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283287 Los(e)/Seite
Los 6
Gilt framed portrait miniature together with two nineteenth century watercolour paintings of rural views (3). Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Los 15
Henry Crowther (d. 1939), portrait of a Pug dog, signed and dated 1912, titled `Togo`, oil on canvas, unframed, 25.5 x 20.5cm.; 10 x 8in. Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Los 51
Terry Wilson, 20th century, `anonymous portrait No. 6`, signed and dated `80, lithograph, framed, 75.5 x 55.5cm. Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
Los 365
Richard B. Spencer (British, d.1874) a mid 19th century "Ships Portrait", Oil on Canvas, signed lower left "R B Spencer 1851", depicting the ship off the English coast with other sailing and steam vessels, ornate gilt framed, 48 cms x 74 cms. Note: The National Maritime Museum, Greenwich, London, hold several ship portraits by the brothers R B and W B Spencer, these artists are included amongst many important maritime art collections worldwide including The Peabody Museum, Salem, Massachusetts, USA.
Los 814
A late 18th/early 19th century oil painting on canvas, portrait of “Field Marshall The Honourable James Francis Edward Keith”, second son of William, 9th Earl Marichal and his wife Lady Mary Drummond, daughter of James, 4th Earl and 1st Duke of Perth, born at Inverugie Castle 11th June 1696, killed at Battle of Hochkirk, October 1758. 29 ins x 24 ins, in gilt frame (see illustration).
Los 817
A 19th century oil painting on canvas, portrait of “John Keith-Dixon” of Hawkshead eldest son of Dr John Dixon of Hawkshead and Sarah only daughter of James Keith and granddaughter of Field Marshall The Honourable James Francis Edward Keith (second son of William 9th Earl Marichal), born 17th May 1788, died August 1854. 35 ins x 27 ins, framed.
Los 822
A 19th century portrait on canvas, oval, gentleman in red coat “James Keith” Eldest Son of Field Marshall the Honourable James Francis Edward Keith (Second Son of William Keith 9th Earl Marichal & Mary, Eldest Daughter of James Drummond, 4th Earl and 1st duke of Perth, Lord Chancellor of Scotland) by Eva Murthens. His only Daughter Sarah married John Dixon MD. 29 ins x 24 ins, in oval gilt frame. NOTE-Label verso “Aitken, Dott & Son, May 1842, Edinburgh” (see illustration).
Los 823
After George Romney (1734-1802), oil painting on canvas, portrait of “Abraham Rawlinson of Lancaster”, Lord of The Manor of Grassyard, Caton. B.1709 M.1739, Ellen, Daughter of William Godsalve. D. December 13th 1766 at Lancaster. He was eldest Son of Abraham Rawlinson of Lancaster and Elizabeth Beck of Low Wray. He was Great Grandfather of Elizabeth Rawlinson, 1793-1877, Wife of John Dixon of Burton late of Coniston. 30 ins x 25 ins, in gilt frame (see illustration).
Los 828
An 18th century oil painting on canvas, portrait of “Mary Winder”. Daughter of Ingram de Clifford and Great Granddaughter of Henry de Clifford 11th Baron Clifford, created 1st Earl of Cumberland 1525 KG by his second Wife Margaret, elder Daughter of Henry Algernon Percy, 5th Earl of Northumberland by Catherine Daughter of Sir Robert Spencer Knight, by Eleanor Daughter of Edmund Beauforte, Duke of Somerset. She married John Winder Gentleman of Lorton Hall, Cumberland. 27 ins x 22 ins, in gilt frame (see illustration).
Los 830
An 19th century oil painting on canvas, portrait of “William Winder”. Baptised at Lorton 24th September 1690. Son of John Winder, Esquire, Barrister of Grays Inn, and Lettice, Daughter of Co-Heiress of William Williams of Johnby Hall, Cumberland. He was Merchant and Consul at Barcelona 1723-1734. 28.5 ins x 23 ins, framed (see illustration).
Los 831
A 19th century oil painting on canvas, portrait of “Mary Ann Stephenson”, B. 1788 Daughter of Edward Stephenson of Keswick and Scaleby Castle, Cumberland and of Farley Hill, Berkshire, 1759-1833 who married 27th February 1785 Mary Cecilia Daughter of Charles Strickland of Sizergh by his Wife Cecilia, Daughter of William Towneley of Towneley and Cecilia, Daughter, and eventual sole Heir of Ralph Standish of Standish who married Philippa, Daughter of Henry Howard, 6th Duke of Norfolk. Mary Ann’s Brother Rowland took the name and Arms of Standish in lieu of Stephenson by Royal Licence 6th June 1834. She married George Fenton and their Granddaughter Ann married Daniel Woodhead of Glossop. 29.5 ins x 24 ins, in gilt frame (see illustration).
Los 913
Five 18th century portrait engravings, “Henry Pleydell Dannay” after Reynolds, “Lord George Sackville” after Reynolds, “Claude Louis Francois de Regnier” French Ambassador to Britain 1766, “The Honourable Colonel Townsend” after Thomas Hudson” and “The Honourable Samuel Barrington” after Reynolds. Sizes from 14 ins x 11 ins to 20 ins x 16.5 ins, each in oak frame.
Los 914
Four 19th century portrait engravings, “Spencer” after Henry T. Wells, “Baring” after Rudholf Lehmann, “Francis 5th Marquess of Hertford” after George Richmond and “Admiral Sir George Francis Seymour” after John Lucas. Sizes from 23 ins x 19 ins to 26 ins x 21 ins, each in Hogarth type frame.
Los 7
Daniel O'Neill (1920-1974) The Clown Oil on board, 55 x 51cm (26 x 20") Signed Provenance: From the Collection of George and Maura McClelland and on loan from them to IMMA from 1999 - 2004; Private Collection Dublin Literature : "Daniel O'Neill (1920 - 1974) : Landscape and Figure Painter" by Gena Lynam, Irish Arts Review Vol 15 1999, illustrated P139. There are three separate inscriptions written by George Mc Clelland verso. The first dated December 1969 states " This was the first of Dan's bright paintings painted shortly after we discussed his return to Belfast and the idea of collecting a group of paintings to put on a one man exhibition in Belfast. It started a "Bright happy period in his life" he said later on the night of the opening of his exhibition". Then in March 1973 George added "Conversation with Dan when a hint was made that this painting was a self portrait" And in June 1974 George wrote " Dan's painting continued in this bright mode almost without exception during the next three years. During the period he became a member of AA and had a long period of non-drinking". For further information on Daniel O'Neill see note Lot 8
Los 18
Paul Henry RHA RUA (1876-1958) Old Woman - Achill Oil on board, 16.5 x 9.5cm (6½ x 3¾") James Pollock Gallery label verso Provenance: Private collection Northern Ireland When Paul Henry first went to Achill Island, in the summer of 1910, it was the people of the island who caught his attention, and his interest in the landscape of Achill and the West dates mainly from around 1916 or so. The allure of the people recalled Daumier, whose paintings of peasant workers in the French fields he knew from his student time in Paris. In particular the harsh life of the elderly fascinated him. 'I have yet to see people who worked so hard for so little gain. It meant incessant toil with the spade', he later commented in his autobiography (Henry, "An Irish Portrait", 1951, p. 57). And the women, with their usually homespun flannel clothes, especially 'made a deep impression' on him due to their perseverance in the face of great uncertainty. As with a number of his early Achill pictures-"A Prayer for the Departed", "Old People Watching a Dance", "The Peddlar's Cart", all of 1910-11, for example-there is here a sense of pathos in the facial expression of the woman, which is rendered with great economy of means. Dated 1910-11 on stylistic grounds. There is a label of James Pollock's Gallery, Belfast, on the reverse. Also titled on a label on the reverse. "Old Woman-Achill" is numbered 1267 in S. B. Kennedy's ongoing cataloguing of Paul Henry's oeuvre. Dr. S.B. Kennedy
Los 25
Sir Gerald Festus Kelly KCVC PRA RHA (1879-1972) Peaches and Figs Oil on board, 67.5 x 81 (26½ x 31¾") Signed and dated '38 Exhibited: Atkinson Art Gallery Southport (original label verso), The Royal British Academy, 1970, Cat. No. 151 Sir Gerald Festus Kelly was born in London, 1879. He was educated at Eton College followed by Trinity College Cambridge. After his university studies he travelled to Paris where he remained for many years, receiving an artistic training and befriending Degas, Renoir, Monet, Rodin and Cezanne among other artistic types. Kelly travelled extensively during his lifetime, choosing exotic locations such as Burma and Africa as well as the closer climes of Italy and Spain for his inspiration. Although Kelly's choice of subject for his paintings was varied, it was perhaps for his portraits that he became best known, executing several State portraits and many paintings of society ladies and gentlemen, bishops and lords of the time. Brian Kennedy writes in his book 'Irish Art and Modernism 1880-1950' (p.167): Apart from Dermod O'Brien, the other outstanding portraitists year after year were Sir William Orpen (until 1917 when he last exhibited), Sir John Lavery and Sir Gerald Kelly, but as they lived in England their influence was less than it might otherwise have been. Sir Gerald Festus Kelly exhibited over 300 works at the Royal Academy in London from 1909 until 1970 and held the Presidency from 1949-'54.Although painted in 1938 this work was not exhibited in the Royal Academy until 1970 the last year he exhibited there. In Ireland Kelly exhibited at the Royal Hibernian Academy from 1905-1969, the Oireachtas Art Exhibition in 1932 and also at the Ulster Academy of Arts in 1948. Gerald Kelly received a knighthood in 1945 - no doubt for his astounding talent in representing people and places with extreme delicacy and beauty. He was a highly successful artist during his lifetime but his name seems not to have lived on as it did with his peers Sir William Orpen and Sir John Lavery. Sir Gerald Festus Kelly died in London in 1972. His work is housed in several public collections, among them the National Portrait Gallery, London, the Tate Gallery, London and the Royal College of Music, London.
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283287 Los(e)/Seite