast star, 83 mm, with chiselled and pierced rays; the centre in gold and enamels with excellent chiselwork under the translucent, redenamel; separately-made portrait of the saint in gold, two-colour goldouter circlet; the reverse with maker’s escutcheon of Halley, Paris, round pin and two side hooks.A piece in the finest, French quality, excellent condition. I R!
Los 568
An early Knight’s Cross for military, 67x40 mm, in GOLD and red enamel on both sides;dark-blue enameled centre medallion with separately applied portrait of the saint in Gold, within chiselled outer circlet; reverse medallion also in gold with blue enameled centre; upper loop with French, “eagle’s head” mark; hollow-made trophy-of-arms suspension and original, silk ribbon with rosette.A piece of the best French manufacture from ca. 1860, excellent condition. I R!
Los 569
An early Knight’s Cross of slightly reduced size for military, 45x28 mm, in GOLD and red enamelon both sides; dark-blue enameled centre medallion with portrait of thesaint in Gold, within outer circlet; reverse medallion also in gold with blue enameled centre; hinged trophy-of-arms suspension and original, silk ribbon.A piece of finest, probably Roman manufacture from ca. 1870, excellentcondition (transparent, lacquer protection). I R!
Los 73
A Cross of the Order with Brilliants in GOLD, 70x40 mm, white-bordered, blue enameled cross withlozenges between the arms enameled with the colours of Bavaria; white enameled obverse centremedallion with applied, “T” monogram set with brilliants; white enamelled reverse medallion withthe year “1827” surrounded by the Order’s motto: “UNSER ERDLEBEN SEY: GLAUBE AN DAS EWIGE”(Our life on the Earth must be: Faith in the Eternal); with original ladies’ bow-ribbon and a lengthof original, ladies’ sash ribbon. Together a “carte de visite” photographic portrait of Baroness Vecsey.A very rare badge of the special division that, although not statutorily, was awarded to nobleladies as a special grace of the Bavarian Queen; very fine condition.This Order, instituted in 1827, had as a mission, the assistance of not yet married noble ladies,from impoverished families, granting a special pension of 300 Florins per year from the “Schatulle”of the Bavarian Queen, until their marriage. Meritorious foreign noble ladies could receive thespecial grade with jewelled monogram (without any pension). With 21 diamonds for a total of 0.058 ct. very rare and superb! I RR!
Los 1628
FRANK, FRANZ (1897/99-1981), "Portrait eines Herrn in blaugrauer Jacke", wohl selbst, Halbbildnis en face, rechtsseitig monogrammiert und datiert 'F 1937', Öl/Leinwand (am Keilrahmen Stempel: Heinr. Jung, Farben und Lacke, Marburg/Lahn), HxB: ca. 60x40 cm (62x42 cm mit Rahmen). Mit Rahmen. Leichte Altersspuren. VERSO am Keilrahmen tlw. undeutlich bezeichnet 'Franz Frank' und 'Maler ?'. | FRANK, FRANZ (1897 / 99-1981), "Portrait of a gentleman in a blue-gray jacket", probably himself, half portrait en face, monogrammed and dated 'F 1937' on the right side, oil / canvas (stamped on the stretcher: Heinr. Jung, colors and Lacke, Marburg / Lahn), HxW: approx. 60x40 cm (62x42 cm with frame). With frame. Slight signs of age. VERSO part. indistinctly inscribed 'Franz Frank' and 'Maler ?' on the stretcher. BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
Los 1805
SCHAD, CHRISTIAN (1894-1982), "Midinette", Damenportrait, Holzschnitt/Papier, u.re. mit Bleistift signiert und datiert 'Schad 15', u.li. mit Bleistift betitelt, HxB: Platte ca. 18x12 cm, Passeartotausschnitt ca. 22x16 cm, Außenmaße Rahmen ca. 39x32 cm. Im Passepartout hinter Glas gerahmt. Leichte Altersspuren. | SCHAD, CHRISTIAN (1894-1982), "Midinette", Portrait of a lady, woodcut / paper, lower right signed and dated 'Schad 15' in pencil, lower left titled in pencil, HxW: plate approx. 18x12 cm, Passeartot cutout approx. 22x16 cm, external dimensions frame approx. 39x32 cm. Framed behind glass in a passe-partout. Slight signs of age.
Los 3122
WILHELM KUHNERT(Oppeln 1865–1926 Flims)Porträt einer orientalischen Tänzerin. 1898.Öl auf Malkarton.Unten links signiert und datiert: W Kuhnert. 98.42,9 × 30,9 cm.Provenienz:Schweizer Privatbesitz. WILHELM KUHNERT(Oppeln 1865–1926 Flims)A portrait of an Oriental dancer. 1898.Oil on artist's board.Signed and dated lower left: W Kuhnert. 98.42.9 × 30.9 cm.Provenance: Swiss private collection.
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