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283287 Los(e)/Seite
JOHN BOWLES (PUBLISHER) THE ROYAL PALACE OF WINDSOR Etching, with hand colouring, trimmed and with part of title affixed to backboard 21.5 x 38.5cm.; with a coloured aquatint of 'Interno della Metropolitana di Sienna' by Eckerlin after Gilio, 44.5 x 33cm., margins dampstained; and a colour stipple portrait of Napoleon by Bartolozzi after Appiani, 33 x 28.5cm., fair. (3)
H** JOUVRY (?) (Fl. circa 1798-1799) PORTRAIT OF SIR JOHN STANLEY (b.1735); and of LADY STANLEY (nee OWEN) WITH HER SON JOHN THOMAS, AND DAUGHTER ISABELLE Two, he standing with a dog by a tree, she standing on steps with her children, the former signed with initials and dated 1799, the latter indistinctly signed and dated 1798, each pencil, the former with some crayon and wash, 30 by 26cm.; and 30.5 x 23.5cm. (2) ++ Each needs a clean. With much provincial charm.
Geoffrey Williams (early 20th century), Susan of Sivoke; a portrait of a great dane, Verinda of Send; a portrait of a great dane, gouache on unprepared panel, the first signed lower left and inscribed with title lower centre, the second signed and dated 1933 lower right and inscribed with title lower centre, each 26 x 30 cm
Alessandro Ossani (d. 1888), Portrait of Walter Gough Calthorpe, seated, half length, wearing a jacket with red edging and a lace collar; Portrait of Constance Gough Calthorpe, seated, half length, wearing a white dress with a pink sash, each oil on canvas, the first signed and dated 1877 left edge and inscribed verso with sitter, dated 1877, and aetatis. sue IV, each 54 x 44 cm each within a 19th century gilded plaster composition frame with beaded and reeded borders
W** Fryer (early 19th century), Matilda Eastburn: portrait of a young girl wearing a cloth bonnet, oil on panel, bears indistinct inscription 'Cottage Girl' and artist verso, in a 19th century hand, 17.5 x 14.5 cm W** Fryer (early 19th century), Portrait of Demosthenes, oil on panel, bears title and artist verso in a 19th century hand, 18 x 14 cm
English School, (18th century), Allegorical portrait of a lady in deshabille, possibly as Cleopatra, holding a bunch of flowers in her left arm, and grasping a serpent in her left hand, within an extensive landscape, oil on canvas, 125 x 101.5 cm in a composite plaster frame applied with repeating leaf and berry motifs. In the present condition, it is difficult to tell if the snake is entwined around the sitter's arm; if this is the case, the allusion is to Eurydice, the wife of Orpheus, who fleeing from an unwanted suitor, trod on a sanke, and died from its bite (Ovid, Metamorphsis, 10: 1-10). However, it seems more likely that the allusion is to Cleopatra, who is often depicted holding a snake to her breast.
John Ewart Robertson (1820-1879), Portrait of Mrs Laurence *** standing three-quarter length, wearing a grey silk dress and holding a rose, within an extensive landscape, oil on canvas, 139.5 x 107.5 cm. Paper label fragment verso, with quote from a commentary to an exhibition in which it featured, reads; ..though very severe in sentiment, is one of the best painted lady portraits in the exhibition. There is only one by Mr. Watts, superior not only to this, but to many others in the exhibition, but, after that, we are inclined to give this work the next position.
David Martin (1737-1797), Portrait of Robert Ramsay of Camno (1722-1806), half length, wearing a black top hat and carrying a walking stick, a harbour and shipping beyond, oil on canvas, signed lower left, 76.5 x 63.5 cm, bears handwritten paper label verso, relating to sitter's life and physical characteristics.
Boswell, James (1740-95), The Life of Samuel Johnson, London, Henry G Bohn, 1835-1851, 8vo, (mixed edition?), ten volumes, one engraved portrait frontispiece, nine other frontispieces, ten additional engraved titles, eleven folding facsimile manuscript leaf, three of which small illustrations on the bottom, fifteen plates of which two are folding, occasional spotting, contemporary half green morocco, spine in gilt compartments, five raised bands, cover very lightly rubbed in places, contemporary ownership inscription to front free endpaper
Charles Jervas (1675-1739) Portrait of Sir Robert Walpole (1676-1745), as Chancellor of the Exchequer, in a black velvet coat, wearing the Star and Riband of the Order of the Garter, with his hand resting on a table, on which sits the embroidered silk cover of the Chancellor of the Exchequer's Seal. Painted circa 1725. Oil on canvas, 125 x 100cm,

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283287 Los(e)/Seite